WIN TIX: Fleetwood Mac Live in Greensboro, NC - March 17th

Its your LAST CHANCE to enter for a chance to WIN  two (2) tickets to see Fleetwood Mac's "On with the Show" tour at the Greensboro Coliseum on March 17!

This Contest is open only to individuals who are legal residents of the 50 United States or the District of Columbia, who are at least 18 years of age or older, and who reside within the participating Station’s (99.5 WMAG) Total Market Area.

Dates of Contest: Contest began Friday, February 27, 2015 at 4:00 pm ET and ends at 10:00 am ET on Monday, March 16, 2015.

ENTER HERE

New Interview with Lindsey Buckingham

Fleetwood Mac: Going long with Lindsey Buckingham
by Peter Blackstock
Austin360

On Sunday, the Erwin Center welcomes back the classic lineup of Fleetwood Mac: Stevie Nicks, Lindsey Buckingham, Christine McVie, John McVie and Mick Fleetwood. This lineup of the group, whose 1977 album “Rumors” is one of just eight albums to have sold at least 40 million copies, last played the Austin concert arena in 1982, a show we’ll discuss in detail in the Austin360 section of Sunday’s American-Statesman.

We spoke by telephone on Thursday with Lindsey Buckingham, who offered a good bit of detail about the full band’s current reunion as well as some background about their past. What follows is an assemblage of highlights from that conversation.

Coming Soon! Fleetwood Mac's Lindsey Buckingham will be a guest on Larry King Now

Lindsey will be a guest on Larry King Now which airs on Ora.tv online.  The air date has been
announced yet.

If you have any questions for Lindsey post them on Larry's Facebook Page or Twitter.

Tour Stats Update: Fleetwood Mac On With The Show Tour

Published Tour Stats

Fleetwood Mac leads the slate of touring artists in the weekly tally of Hot Tours (see list, below) based on box office revenue from its On With the Show tour that launched in September, 2014. During the latest tracking period, three arenas reported $3.8 million in ticket sales from the veteran rock band's winter trek through markets in the U.S. and Canada.

A Jan. 20 sellout at Van Andel Arena in Grand Rapids, Mich. produced the top gross among the three venues with $1.4 million in revenue from 10,204 sold seats. The number of tickets sold was 172 more than that in Montreal two weeks later at the Bell Centre on Feb. 5, generating sales just over $1 million. Finally, with ticket prices ranging from $125 to $195, the group's Feb. 7 concert at Mohegan Sun Arena in Uncasville, Conn. produced a $1.3 million take from 7,542 sold tickets.

The On With the Show tour will continue its North American schedule of more than 80 concerts through April 14, wrapping in the Los Angeles market at the Forum in Inglewood. A six-week European trek will follow beginning with a two-night stand at London's O2 Arena on May 27.

Full article at Billboard

Bassist John McVie of Fleetwood Mac buys Raymond Chandler haunt in Brentwood

Turns out the buyer of the Brentwood property that was briefly home to novelist-screenwriter Raymond Chandler was bassist John McVie of Fleetwood Mac fame.

The Spanish-style house sold last year for $2.535 million -- close to 6% above the $2.395-million asking price.

Built in 1927, the 2,150-square-foot single-story retains such design features as a red-tile roof, interior arches and tile surrounding the wood-burning fireplace in the living room. There are French doors, two bedrooms and three bathrooms.

A guesthouse, ideal for studio space, has heated concrete floors, a vaulted ceiling and solar panels.

McVie, 69, joined Fleetwood Mac in the late 1960s and was inducted into the Rock and Roll Hall of Fame with the band some three decades later. They continue to tour. Among their enduring hit songs are “Dreams,” “Go Your Own Way,” “Rhiannon” and “Don’t Stop.”

Chandler, who died in 1959 at 70, wrote detective mysteries. Many of his novels, including “The Big Sleep,” “Farewell, My Lovely” and “The Long Goodbye,” were made into movies. He moved frequently and lived in the Brentwood house only a short time in 1942 while working on “The High Window.”

The property previously sold for in 1995 for $612,000.

Scott Behrle of Deasy Penner & Partners was the listing agent. Marcie Hartley and Brooke Kaufman of Hilton & Hyland, an affiliate of Christie’s International Real Estate, represented McVie.

by Lauren Beale
LA Times
VIEW MORE PHOTOS

Fleetwood Mac's “Tusk” — a deliberate act of crazy defiance (New York Times Magazine Article)

Letter of Recommendation: Fleetwood Mac’s ‘Tusk’
By Sam Anderson
The New York Times Magazine

Photo Norman Seeff

There is a species of spider that hunts by releasing chemicals that imitate the sex pheromones of moths. When its prey arrives, high on fantasies of romance, the spider hits it with a sticky blob of web, then devours it. Scientists call this “aggressive mimicry.”

This is something like the operating principle behind Fleetwood Mac’s 1979 album “Tusk.” The trap is set with the first track: a lite-rock masterpiece, in roughly the tempo of a summer nap, called “Over & Over.” The singer’s voice is smooth and sad, a melon-flavored wine cooler on a vacant beach at sunset with the one you know will eventually leave you. The keening cheese-ball lyrics (“all you have to do is speak out my name, and I will come running”) are so generic as to be almost meaningless, and these words float on top of a clean acoustic strum, which is punctuated neatly by a clean snare, which is colored in turn by the very clean jangles of an undistorted electric guitar.

It is, in other words, quintessential Fleetwood Mac: classic FM-radio easy listening — an absolute top-shelf lighter-swaying anthem. Not a note is out of place. (This may be the spot to mention that the birth name of the song’s lead vocalist, Christine McVie, is actually Christine Perfect.) The band’s three-voiced choir is in full-on angel-harmony mode — “Oooooooooooo a-ooo-ooo-OOO-ooo-oooooooooooo” — and as the refrain drones on (“over and over, over and over, over and over”) you can feel your pulse beginning to slow, and you step through the bead curtains into the dim back room of your consciousness, where the lava lamp still blorbles and the ylang-ylang incense burns and you can bathe forever in the radiant black light of the perpetual 1970s.

Stevie Nicks says solo career always came second to Fleetwood Mac

kshe95.com

Stevie Nicks says that her massive solo career always took second place in her heart to Fleetwood Mac. Nicks, who along with the Mac are out on the road for their sold-out first tour with the returning Christine McVie since 1998, explained why she even went solo in the first place, telling NPR: "When you're in a band with three great writers, you only get one third of the writer thing. So that's the whole reason that I did a solo career. And that's when I told Fleetwood Mac I was going to do that, they were of course terrified that I would do that record and then that I would quit. And I said to them, 'You guys. . .' I mean, I wanted to go around and hold each one of their hands and say, 'Listen, my loves. I am never going to leave you. I just need a vehicle. I can't, I have trunks of songs from 1973 that are never going to be heard. So the only reason I'm doing this solo thing is so that I can throw a few more songs out."

She went on to explain how she pitched it to her bandmates -- Lindsey Buckingham, Mick Fleetwood, and John and Christine McVie -- saying, "So while you guys take your extended vacations: Lindsey, while you lock yourself in the studio and make records that nobody's ever going to hear; John, you're going to go and get on your boat and sail, actually sail, from L.A. to Hawaii and back, and get lost out there, and we're going to lose you and not know where you are; Christine is going to go back to London and hang out with her friends. While you guys are doing that, I'll make a record, I'll put it out. I'll do a month of shows. And I'll be done, and I'll come back. It's never going to be in front. It's never going to be Fleetwood Mac. I'm the Learjet and they're the 738."

Stevie Nicks has been a solo superstar for over four decades now. We asked her how she feels about juggling two very high profile careers over the years: "A solo career and Fleetwood Mac are a really great thing to go back and forth to. Because, y'know, you can do your solo work and then you could do Fleetwood Mac, and then you can go back to your solo work and then you could do Fleetwood Mac. It really is kind of a blessing in many ways. You never get bored, so you can do your thing until you start to get bored and then you can go to the other thing. (Laughs) And then you can do that until you start to get bored and go back to the other thing. And it really makes for staying in a much more excited and uplifted humor for everything that you do when you're not just doing one thing."

Fleetwood Mac North American tour dates (subject to change):

March 1 - Austin, TX - Frank Erwin Center

March 3 - Houston, TX - Toyota Center

March 4 - Dallas, TX - American Airlines Center

March 7 - Charlotte, NC - Time Warner Cable Arena

March 8 - Knoxville, TN - Thompson-Boling Arena

March 11 - North Little Rock, AR - Verizon Arena

March 12 - Oklahoma City, OK - Chesapeake Energy Arena

March 15 - Charlottesville, VA - John Paul Jones Arena (JPJ Arena)

March 17 - Greensboro, NC - Greensboro Coliseum

March 18 - Nashville, TN - Bridgestone Arena

March 21 - Miami, FL - Time Warner Cable Arena

March 23 - Orlando, FL - Amway Center

March 25 - Atlanta, GA - Philips Arena

March 27 - St. Louis, MO - Scottrade Center

March 28 - Kansas City, MO - Sprint Center

March 31 - Wichita, KS - Intrust Bank Arena

April 1 - Denver, CO - Pepsi Center

April 4 - Vancouver, BC - Rogers Arena

April 6 - Bakersfield, CA - Rabobank Arena

April 7 - Oakland, CA - Oracle Arena

April 10 - Inglewood, CA - Forum
April 11 - Las Vegas, NV - MGM Grand Garden Arena
April 14 - Inglewood, CA - Forum

Fast Facts:

Stevie Nicks' latest solo set, 24 Carat Gold: Songs From The Vault, debuted on the Billboard 200 album charts at Number Seven and features newly recorded versions of lost and/or long bootlegged tracks. The set was co-produced by the Eurythmics’ Dave Stewart along with longtime guitarist Waddy Wachtel, and recorded in only three weeks.

Nicks said in a statement about the set, "I used to make cassettes of my songs and hand them out. But to know that these songs have finally been recorded with the same love they were originally created is joyous for me. I picked 12 songs from about 40 demos made from 1969 to 1987 and one each from 1994 and 1995. These songs are all about love and heartbreak -- how to pick up the pieces -- how to keep moving… I’m really chronicling love from the very beginning."

The deluxe tracklisting for Stevie Nicks' 24 Karat Gold - Songs From The Vault is: "If You Were My Love," "Mabel," "Normand," "Twisted," "24 Karat Gold," "Belle Fleur," "All The Beautiful Worlds," "Lady," "I Don’t Care," "Watch Chain," "Hard Advice," "Carousel," "Blue Water," "Cathouse Blues," "The Dealer," and "She Loves Him Still."

STEVIE NICKS "24 KARAT GOLD - SONGS FROM THE VAULT"

Out Now! Order from Stevienicksofficial.com

Christine McVie killed "You Make Loving Fun and took 14,000 Cleveland fans on a trip to "Everywhere"

Christine McVie's return lifts Fleetwood Mac back on its Hall of Fame pedestal 
by Chuck Yarborough
The Plain Dealer

View 25 Photos by Gus Chan at The Plain Dealer

CLEVELAND, Ohio - Mick Fleetwood said it best Wednesday night.

Rising his full 6-foot-5 frame from behind his massive DW drum set, he pointed to keyboardist-vocalist-songwriter Christine McVie, on tour with her Fleetwood Mac bandmates for the first time in 16 years.

"Making all this complete,'' the wild-eyed Fleetwood thundered to a sold-out Quicken Loans Arena as the spotlight shone on McVie. "Yes, indeed, our songbird has returned!''

It's so, so true.

Two years ago, Fleetwood Mac sans McVie cut a wide swath through the Rock and Roll Hall of Fame band's expansive catalog, relying on vocals from Stevie Nicks, who never had much range to begin with and has lost much of that over time, and a valiant effort by guitarist-vocalist Lindsey Buckingham. It wasn't a marathon sonic waterboarding, but those limitations did make for some torturous moments over the course of more than 21/2 hours.

Wednesday night was a completely different experience.

With McVie back on keys, and her still-strong mezzo-soprano offering lead and harmony vocals, the night became a 160-minute prayer that the inevitable end would not happen.

Perhaps oddly, the greatest benefactors of McVie's presence - aside from those of us in the listening audience - were Nicks and Buckingham.

Gone was the pressure on Nicks to carry an entire night of songs, many of which are out of her throaty wheelhouse.

Gone was the need for Buckingham to fill gaps with guitar solos in a valiant but futile attempt to fool us into thinking something wasn't missing.

Instead, the two were able to focus on their strengths and the songs for which they are known.

For Nicks, that would be the ethereal "Rhiannon,'' the cosmic (although pitchy) "Sisters of the Moon,'' the wrenching "Landslide,'' the autobiographical "Gypsy'' and the even more autobiographical "Gold Dust Woman.''

Buckingham, a more than capable vocalist himself, could tackle "I Know I'm Not Wrong'' "Big Love,'' "Never Going Back Again'' and "I'm So Afraid'' (albeit with a bit too much FX on the last for my taste) and deliver the goods on the iconic "Tusk.''

But more than that, McVie's presence seemed to free him to be what he really is: one of the best - and most unique - guitarists in rock 'n' roll.

His Rick Turner Model 1 guitar alternately screamed, wailed, cried, crooned and wooed throughout the night, as he furiously attacked the strings with his finger-picking style.

To be fair, he did that last time, too, and just about as well. But in 2013, it seemed like he was trying to fill those voids created by McVie's absence. It ended up like rowing with only one oar, and all you do is go in circles.

McVie's presence was felt from the opening strains the show-starting with "The Chain,'' and just got stronger with every lead and harmony vocal she did.

She killed "You Make Loving Fun'' and took 14,000 of us with her on a trip to "Everywhere.'' "Say You Love Me'' turned into a tour de force of her voice and Buckingham's guitar work that would've made the night complete had it ended just there.

But it didn't. "Over My Head'' and "Little Lies'' were spectacular with her in the lead role, and her harmony vocals on other songs helped recreate the lush sound for which Fleetwood Mac is known.

And yet, as important as McVie's vocals were Wednesday night, there seemed to be a bigger thing at work. Every member of Fleetwood Mac, including bassist John McVie, her ex-husband, seemed content to have her back in the fold.

Fleetwood was right: The band is complete now. Life is good. For them, and for us.

Review: Fleetwood Mac Louisville, KY - February 17, 2015

Fleetwood Mac sparkles at KFC Yum! Center
by Jeffrey Lee Puckett
The Courier Journal

Photo: Marty Pearl
VIEW MORE PHOTOS AT THE COURIER JOURNAL

Fleetwood Mac last made new music together in 2003, but the band's heyday ended nearly 30 years ago with "Tango In the Night," its final multi-platinum album. That technically makes Fleetwood Mac a legacy act, largely living on reputation.

You wouldn't have thought so Tuesday night at the KFC Yum! Center, where the band performed with a passion that belied a setlist dating back to 1975. They brought new life to songs that are familiar — overly familiar in some cases — and obliterated any notions that they're simply cashing in on nostalgia.

Mick Fleetwood, John McVie, Lindsey Buckingham, Stevie Nicks and Christine McVie clearly have nothing against nostalgia as the show was top loaded with the band's finest material. It began with a run of "The Chain," "You Make Loving Fun," "Dreams," "Second Hand News" and "Rhiannon" — all major hits that remain staples of rock radio.

That's more classics in less than 20 minutes than many bands can muster in two hours, but Fleetwood Mac didn't coast. They delivered them all with a powerful conviction that made the music seem almost shockingly vital and alive.

It didn't hurt that Buckingham, Nicks and Christine McVie all sang as if time hasn't taken much of a toll. McVie, who came out of retirement for this tour, retains much of the honeyed warmth that gives her songs such tenderness. Nicks was in surprisingly supple form, her reedy vibrato in full effect, and Buckingham didn't hold anything back.

It's hard to overstate how much the return of McVie informed the concert. Fleetwood Mac has had a history of rotating members since forming in 1967, but this is the definitive lineup. It just makes sense in every way.

The dynamic of McVie's delicacy contrasted by Nicks' multicolored daydreaming and Buckingham's almost callous directness is what transformed Fleetwood Mac from a mildly successful band of journeymen into one of history's biggest acts. That combination still makes magic.

OVER MY HEAD
GO YOUR OWN WAY

Fleetwood Mac deal in poles: their songs are heavy and quick, rousing and sad, massive and massively vulnerable

Fleetwood Mac Live at Chicago’s Allstate Arena
February 14, 2015
by Sasha Geffen
Consequence of Sound

Photos by Amanda Koellner
View More at Consequence of Sound

Maybe Fleetwood Mac will still be doing what they do 20 years from now. It wouldn’t surprise me. They lived through peak self-destruction, through the decades when bands were losing members left and right to the side effects of 20th century music culture, lived through the years when fame sounded a lot like a death knell. They endured more fractures in public than many people have to deal with in private. But Fleetwood Mac were lucky. They made it out.

They know it, too, and they couldn’t be more grateful. Playing the 56th night of their On with the Show tour on Valentine’s Day at Chicago’s Allstate Arena, the band emerged to an audience of thousands on a stage decorated with bouquets of red roses. This is Fleetwood Mac’s first tour with Christine McVie since she quit the band in 1998, and her presence lent the concert the feel of a warm, comfortable family reunion with the most bohemian aunts and uncles you've got.

Full Review at Consequence of Sound + really amazing photos that you have to check out.

View Video and More Photos

Fleetwood Mac, the irrepressible pop-rock engine, rolled into Milwaukee Thursday with a huff and puff

Fleetwood Mac Live at BMO Harris Bradley Center - Milwaukee, WI
February 12, 2015
By Michael Muckian
Express Milwaukee

Photo: Danielle Dahl

Fleetwood Mac, the irrepressible pop-rock engine, rolled into Milwaukee Thursday with a huff and puff and as much energy as its aging members could muster. All things considered, that energy proved to be considerable.

Guitarist Lindsey Buckingham, who turns 66 on Oct. 3, is the band’s youngest member, and the numbers only go up from there. But none of that mattered to a mixed-age audience of the faithful, who all but filled the BMO Harris Bradley Center. Given that the band’s lineup also included stalwarts Mick Fleetwood on drums, John McVie on bass, vocalist Stevie Nicks on ribbon-bedecked tambourine, and for the first time in a long, long time, vocalist Christine McVie on keyboards, Fleetwood Mac’s most successful combination was back together again.

Given the age of its members, the band fairly well rocked the walls with a running list of favorite hits on the 54th concert of its current tour. The group played against a fairly engaging backdrop of downright inventive visual imagery that helped drive some the audience’s elder members to gyrate and throb as if on some virulent form of Ecstasy (or perhaps Metamucil).

Full review at Express Milwaukee


Fleetwood Mac turn back time in Milwaukee
February 12, 2015
by Daniel DeSlover
Examiner

On the road since August 2014, Fleetwood Mac pulled into Milwaukee’s BMO Harris Bradley Center on Feb. 12 for their “On with the Show” tour. Performing without an opening act, it was the 54th show on this extensive trek and featured the five core members who took the band to multiplatinum success with the chart-topping “Rumours” in 1977.

Christine McVie rejoined Mick Fleetwood, John McVie, Lindsey Buckingham and Stevie Nicks on this tour for the first time since her retirement in 1998. Opening with “The Chain” seemed an appropriate start to the show and quickly brought fans to their feet. “You Make Loving Fun” followed as a de facto tribute to Christine’s return to the band.

Major vocal highlights of the show included Buckingham’s acoustic and cathartic “Big Love,” McVie’s beautifully harmonic “You Make Loving Fun,” and Nicks’ haunting breakup anthem “Silver Springs,” arguably her best performance of the night next to “Gold Dust Woman.”

Full Review + Photos at Examiner

Statement via @kfc_yumcenter The Fleetwood Mac show in Louisville, KY Tuesday is still on

This statement below from KFC Yum! Center, posted on facebook Monday evening is in reply to the many messages from fans inquiring whether the show in Louisville will proceed as scheduled on Tuesday night, despite the weather conditions in the area.

"At this time the Fleetwood Mac show is planned to proceed as scheduled. It is very unlikely that the event will be postponed or canceled. If that changes, we'll make the announcement via all of our social media channels as well as all TV stations and many radio stations."

- KFC Yum! Center (Facebook Post)

(9:30pm Monday, Feb 16, 2015)

Photos | Video: Fleetwood Mac Live in Rosemont, IL - Feb 14, 2015

 Fleetwood Mac Live in Rosemont, IL - February 14, 2015

Below Photos by Erin Brown

Great captures of the band from Lindsey's side of the stage

VIEW GALLERY

THE CHAIN
YOU MAKE LOVING FUN

MORE VIDEOS BY CLICKING THE LINK BELOW

Review | Photos | Video: Fleetwood Mac Live in Milwaukee February 12, 2015

Moments of strength, and flatness, for Fleetwood Mac at BMO Harris Bradley Center
by Piet Levy
JSonline.com

VIEW GALLERY

With Christine McVie back in Fleetwood Mac after more than 16 years, singer and guitarist Lindsey
Buckingham told a near-capacity BMO Harris Bradley Center Thursday "we begin a profound, poetic and I think a prolific new chapter."

Can't say Thursday's show was always profound, and it's highly doubtful Mac — which dropped its self-titled album, the first with game-changing additions Buckingham and singer Stevie Nicks, four decades ago this year — is going to be all that prolific going forward.

But it did seem that Buckingham and most of the band believed the words he was saying. And that conviction, coupled with enduring talent and classic rock songs, was enough to make Thursday's two-and-a-half-hour show, the 54th on its current tour, a nice little footnote for Milwaukee fans.

McVie, however, seemed to live by very different words she uttered: "I'm not as strong as I used to be," as sung during "Say You Love Me." Her appearance was welcome for sentimental reasons, evident by the warm response when she took lead vocals for the first time in the night, for "You Make Loving Fun."

But there were moments of vocal flatness — most obvious at concert's end for her signature "Songbird," alone on piano with Buckingham on electric guitar — and McVie lacked the charisma of her now more-seasoned singing bandmates. Even drummer Mick Fleetwood — perched behind his decked-out kit with chimes and gong — had more pizzazz, albeit perhaps too much when he disguised a lengthy and ultimately none too impressive drum solo during "World Turning" with hollow, hype-fanning pseudo scat-speak.

There were other moments of self-indulgence. "Go Your Own Way," one of several enduring singles from the band's mega-blockbuster "Rumours," ends on the album with a sudden, anti-climactic fade, but Thursday's drawn-out, jam-session finale wasn't much of an improvement.

And Buckingham, like Fleetwood, was a ham, yelping like a cowboy between some songs, cackling like a pirate at the start of a still-rollicking "Tusk," and stomping about like a toddler throwing a tantrum once the song was over. His voice, while emotionally charged, also was a touch raw compared with the heavenly harmonies of Mac's '70s heyday. But his guitar playing, from the bluesy build on concert-opener "The Chain" to the bittersweet beauty of his acoustic guitar on "Landslide," was consistently exquisite.

Nicks acknowledged before "Landslide" — performed with just Buckingham by her side — that the pair had performed the song hundreds of times. But in dedicating it to her late father — it was his favorite song, she said — she still conveyed the same quiet majesty she brought to the first recording 40 years ago.

Nicks' alluring voice and mystical charisma led the band through anthemic yet intimate soft rock charmers like "Dreams," "Rhiannon" and "Gold Dust Woman" — a set list of hits so great that the band can be excused if that "prolific new chapter" never comes. After all, Fleetwood Mac already created a story for the ages.

THE TAKEAWAYS

■ The best part of the concert was a more stripped-down five-song set that included a few fond recollections about the origins of "Big Love" and "Gypsy." If Mac is really seeking a profound new chapter, it should consider a storytellers-oriented tour in smaller venues.

■ One reason the harmonies sounded so great Thursday was because there were up to five backing singers (two of them also supporting instrumentalists). Fleetwood let those musicians take a bow — but not once did he acknowledge a second drummer who played hidden behind the speaker stacks. For most of the night, the drummer was helping Fleetwood fill out the sound, but Fleetwood himself did handle his drum solo actually solo.

■ Notable banter: "On a personal note, let me quickly say how grateful I am and how fantastic it is to be standing here on this stage with these amazing musicians who are my musical family." — Christine McVie.

SECOND HAND NEWS
DREAMS

Fleetwood Mac Add 2nd Los Angeles Show - April 14th at The Forum Tix on sale Feb 17th

Fleetwood Mac Adds Another Los Angeles Show

Fleetwood Mac, who have been performing to sold-out shows throughout North America, have confirmed they will add one more date to their critically-acclaimed “On with the Show” tour.

The new date is April 14 at The Forum in Inglewood, Calif.

American Express card members can purchase tickets before the general public beginning Tuesday, Feb. 17 at 10 a.m. through Sunday, Feb. 22 at 10 p.m.

Tickets go on sale to the general public on Monday, Feb. 23 at 10 a.m. through the Live Nation mobile app and at Ticketmaster. For further information and on sale dates, please go to www.fleetwoodmac.com.

Fleetwood Mac is currently performing with their five star lineup including the returning songbird Christine McVie who rejoined the band following a 16 year absence.

Fleetwood Mac Review: Stevie Nicks dedicates Landslide to the river of monks - Des Moines, IA

Fleetwood Mac Live
Wells Fargo Arena - Des Moines, IA - February 11, 2015

A songbird returns, Fleetwood Mac thrills Wells Fargo Arena
by Joe Lawler
dmjuice.com

View Photo Gallery (37 Photos)
View Photo Gallery (25 Photos)

It’s a time-honored tradition that touring musicians will mangle the pronunciation of “Des Moines.” Those Ses throw everyone off. Wednesday night at Wells Fargo Arena it was Fleetwood Mac’s Christine McVie who got tripped up. To be fair, she had a good excuse.

“It’s been many a year since I’ve been in the city,” McVie said after making a small error she was probably unaware of. While Fleetwood Mac last played Des Moines less than two years ago, McVie hasn’t been a regular part of the band in 17 years.

The crowd got a heaping helping of McVie during the show. After starting the show with the group effort “The Chain,” McVie launched into “You Make Loving Fun,” a song long absent from Fleetwood Mac sets.

“Tonight’s our 54th show,” singer Stevie Nicks said of the current tour. “In the beginning of our 54 shows, at this point in the show I would say ‘Welcome Des Moines’ and ‘Welcome Back, Christine.’ Now that we’re on our 54th show, we can just proceed with ‘She’s back!’ Let’s get this party started!”

Fleetwood Mac stuck closely to its classic material, following the first two songs with two more from “Rumours,” “Dreams” and “Second Hand News,” which gave Nicks and Lindsey Buckingham a shot at lead vocals. From there the band went back a little further, to 1975’s self-titled album with Nicks singing “Rhiannon.”

Video: Fleetwood Mac Live in Newark, NJ Feb 8, 2015

Fleetwood Mac Live
Prudential Center - Newark, NJ - February 8, 2015

DREAMS
YOU MAKE LOVING FUN
RHIANNON

Available Now: Rockabye Baby "Lullaby Renditions of Fleetwood Mac"

Released February 10, 2015 -- A cool way for all you young mothers expecting out there... or maybe you are a friend or future Grand Parent and looking for something to give a new Mom...

Introduce the little one to some Fleetwood Mac via Rockabye Baby Music's first release of 2015 "Lullaby Renditions of Fleetwood Mac". The album is available now.

Tracklist

1. Go Your Own Way
2. Don't Stop
3. Everywhere
4. Say You Love Me
5. Rhiannon
6. Little Lies
7. The Chain
8. Gold Dust Woman
9. You Make Loving Fun
10. Never Going Back Again
11. Dreams
12. Gypsy
13. Landslide

Amazon

Personal assistant for Fleetwood Mac drummer Mick Fleetwood donates VIP tickets to Cleveland Show

Falls native and band assistant donates VIP tickets to Fleetwood Mac concert to help local charity; raffle raises $10,000 for anti-drug effort
By Stephanie Warsmith
Beacon Journal staff writer
Ohio.com

Cuyahoga Falls native Robert Heeman isn’t a rock star, but he lives like one.

As the personal assistant for Fleetwood Mac drummer Mick Fleetwood, he stays in five-star hotels, rides on private jets and recently bought a million-dollar house in Maui not far from where his boss lives.

Heeman, though, has always wanted to give back to his hometown. He saw an opportunity with Fleetwood Mac’s show Feb. 18 in Cleveland and reached out to Falls Mayor Don Walters, with whom he grew up, to offer VIP concert passes.

Walters jumped at the offer and turned it into an opportunity to raise money for the city’s Not Me, I’m Drug Free program. The city teamed up with I-ROK, which is taking over the concert series in the Falls this summer, and sold $10 raffle tickets for a chance to win one of three pairs of tickets. The raffle raised about $3,000.

Heeman talked Fleetwood Mac into buying any remaining tickets, which will mean a $10,000 donation to the anti-drug program.

Video: Fleetwood Mac Live in Uncasville, CT - February 7, 2015

Fleetwood Mac Live
Uncasville, CT - Mohegan Sun Arena
Saturday, February 7, 2015

Photos: Mohegan Sun Arena

THE CHAIN
YOU MAKE LOVING FUN
EVERYWHERE
SEVEN WONDERS

Review | Photos | Video: Fleetwood Mac Live in Montreal - February 5, 2015

No weak links in Fleetwood Mac's chain
by Jordan Zivitz
Montreal Gazette

Photo: John Kenney
VIEW PHOTO GALLERY (17 photos)

For a band that was once famously defined by personal drama and rancour, Fleetwood Mac’s members were almost as generous toward one another as they were to the nearly 12,400 fans who spent 2 1/2 hours in their company at the Bell Centre Thursday night.

The narrative of this tour is the return of keyboardist Christine McVie, which completes the group’s most popular lineup for the first time since 1998. She certainly received her due welcome from the audience and from her bandmates, but the quintet shared the glory, both between its members and as an ensemble.

And what glory. There’s no new album to promote (although one is in the works), and the most recent numbers in Thursday’s show were from the 1987 disc Tango in the Night, with more than half of the set list drawn from the 1975 self-titled release and 1977’s world-conquering Rumours. But this didn’t feel like a nostalgic evening. The performance was absolutely contemporary and, with McVie back, there was an air both of taking care of unfinished business and setting up a new venture.

The crackling energy was there from the walk-on to The Chain, while drummer Mick Fleetwood’s clockwork timekeeping, John McVie’s strapping bass and Lindsey Buckingham’s swampy guitar telegraphed that the band’s locked-in interplay hadn’t diminished. (About the only wrong note of the night was a breakdown in the Bell Centre welcome staff’s usual military efficiency, with security checks causing a chaotic logjam at the entrance.)

Speaking of precision, Stevie Nicks made an early note that this was the 51st show of the tour. “In the beginning, I would have said: a) ‘Welcome, Montreal,’ and second, ‘Welcome, Chris.’ … Today I think we can say, with caution abandoned, ‘She’s ba-ack!’ ”

Charismatic even when she was rooted in place, Nicks went on to lose herself inside Dreams before Buckingham — the only member to routinely venture to the lip of the stage — led a bracing Second Hand News as if the 38-year-old cut was being shared for the first time. Although Christine McVie’s upper-register vocals were a touch strained in Everywhere (but appealingly earthy everywhere else), that sunny delight was also rejuvenated, and stripped of its ’80s gloss.

Buckingham offered his own welcome to McVie when he spoke of “beginning a profound and prolific new chapter.” It may not have been a coincidence that Fleetwood Mac’s most forward-thinking member said this before a mini-block from 1979’s Tusk, the band’s messy masterpiece of art over commercialism.

The title track’s marching-band strangeness remained delightfully odd — and not just by this group’s classicist standards — with Christine McVie on accordion, Buckingham playing the madman card to the hilt, and three auxiliary players contributing more than the almost imperceptible shading offered elsewhere. Nicks’s carefully possessed lead in Sisters of the Moon was supplemented by haunted harmonies from an understated trio of backup singers.

The quick-change pacing of the show’s first hour or so turned far more casual in the back half, starting with an intimate acoustic section that could have taken place in a club setting. Buckingham made conversation before his solo performance of Big Love, once “a contemplation on alienation and now a meditation on the power and importance of change.” True to his words, the solemn but flashy fingerpicking was a revelation, and far removed from the slick original. Nicks joined Buckingham for Landslide, stunning in its stillness, before the duo added a note of darkness to Never Going Back Again.

Over My Head saw the return of the full band, the introduction of Fleetwood’s front-of-stage “cocktail kit” and a reminiscence from Christine McVie about the time spent “sort of floundering, looking for a new guitarist” before Buckingham joined for the eponymous 1975 album. Setting up Gypsy, Nicks offered a history lesson of her own, a touching recollection of window shopping at San Francisco’s Velvet Underground rock-star clothing boutique before she was a star herself. The songs-and-stories format may have helped slow the show’s momentum, but they also helped make one of the top-selling bands in the world seem approachable.

The home stretch included a number of extended showcases: Gold Dust Woman climaxed with Nicks swaying across the stage in a glittering shawl; Buckingham enjoyed a caustic centrepiece in I’m So Afraid; Fleetwood had the stage to himself for a crazy-eyed shamanic routine in the middle of World Turning.

But of course, Go Your Own Way and Don’t Stop were the real climactic crowd-pleasers. The quintet’s camaraderie was at its strongest in the former, with the tireless Buckingham speeding around Nicks, who had donned a bejewelled top hat, and careering into John McVie.

Fleetwood’s splashy introductions of his colleagues in the encore were brimming with affection: Buckingham with his “beady eye on the future,” Nicks the “eternal romantic,” John McVie “always on my right-hand side,” Christine McVie “making all of this so complete — our songbird has returned.”

Nice tee-up, as McVie returned for a second encore of Songbird, delivering her most tender vocal of the night accompanied only by Buckingham. It was a poignant final word, given an equally poignant afterword when Nicks made an endearingly rambling speech. In all her cosmic wisdom, she credited the audience for willing McVie back into the band. Her gratitude for the circle being unbroken tied into Buckingham’s earlier prediction of a “profound and prolific new chapter.” We’ll see about prolific. In light of the rewards from Thursday’s concert, profound is a fait accompli.

Fleetwood Mac au Centre Bell en PHOTOS
Le Huffington Post Québec

Le groupe Fleetwood Mac était de passage au Centre Bell jeudi 5 février. Amorçant son spectacle avec des pièces de son célèbre album Rumours, le groupe a su ravir les 12 000 spectacteurs qui occupaient l'amphithéatre.

Voici la prestation en photos:

by David Kirouac

VIEW GALLERY

Fleetwood Mac à Montréal: ce n'est qu'un au revoir
by Ismaël Houdassine
Photo Ben Pelosse
fr.canoe.ca

MONTRÉAL - C'était soirée nostalgie jeudi soir au Centre Bell pour l'ultime tournée du groupe mythique Fleetwood Mac. Baby-boomers et amateurs de folk rock atmosphérique 1970 se sont donné rendez-vous dans une ambiance où le quintette a enchaîné les succès.

Sans perdre de temps, les cinq membres du groupe britano-américain dont les vétérans Mick Fleetwood et John McVie (qui ont donné leur nom à la formation), pour la première fois réunis à Montréal, ont amorcé le spectacle en interprétant coup sur coup The Chain, You Make Loving Fun et le superbe Dreams, tous tirés de Rumours, leur légendaire album, vendu à 40 millions d'exemplaires.

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Photo: Ben Pelosse

Fleetwood Mac Au Centre Bell
La totale définitivement totale
by Sylvain Cormier
Le Devoir

Photo: Annik MH De Carufel

Mais comment donc avais-je pu sortir si pleinement satisfait la dernière fois, en 2009 ? Alors qu’elle n’était pas là ? Alors qu’il manquait tant de chansons à la liste des essentielles ? « Toutes jouées, toutes bien jouées », avais-je titré. Toutes ? Sans You Make Loving Fun, Over My Head, Say You Love Me, Little Lies ? Sans la ballade piano des ballades piano, exquise Songbird ? Comment avais-je pu me contenter d’un Fleetwood Mac sans Christine McVie ?

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DREAMS

Review | Video: Fleetwood Mac Return to Toronto - February 3, 2015

Fleetwood Mac Live in Toronto
February 3, 2015 - Air Canada Centre

by Jane Stevenson
Toronto Sun

The return of The Mac proved to be just as sweet the second time around.

British-American ’70s folk-rockers Fleetwood Mac, boasting their most successful lineup of singers Stevie Nicks, keyboardist Christine McVie and guitarist Lindsey Buckingham (Nicks’ ex-boyfriend), bassist John McVie (Christine’s ex-husband) and drummer Mick Fleetwood, returned to the Air Canada Centre Tuesday night after performing at the same venue on the same tour with the same set list back in mid-October. No matter. Torontonians — another 17,000 or so of them — liked a double serving of The Mac particularly since this tour features the return of the 71-year-old Christine McVie who stayed off the road for 16 years.

With everyone else in the group in their mid to late 60s, there was no time like the present for this reunion.

Thankfully, the Fleetwood Mac back catalogue has held up so well with special mention to the songs from their beloved 1977 discs Rumours that’s sold 45 million albums and counting.

Not surprsingly, the group kicked off the night with The Chain from that album before McVie took over on lead vocals for You Make Loving Fun, also from Rumours.

“Welcome back, Toronto.” said Nicks in her usual black flowing outfit, black suede boots and various shawls throughout the night.

“Tonight is our 47th show and I think we can safely say, ‘She’s back!,’ ” added Nicks, referring to McVie. “So that being said, let’s get this party started!”

McVie told the crowd later: “I love you very much!”

What followed was a nostalgic but mostly riveting evening of music as the group, propelled by the guitar maniac that is still the fastfooted, lightning-fingered Buckingham, made their way through such crowd pleasers as the Nicks-sung Dreams and Rhiannon — with some twirling from her on that latter one — the McVieled Everywhere and the Buckingham-sung I Know I’m Not Wrong in the first third of the show.

Five other musicians and an impressively large video screen and smaller video strips certainly helped to fill out the group’s sounds and sights.

“Well, we were here not too long ago — I guess a few more people wanted to see us,” Buckingham said with a chuckle. “So we came back.... I think it’s safe to say we’ve seen our share of ups and downs and I think that kind of makes us what we are. In this particular moment, with the return of the beautiful Christine, she is a beautiful soul, and I think her return now signals the beginning of a poetic, profound and I think prolific new chapter of this band — Fleetwood Mac!”

The next two thirds of the main set saw such highlights as Tusk, with McVie breaking out the accordion, but the marching band appeared only on the big screen and not as a live accompanmient, sadly; Buckingham’s incredible guitar display and gutteral shrieks on Big Love, his quieter vocals but no less stellar playing on Never Going Back Again and plugging in big time for I’m So Afraid; and Nicks’ ’60s San Franreminiscent Gypsy and Gold Dust Woman (complete with gold shawl) with yet more twirling from her on both.

But the emotional centre of the show proved to be the pretty and delicate Landslide, with just Nicks and Buckingham on stage with the former couple holding hands toward the end of the song and again at its conclusion.

Otherwise, the tunes that made me sleepy last time did it to me again, Nicks’ Sisters of the Moon and Seven Wonders but these are small quibbles.

The mighty Mac is back and they don’t appear to be going away again anytime soon.

Fleetwood Mac Live in Toronto
T-MAK WORLD also reviewed the Toronto show and took the below shot of some fancy new footwear that I've never seen Stevie wear before... Check out the review and what Stevie had to say about her boots, along with more photos from the show, here.

Photo by T-MAK WORLD

Gypsy
Gold Dust Woman
Introductions
Don't Stop

Review | Videos: Fleetwood Mac Live in Buffalo, NY - January 31, 2015

Fleetwood Mac bewitches crowd at First Niagara Center
By Jeff Miers
Buffalonews.com

View Photo Gallery (18 Photos)

There needs to come a point when you believe in the band. Otherwise, you’re watching a classic rock jukebox.

We look for that moment when we forget about the baby sitter, the $200 or so spent on the ticket, the fact that we’ve heard these tunes more than a million times.

On Saturday, during Fleetwood Mac’s close-to-sold-out performance in First Niagara Center, that moment came early. Guitarist Lindsey Buckingham strode to the edge of the stage after the lights had been dimmed, looked around, said a brief hello to the front rows, and then dug into the swampy and sultry deep blues riff that signifies the beginning of the Mac’s evergreen hit, “The Chain.”

Buckingham hunkered down, dug into it, and made it plain to all that he had come not merely to collect a paycheck, but to play.

From there on, it was smooth sailing.

Buckingham led the version of Fleetwood Mac that most of us know and love – the group responsible for “Rumours,” “Tusk,” and “Tango In the Night” – through a hits-heavy set that walked the tightrope between easygoing ’70s pop-rock and deep-cutting avant-garde pop.

Of course, Buckingham is not the most famous member of Fleetwood Mac. That would be Stevie Nicks, his ex, and forevermore his partner in pop. Nicks is an icon, but Buckingham is a musical genius. On Saturday, their sparring made for abundant entertainment.

Fleetwood Mac has made a habit of including Buffalo in its tours since re-forming in the late ’90s. But this particular tour stop boasted something more than simply a run-through of “Rumours” and associated hits. This was in fact the first time area audiences have seen keyboardist and vocalist Christine McVie perform with the band in more than 15 years. McVie’s tunes – her “You Make Loving Fun,” “Everywhere,” “Say You Love Me” and “Over My Head,” among others – offered soulful highlights. She seems to have lost nothing in the vocal department – she nailed every part she should have, and did so with soul.

This was a hits show, to be certain, but in Fleetwood Mac’s case, that needn’t be a negative. The group has scored platinum with some rather adventurous tunes, and a mid-set focus on the freak manifesto that is “Tusk” made this plain. Buckingham’s “I Know I’m Not Wrong” and “Tusk” led nicely into Nicks’ “Sisters of the Moon,” and earned the crowd’s respect, apparently. The place exploded.

Nicks doesn’t have the voice she once did, but then, who would? She’s in her later 60s now, and if she couldn’t hit the high notes during “Rhiannon” and “Dreams,” she wisely chose the low road, while three backing vocalists, joined by Buckingham and McVie, fleshed out the harmonies. None of it felt fake or forced – this was a band that seemed grateful to be playing for an appreciative audience.

Nicks told a particularly cool story that involved her trademark top hat, an accessory she was rarely seen without during Mac’s “Rumours” heyday. The singer told the assembled that it was during a tour stop in Buffalo – one assumes that it would have been the 1975 pre-”Rumours” stop that is recorded as having taken place at the old Century Theatre – that she purchased said hat. This brought a huge roar from the crowd, which was made up of a cross section of 50-, 40-, 30- and, surprisingly, 20-somethings.

Fleetwood Mac still has it, as Saturday’s show made plain. Everyone pulled their weight, especially the recently returned McVie, whose voice was pure gold.

But like every other Fleetwood Mac show since he joined the band in 1974, this one belonged to Lindsey Buckingham. He is one of the true pop geniuses to have emerged from the ’70s, and on Saturday, he proved it one more time.

Fleetwood Mac Live in Buffalo
T-MAK WORLD also reviewed the show... Check out their review here.

Gold Dust Woman
Silver Springs
< Don't Stop

Video: Fleetwood Mac Live in Washington, DC - January 30, 2015

Fleetwood Mac Live - Washington, DC
Verizon Center - January 30, 2015

Gypsy intro story.... Different angle from what you normally see.. Shot from the side of the stage showing Christine and John taking a break while Stevie tells her story.

Go Your Own way... Stevie let's a couple of people in the front row touch her tamborine as she passes by.

I Know I'm Not Wrong

Landslide... including the dedication