This 22-track live collection features six previously unreleased recordings from the October 21, 1982 show, including favorites like “Landslide,” “Don’t Stop,” and “Never Going Back Again.” The other songs were recorded at the October 22 show and have appeared on various releases through the years, including Live Super Deluxe Edition (2021), Mirage Super Deluxe Edition (2016) and the 1983 concert video Mirage Live.
In September 1982, Fleetwood Mac embarked on a 31-city U.S. tour in support of Mirage, the band’s fourth consecutive multi-platinum album and third No. 1 in America. Both shows at The Forum were recorded, and Mirage Tour ‘82 combines songs from both into a single concert experience.
Mick Fleetwood, John McVie, Christine McVie, Lindsey Buckingham, and Stevie Nicks were at the height of their collective power at these shows, delivering a hyper-charged setlist filled with hits new and old. Standouts include “Songbird,” “Oh Well,” “Love In Store,” “Go Your Own Way,” and a version of “Landside” for the ages.
In the set’s liner notes, music journalist and songwriter Bill DeMain calls the collection “a riveting listen” and a reminder of a time when rock shows “were platforms to expand and reinvent songs for the stage, to let them breathe, to unleash different, wilder sides of a band.”
Listen to the previously unreleased live version of "Don't Stop" from Mirage Tour ‘82 below.
Stevie Nicks opens up about infection that forced the postponement of two shows
Stevie Nicks took the stage in Glasgow, Scotland, on Wednesday after previously postponing her show in the city, and she explained to fans what kept her from performing in the first place.
In fan-shot footage posted to YouTube, Stevie revealed she got an infection that led to her hospitalization.
“When I got here I was just really excited to be in Glasgow,” she told the audience. “And I don’t know what happened, I just got this weird infection, and it just went crazy.”
Stevie shared that she had gotten to Glasgow a few days early in order to enjoy the city and was staying at a castle when she realized something was wrong.
“I finally looked at my assistant, it was like 2 in the morning, and I said, ‘I think we need to go to emergency,’ and she looked at me and I just said, ‘I’m not kidding, I think we need to go to the hospital,'” she said.
The butler then sped Stevie to the hospital, where she wound up staying for two days.
“They let me go back to the castle, and we canceled this show,” she said. “This whole tour I’ve been fighting what started here, and I would be damned if I wasn’t coming back here.”
Stevie’s Glasgow show was originally supposed to take place on July 6, with the postponement blamed on “a recent leg injury requiring a minor surgical procedure that will need a few days of recovery time.” She also postponed a show in Manchester.
Wednesday night’s makeup show was the last date of Stevie’s European tour. She has two more U.S. shows on the books for 2024: Sept. 24 in Grand Rapids, Michigan, and Sept. 28 in Hershey, Pennsylvania.
Stevie's thanks to 'special' Scottish medical team
She commended the help and hospitality she was given by the medical team: “I was so looked after there.
“You are a really special country and a really special people.”
The ‘Edge of Seventeen’ singer comment that ‘she was happy as she got to stay in the castle a couple more days’ as she adored staying there and the country.
Nicks told the crowd how she has been "battling this the whole tour" to which the crowd gave her a rapturous round of applause.
Before she said with determination: “But, I would be damned if I wasn’t coming back here to play this show and finish this tour.”
'A big Scottish goodbye' from the rock legend
At the end of the emotional show, Nicks brought all her crew, band and friends on stage to thank them as the rescheduled date had meant it had turned out to be the last gig in her two-year tour.
Nicks said: “This is our last show, we’ve been on the road for two-years now and this is the final, final show."
Stevie Nicks, Glasgow review - ‘dazzled with the evergreen
wonder of her songwriting gift’
Even though she spent more time introducing some songs than actually singing them, Stevie Nicks still managed to hold her audience’s attention, writes Jay Richardson
The creative and romantic psychodrama behind Fleetwood Mac's success is legendary. Yet the enduring rockers' most enduring survivor, Stevie Nicks, belatedly closing her latest tour in Glasgow after medical issues forced her to postpone the original date, still treated her crowd to a lengthy account of how she and Lindsey Buckingham ended up joining the band, transforming them into the world's biggest pop outfit in the 1970s. Indeed, between several changes of cape to emphasise her persona as “the psychic witch that everyone thinks I am” and all the tales behind the songs (both in the band and from her illustrious solo career), with the introductions at times lasting three or four times longer than the tracks themselves, she truly tested the crowd’s love for her, which nevertheless remained strong.
Performed with her vocal coach Steve Real, the timelessly gorgeous ballad Leather And Lace acquired additional depth from Nicks' yarn of how she wrote it for Waylon Jennings and his wife Jessi Colter shortly before their split. But a rather by-the-numbers cover of Stephen Stills' For What It's Worth was insufficient reward for an interminable, decades-spanning explanation of why she loved the song.
Thankfully, the second half of the setlist featured less exposition. And it's a hard heart that would deny Nicks the chance to pay tribute to some of her greatest departed collaborators, including Tom Petty, with a soaring, gutsy rendition of Free Fallin', and her poignant take on Landslide which closed the night, emphasising her sisterhood with her Mac bandmate Christine McVie. Highlights included the white hot rock of Petty composition Stop Draggin' My Heart Around and the anthemic juggernaut of Edge Of Seventeen, its iconic guitar riff propelling almost everyone in the Hydro out of their seats.
Opening her encore with the driving rhythms of Rhiannon, Nicks belied her 76 years for a show that was low on surprises, overburdened with filler but generally dazzled with the evergreen wonder of her and her peers' songwriting gift.
Jake Shimabukuro joins forces with his friend, drumming legend and founding member of Fleetwood Mac, Mick Fleetwood, to create a fresh new take on the Blues. “I’ve always wanted to do a Blues album and when Mick and I started talking about working together, I thought who better to work with than Mick Fleetwood?” The result is something exhilarating and unique, as these two titans of their instruments reinterpret some of the greatest songs written by some of their favorite songwriters in a Blues setting.
Since gaining prominence in the early 2000's, ukulele marvel Jake Shimabukuro has mesmerized audiences with his innovative and dynamic style, taking the instrument to dizzying new heights. Over a dozen solo albums, Shimabukuro has shown a knack for moving effortlessly between genres, sometimes in the same song. Shimabukuro has played the world's most venerable venues, from The Hollywood Bowl to Lincoln Center to the Sydney Opera House and collaborated with some of the world's greatest musicians, including Yo-Yo Ma, Bela Fleck, Jimmy Buffett, Jack Johnson, Ziggy Marley, Sonny Landreth, Billy Strings, Willie Nelson and Warren Haynes. In 2021 he was nominated by President Joe Biden to serve as a Member for the National Council on the Arts.
What does the iconic Stevie Nicks bring on tour in 2024? Gold, glitter, glam, her legendary capes and one of the most beautiful voices in the world. But also a lot of sadness because of the loss of her loved ones.
The Ziggo Dome was not sold out, despite it being a seated show, but that probably has more to do with the ticket price than with the popularity of Stevie Nicks. She is – still – not only a musical icon but also a style icon for all generations, as evidenced by the outfits of the visitors. Top hats, shawls and capes, black lace, puff sleeves, wide skirts, black boots, wild curls. Clearly inspired by the style of the Fleetwood Mac legend, who also displayed her 'witchy' image in American Horror Story: Coven.
Ode to her lost friends
Tonight she will play a mix of 'her' Fleetwood Mac songs, solo work and a few well-chosen covers. But above all she will pay tribute to the people she has lost. Starting with Tom Petty, who plays an important role in the setlist from the intro song Runnin' Down A Dream. Although it is a seated show, everyone in the audience immediately stands up at the first notes. But don't worry: for those who suddenly can't see anything of the stage anymore, Stevie Nicks can be followed in no less than four places on the screens.
What immediately stands out in the first song: her voice is still good, although she sings a little lower than she used to and with slightly less compelling emotions. When Outside The Rain (Bella Donna) seamlessly flows into Dreams by Fleetwood Mac, a mother and her teenage daughter go crazy for me. Stevie also seems to be enjoying herself: even for her it is apparently special to be in Amsterdam. “Let's get this Amsterdam party started!”
Tom Petty
With Stop Draggin' My Heart Around, Stevie and her band bring Tom Petty closer. She enthusiastically tells the story behind the song, although most fans probably already know it. It was the first song he gave to Nicks – and it became her first solo hit. “That man you're always pining over, wishing you were in his band, he has a song for you”, she was told by her producer Jimmy Iovine. At the time, he was working on Bella Donna and the Tom Petty And The Heartbreakers album Hard Promises at the same time. “I went to the studio completely overdressed, and Tom Petty was so casual!” They recorded it in a few days, although she now tells us that she was actually sad that it ended so quickly.
The parts that Tom Petty sang back then are now performed by Waddy Wachtel, who was also in the studio in 1981 as a guitarist. But he also sings very well. In the background, not only photos of the young Stevie with Tom Petty on stage and in the studio are projected, but also other icons such as Bob Dylan, Prince and Joni Mitchell pass by. Nicks calls the song the beginning of the Stevie Nicks band. Now that Petty is no longer there, she feels it is important to let him know how much she still appreciates that. Later, she also plays a cover of Free Fallin'. This feels even more like an ode to Stevie's friend and idol, with a matching photo slideshow.
“I don't want to be a cleaning lady!”
Tonight's other cover is the Buffalo Springfield song For What It's Worth. She's known since she was eighteen that she would one day record a version of it ('in all my arrogance') and in 2022 she did indeed release the song as a single. That one long outburst in the song gets a lot of applause. Then she really goes into chatterbox mode, and catches herself not knowing what story she wants to tell anymore, because she has so many. It becomes the moment that she and Lindsey Buckingham - then still virtually unknown as Buckingham Nicks, she had a part-time job as a cleaner - meet the other Fleetwood Mac members for the first time. They clicked enormously, especially between Stevie and Christine McVie. But afterwards Buckingham said: "I don't wanna be a blues guitarist..." Nicks replied firmly: "But I don't want to be a cleaning lady!"
Gold, glitter, glam
For Bella Donna, she brings out the first cape of the evening. The real, original Bella Donna cape, she says. She actually didn't want to take it with her ("Been there, done that"), but she was persuaded: your audience wants to see them! And that's absolutely true. The Stand Back cape, which is almost falling apart from age, also makes an appearance. Stand Back is a highlight of the show: screaming guitars, gold, glitter, glam. That line is continued in Gold Dust Woman, an impressive longer version of the Fleetwood Mac classic (complete with gold cape).
She sings the beautiful Leather And Lace with her vocal coach and band member Steve Real, who has a terribly beautiful voice and is actually not inferior to Don Henley. For a moment the song goes through marrow and bone. This sensitive moment is quickly over when the intro of Edge Of Seventeen is milked to increase the tension. Was this an ode to Prince?
“I'm gonna make it”
“There are no live recordings of us, there's just us,” Stevie reminds us, thanking us for being there. The encore is a real treat: Rhiannon and Landslide, the second with Christine McVie in dozens of photos. It's hard to hold back the tears, for the song itself and all the loss Nicks has to live with. All night I've been wondering how she does it, how she keeps going and singing without breaking down. And now, at the end of the show, the answer comes. This is a night where she explains, and she doesn't always do that. The stage is her coping mechanism, ever since she was a little kid. “Whenever I'm sad, I run to the stage. It keeps me going. When I'm here, I know I'm gonna make it. I'm gonna make it.”
As Stevie Nicks arrived on stage at Manchester’s Co-op Live on Tuesday (July 16) to her 1981 ‘Bella Donna’ track Outside The Rain, she cast a spell over the packed crowd as she launched into a two-hour set of solo and Fleetwood Mac classics.
A week after her planned appearance was postponed due to an injury, it didn’t hurt the turnout for the concert, which saw the 23,000-capacity venue filled with adoring fans of all ages – some who’ve been there from the start, many of whose parents weren’t even born when she joined the legendary group in 1975.
Segueing into Dreams – the only Fleetwood Mac song to top the US Billboard Hot 100, written solely by Nicks, for the classic ‘Rumours’ (1975) – it provided the first of many singalong moments in a show that, in the artist’s words, celebrated her “halcyon days” with a focus on her first two records.
Stop Draggin’ My Heart Around – her first solo single outside of the band – saw guitarist Waddy Wachtel step up for Tom Petty’s parts, after Nicks introduced the track by detailing its origins and crediting her producer and ex-boyfriend Jimmy Iovine for making it happen, during one of several anecdotes throughout the evening.
Radiating warmth and laced with humour, there’s an innate charm to her storytelling that had the crowd hanging on her every word, whether introducing her quasi-political cover of Buffalo Springfield’s For What It’s Worth, or recounting her early years with Lindsey Buckingham in San Francisco ahead of the Mac’s Gypsy.
Having pointed out her tendency to ramble and the venue’s “strict curfew”, a sizzling Stand Back brought the crowd to its feet and Nicks – adorning the original ’80s black and gold cape – barely let up, with a non-stop run of anthems: a tribute to Petty with his own Free Fallin’ led into an enigmatic Gold Dust Woman (another shawl moment) and the Don Henley duet Leather And Lace, with Steve Real.
It was the iconic opening bars of Edge Of Seventeen that garnered the biggest reaction of the night so far, with longtime backing singers Sharon Celani and Marilyn Martin (yes, the same Marilyn Martin that sang with Phil Collins on Separate Lives) showcasing the flawless blend that’s become integral to Nicks’ live shows over the years.
Returning for a two-song encore, it was Fleetwood Mac classics Rhiannon and Landslide – both lifted from the group’s 1975 self-titled album – that closed the show, the latter featuring a poignant tribute to her bandmate Christine McVie, with a images of the pair through the years flashing across the screens.
Thirty-five years since her last European tour, on the back of her 1989 album ‘The Other Side Of The Mirror’, Nicks’ return to the UK stage is long overdue, but having filled the country’s largest arena – days after drawing 60,000 fans to London’s Hyde Park – there’s plenty of demand for one of music’s all-time legends over here.
Happily, a return looks to be on the cards with Nicks sharing her love of England – “[I’m] probably going to live in Harrods… in the jewellery department!” – and teasing: “We like it here. We just might stay.”
When Stevie Nicks postponed her Glasgow gig everyone with a ticket to see her at British Summertime held their breath, would their dreams be shattered of seeing the legend at Hyde Park. When she postponed Manchester we tried to ignore an impending sense of doom that it was not to be. She issued a press release saying London was definitely going ahead, but still, would she have recovered enough from her recent leg operation to make it? When no cancellation notice arrived by the morning of the event we began to breath easier. On arrival at the event, there are no white notices at the entrance with a stinging message that unfortunately Ms Nicks could not make it, and we could begin to dare to have confidence she was coming. But not until she actually stepped on the stage did people believe their eyes, pinching themselves that this was actually happening.
And the moment has arrived, and the crowd roars, as Stevie Nicks really is here!! She comes on looking fantastic, still beautiful at 76, elegantly dressed in a kind of Victorian mourning outfit emphasizing her still trim figure and sounding better than the Fleetwood Mac records in person. It's like suddenly cleaning a window to hear her live, compared with the dated production of many of her famous records and iconic track 'Dreams' made a very early appearance making everyone's day. She looks happy and well and although still limping a little (although I wonder if I didn't know about her leg operation would I have picked that up). She danced a little for the crowd who gave a huge roar every time she did. Encouraged by others she has brought along the genuine shawls and cloaks from the original Fleetwood Mac records such as 'Bella Donna' and 'Gold Dust Woman' adding to the sense of awe and historical importance when performing these tracks. The sight of her lifting up the black and golden shawl like a butterfly against the dots moving across the stage like the effect of a giant golden glitter ball was the most stunning visual of the day.
She was engaging and chatty telling stories between songs, for example, how she looks back on the days when she was young fondly: constantly touring and with no money, she now calls them the 'halcyon days'. Explaining that when she was young she had been too busy getting fittings, having her hair done, writing poems and doing everything necessary for her music career to ever vote. She implores the crowd not to be like her, but make sure they turn out for a general election.
Her musings turned to those she cared for who had a connection to Hyde Park where she had last seen Tom Petty before he died. She explained that she could feel his presence as she covered one of his best known tracks 'Free Fallin' to a backdrop of huge photos of him on screen. Later she reminds everyone that the actual date of this show is the dearly departed Christine McVie's birthday. She explains that her mother always said that Stevie went on stage when she was hurt to heal, and how her audiences have helped her get over the loss of people she loves.
'Rhiannon' was the first track of the encore and as if that wasn't enough, Harry Styles suddenly arrived to duet on 'Stop Dragging My Heart Around' and 'Landslide'. I didn't tell everyone screaming around me that I was much more excited by Stevie and I couldn't sing a Harry Styles song to save my life, but it added to the special feeling of the occasion to have some more celebrity stardust added. As special as I thought this would be the reality surpassed my expectations by a mile. When you see a legend in concert nothing compares to it as an experience when you are in the moment and actually there. She really came.. and played .. and sang .. and danced. and everything!! (Instant fan girl!) Along with the rest of the crowd I am still pinching myself now and will never forget today!
Harley Young is honoured to share a room with the coolest lady on the planet
LET’s face it. When you think of the most beautiful, enchanting, ethereal yet incredibly badass woman in music, your mind instantly goes to The Reigning Queen of Rock ‘n’ Roll herself Stevie Nicks.
At 76 years young, the boho beauty is still taking to the stage to grace us all with her unmistakably iconic look and sound and, on Tuesday night at Co-op Live, she did just that to an arena full of adoring fans, blubbing (me included) as she waltzed out onto the stage in her signature garb.
Her unruly trademark curls flowed freely as she greeted the audience to Tom Petty’s Runnin' Down a Dream before charging right on with Outside The Rain from 1981 solo album Bella Donna.
Despite having pushed back the gig a week due to minor surgery, Stevie showed no signs of slowing down and put her all into her performance from the off, thanking the crowd for taking time out of their week to come and see her before getting everyone up on their feet with Fleetwood Mac favourite Dreams.
Stevie then told the audience that, after the show, they could find her in Harrods. “It’s not even in this town, but you can visit me here because I’ll be in the jewellery department,” she joked, adding “Anyway, jewels allowed, I’m so glad to be here. I’m so glad you’re here. So let's get this fabulous party started.”
Party in full swing, Stevie took the packed-out arena on a journey through her discography, both with Fleetwood Mac (Gypsy) and Tom Petty (Stop Draggin’ My Heart Around) and her solo career (Stand Back).
Between every couple of songs the Arizona-born legend shared tales of how her legacy came to be, including how she was working as a cleaning lady when she and Lindsey Buckingham were discovered by Mick Fleetwood. She’d scamper off every now and then and reappear with a different cape, each more magical than the next - most of which were originals worn by her in music videos.
“We bought and listened to all of their records. Lindsey said they sounded ‘too jazzy’ and he didn’t want to be a jazz guitarist. So, I told him I didn’t want to be a cleaning lady.”
Both comical and endearing, Nicks has a way of telling stories that make you feel like you’re the only person in the room listening to them. The way she speaks of her past is so sincere and it makes you feel like you’re best friends sharing a secret. We’ve all read the tabloids, but hearing it straight from the lady herself is truly special.
After covering Tom Petty’s Free Fallin’, Nicks performed a powerful rendition of Gold Dust Woman with help from musician and record producer Waddy Wachtel on guitar. She then brought out her long-time vocal coach, Steve Real, to perform a heartwarming duet of Leather & Lace, a track she originally performed with Don Henley on the Bella Donna album.
Then came the moment we’d all dreamed of; Wachtel and the band erupted into life, performing the most highly anticipated instrumental of the night. The crowd were on tenterhooks as they waited with bated breath, eyes fixed on the door waiting for Stevie to reappear.
Seconds felt like years until finally Nicks strutted back out onto stage to a roaring applause before serenading us like a white winged dove with Edge of Seventeen.
The lights went down and the crowd begged and pleaded, chanting in unison for “one more song”. Much to our delight, Stevie and the crew came back and graced us with not one but two more Fleetwood favourites; the wonderfully entrancing Rhiannon followed by closing song Landslide, accompanied by photos of keyboardist, vocalist, and Nicks’ dear friend, the late Christine McVie.
12 July 2024 saw the legendary Stevie Nicks headline in London’s Hyde Park to deliver a dazzling 15-track set to 60,000 adoring fans. The 76-year-old Fleetwood Mac singer took to the stage following an incredible number of support artists, including Baby Queen and Paris Paloma.
Many fans were gutted to hear of Nicks cancelling her Glasgow and Manchester dates the previous week due to a leg injury, with some travelling hours to see the iconic rockstar before suddenly hearing the devastating news. Thankfully, after rescheduling these dates and taking time to recover, she came back stronger than ever to perform at Hyde Park. This is the same iconic venue she was last seen performing at with her mentor Tom Petty in 2017, just months following his tragic passing. With so much occurring behind the scenes, it was clear from the get-go that Friday would be an extremely emotional evening.
Even initially seeing Nicks appear on stage, with the same mythical charisma she has always possessed, felt like an ethereal experience. She still managed to maintain her iconic 70s witchy style and aura decades later. Her signature low rumbling rasp allowed for some interesting key adaptions on many of her hits, but her voice was still just as astounding as always. A few incredibly healthy-sounding vocals hit the audience all the way to the back of the park.
Many solo and, of course, Fleetwood Mac hits were included in this set, starting off with classics like ‘Dreams’, ‘Bella Donna’ and the bouncy fantastical ‘Gypsy’. An audience favourite was the live rendition of the shimmering Fleetwood track ‘Gold Dust Woman’, dressed up by the stunning gold glistening motion graphics pulsating around the screens on stage.
One of the most wonderful parts about the gig was the amount of time Nicks spent monologuing stories between songs, almost like an eccentric aunt at the family party you never want to stop hearing anecdotes from. Most of these endearingly long speeches came before subtle yet impactful costume changes, as Nicks transformed between a variety of her iconic vintage shawls.
Nicks’ beautiful rambles varied from jokes and digs about her long-time complex relationship with fellow Fleetwood star Lindsey Buckingham, to the importance of political awareness in modern times (“Doesn’t matter who for…just vote” she said, following the recent UK General Election). She also included heart-wrenching tales remembering her late Fleetwood Mac bandmate Christine McVie, who passed suddenly in 2022. The electric atmosphere of Nicks’ classics tugged thousands more heartstrings when she announced that it would have been Christine’s 81st birthday.
Nicks’ vocal coach, Steve Real, appeared as a special guest, joining her on stage for ‘Leather and Lace’. The guest stars did not end here, however. The big reveal (and possibly the loudest scream I have ever let out in my entire life) came as Nicks’ friend and fellow star Harry Styles subtly appeared to perform a duet of ‘Stop Draggin’ My Heart Around’ in a beautiful tribute to Tom Petty. Styles stayed for a performance of ‘Landslide’ (a song the pair performed together back at the very start of his solo career in 2017, which ended in a flood of tears for Fleetwood Mac fan, Styles). Perhaps ‘Landslide’ is one of the most beautifully written songs of all time, but the added ode to Christine left not one single dry eye in the house.
It would not be a Nicks review without mentioning her biggest hit ‘Edge of Seventeen’. The chart-topping classic was stretched out by the impressive live instrumental keys, as well as the amazingly iconic beginning riff lasting around two minutes.
Stevie Nicks provided a night to remember. The tributes to her late loved ones were done in such a beautifully tasteful manner, whilst still managing to get the entire audience to twirl and frolic like it’s 1979. A bewitching, euphoric, and incredibly emotional evening was provided by one of rock’s finest. In the words of the legend herself, “You have made me better”.
Manchester enjoyed a wonderful evening when music royalty Stevie Nicks paid a visit to the city’s Co-op Live - even if it was a little later than expected.
Fleetwood Mac icon, Nicks, 76, had been due to perform in the city earlier this month before suffering an injury. Quickly rescheduled to Tuesday evening, the speedy turnaround didn’t prove to be a problem for her devotees with the venue packed out.
There was no mention of the postponement from Nicks but she did speak at length about her love of England with American Nicks joking she’d be keen to call it home. She said: “We like it here. We just might stay. You are probably asking yourselves ‘where is she going to live? She’s probably going to live in Harrods?’.
“Oh, that’s not even here in this town but you can visit me there. As I’ll probably just be in the jewellery department.”
Opening with Outside The Rain, howls followed when the easily-recognisable intro to Fleetwood Mac’s Dreams came second in the set. Nicks, dressed in her signature cape, wavy skirt and tassels, tenderly exuded those unforgettable lyrics. Having many thousand Mancunians as backing singers. After, there were numerous cries of ‘we love you, Stevie’.
The setlist consisted of Mac hits accompanied by songs from the Nicks solo back catalogue. The music pioneer also regularly engaged with her audience giving details about how some of the tracks came to be.
Touching on the unmatched if complicated (well, very complicated) dynamic between herself, Lindsey Buckingham, Mick Fleetwood, et al the masses discovered how Gypsy was created. The number soon followed and proved to be one of the evening’s highlights.
The Mac anecdotes were delivered with warmth and an understanding of how important those people and that band have been in Nicks’ life. On Tuesday, there were also dedications to the star’s contemporaries as many greats flashed on the big screens with Tom Petty getting his own moment when Nicks gave a rendition of Free Fallin’. Nicks spoke with much humility when discussing her influences.
The cape changes were plentiful with Bella Donna and Stand Back originals being presented on stage. The attire of many in attendance was clearly inspired by the landmark musical artist.
A mesmeric performance of Edge of Seventeen, featuring emphatic guitar work from Waddy Wachtel, concluded the main set. Stills of Prince flashed up before the humble Nicks thanked the Co-op crowd for their support.
A two-song encore came in the shape of Fleetwood Mac classics Rhiannon and Landslide. At the weekend, in London, the latter saw Harry Styles join Nicks on stage. In Manchester, it was Nicks and her stripped back band who brought the curtain down with the deeply impassioned song - dedicated to Mac bandmate Christine McVie who sadly died in 2022.
There were some tears and much adulation as Nicks took her bow. One thing is for certain, Stevie Nicks’ appearance in Manchester was more than worth the wait.
There’s no escaping Fleetwood Mac. The final iteration of the seminal band may have disbanded two years ago following the death of Christine McVie, but their music still reverberates around our culture, as if held by some humongous sustain pedal that nobody dares lift.
And yet, if you bought tickets to see Stevie Nicks at London’s Hyde Park expecting some kind of dewy tribute to a bygone pop group, you will have been sorely mistaken. From the moment Tom Petty’s “Runnin’ Down a Dream” pumps out over the speaker, and Nicks walks out – dressed in black, with fingerless gloves and hair that could reasonably be described as Rapunzelesque – it’s obvious you are watching a performer with tremendous resonance in her own right.
On stage, Nicks is a consummate entertainer, a woman whose charisma and husky-voiced gravitas has only ossified with the decades. As she speaks about the wonder of performing at Hyde Park, it has the slight ring of schmoozing, the sense that we are being honeyed with rote (albeit deft) flattery. When she begins talking about playing on this same stage with Petty in 2017, however, this notion dissolves immediately. “I feel his presence and I’m happy he’s here,” she says, with an earnestness that melts your heart, before launching into a vibrant cover of “Free Fallin’” that has most of the crowd crooning along, arms aloft.
The biggest bangers here are, inevitably, the smattering of hits released during Fleetwood Mac’s 13-year peak, including “Gypsy”, “Gold Dust Woman”, and, later in the set, “Rhiannon”. The decision to medley opener “Outside the Rain”, from Nicks’s 1981 solo debut Bella Donna, with Fleetwood Mac’s diamond-tight bop “Dreams”, calls regrettable attention to just how musically similar the two tracks are.
In restricting the setlist’s Fleetwood Mac covers to her own compositions (something she has always done at solo shows), Nicks omits some of the band’s best-loved tracks: there is no “The Chain”, no “Go Your Own Way”. What that does mean is more space for solo cuts, and a couple of savvy covers. Introducing a politically charged version of Buffalo Springfield’s “For What It’s Worth”, Nicks urges fans to exercise their right to vote, admitting she had not done so herself until she was 70. (“Don’t be me!”)
At 76 years old, Nicks has lost some of the range and diction in her voice, though she has smartly learnt to compensate – shifting down the more quixotic high notes and making the most of the ardent middle register. She’s also girded by a first-rate backing band. For “Leather and Lace”, originally a duet with Don Henley, Nicks shares the stage with her longtime vocal coach Steve Real – the man, she says, responsible for keeping her voice in gig-ready nick well into her eighth decade.
It’s a touching moment, in a set that’s full of them. After a riffy, minutes-long instrumental intro, the band eventually cannons into “Edge of Seventeen”, Nicks’s biggest hit as a solo artist. This too is a song about grief – but the pulsing, electric melodies make it less a eulogy than a defiant celebration.
For a legacy act like this, the audience here is surprisingly young – eyeballing it, I reckon at least a decade or two younger on average than the crowd at Bruce Springsteen’s sensational 2023 Hyde Park set. On one level, it’s a testament to the 2010s Fleetwood Mac resurgence, the shift when Rumours started becoming a cool album again, after years in the “oldies” ghetto.
But more than this, it speaks to Nicks’s towering place in the industry, her role as an inspiration for younger musicians and music fans alike. Performing on stage early in the afternoon as a supporting act, country singer Brandi Carlile said that neither she, nor any of the female acts on the bill, would likely be performing music were it not for Nicks’s influence. This sentiment is palpable, through the crowd and throughout the night.
As a final showstopper, Nicks brings out Harry Styles for encore renditions of “Stop Draggin’ My Heart Around” and “Landslide” – the latter in tribute to McVie, on what would have been her 81st birthday. The younger members of the crowd go wild. There’s something jarring about Nicks ceding the spotlight to a 30-year-old boyband star, and he seems almost loath to steal the headlines, fanning his hands down into a performative show of worship.
But at the same time, it makes perfect sense. For all the throwbacks, the reminiscences, the sense of culmination, this doesn’t feel like an ending. Pop music will, one day, have to go on without Stevie Nicks. But for now, she gets to live in the future her music built.
As with the arrival of a city-crushing monster, you heard the screams before you saw him. Harry Styles wasn’t announced before he strolled on to the Hyde Park stage to join Stevie Nicks for her encore, but by the forest of rising phone screens and the voices raised in swooning abandon, it was immediately clear something big was afoot.
In hindsight, this stellar duet might have been expected. The 76-year-old face of Fleetwood Mac has called Styles “the son I never had”. He was chosen to induct her into the Rock & Roll Hall of Fame in 2019, and that same year she joined him at one of his Los Angeles concerts to sing her tear-stained ballad “Landslide”. Here they shared vocals on the 1975 song again while photographs of Christine McVie flicked past on the big screens. The other female star of Fleetwood Mac, who died two years ago, would have celebrated her 81st birthday on the day of this show.
Styles also played the Tom Petty role on “Stop Draggin’ My Heart Around”, a smouldering rocker and Nicks’s debut solo single from 1981. At no point did he take over, however, simply making a “We’re not worthy” gesture in her direction and saying “It’s coming home” as a brief footballing aside.
In April, Nicks popped up on physical copies of Taylor Swift’s latest album, The Tortured Poets Department, as the author of a poem printed on the sleeve. Meanwhile, Fleetwood Mac’s most recent greatest hits collection has been in the UK top 20 almost constantly since its release in 2018. And, last autumn, Mattel unveiled a $55 Stevie Nicks Barbie doll. If she were any closer to the centre of popular culture, she would have been playing left back in Berlin on Sunday night.
Her influence was physically evident in the crowd, too, which included a huge number of women wearing layered, diaphanous skirts, palm-reader shawls and wide-brimmed hats — a female equivalent of the men who sculpt their hair into optimistic tributes to Paul Weller or Morrissey.
Nicks gave no indication that any aspect of her 2024 status came as a surprise. She seemed completely at home in front of this vast crowd, introducing songs with meandering anecdotes, as if at an intimate dinner party. Her singing voice, brittle and mystical, has lost little of its enchantress’s magic. She avoided the high notes in “Dreams”, but did so with a new arrangement that still suited the song.
With McVie gone and Lindsey Buckingham frozen out, it currently looks impossible for a line-up approximating peak Fleetwood Mac to appear on stage again. Solo, Nicks punctuated her set with many of her classic compositions for the band. The timeless melody of “Gypsy” still beguiled, and she threw everything into an epic “Gold Dust Woman”. But more space for her solo 1980s excursions was no bad thing. “If Anyone Falls”, “Stand Back” and the raucous “Edge of Seventeen” traded her haunting presence in Fleetwood Mac for delirious power-pop energy. The band may be over, but her individual spell looks like it will never wane.
In my career as a music critic, I have heard the ear-shattering screech of teenage girls screaming many times. But I think this may have been the first time I have heard an audience of women of all ages give a kind of joyous approximation of the mass pop scream.
The object of their noisy enthusiasm was not, in fact, the star of the occasion, 76-year-old rock queen Stevie Nicks. The Fleetwood Mac veteran was certainly treated with respect, delight, enthusiasm and a touch of awe throughout an absolutely fantastic performance that put smiles on the faces of everyone on stage and in the crowd. But the screams were reserved for a guest who arrived for the last two songs, looking Hollywood handsome with chopped short hair and a baggy suit: boyband hero turned solo superstar Harry Styles.
When Styles was first charming the nation with One Direction, I don’t think this would have been anyone’s vision of his future: swinging a big orange guitar whilst standing in for Tom Petty on a rocking Stop Dragging My Heart Around and harmonising Christine McVie’s parts on a tender Landslide. As Britain’s premier contemporary pop star, Styles carries a lot of weight, but he showed the deep musical empathy to slip humbly into a supporting role with an all-time great, forging links from pop’s shining present to its glorious past. It was a genuinely special thing to witness, and Nicks was clearly moved as she drew him into a hug.
“The last time I was here in Hyde Park it was with Tom Petty, and that was the last time I saw Tom,” she had noted earlier of the great American rocker who died aged 66 in 2017. At the end, she spoke movingly about late Mac bandmate McVie. “This is Christine’s birthday,” she noted to cheers. (She would have been 81.) “It’s hard to sing a song about your best friend who died so suddenly,” she admitted. “My mom used to say when Stevie gets hurt, she runs to the stage, and that’s what I’ve been doing. And the only people who have helped me get through this are all of you.”
Fleetwood Mac may be no more, but the ladies – and, indeed, many gentlemen – of London came out for the band’s one true star on a cool summer evening in Hyde Park. There was a sense of cos-play about the occasion. Women of all ages bravely sported ballgowns, skimpy diaphanous cloaks and battered top hats in honour of the star’s distinctive look. Nicks dug into her own collection of cloaks, scarves and gowns as she twirled and sang, her voice lower and grittier than in her youth, but full of character and flair as she led us through the poetic narratives of her ethereal brand of magical blues rock. Her well-chosen solo songs sounded fantastic, with the great silver-haired guitarist Waddy Wachtel powering through Edge of Seventeen. The Mac material was transcendent. An extended psychedelic blues romp through Gold Dust Woman was better than I’d ever heard it, as free and wild as Nicks’ persona.
It was a very old-fashioned rock show. There wasn’t much in the way of stage production: some floaty screen imagery and coloured lights. It was all about a virtuoso band playing characterful songs with a charismatic star leading the way with free-flowing singing amidst welters of perfect harmonies. The woman’s got style. And, indeed, on this occasion, she had Harry Styles too.
Stevie Nicks "Edge of Seventeen" was certified 2x Platinum
in the UK on July 12, 2024.
With Stevie Nicks headlining London’s BST Hyde Park over the weekend, Fleetwood Mac’s timeless "50 Years – Don’t Stop" collection ascends the Top 100 Albums Chart in the UK, up four in a return to the Top 10 at No.8 with 5,168 units sold.
"Rumours" also moves up on the chart to No.27 from No.32 last week. "Rumours" also moves up the vinyl Top 40 from No.10 last week to No.7 this week. On the Album Sales chart, "Rumours" moves up to No.14 from No.22 last week.
In Scotland "Rumours" moves up the No.13 this week from No.19 last week. "Greatest Hits" moves up to No.75 from No.83 last week.
In Ireland "50 Years - Don't Stop" moves up to No.11 from No.13 last week. "Rumours" moves up to No.27 from No.31 last week.
Fleetwood Mac's "Go Your Own Way" has achieved 1 BILLION STREAMS on Spotify. This is the 3rd track to reach that level following "Dreams" and "The Chain".
Things were different the last time Stevie Nicks played Hyde Park. That was in 2017, when she opened for her best friend Tom Petty and joined him during his headline set for a run through “Stop Draggin’ My Heart Around”, the hit the Heartbreakers wrote for her in 1981.
Petty is no longer with us, and nor is Christine McVie, Nicks’ soulmate in Fleetwood Mac, who’d become a fixture in that band again after years in the wilderness. “Whenever I’ve been hurt in my life, I’ve always run to the stage – and it’s always helped me,” says a visibly moved Nicks at the end of tonight’s set, before gesturing to the crowd: “You’ve always helped me.”
The stage is all Nicks has known for the past 50 years – and this sell-out Friday at British Summer Time is all about her. Her corner of Hyde Park is a sea of tasselled jackets, lace dresses, Stetsons and cowboy boots. A Nicks performance, or one by Fleetwood Mac, has been a rite of passage for millennials in the 21st century, and such occasions are becoming increasingly rare.
These days, Nicks is a strangely ageless cosmic diva whose look, like her material, has remained unchanged since her mid-’80s prime. At 76, her voice is a little hoarser, and it was touch and go whether this show would even go ahead after she postponed earlier dates in Manchester and Glasgow following minor leg surgery.
Nicks has been on the road pretty much full-time for two years, playing more or less the same 15-song set each show, but such is her charisma and the mythology of her songbook that you want to believe that she’s not going through the motions. She talks us through her famous shawls, and rambles endearingly about the circumstances that led to Stephen Stills writing “For What It’s Worth”, which she gives a political slant here by urging us to use our vote, maybe unaware the UK had an election last week.
Her seasoned band, led by her longtime guitarist Waddy Wachtel, who’s flanked by the equally capable Carlos Rios, are well-oiled and more than happy to lay it on thick during a combustible “Gold Dust Woman”. They tear into “Stand Back”, “Edge Of Seventeen” and “Free Fallin’” as if they’re fresh out of college. Nicks’ mystical heartland pop is still best realised in the Mac’s “Dreams” and “Gypsy”, the latter a 1982 love-letter to her nomadic self of the late-’60s. In many ways she’s been chasing that feeling ever since, which explains why the songs she performs span that golden period from 1975 to 1983, when everything went right, and which resonate so deeply with her fans.
She brings out her voice coach, Steve Real, for “Leather And Lace”. He sings Don Henley’s part beautifully on the Bella Donna ballad, each looking into the other’s eyes, the purity in his voice contrasting with her coarser vocal.
For the encore, it’s genuinely thrilling when Harry Styles walks onstage with a guitar to play rhythm and sing “Stop Draggin’ My Heart Around” with Nicks, and after that “Landslide” – songs they’ve played together before but which here elevate what would have been a decent run-of-the-mill concert to an event that will be hard to forget.
Dressed in a loose dark suit and light green shirt, a colourful songbird brooch on his lapel, Styles is a class act and seems a little overwhelmed at first, but helps Nicks deliver an emotional “Landslide” as a montage of images of Christine McVie roll across the huge screens. Today would have been her 81st birthday, Nicks points out. “Time makes you bolder, even children get older – and I’m getting older, too,” she sings in “Landslide”. Let’s hope she’ll be back for one last dance.
Harry Styles joined Stevie Nicks‘ headlining set for the BST Hyde Park concert series on Friday for a duet of “Stop Dragging My Heart Around” and “Landslide.” Before he appeared on stage, Nicks told the audience in London that she asked Styles to help her in commemorating what would have been her late Fleetwood Mac bandmate Christine McVie‘s 81st birthday.
“At the end of the show, since the end of last year and since Christine passed away, I would say something about her, and I asked Harry to do this with me and it’s a lot to ask someone to sing a heavy song about a best friend that died so suddenly and so sadly,” she said. “What I want to say to you is that Christine was Harry’s girl, she was my girl, she was your girl, and she loved all of you, and today would’ve been her birthday.”
Styles was wearing an embroidered songbird pin, making a reference to McVie’s vocal performance in “Songbird,” the piano ballad off Fleetwood Mac’s 1977 album “Rumours.”
Styles has not appeared on stage for a performance since the end of his “Love On Tour” on July 22, 2023 in Italy. His last full-length album was 2022’s “Harry’s House,” which won a Grammy for album of the year. He has remained largely out of the spotlight since.
Nicks, meanwhile, told the crowd at BST Hyde Park that she often turns to the stage when she is dealing with something as heavy as the sudden passing of McVie: “One thing that my mom used to say to me when I was little was… When I was hurt, she’d go ‘Stevie when you’re hurt, you always run to the stage.’ And that’s what I’ve been doing since Chris passed away.”
Nicks is a headliner for the concert series that also includes performances by Kings of Leon, Kylie Minogue, the Corrs, Stray Kids, Shania Twain, Robbie Williams and Andrea Bocelli.
Harry Styles joins Stevie Nicks in Hyde Park for tributes to Tom Petty and Christine McVie The pair performed ‘Stop Draggin’ My Heart Around’ and ‘Landslide’
Harry Styles joined Stevie Nicks as a surprise guest during the Fleetwood Mac singer’s headline performance at BST Hyde Park on Friday (July 12).
The former One Direction star, 30, duetted with Nicks, 76, on “Stop Draggin’ My Heart Around,” which she originally released in 1981 with the late Tom Petty and his band The Heartbreakers.
Nicks performed the song with Petty in Hyde Park in 2017, just months before the rock icon’s death at 66.
On stage at tonight’s show, Nicks said of Petty: “This is a special day for a lot of reasons, to be back here because I feel his presence. I know he’s at this event and he’s happy with me here.”
Styles remained on stage to perform the 1975 Fleetwood Mac classic “Landslide,” before Nicks delivered an emotional tribute to her late bandmate Christine McVie. McVie, who died in 2022 at the age of 79, would have turned 81 today.
Nicks told the crowd: “I want you to know that Christine was my girl and she loved all of us and today was her birthday.”
She added: “All of you have helped me get over [her death] and I want you to know how much I appreciate it.”
Nicks also thanked Styles for joining her on stage, saying: “Harry, I thank you - we thank you!”
Elsewhere in the concert, Nicks urged the crowd to be politically active and said she had never voted until she turned 70. “I was too busy,” she said. “Don’t be me; vote.”
Back in 2019, Nicks joked that Styles is the “love child” of her and her bandmate, Mick Fleetwood, after praising him for his eponymous debut album.
“He’s Mick’s and my love child,” Nicks told Rolling Stone. “When Harry came into our lives I said, ‘Oh my God, this is the son I never had.’ So I adopted him.
“I love Harry, and I’m so happy Harry made a rock and roll record – he could have made a pop record and that would have been the easy way for him,” she continued. “But I guess he decided he wanted to be born in 1948 too – he made a record that was more like 1975.”
That same year, Styles inducted Nicks into the Rock & Roll Hall Of Fame.
“Stevie Nicks is the first female artist to be inducted into the Rock and Roll Hall of Fame a second time,” said Styles during the ceremony. “First, with Fleetwood Mac, and now for her unforgettable solo work. With Stevie, you’re not celebrating music from long ago through the mists of time. She was standing on stage headlining a place doing her best work just three nights ago. She is forever current. She is forever Stevie.”
Harry Styles, Stevie Nicks Duet ‘Landslide’ in Emotional Tribute to Christine McVie The duo also performed "Stop Draggin' My Heart Around" at Hyde Park in London
Stevie Nicks brought out longtime friend Harry Styles to join her for hits “Stop Draggin’ My Heart Around” and “Landslide” during her concert at Hyde Park in London on Friday night, with Nicks taking the time to commemorate Christine McVie on what would’ve been her 81st birthday. McVie died in November of 2022 after suffering a stroke.
The show marks Styles’ first live performance since finishing his Love On Tour last year.
“Christine was Harry’s girl, she was my girl, she was your girl,” Nicks told the crowd in London on Friday. “She loved all of us, today was her birthday. It’s taken me all this time to try and be able to deal with this situation. One thing my mom used to say to me when I was little was when I was hurt, she’d go ‘Stevie when you’re hurt you always run to the stage. That’s what I’ve been doing ever since Chris passed away, is running to the stage. The only people that have been able to help me to get over this has been all of you.”
This isn’t the first time the two have played those songs live together; Nicks joined Styles to play “Landslide” at the Forum in Los Angeles at the end of 2019, and they played “Stop Draggin’ My Heart Around” at the Rock and Roll Hall of Fame Induction ceremony that same year when Styles inducted Nicks into the Hall.
“With Stevie, you’re not celebrating music from long ago through the mists of time,” Styles said in his induction speech that night. “She was standing on stage headlining a place doing her best work just three nights ago. She is forever current. She is forever Stevie.”
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