Thursday, April 30, 2015

Photos, Video... Fleetwood Mac's Lindsey Buckingham at USC with Trojan Marching Band

Fleetwood Mac's Lindsey Buckingham reunites with USC band for 'Tusk'
LATimes


Fleetwood Mac's Lindsey Buckingham reunited with some old bandmates Wednesday night -- the USC marching band, to be exact.

After a Q&A session in USC's Bovard Auditorium, Buckingham and the Trojan musicians tore through USC favorite "Tusk," followed by "Go Your Own Way," to the delight of the students in attendance and the parents they brought along.

"Tusk" has long been associated with the private school, with brass chords as familiar to USC devotees as the university's actual fight song. The original 1979 version was recorded with the USC band at Dodger Stadium and has been a game-day staple since.

Leading up to the short performance, Buckingham answered questions from David Belasco, a professor at USC's Marshall School of Business. Throughout, Buckingham sprinkled in solo acoustic renditions of "Never Going Back Again," "Bleed to Love Her" and "Big Love."

The event was part of Belasco's USC course "The Leap," a series of discussions with business leaders and innovators about the "entrepreneurial mindset." Guests have included Quincy Jones, Pete Carroll and Jessica Alba.

But the Buckingham visit was less about straight-ahead business advice than the successes and setbacks of the rock star's long career. Still, he did deliver some wisdom about maintaining artistic credibility in the face of commercial pressures and public expectations.

He cited the creation of the double-album "Tusk" -- the far less commercially successful follow-up to "Rumours" -- as an example.

"What happens with artists, or people who start off doing things for the right reasons, is that you slowly start to paint yourself into a corner by doing what people outside of the creative world are asking you to do, and I think that's antithetical to being an artist," he said.

"['Tusk'] is my favorite album of all these albums, because of the reason it was done," Buckingham said. "It started me down the path I still try to aspire to, which is to be an artist and not just a craftsman who is doing business."



Lindsey Buckingham serenades Bovard crowd
Daily Trojan
By ISABELLA ALVAREZ


Lindsey Buckingham, the guitarist of the renowned ’70s band Fleetwood Mac, took a break from the band’s tour to speak to a packed crowd in Bovard Auditorium on Wednesday night.

Fleetwood Mac is best known for its Grammy Award-winning album Rumours which was released in 1977.

At USC, however, Fleetwood Mac is best known for having recorded the song “Tusk” alongside the Trojan Marching Band.

The talk was hosted by the Lloyd Greif Center for Entrepreneurial Studies as part of David Belasco’s class, BAEP 470: The Entrepreneurial Mindset – Taking the Leap.

Upon introducing Buckingham, Belasco remarked that that night was special because it was all about the USC family and the experiences they share.

Taylor DuPont, a sophomore majoring in business administration, said that she attended the event because Fleetwood Mac was an important part of her childhood.

“Fleetwood Mac is my favorite band. I grew up listening to them and continue to do so. When I found out that Lindsey would be on campus, I jumped at the opportunity of seeing him talk and play,” she said.

During the talk, Buckingham discussed his youth, how he met his bandmate and former lover, Stevie Nicks, and how he came to join Fleetwood Mac.

He then discussed the success of Rumours and how it was also a difficult time for the band members because their romantic relationships were disintegrating.

Buckingham said this difficult time affected his career. Belasco asked him whether great art required great pain.

“At the very least, emotional experiences will only broaden your creative landscape,” Buckingham said.

After every topic, Buckingham performed a song related to it. Among them were “Never Going Back Again,” “Bleed to Love Her” and “Big Love.”

For every song that he performed, he received a standing ovation from the audience.

Because of Fleetwood Mac’s unique connection to USC, Buckingham also discussed how Fleetwood Mac came to collaborate with the Trojan Marching Band to play “Tusk.”

“We wanted something that would sound like a jungle roll and hypnotic. How Bartner got in the picture, I don’t know. Maybe Mick?” he said, referring to the band’s drummer.

A video from USC’s archives that showed the day that “Tusk” was recorded at Dodger Stadium was shown. Belasco explained that through “Tusk,” the Trojan Marching Band was able to set two unique records, one for the first collegiate marching band with a Grammy-winning record and one for the most musicians collaborating on one single.

Following the talk, students asked Buckingham questions. He provided them with advice regarding the definition of success.

“I was never really [goal-driven]. I was focused, but not necessarily trying to do anything for anything other than my own success,” Buckingham said.

The talk ended with Buckingham performing “Tusk” and “Go Your Own Way” with the band.

Earlier in the talk, Buckingham said the work of Fleetwood Mac has been able to reach such a wide array of generations.

“We have gotten teenagers whom our body of work seems to make sense to,” Buckingham said.

Students said after the event that they were very pleased with Buckingham’s talk and performance.

Jake Simon, a junior majoring in business administration, said that he felt very fortunate to have been able to attend.

“I was in the second row and it was beyond incredible,” he said.

Cristina Gomez said she was impressed by the uniqueness of the event.

“This was like a personal concert for ourselves along with stories. It was so impressive!” she said.

At the event, the Lloyd Greif Center awarded Buckingham with a trophy that recognized his contributions to the university, as well as his musical entrepreneurship.

Correction: An earlier version of this article quoted Cristina Gúzman. Her name is actually Cristina Gomez. The Daily Trojan regrets the error.

Saturday, April 25, 2015

'It's going to be a very constructive period for the band' - Lindsey Buckingham on Fleetwood Mac

Lindsey Buckingham interview on "The Big Interview with Dan Rather" will premiere Tuesday, April 28th at 8PM ET on AXS TV.  Additional air dates and times listed below:





Tue, Apr 28th - 8:00 PM ET - Premiere
Wed, Apr 29th - 3:00 AM ET
Wed, Apr 29th - 10:30 AM ET
Fri, May 1st - 4:00 AM ET
Fri, May 1st - 9:30 AM ET

Stevie Nicks admits she is still searching. (Young men are too dumb, older men are too, well, old!)

Living Legend Stevie Nicks
by Liz Smith
Quest Magazine
(Spring, 2015)

“I live in the world of romantic possibility,” says Stevie Nicks. Nicks is one of the most successful and iconic (overused word, but it’s appropriate here) singer-songwriters of the past fortysomething years. She was born in Phoenix, Arizona—but her millions of besotted fans know that cannot be true! Not only does Stevie live in a “world of romantic possibility,” she lives in a world of unicorns and benevolent magic; of flowing scarves and eternally windswept hair. She is a one-woman magical mystery tour.

Few artists have maintained the consistency of Stevie Nicks, in her presentation and in the quality of her distinctive voice (a compelling, keening sound: not quite beautiful, but seductive and soul-catching).

Stevie has been consistently linked—since her high-school days!—to Lindsey Buckingham. Both would be linked, this very moment, to the band Fleetwood Mac. Nicks and Buckingham joined the group in 1975, after several years of writing and performing on their own. The inclusion of the couple—romantically involved at that time—galvanized the group. Nicks’ songs “Landslide” and “Rhiannon” became instant classics, and drove the album to the top of the charts.  Her dreamy onstage look (created by designer Margi Kent) was at odds with her powerful, impassioned delivery. (The platform boots she favored gave her not only height—she’s tiny—but a certain grounded, solid quality. She still wears those boots!)

Yet success, as always, was a cruel mistress. Tension wracked the Nicks-Buckingham relationship and they parted, personally, during the recording of the follow-up album Rumors. This record, another hit, addressed some of the inside gossip about the end of their affair. But this was nothing compared to what came later, during the tour for that album. Nicks and Mick Fleetwood (who was married with children) began an affair. Nicks was horrified it had happened and anger from friends was a daily burden. The relationship would end, but, in a sick twist—it’s only rock ‘n’ roll!—Mick would eventually leave his wife for Stevie’s best friend!

Stevie, almost comically prolific—how much could a woman write and know and express?!—now began branching out. She appeared occasionally with Tom Petty and The Heartbreakers and in 1981 released her first solo album, Bella Donna. It was a smash. Her second solo effort The Wild Heart, came in 1983.  Another smash, more hit singles. Then came Rock a Little in 1986, which continued her streak of solo successes. Her lyrics were—and are—deeply personal but universal. “I write songs that people can’t write for themselves,” she has said.

Still working with Fleetwood Mac, Nicks faced a variety of issues, personal (i.e. cocaine, chronic fatigue syndrome) and professional. But the band played on, seemingly unstoppable despite the fact that Buckingham had left.

In 1995, Nicks and Buckingham reunited for the duet “Twisted” which is heard on the soundtrack to the popular tornado movie, Twister.

Stevie continued to split her creativity between Fleetwood and her own solo career, which she managed with apparent ease. When Fleetwood began a new album in 2001, Nicks was, for the first time, the sole woman in the band—Christine McVie had left, Buckingham had returned. The subsequent tour was successful but fraught.

Married only once, briefly to musician Kim Anderson in 1983, Stevie Nicks seemed to float above the gritty, grimy world of bruised egos, shattered dreams, and an industry that worships the new obsessively. Even when she’d speak of her once-upon-a-time drug habit, or about love or sex or growing older, there seemed to be a distance—great candor through gauze, so to speak.

I once sat in a room with Stevie, in the office of her press representative, Liz Rosenberg. I wasn’t there to interview Stevie, so I didn’t feel right about repeating, afterward, the conversation that poured out. There’s an old expression, “Ask a question, get a pageant.” Stevie definitely is a pageant. It’s almost stream-of-consciousness. She often asked and answered her own questions. She was quirky, fascinating, intelligent, and yet…the gauze was up.

As I write this, Stevie is back on the road with Fleetwood Mac. McVie has returned and—so far!—nobody’s backed out of the tour. One sophisticated woman I know fairly well took me by surprise when she told me she was a huge Stevie Nicks fan, and was rapturous after seeing her in concert. “A goddess, this woman is a goddess!” (The goddess also appeared on the popular and fabulously bizarre T.V. series American Horror Story: Coven. She played herself. Well, the fan fantasy version of herself, singing to a coven of witches. She was mesmerizing.)

A few years back, contemplating her enviably long career, Nicks said, “I never wanted to be just some ‘girl singer.’”

Stevie has talked now and then about writing her memoirs. On the one hand, she says she wants to wait until everybody who could be hurt “is too old, no longer cares,” about what she might reveal. On the other hand, she demurs on the basis of sex—she won’t write about her sex life, she insists! Well, why not keep up that mysterious quality? (Madonna she ain’t!)

Personally, Stevie Nicks admits she is still searching. (Young men are too dumb, older men are too, well, old!) But professionally, Stevie got her wish. She never was, never will be, just some “girl singer.”

READ THE DIGITAL VERSION OF THE MAGAZINE ON-LINE:


STEVIE NICKS "24 KARAT GOLD - SONGS FROM THE VAULT"
Out Now! Order from Stevienicksofficial.com

Thursday, April 23, 2015

Lindsey Buckingham to speak at USC on his life in music and Fleetwood Mac - April 29th

Lindsey will speaking with at USC on Wednesday, April 29th.

Register to attend at usc.edu/esvp; code rockandroll. 


Pre-Order LIMITED EDITION "Crystal Visions…The Very Best of Stevie Nicks " Double Vinyl




LIMITED EDITION CRYSTAL VISIONS VINYL BUNDLE
Previously out of print, Crystal Visions…The Very Best of Stevie Nicks is available in a one time limited pressing in transparent “crystal clear” double vinyl. Vinyl includes live versions of "Landslide" and "Edge of Seventeen." Half-speed mastered by Stan Ricker.
 
Vinyl Messenger bag is 14” x14” x 3” with a 54” adjustable strap. 11” x 17” Limited edition portrait poster printed on heavy stock paper.
 
Pre-order item – release date: May 19th, 2015

Bundle Includes:
  • Stevie Nicks 11x17 Litho
  • Stevie Nicks Vinyl Messenger Bag
  • Crystal Visions: The Very Best of Stevie Nicks



STEVIE NICKS "24 KARAT GOLD - SONGS FROM THE VAULT"
Out Now! Order from Stevienicksofficial.com

Wednesday, April 22, 2015

PHOTOS Fleetwood Mac Live in Los Angeles 4/14 + North Little Rock 4/19

Fleetwood Mac Live in Los Angeles, CA - April 14, 2015
141 Photos by Alex Kluft Photography
View Gallery

Alex Kluft Photography: Part 3 &emdash; Alex Kluft Photography: Part 1 &emdash; Alex Kluft Photography: Part 1 &emdash;

Fleetwood Mac Live in North Little Rock, AR - April 19, 2015
46 Photos by Brian Chilson
View Gallery


Tuesday, April 21, 2015

Review: Fleetwood Mac North Little Rock, AR - April 19, 2015

Fleetwood Mac fans flames of past in NLR
By JACK W. HILL
Arkansas Online


Sunday night proved better late than never for Fleetwood Mac fans, who had been waiting since March 11 to see the legendary band of men and women who have somehow managed to keep their long-running band afloat, despite what the group's guitarist, Lindsey Buckingham, described as their "well-documented ups and downs."

Before the 12,844 fans who came close to packing Verizon Arena in North Little Rock, Fleetwood Mac showed over the course of a 2 1/2-hour show that its members can still rock with the best of anyone, past or present. Postponed on March 11, due to an undisclosed illness of an unidentified member, the "On With the Show Tour" -- arrived in Little Rock, finally, for the 81st and final show in the United States before a break followed by the European leg of the tour.

Though the band had played at Verizon in June 2013 and 15 of the 22 songs they performed Sunday night were also performed at that 2013 show, there was one major difference between the two shows: singer/keyboardist Christine McVie ended her 18 years of retirement and rejoined the band, giving them the lineup that had been responsible for hit after hit.

McVie soared on "You Make Loving Fun," "Say You Love Me," "Little Lies" and especially, "Over My Head" and even played accordion on "Tusk." Stevie Nicks, seeming to be in better condition or spirits than two years ago, served up fine versions of "Rhiannon," "Sisters of the Moon," "Landslide," "Gold Dust Woman," "Gypsy," "Go Your Own Way" and "Never Going Back Again."

McVie, Buckingham and Nicks, who were all wearing black outfits, provided vocals, and drummer Mick Fleetwood and bassist John McVie, though more colorfully attired, provided a firm foundation for the singers.

Buckingham's guitar skills were again on display as he prowled the stage like a feral cat. Indeed, Buckingham, who has a fine voice, could have almost been the show all by himself. Whether he was playing acoustic or electric guitar, Buckingham delivered perhaps the finest display of guitar prowess ever on display in Verizon Arena, and threw in some body language that could have originated in the worlds of athletics or dance.

Fleetwood showed off his drumming skills throughout the show, especially on "World Turning," the first of three encore songs that also included "Don't Stop" and "Silver Springs." The concert was further enhanced by some of the best light show and camera work ever seen in a rock concert this side of Pink Floyd.

Savoring the moment, after the last note, Fleetwood promised that "The Mac is back," perhaps hinting that more new music would someday emerge from the talented songwriting triumvirate of Buckingham, Nicks and Christine McVie.

Monday, April 20, 2015

77 Photos: Fleetwood Mac Conclude North American Tour in Little Rock, AR - April 19, 2015

Fleetwood Mac Live in North Little Rock, AR
April 19, 2015

77 Photos by: Nelson Chenault
View Gallery on Facebook


Review: Fleetwood Mac Oklahoma City - April 17, 2015

With Christine McVie's return, Fleetwood Mac electrifies Oklahoma City's Chesapeake Energy Arena
by Brandy McDonnell
Newsok.com

Crowd: Sellout, about 13,000 strong and adoring.

Early highlight: Even if it isn’t your favorite Fleetwood Mac song (the eerily extended version of “Gold Dust Woman” and crazily energetic version of “Secondhand News” were more my speed), there’s just something about a big fan sing-along on “Go Your Own Way” that makes it the instant, undeniable highlight of any Fleetwood Mac show.

Reviewer’s take: “Our ‘Songbird’ has returned,” drummer and bandleader Mick Fleetwood declared, and he was right in declaring that Christine McVie completed the lineup. Not only did she round out the trademark three-part harmonies with her smoky voice, she also brought a rightness and energy that galvanized the Rock and Roll Hall of Famers.

"The Chain" is at last mended, and unbroken, it's as strong as ever.

Fleetwood Mac made its delayed yet triumphant return to Oklahoma City Friday night with its full, five-star iconic lineup, including singer/keyboardist Christine McVie, whose significance in the band becomes even more apparent once you witness live the way she both energizes and eases her cohorts.

Monday, April 13, 2015

Review: Fleetwood Mac Live in Las Vegas - April 11, 2015

A REUNITED FLEETWOOD MAC PROVES ITS CONTINUED VITALITY AT MGM
by Josh Bell
Las Vegas Weekly

Fleetwood Mac April 11, MGM Grand Garden Arena



A few songs into Fleetwood Mac’s concert at the MGM Grand Garden Arena on Saturday, singer Stevie Nicks noted that it was the 78th show on the band’s current tour with returned singer/keyboardist Christine McVie. Having McVie back after a 16-year hiatus seems to have reinvigorated the group, and they played with the enthusiasm of the first show on the tour, along with the confidence of experienced veterans.

Full Review at Las Vegas Weekly
GOLD DUST WOMAN

Review: Fleetwood Mac Live in Los Angeles - April 10, 2015

Fleetwood Mac adds another chapter to their storybook with a career-spanning show at the Forum
by KELSEY HENG
Buzzbandsla.com
Photos by Kelsey Heng


Following up last November’s stop in Los Angeles, iconic rockers Fleetwood Mac returned to continue their “On With The Show” tour. On Friday night, the Forum celebrated the idolized lineup that created “Rumours,” one of the era’s greatest albums and cemented the band’s place in history. 

With a 16-year retirement now behind her, Christine McVie has returned to the band for a reunion worth witnessing. Her sweeping alto harmonies and beloved love songs were a glaring missing piece for so many recent years. Now with her return, Lindsey Buckingham cheerfully declared this night a “circular karmic moment and new chapter in the story of this family.” - See more at: 

And it’s a family with plenty of story — one that has been anything but hidden to the public eye. Buckingham paused the show to emphasize that fact, saying, “We are a group of individuals and a band that has seen its ups and downs, but that is what makes us who we are. And we have been able to prevail through the good and the bad.”

The comings and goings of members is nothing new to the group or its fans, as toxic relationships and dark periods plagued years of the band’s monstrous success. The bands survival through all the rifts and rivalries is one thing, but the ability to now continue their story 41 years later (and all over the age of 65) is a chapter worth equal acclaim.

The 2 1/2-hour show included more than 24 songs, many of which highlighted McVie’s vocals and her own writing, including “Everywhere” and “Say You Love Me.”

Gypsy style icon Stevie Nicks and guitar legend Buckingham have enough stage presence to drastically contrast that of McVie’s spotlight-averting demeanor. Nicks, clad in her usual dark flowing mystic attire with ribboned tambourine in hand, twirled through “Dreams” and “Rhiannon” early in the set. She handed off the audience’s attention to Buckingham for “Second Hand News,” “Tusk,” and his personal mantra “Big Love.” All three drenched with youthful high-energy and guitar solos perfected over a lifetime.

Joining then on stage together, Nicks and Buckingham seemed to turn back time with Landslide as they slowed to the ending gripping each others hands as only former lovers could before letting out the last lyrics.

With the past so fresh in the minds of everyone, Nicks spoke eagerly of the bands early San Francisco days, going from neighbors to band mates, quickly opening for the likes of Jimi Hendrix and Santana, her own Velvet Underground clothing store backstory to Gypsy,” and her days dreaming of moments and success like they have now.

The first encore opened with World Turning with Fleetwoods comically energetic audience participation drum solo that concluded with his arms outstretched and his grin declaring, much fun was had by all. Following the stadium sing along of Dont Stop, they slowed to an end with Silver Springs and its fitting spellbinding lyrics you won’t forget me.

The real encore immediately followed as the nights prodigal McVie returned alone to the stage at a piano for Songbird,” a storybook ending that, as Fleetwood said, makes this all so complete.

Full Review with Photos at Buzzbandsla.com










Thursday, April 09, 2015

CHRISTINE McVie’s return to Fleetwood Mac has made many people extremely happy

Christine McVie rejoins Fleetwood Mac for On With The Show tour
CAMERON ADAMS NATIONAL MUSIC WRITER

HERALD SUN

CHRISTINE McVie’s return to Fleetwood Mac has made many people extremely happy — none more so than the other members of Fleetwood Mac.

At one point during her 16-year sabbatical from Fleetwood Mac bandmate Stevie Nicks straight up offered McVie $5 million right there and then if she’d rejoin the band.

“I said ‘Is that all!,” McVie laughs. “I’m only worth $5 million?!”

It’s worth noting that 40 US dates of their On With the Show tour since McVie officially rejoined in January 2014 generated over US$74 million, and they’ll at least triple that when they spend most of this year touring before winding up in Australia and New Zealand in November.

Once she was back in Mac, Nicks gave her friend a silver chain, a metaphorical gift that McVie says echoes the sentiment of the band’s classic The Chain because “the chain of the band will never be broken” then she adds “not by me anyways. Not again by me”.


Monday, April 06, 2015

3rd Fleetwood Mac Shows added for Sydney and Melbourne PLUS Adelaide finally secures a show!



Fleetwood Mac add 3rd dates in Australia in Sydney and Melbourne plus finally added a date in Adelaide. 

American Express Cardholders have first crack at tickets beginning April 9th. The Live Nation pre-sale begins April 13th and the general on sale date is set for April 15th. 

October 25th - Sydney, AU - Allphones Arena (3rd show)
October 28th - Adelaide, AU - Coopers Stadium
November 6th - Melbourne, AU - Rod Laver Arena (3rd show)

Tickets on sale via Live Nation

Review: Lindsey Buckingham was the undisputed star of the evening

Fleetwood Mac deliver 'Second Hand News' in Vancouver
By Robert Collins
CTVNews.com

Attending fans’ opinion of last night’s Fleetwood Mac concert at Vancouver’s Rogers Arena
depended entirely on whether or not they were present at the same venue four and a half months ago, the last time the band graced the city.

VIEW GALLERY
For those for who last night was their first taste of Fleetwood Mac’s ‘On With The Show’ tour, their senses are still tingling from the experience today. The Kings and Queens of Soft Rock still reigned, cranking out two and a quarter hours of gems with energy and style.

The long absent Christine McVie, now firmly re-entrenched in the line up, gave the band the vocal ammunition to roll out classics like “You Make Loving Fun,” “Little Lies” and “Say You Love Me.” After a touch of trouble on certain high notes early on, she soon slotted into her musical groove, finishing the night strong with a honky tonk piano solo adding an extra sheen of fun to “Don’t Stop.”

In terms of vocals, Stevie Nicks was in richer form than on her previous visit to Vancouver, wisely navigating her way around the high notes during “Rhiannon,” “Landslide” and her opus, the lyrically merciless “Gold Dust Woman.”

Stealing the show throughout, Lindsey Buckingham was the undisputed star of the evening, his guitars taking centre stage through opener “The Chain,” the perfect power pop of “Second Hand News” and “I Know I’m Not Wrong,” and hosting finger picking acoustic wizardry on “Big Love” and “Never Going Back.”

Those who were lucky enough to be at Rogers Arena back in November probably have a different view of last night.

Sunday, April 05, 2015

Review - Fleetwood Mac Live in Vancouver - April 4, 2015

Fleetwood Mac brings crazy-ass fingerpicking and monster drums to Vancouver
by Steve Newton
The Georgia Straight


Fleetwood Mac must really love Vancouver. The Anglo-American pop greats played Rogers Arena less than five months ago, on November 18, before returning for last night's gig at the same venue.

Apparently the feeling is mutual, because hordes of Vancouverites were willing to drop $199 (plus service charges and fees) for the best seats at the quintet's latest appearance. Who knew that Christine McVie had that much drawing power?

Last year saw the return of keyboardist-vocalist McVie to the concert stage, reuniting her with singer Stevie Nicks, guitarist-vocalist Lindsey Buckingham, drummer Mick Fleetwood, and bassist/ex-hubby John McVie. That's the same lineup that ruled the charts and airwaves in the seventies during its Rumours-era heyday.

Tomorrow is here: Mac are back

Here comes another, yes, another Fleetwood Mac reunion gig.

DON’T STOP thinking about tomorrow. Don’t stop – it’ll soon be here. That’s right:

Sunday Star Times - New Zealand Apr 5, 2015
The future is hurtling towards us at high speed, and for those with the inclination and the cash, that future may well include a Fleetwood Mac concert.

All five members from the band’s golden period have regrouped and are about to descend upon our shining shores, with singer/keyboardist Christine McVie back in the fold after a 16-year absence. Their world tour hits Dunedin’s Forsyth Barr Stadium on November 18 and Auckland’s Mt Smart Stadium on November 21.

Dreams. The Chain. Go Your Own Way. Fleetwood Mac’s 1977 album Rumours got a thrashing when I was in my teens. Recorded during a time of wholesale disharmony and clandestine rooting within the band’s ranks, its mix of burnished Californian melodies and emotionally overwrought lyrics somehow made perfect sense to me as I rode the rapids of puberty.

Back then, Stevie Nicks, a vision in chiffon and lace, was a regular visitor to the very rudest of my dreams, swirling around so vigorously that her crooked gypsy hemline encountered unprecedented wind resistance, causing her dress to disintegrate before my thankful eyes. But when I got her on the phone in 2009, I was the very soul of professionalism, and so was she. ‘‘ Rumours came out of a very dark period,’’ she told me from her home in Santa Monica.

Thursday, April 02, 2015

Reviews, Videos, Photos: Fleetwood Mac Live in Denver - April 1, 2015

Fleetwood Mac at the Pepsi Center in Denver
by John Wenzel
Reverb

If you’re like me, and it’s not impossible that you are, you grew up vaguely aware of Fleetwood Mac. You thought of the band’s music as something primarily designed for parents, like chardonnay or station wagons. It wasn’t until you listened to it at a party in college, surrounded by people who were a bit older and cooler than you, that you realized it was also something for you. Something that deserved the critical praise and karaoke treatment it always got. Something really good.

Those thoughts wouldn’t leave me last night as I watched the band play its second, capacity Pepsi Center show in the span of four months. The “Rumours”-era lineup, which includes recent and utterly indispensable returning member Christine McVie, plowed through a 22-song set like gleaming pros. Most of the audience was middle-aged and seated, and happily so. But despite the frequent, between-song nostalgia from Stevie Nicks (resplendent and witchy), Lindsey Buckingham and a circumspect McVie, the band proved its music doesn’t belong to one generation. We all own “Rhiannon,” is what I’m saying. And it owns us.

Continue to the full review at Reverb

Fleetwood Mac Remains a Strange and Potent Musical Family
by Alex Warzel
Westword.com

The Pepsi Center was moving and shaking on Wednesday evening to the smoky sounds of the infamous Fleetwood Mac. The night was filled with velvet-draped microphone stands, beards, vests and the crackle of big personalities.

Although the group seemed to be in high spirits, there was a suggestive tinge of emotion drifting between the bandmates throughout the show. Christine McVie, once married to bassist John McVie, has not been a part of the band for over sixteen years, but she began touring with it again in September. The event mainly focused on Christine McVie and her return — something Stevie Nicks seems to have had enough of. 

Continue to the full review at Westword.com

Below photos by Daniel Petty - View Gallery

THE CHAIN

SAY YOU LOVE ME


28,000 Fleetwood Mac tickets gone in a flash

Fleetwood Mac tickets gone in a flash
Otago Daily Times


Tickets to the Fleetwood Mac concert at Forsyth Barr Stadium sold out in minutes yesterday but a second Dunedin concert is unlikely, the promoter says.

Live Nation Australasia chief executive Michael Coppel said it was ''hugely gratifying'' to have Fleetwood Mac's Dunedin concert on November 18 sell out in less than an hour after tickets went on sale at 10am yesterday.

More than 28,000 tickets were sold but a second Dunedin show was unlikely, Mr Coppel said.

However, the entertainment company was working to make more tickets available for the South Island show and hoped to have ''good news'' to announce in a couple of weeks.

''The unbelievable response to the reunited line-up has made this the biggest concert event of 2015,'' Mr Coppel said.

Concerts at Auckland's Mt Smart Stadium on November 21 and 22 will complete the New Zealand leg of the band's On With The Show world tour.

Wednesday, April 01, 2015

Review - Fleetwood Mac Live in Wichita, KS - March 31, 2015

Full Mac attack brings the hits to Wichita crowd
By Denise Neil
Kansas.com

The whole Fleetwood Mac lineup was at Intrust Bank Arena on Tuesday night to perform its library of hits for 12,000 appreciative fans.

But the member that original musicians Stevie Nicks, Lindsey Buckingham, John McVie and Mick Fleetwood seemed to appreciate most was songbird Christine McVie, who has just rejoined the group after a 16-year absence.

Lead singer Nicks, noting early in the show that Wichita was the band’s 72nd stop on its tour that started last year, said that at the beginning of the tour, she used to welcome Christine McVie back at the top of each show.

“But now that we’re on show number 72, I think we can safely say she’s back,” Nicks said as the crowd cheered wildly.

The concert, a 22-song tour through the band’s almost 50-year career, showcased many of the songs the members wrote about their drama, fights and love triangles.

Now all in their 60s and 70s, the members seemed in sync and warm toward each other, a musical reminder that time heals.

“I think it’s safe to say that we are a band and a group of individuals who have seen its share of ups and downs, all, I’m afraid, very well-documented,” Buckingham said from the stage, adding that the group has also been able to “prevail through the good and the bad.”

The band opened with its 1977 hit “The Chain” from its album “Rumours.” The house lights went down, and after several anticipation-building minutes, the shadow of a woman in flowing clothes appeared.

When the lights went up, it was Nicks, dressed in her signature fringe, holding a scarf-laden tambourine with Buckingham to her left on guitar, Christine McVie to her right on keyboards and vocals, John McVie behind her on bass and Mick Fleetwood behind her with his drum set – bearded, ponytailed and energetic as ever.

The crowd members, most in their 30s through 60s, included some who stubbornly remained in their seats and others who stubbornly stood and danced, oblivious to who was behind them.

Highlights of the show included Nicks leading the group through two of its biggest hits, “Dreams” and “Rhiannon.” Her recognizable growl was still firmly intact, though she didn’t even attempt the high notes from days gone by on either song.

Christine McVie spoke a few times also, her velvet British accent adding some class to the proceedings as she introduced some of her songs, including the 1980s hits “Everywhere” and “Little Lies.”(Noticeably absent from the set list: “Songbird,” her big song from “Rumours.”)

When it was time for “Landslide,” the Nicks-penned hit from 1975, only one-time couple Nicks and Buckingham were on stage. Nicks dedicated the song to “girl power” and to two women in the Wichita crowd she said she had learned just before the show were distant relatives. In the pause before the final refrain, she and Buckingham briefly held hands, and she said something in his ear. He nodded in agreement.

Buckingham then launched into a solo, drawn-out version of “Never Going Back Again.” At the end, Nicks reappeared to back him up.

The group also performed hits “Gypsy,” “Go Your Own Way” and “Gold Dust.”

The encore was “World Turning,” “Don’t Stop” and “Silver Springs.”

RHIANNON