Stevie Nicks Bella Donna 2LP Set For Record Store Day 2022

BELLA DONNA DOUBLE VINYL SET FOR RELEASE ON RECORD STORE DAY APR 23, 2022

This double vinyl version includes the remastered original album and an LP of studio outtakes, B-sides and demos, many for the first time on vinyl, from the 2016 Bella Donna Deluxe Edition.

TRACKLISTING:

LP1

Side 1

1. Bella Donna (2016 Remaster)

2. Kind of Woman (2016 Remaster)

3. Stop Draggin' My Heart Around (with Tom Petty and The Heartbreakers) [2016 Remaster]

4. Think About It (2016 Remaster)

5. After the Glitter Fades (2016 Remaster)

Side 2

1. Edge of Seventeen (2016 Remaster)

2. How Still My Love (2016 Remaster)

3. Leather and Lace (2016 Remaster) [Remastered]

4. Outside the Rain (2016 Remaster)

5. The Highwayman (2016 Remaster)

LP2

Side 1

1. Edge of Seventeen (Early Take)

2. Think About It (Alternate Version)

3. How Still My Love (Alternate Version)

4. Leather and Lace (Alternate Version)

5. Bella Donna (Demo) (Demo)

Side 2

1. Gold and Braid (Unreleased Version)

2. Sleeping Angel (Alternate Version)

3. If You Were My Love (Unreleased Version)

4. The Dealer (Unreleased Version)

5. Blue Lamp (2016 Remaster)(Heavy Metal Soundtrack)

6. Sleeping Angel (From Fast Times at Ridgemont High) [2016 Remaster]

Quantity 15,000

Record Store Day

Lindsey Buckingham Reviewed | Stevie Nicks Silk Screened | Bella Donna Celebrates & Micks Picks

An Evening With Lindsey Buckingham

by: Judi's Mind Over Matter

I have seen Fleetwood Mac from outside an arena, along with 500 other people who couldn't get a ticket for the Rumours tour; inside the same packed arena for the Tusk tour; Stevie Nicks solo in an arena setting; and, last night, Lindsey Buckingham in a smaller, more intimate but still packed venue. I enjoyed them all.

Continue to the full review

Short but stellar: Lindsey Buckingham's solo concert at Birmingham's Alys Stephens Center 

by Mary Colurso

A stellar solo concert. An attentive, appreciative group of listeners filled the majority of seats in the concert hall and gave Buckingham several standing ovations. The choral balcony was blocked with curtains; the venue holds about 1,100 people in that configuration.

Read the full review at AL.com

Photos below by: Jessica | Tommy Terrell

Elsewhere.... 
BELLA DONNA Celebrates it's 31st Birthday Today...

Bella Donna, the debut album by Stevie Nicks was released on this day (July 27th) in 1981.  The album hit #1 on Billboards Top 200 Albums Chart September 5, 1981 remaining for one week and has sold in excess of 4 million copies in the United States.  Stevie's first solo album had four substantial hits during 1981 and 1982: Stop Draggin' My Heart Around, Leather and Lace, Edge of Seventeen and After The Glitter Fades.

The album also marks the first recordings that feature Stevie's backing vocalists, Sharon Celani and Lori Nicks, both still on stage with her today.

If you don't have the album in your library... Today's the day to get it.  Amazon in the US has a deal on right now. The physical CD is $4.99 while the MP3 Digital album is $5.99.

Buy on Amazon

Print Mafia have put together a cool Stevie / Rod retro poster to commemorate their Nashville show the other night... 16 x 20 print will set you back $25.  They have a huge selection of Silk Screen hand made posters to load your walls with... Cool creative stuff if you ask me!

Take a look at their site

Mick Fleetwood: my 11 greatest recordings of all time 
Fleetwood Mac sticksman names his biggies

Check it out at Music Radar

IT HAPPENED: On This Day in 1981... Bella Donna Tops Billboard

Bella Donna is the debut studio album by American singer-songwriter and Fleetwood Mac vocalist Stevie Nicks. Released on July 27, 1981, the album hit #1 on the U.S. Billboard charts dated September 5, 1981, remaining there for one week. Bella Donna was awarded Platinum status by the RIAA three months after its release on October 7, 1981, and has sold over 4 million copies in the U.S. and remains her best-selling solo album to date worldwide.

The album spawned four substantial hit singles during 1981 and 1982: the Tom Petty and the Heartbreakers-penned duet "Stop Draggin' My Heart Around" (#3), the Don Henley duet "Leather and Lace" (#6), the iconic "Edge of Seventeen" (#11), and country-tinged "After the Glitter Fades" (#32).

Bella Donna would mark the beginning of Nicks' trend of calling upon her many musician friends and connections to fully realize her sparse demo recordings. Along with friends Tom Petty and Don Henley, Nicks brought in famed session musician Waddy Wachtel, Bruce Springsteen's E-Street Band pianist Roy Bittan, and Muscle Shoals session man Donald "Duck" Dunn of Booker T. & the MGs. Though Bella Donna's personnel list includes some 20 musicians, the album is very much Nicks' own work, with all but one of the songs on the record written by her.

The album also marked the first recording featuring Nicks' backing vocalists, Sharon Celani and Lori Perry, who still record and tour with Nicks today.

Wikipedia

Happy Birthday "Bella Donna"

The Album that began it all... 

Stevie Nicks' debut album "Bella Donna" was released on this day ( July 27th ) in 1981. 

Stream the 30th Anniverary "In The Studio" radio program put together to celebrate this anniversary

In The Studio

For Immediate Release - Celebrating the 30th Anniversary of Bella Donna by Stevie Nicks

PRESS RELEASE 

Celebrating the 30th Anniv. of Stevie Nicks' Bella Donna InTheStudio 

STEVIE NICKS reveals how her solo career started 

In The Studio

Affiliate Radio Stations

HAPPY 29th BIRTHDAY TO THE ALBUM THAT STARTED IT ALL

Released on this day in 1981

Bella Donna is the debut studio album by American singer-songwriter and Fleetwood Mac vocalist Stevie Nicks. Released on July 27, 1981, the album hit #1 on the U.S. Billboard charts in September of that year, remaining there for one week. Bella Donna was awarded Platinum status by the RIAA three months after its release on October 7, 1981, and has sold over 4 million copies in the U.S. and remains her best-selling solo album to date worldwide.

The album spawned four substantial hit singles during 1981 and 1982: the Tom Petty and the Heartbreakers-penned duet "Stop Draggin' My Heart Around" (#3), the Don Henley duet "Leather and Lace" (#6), the iconic "Edge of Seventeen" (#11), and country-tinged "After the Glitter Fades" (#32).

Bella Donna would mark the beginning of Nicks' trend of calling upon her many musician friends and connections to fully realize her sparse demo recordings. Along with friends Tom Petty and Don Henley, Nicks brought in famed session musician Waddy Wachtel, Bruce Springsteen's E-Street Band pianist Roy Bittan, and Muscle Shoals session man Donald "Duck" Dunn of Booker T. & the MGs. Though Bella Donna's personnel list includes some 20 musicians, the album is very much Nicks' own work, with all but one of the songs on the record written by her.

The album also marked the first recording featuring Nicks' backing vocalists, Sharon Celani and Lori Perry, who still record and tour with Nicks today.

Wikipedia

Its interesting to note that on the eve of Bella Donna's anniversary that an interview is published with Stevie comparing the writing and recording process of her current album to that of Bella Donna.

When band guys go solo on side... WORKED FOR STEVIE NICKS!

When band guys go solo on side, it rarely works:

The solo side project is the biggest longshot bet in mainstream music. For every good album produced by a band member striking out on his or her own - and we'll get to these exceptions later - there are 25 bad ones. Music fans who repeatedly blow money on solo side projects inevitably feel a lot of rage. After getting burnt by one Mick Jagger solo album, the decision to buy a second one is practically an act of self-hatred.

It's when an artist chooses to dabble in solo work while remaining with the band that everything seems to go to hell. The most memorable example came on Sept. 18, 1978, when each of the four members of Kiss simultaneously released solo side projects. Three of the entries were mind-bendingly atrocious. (Ace Frehley's was just bad.)

Below are four exceptions to the solo side project rule. Solo albums made by artists who are the clear front person of their band (Bruce Springsteen, etc.) weren't included. Add your solo side project winners and losers to the comments in the sfgate.com version of this column.

Stevie Nicks, "Bella Donna." The first solo album from Stevie Nicks released in 1981 was painfully straightforward - there was a white-winged dove in the lyrics and on the album cover - and still blew away its high expectations. Nearly 30 years later, "Edge of Seventeen" continues to sound urgent. ("After the Glitter Fades," not so much ...) And she kills on "Stop Draggin' My Heart Around" by Tom Petty, who co-produced "Bella Donna."

FULL ARTICLE

NOW THAT'S A BARGAIN!!! STEVIE NICKS "BELLA DONNA" $2.99 AMAZON

(mp3 download) Amazon Daily Deal - it's a steal!  And an awesome album.  First solo album by Fleetwood Mac's Stevie Nicks.  Go Get It!  AMAZON

DENNIS MCNAMARA'S 1981 STEVIE NICKS INTERVIEW

WLIR FM - Sunday at Nine with

Dennis Macnamara &

Stevie Nicks

Bella Donna release interview

Brief History on WLIR:

WLIR is “World Famous” mostly for the 80’s and “New Wave” format. ‘LIR was already adding cuts from Blondie, Talking Heads, and the Ramones to the latest Rolling Stones or Neil Young album cuts in the late ‘70’s. In early 1980 the Screamers of the Week (best new song as voted by the listeners) included new songs by the Kinks, Hall and Oats, Bruce Springsteen, and even Manfred Mann, along with emerging artists such as the Clash, Joan Jett, and Elvis Costello.

It became apparent there was a new music scene and enough artists that were being ignored by traditional radio to build a new format. In 1982 program director Denis McNamara decided WLIR would be the first station in the nation to be the outlet for all of this “new wave” of music. WLIR was the only place to hear the Police, the B-52’s, Duran Duran, the Cure, and many others. Listener response was sensational and WLIR became the birthplace of careers.

Many of these artists, such as the Police, the Pretenders and U-2 eventually forced their way into the mainstream. But the ‘LIR listener is familiar with so much more of their catalog that never became “hits”. WLIR was even the first station to play Madonna, George Michael, and Prince, artists who went on to make their mark in other formats.