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The Library of Congress announced on Wednesday that it will preserve the recordings of 25 additional artists and personalities in the National Recording Registry, including Fleetwood Mac's 1977 album "Rumours".
Under the terms of the National Recording Preservation Act of 2000, the Librarian, with advice from the Library’s National Recording Preservation Board (NRPB), is tasked with annually selecting 25 titles that are “culturally, historically, or aesthetically significant” and are at least 10 years old.
Full list at Variety.com
“Rumours,” (album), Fleetwood Mac (1977)
Stevie Nicks said: “Devastation leads to writing good things.” It’s little wonder, then, that Fleetwood Mac’s “Rumours” is so highly regarded, having been forged by the crumbling relationships of every member of the group. In 1974, the then-remaining members of Fleetwood Mac—drummer Mick Fleetwood, bassist John McVie and his wife, vocalist and keyboard player Christine McVie—found themselves without a male vocalist or guitarist. A chance meeting at a recording studio led to guitarist and vocalist Lindsey Buckingham and vocalist Stevie Nicks, who were romantically involved, joining the group. The newly formed Anglo-American lineup soon struck gold with their eponymous 1975 album. They should have been on top of the world, but as they began working on their follow-up album, “Rumours,” relationships became so strained that, except as musically necessary, they would barely speak to each other while playing songs about each other. However, because the group had a sense that the songs were so strong, they not only endured, they prevailed. As engineer and co-producer Richard Dashut put it, they wanted to “ … make sure that every song on [“Rumours”] was worth its weight in gold.”
