Lindsey Buckingham hints Fleetwood Mac album will be studio swan song

Lindsey Buckingham hinted that Fleetwood Mac's next album might be the band's studio swan song. During a chat with PBS' Tavis Smiley, Buckingham spoke about the new material he's been cooking up with returning keyboardist Christine McVie, revealing, "Before we started rehearsing the show with Christine, she came over and said, ‘Lindsey, I’ve got some rough ideas for new songs. She gave me a bunch of stuff to take home after we saw her in England when we played there. And I worked on it at home, took lots of liberties, came back. She loved it. We went in the studio for two months and came up with probably the best group of songs that were co-written that we’ve done in years. So we are going to continue working on a new album and (my) solo stuff will probably take a back seat for another year or so.”

He went on to say the still unfinished album "would be a beautiful way to kind of wrap up this last act."

Although Lindsey Buckingham is marking his 40th anniversary of joining Fleetwood Mac, at 65, he still feels like he's at the top of his game: “A lot of the idea of (laughs) being in a rock n’ roll band and getting to be one of, sort of the people who’s been around for a while, y’know, you can manage that equation any number of ways. Y’know, it’s hard for me to sort of. . . I feel the same physically as I did 25 years ago. I think I’m mentally, somewhat in arrested (laughs) development - y’know, in a good way, I hope!”

Fleetwood Mac North American tour dates (subject to change):

January 16 - Saint Paul, MN - Xcel Energy Center
January 17 - Lincoln, NE - Pinnacle Bank Arena
January 20 - Grand Rapids, MI - Van Andel Arena
January 22 - New York, NY - Madison Square Garden Arena
January 24 - Atlantic City, NJ - Atlantic City Boardwalk Hall
January 25 - Uniondale, NY - Nassau Veterans Memorial Coliseum
January 28 - Providence, RI - Dunkin' Donuts Center
January 30 - Washington, DC - Verizon Center
January 31 - Buffalo, NY - First Niagara Center
February 3 - Toronto, ON - Air Canada Centre
February 5 - Montreal, QC - Bell Centre
February 7 - Uncasville, CT - Mohegan Sun Arena
February 8 - Newark, NJ - Prudential Center
February 11 - Des Moines, IA - Wells Fargo Arena
February 12 - Milwaukee, WI - BMO Harris Bradley Center
February 14 - Rosemont, IL - Allstate Arena
February 17 - Louisville, KY - KFC Yum! Center
February 18 - Cleveland, OH - Quicken Loans Arena
March 1 - Austin, TX - Frank Erwin Center
March 3 - Houston, TX - Toyota Center
March 4 - Dallas, TX - American Airlines Center
March 7 - Charlotte, NC - Time Warner Cable Arena
March 8 - Knoxville, TN - Thompson-Boling Arena
March 11 - North Little Rock, AR - Verizon Arena
March 12 - Oklahoma City, OK - Chesapeake Energy Arena
March 15 - Charlottesville, VA - John Paul Jones Arena (JPJ Arena)
March 17 - Greensboro, NC - Greensboro Coliseum
March 18 - Nashville, TN - Bridgestone Arena
March 21 - Miami, FL - Time Warner Cable Arena
March 23 - Orlando, FL - Amway Center
March 25 - Atlanta, GA - Philips Arena
March 27 - St. Louis, MO - Scottrade Center
March 28 - Kansas City, MO - Sprint Center
March 31 - Wichita, KS - Intrust Bank Arena
April 1 - Denver, CO - Pepsi Center
April 4 - Vancouver, BC - Rogers Arena
April 6 - Bakersfield, CA - Rabobank Arena
April 7 - Oakland, CA - Oracle Arena
April 10 - Inglewood, CA - Forum
April 11 - Las Vegas, NV - MGM Grand Garden Arena

Side Notes:

MORE ON "ONE MAN SHOW"

Out now is Lindsey Buckingham's first ever solo live album -- Lindsey Buckingham: One Man Show. The set was recorded on September 1st, 2012 in Des Moines, Iowa at Hoyt Sherman Place, and chronicled the set Buckingham has playing on his last solo tour.

The album features Buckingham tapping into his solo work with tracks like "Go Insane" and "Trouble," Fleetwood Mac with "I'm So Afraid," and "Go Your Own Way" -- and even a rare dip into the Buckingham Nicks catalogue with "Stephanie."

The tracklisting for Lindsey Buckingham: One Man Show is: "Cast Away Dreams," "Bleed To Love Her," "Not Too Late," "Stephanie," "Come," "Shut Us Down," "Go Insane," "Never Going Back Again," "Big Love," "I'm So Afraid," "Go Your Own Way," "Trouble," and "Seeds We Sow."

Source: K-Hits

Review: Lindsey Buckingham obliterates the concept of what a solo acoustic concert can be

The first is Lindsey Buckingham's One Man Show, a near-exact replica, right down to the between-song banter, of the program that the Fleetwood Mac frontman gave at the Lexington Opera House in November. Regardless of such a steadfast repertoire, this is a blistering set mostly because Buckingham obliterates the concept of what a solo acoustic concert can be.

One Man Show is not some folkie reinvention of Buckingham's music in and out of Fleetwood Mac. It is, rather, what its title implies: an unaccompanied rock parade that just happens to acoustic. From Buckingham's ageless vocal howl to guitar work that exerts itself with dizzying exactness, the record is steeped in frenzy.

It doesn't matter whether the music stews in the brooding intensity of Go Insane, Never Going Back Again and So Afraid or boils over with the hopped-up drive of Big Love, where the guitar runs sound positively caffeinated. Either way, Buckingham presents One Man Show as a restless joyride.

Big Mac faves make up roughly half the album, and Buckingham fleshes out the remainder with some genuine surprises. From the early '70s comes the pre-Fleetwood Mac instrumental Stephanie, One Man Show's lone statement of solace. But the real treats come by way of three tunes from Buckingham's underrated 2007 solo album, Under the Skin, highlighted by the bittersweet departure meditation Cast Away Dreams.

As of now, One Man Show is available only through iTunes.

by Walter Tunis at Kentucky.com

Lindsey Buckingham points out, his solo work is ultimately good for Fleetwood Mac

Lindsey Buckingham: “You Have To Take Risks… Even At The Risk Of Diminishing Commerce”
Brian Ives, CBS Local

Lindsey Buckingham has just released One Man Show, a solo acoustic live album, taken from his first tour in that format. The track listing spans his career; it includes “Trouble” from his solo debut, 1981’s Law And Order, his 1984 hit “Go Insane,” “Seeds We Sow” from his 2011 album of the same name and a number of Fleetwood Mac classics, including “Never Going Back Again,” “Big Love,” “So Afraid” and “Go Your Own Way.” There’s even “Stephanie,” from the Buckingham/Nicks album that he did with Stevie Nicks before they joined Fleetwood Mac.

Buckingham famously quit Fleetwood Mac in 1987, just after the release of Tango In The Night, partially because he wanted to focus on his own records. Since rejoining the band in 1997, he’s remained prolific on his own, releasing three solo albums and touring frequently (One Man Show is his third live release during the same time period).

He tells CBS Local, “Doing the amount of solo work that I’ve done in the past decade, it clearly is kind of the antidote to the experiences I was repeatedly having in Fleeetwood Mac for years, where I would try to work on a solo album and get it out, and (the solo songs) would either be co-opted because of group pressure, or it would be set aside. And that’s fair enough too, because if you’re in a band, you’ve got to be a band member in good standing and you have to keep the big picture in mind.”

He says that these days, he has hit a good balance between working solo and being in the band.  And, he points out, his solo work is ultimately good for Fleetwood Mac: “It allows me to bring back something into the band that I might not have otherwise. I keep growing as an artist, and keep pushing my limits a bit, in a way which I couldn’t do in Fleetwood Mac.”

He points out that there’s a big difference between what he does on his own, and what he does with the group. “What I do as a solo artist is kind of tapping into the left side of the palate, the more esoteric side of things. So I think inherent in that is losing a greater portion of the people who might be Fleetwood Mac fans for different reasons. Obviously it’s the difference between playing in an arena and playing in a theater.”

He’s fine with playing to smaller crowds on his own. “That’s always part of the equation when you get to a certain level of popularity, there’s kind of a corporate mentality that kicks in,” and he mentions the need to uphold the band’s “brand.” “(But) it isn’t necessarily the best adage to follow as an artist. You have to kind of remember who you are, and you have to be taking risks, even at the risk of diminishing commerce. That’s sort of the equation I’ve been living for many years and have somehow managed to strike a balance between what I call ‘the big machine’ and ‘the small machine.’ At this point they support each other, and it’s a good place to be. “

One Man Show is availble now, exclusively at iTunes.

CBS

Buy "One Man Show" Available ONLY at iTunes

Lindsey Buckingham Ready For Fleetwood Mac Return in 2013

Lindsey Buckingham is ready to get back into Fleetwood Mac in the coming year, but he was happy to go his own way in 2012. 
by Gary Graff
Billboard Magazine

Though he expected the band to be working this year rather than in 2013 -- it held off to allow Stevie Nicks more time to support her "In Your Dreams" album -- Buckingham took the opportunity to stage his first completely solo concerts, which have been captured on the new digital album "Lindsey Buckingham: One Man Show." "It's been an experiment on any number of levels," Buckingham tells Billboard. "It was not something I had an agenda to do, but I'd been kind of thinking about i for awhile. After Fleetwood Mac's plans got shuffled around, I had a chance to try something new, and this is what it was. I'm always looking for something that's slightly outside of my comfort zone whenever I can." 

"Buckingham says he's looking forward to doing more one-man shows and expanding their repertoire, but his focus is turning to Fleetwood Mac, which is expected to announce its 2013 tour dates soon, with, he says, a likely early April start."

Buckingham, who had toured with his own band in 2011, acknowledges that the one-man show "was kind of odd the first couple of nights; I kept looking around to see where everybody else was. But that fell away, and I think it really did turn into a real focal point for the audience, where there was nothing else up there but me so they could really zoom in on what was going on. I always talk about looking for the center, and I think this was an obvious extension of that."

Particularly intriguing, Buckingham adds, was using technology to layer additional guitar parts into several of the songs during the shows. "When I came to a moment of clarity where I realized I was going to want to do 'Go Your Own Way' or 'So Afraid,' and the logical conclusion is you've got to be able to hit a pedal or have a loop or have a guitar part coming in," he explains. "You're not fooling anybody in doing that. You're not trying to pretend it's not there. But it kind of caps off the concept of this (one-man show) idea. I think that's the point where the show really kinda completes itself." And bloopers, he says, have not been an issue. "It's been pretty seamless for the most part. It's just a matter of keeping your eye on the ball as things are going. You'd think that because you're so exposed there'd be more of that, but so far that hasn't happened."

Buckingham says he's looking forward to doing more one-man shows and expanding their repertoire, but his focus is turning to Fleetwood Mac, which is expected to announce its 2013 tour dates soon, with, he says, a likely early April start. "I'm looking forward to it," Buckingham says. "I get to go out there and try these other things on my own, and the more that defines me as an individual and the more it tends to differ from the Fleetwood Mac experience, then the more I'm able to just let the group thing go where it's gonna go."

And, he says, that may include some new music. Buckingham says he, drummer Mick Fleetwood and bassist John McVie convened earlier this year in his home studio and "sat down and tracked some stuff," which he's recently shown to Nicks for her input. "We may be able to organize something -- I wouldn't think a whole album, but possibly something before we hit the road or, if not then, possibly something a little more extensive after the tour, depending on what everybody wants to do," Buckingham says. "The material is quite good, but we have to get everybody on the same page with that, and we'll see where it goes."

There's more to this... Check out the full article at Billboard.com

LINDSEY BUCKINGHAM ON "EXTRA" 

"40 - 50 Fleetwood Mac dates in the United States"

INTERVIEW: Lindsey Buckingham Talks 'One Man Show' and Fleetwood Mac

By Richard Bienstock

Earlier this month, Lindsey Buckingham released the live document One Man Show exclusively through iTunes. The album captures the legendary singer and guitarist onstage in Des Moines, Iowa, during a stop on his most recent tour — his first playing a full set of music in a solo acoustic configuration.

Buckingham recently sat down with Guitar Aficionado to discuss the impetus behind doing these shows, the process by which he adapts his music to an acoustic setting, and his feelings on returning to the “Big Machine” — his term for Fleetwood Mac — for a scheduled tour in 2013.

GUITAR AFICIONADO: What led you to embark on this solo acoustic tour?

My mentality for a while has been of this idea of ever moving toward the center, so to speak, in terms of presenting my songs with only guitar and vocal. So it was kind of an experiment. And I wasn’t sure how it would go. I knew in my head I could do all the stuff on my own, but figuring out how to plan the arc of an entire set was more difficult. But the main thing I had to get used to was the idea of standing up there all alone. Those first couple of shows I was looking around the stage going, “Where is everybody?” [laughs]

When adapting your electric songs to an acoustic setting you tend to discard much of the known arrangement in favor of re-imagining the composition from the inside out. What is your thought process?

With an ensemble approach, generally speaking you’ve got a lot going on. And all the different parts tend to simplify out and become thematic, in the sense that maybe guitars and other instruments go in and out of the mix, and the constant is the rhythm section. But when suddenly the rhythm section does not exist, then you have to think in terms of covering as much ground thematically and melodically and rhythmically as you can with just one guitar. So that’s what I do. And I guess because a lot of my background as a guitarist stemmed from me just sitting around alone and developing a fingerstyle approach that was somewhere between folk and classical, it lends itself to playing in this way.

So when I think about doing a song like “Big Love” or “Go Insane” as a solo acoustic piece I start by throwing away everything that was there expect for the lyric and the melody. Then it’s just a matter of figuring out what works around those things and trying to keep it interesting. It’s what I was doing earlier on songs like “Never Going Back Again” as well. But it was really the point where I started transitioning songs from being ensemble pieces to solo pieces—and I think “Big Love” was the first one—where some kind of light bulb went off in my head in terms of feeling like I was revisiting a part of myself or potential in myself that was not being used very much. And then it became something that I actively pursued, if not a major part of the representation of any new thing I’d be doing.

How would you describe your approach to the acoustic?

I guess I like to think of myself as a refined primitive. [laughs] In terms of articulating or intellectualizing it, I find I have a hard time dissecting what I do on guitar. It’s just what feels right. And if you go in with a certain intention to present something in a particular way you just look for it until it sounds like you hit on the right thing.

What guitars have you been using for these shows?

My main acoustics are my Turner Renaissance guitars. I have some regular ones and then a couple of baritones. I’m also using my electric Turners [the Model 1] on three songs, as well as a few Taylors. And there’s a Gibson Chet Atkins on “Big Love” and “Go Insane.”

You’ve been recording and performing as a solo artist—what you refer to as the “Small Machine”—for the past several years. Are you ready for the Big Machine to start back up?

Well, yes, I am! I’m actually looking quite forward to it. The only thing you can say about the Big Machine is that every time we get together it seems like things are different on some level, politically or whatever. You always have to bring your sense of humor. As of now, everybody in Fleetwood Mac agrees that we want to go tour. But I don’t think anyone knows exactly what we’re gonna do yet. It’s to be determined in rehearsals. Because there are a lot of moving parts in Fleetwood Mac. And the trick to existing in that world is, if I can use a saying, to sort of walk through the minefield without stepping on anything. [laughs] And hopefully that will be something we’ll all be able to do.

Guitar Aficionado

"One Man Show" is available exclusively at itunes

Q&A with Lindsey Buckingham on Finding Happiness Balancing an Enormous Band and a Cozy Solo Project

The veteran Fleetwood Mac singer-songwriter-guitarist talks with THR about being onstage alone, changing the way he sings some songs and why "Rumours" would create a feeding frenzy today.

As a guitarist known for his rich, almost orchestral finger-picked playing style, solo acoustic might be the last thing you expect from Lindsey Buckingham. But the Fleetwood Mac veteran isn’t limned in by expectations. (Something about co-penning a 40 million-selling album and being a member of the Rock and Roll Hall of Fame.) Last week he released Lindsey Buckingham: One Man Show, culled from his current solo American tour.

When commercial concerns became an issue in Fleetwood Mac, Buckingham’s experimental explorations manifested a solo career that has endured fits and starts. Of late he’s been quite prolific, releasing three discs in six years exploring the kind of intimate, keenly crafted and emotionally edgy songwriter pop favored by indie artists such as Sondre Lerche, Joe Pernice and Ron Sexsmith.

Following the raw, almost lo-fi intensity of 2011's Seeds We Sow, on which he played every instrument, Buckingham took the next logical step embracing the austerity of the solo performer. He captured a Sept. 1 show in Des Moines, Iowa, and made it available online through the wonders of digital distribution.

Buckingham spoke with The Hollywood Reporter about the freedom of being onstage alone, defying the mediocrity of commercially successful career artists and Fleetwood Mac’s immediate plans -- calling from a concert stop near Grand Rapids, Mich., where, liberated from a tour bus, Buckingham had wandered off the beaten path again.

The Hollywood Reporter: It seems that after Rumours there was a choice of how your career would be going forward. Did the way Fleetwood Mac handled that inform your artistic choices?

Lindsey Buckingham: Oh, absolutely. Tusk was clearly a line in the sand that I drew. If that album had been … embraced longer term by the band -- I mean, they were happy with the results of that album, until it didn’t sell anywhere like Rumours numbers. Then there was this sort of dictum that came down, “We’re not doing that anymore.” It was really only at that point that I said, “OK, if they aren’t going to explore the left side of the palette, I guess I’m going to have to do solo work.” Otherwise maybe Fleetwood Mac would’ve gone in a whole other direction and there would never have been any need for the solo work. But, you know, that was fair enough.

THR: Well, it feels like otherwise we would’ve lost a lot of great music that would’ve had to pass through that filter. I think we got the best of both worlds.

Buckingham: I do too. It hasn’t always been easy, but you get to a point where you’re not doing the solo stuff with any kind of expectation in terms of commercial or a business outcome, you’re doing it because you believe in this. The fact that I have the freedom to do that and, I guess, after all these years still have that kind of ethic is a nice place to be. Because a lot of times people that have been doing it this long -- it’s not necessarily like you forget who you are, but you just don’t care anymore. So to have the idealism and feel like I’ve got the small-scale thing to keep me moving forward and at least aspiring to be an artist and can take risks. It’s a nice place to be.

THR: It’s funny because I was talking to Richard Thompson and he was saying, kind of puckishly, “The secret to my success is my continued failure.” Do you agree?

Buckingham: Well, yeah. He’s right. Because, again, you sort of hit on it when you talk about Tusk and the aftermath of Rumours. There are many elements and a lot of pressure from the business-model side of things that wants you to uphold this brand. That can be something which works well in the short-term. Certainly, from the business point of view, part of the model is if something’s working to run it into the ground and then move on, right? But from an artist’s point of view, it can be the beginning of painting yourself into a corner. I’m sure that’s what Richard means; he’s never had to do that.

THR: Having that pressure of people expecting that thing from him ...

Buckingham: If you can be who you are and remember who you are -- that’s half the trick when you have a certain amount of fame, and lucky for him he never had to go through that. I’m quite happy Rumours didn’t occur at a time where, say, the media is where it is now. It would’ve really fed off that. I mean, we brought out the voyeur in everyone because the album was a tabloid on our lives, but there was a certain amount of respect to it. I think people were actually invested in it. It would’ve been more of a feeding frenzy today.

THR: You’ve been fortunate to indulge both parts of your brain, as you say. You’ve written for arenas with thousands of people, and now you have a much more intimate album. How is it different?

Buckingham: Well, it is, and I think it took me a couple shows to get comfortable up there. The first couple shows I did by myself I was looking around wondering where the rest of my band was.

THR: You’re so exposed.

Buckingham: Yeah, but that’s a good thing too. You really are right at the center of what you do. The real challenge of putting the show together wasn’t -- I knew I could do a series of songs on my own, but how do you make a whole show that has an arc and goes somewhere? I realized doing something like “Go Your Own Way” or something like “I’m So Afraid,” which I do in the show, I was going to need a little help from a pedal to play an extra part. I’m not trying to fool anybody, I’m just doing it sparingly and tastefully, and that really opens up the whole vocabulary of the possibilities for this show to succeed and also for other things to try down the line now that I know they work.

THR: It must be a very different experience sonically to play solo instead of with a band.

Buckingham: For sure, plus when you’re up there by yourself without anyone else, you have a freedom to sort of spontaneously work a dynamic or to explore the possibility and the range of dynamics in different ways. One of the things I’ve gotten more centered on during this particular set of shows has been my vocals. It actually changed the way I sing some of these songs a little bit because you can hear so well, and there’s so little going on it’s liberating.

THR: What’s the story with Fleetwood Mac reconvening?

Buckingham: We have some dates on the books next year, and we’ll start rehearsing in the beginning or middle of February, so that’s a good thing. It’s about a year too late, but that’s the way it goes.

THR: Could these rehearsals lead to new music, or will you need to get together separately?

Buckingham: Rehearsing is really just rehearsing. If we were to get into something new-material-wise, that would be something we decided on ahead of time and you put yourself more in that format. There are some things I’ve cut with John [McVie] or Mick [Fleetwood]. I don’t even know what they’re for, but if they turned out great, maybe some of that would turn out being something down the line. But we haven’t spent enough time together to figure out what we want to do with that stuff. Anything is possible.

 The Hollywood Reporter

Lindsey Buckingham "One Man Show" Now Available at itunes

Lindsey Buckingham 

"One Man Show" 

Now Available at itunes 

Solo Acoustic Live Album 

"One Man Show" 

Release Date: November 13, 2012

Legendary guitarist, singer/songwriter, Grammy winner, producer and Rock And Roll Hall Of Fame member Lindsey Buckingham has released his first ever solo acoustic live album, Lindsey Buckingham: One Man Show. The album, recorded live and in one take from his Hoyt Sherman Place show in Des Moines, Iowa on September 1st, is a raw and unmixed performance that includes many of his hits. Get One Man Show now, exclusively on iTunes.

Buckingham says, “As an artist, you need to seek out what is essential and discard what is inessential, to always keep an eye on what lives at the center. That was the impetus for this performance. My center has always been voice and guitar, and as I've evolved, I've looked to broaden the range and vocabulary of that center. So when I decided to tour in 2012, it suddenly felt as though I'd been working towards something, that I'd arrived at a new place. I sensed it was time to do something I'd never done: A one man show. This performance is from a single night in Des Moines, Iowa, taken right off the console mix, with a couple of room mikes added in. It's live and raw, with no post-production. I love it! It captures not only the spirit of the performance, but also the spirit of where I now live as an artist.”

Lindsey Buckingham: One Man Show – Track Listing

1. Cast Away Dreams
2. Bleed To Love Her
3. Not Too Late

4. Stephanie
5. Come

6. Shut Us Down
7. Go Insane
8. Never Going Back Again
9. Big Love
10. So Afraid
11. Go Your Own Way

12. Trouble
13. Seeds We Sow

Buckingham is concluding his year long trek of sold out solo acoustic shows that have garnered rave reviews across the US. The intimate and stripped down setting on the road has truly displayed the immense talents of this legendary performer.

SONG PREVIEWS

REVIEWS

Lindsey Buckingham - One Man Show 

Something Else Reviews
Examiner
Blinded By Sound
Critic's picks
Kentucky.com

ALSO AVAILABLE...

"THIS IS 40"
Original Motion Picture Soundtrack
Released December 21, 2012
Lindsey Buckingham contributed three new songs
"Sick of You", "Brother and Sister" & "She Acts Like You"
AVAILABLE NOW iTunes | Amazon

The Latest "One Man Show" Preview from Lindsey Buckingham

"Bleed To Love Her"

From Lindsey's live acoustic album

"ONE MAN SHOW"

Available Tuesday via itune.

Check it out at Guitar World

Great song that first appeared on the live Fleetwood Mac album "The Dance" in 1997 as a full on band version and was subsequently released as a studio version on the 2003 "Say You Will" album.

Lindsey Buckingham gives us Trouble

Song Premiere: 
Lindsey Buckingham, “Trouble (Live)”

This Tuesday, November 13th Lindsey Buckingham will release "One Man Show" a live acoustic album that documents his current US tour which ends later this month on November 20th.  The release captures Lindsey during his September 1, 2012 Des Moines, IA show and is a straight from the console, no post-production, live... raw..., true sense of being there recording where just a few mics were added to the room to enhance the recording.  From the 4 previews released, it sounds fantastic!

American Songwriter has the latest preview: "Trouble".  Take a listen here

13 Song Track List:

• Cast Away Dreams
• Bleed to Love Her
• Not Too Late
• Stephanie
• Come
• Shut Us Down
• Go Insane
• Never Going Back Again
• Big Love
• So Afraid
• Go Your Own Way
• Trouble
• Seeds We Sow

Check out the previous album previews:

Big Love - Rolling Stone

Go Insane - MSN

Never Going Back Again - Paste Magazine

Go Your Own Way - Good Housekeeping

One man Mac

Kentucky.com

By Walter Tunis, Contributing Music Critic

The last time Lindsey Buckingham played in Lexington was fall 1982. The pop warhorse he co-piloted, Fleetwood Mac, was in the midst of its third Rupp Arena concert in five years. To give you a sense of the time, Men at Work was the opening act.

You could sense the shift already. Where the appeal of Fleetwood Mac up to that point was divided more or less evenly between his songs and the music that Stevie Nicks and Christine McVie brought to the band, the '82 show clearly put Buckingham in the driver's seat. He turned the non-hit Not That Funny, a fractured bit of pop mayhem from 1979's Tusk, into a trio rampage with group founders Mick Fleetwood and John McVie that largely flew in the face of the band's sleek, radio-friendly image.

Fleetwood Mac still exists. In fact, a tour is in the works for next year. But the recent rush of solo albums Buckingham has released (five in six years) points to the kind of agitated pop craftsman he remains at heart. The 2006 album Under the Skin, the best of the solo records, boasts dizzying, finger-picking guitar joy rides (the opening Not Too Late) as well as luxurious contemplation's (the Brazilian-flavored finale Juniper). The tunes also come dressed with vocals that sound alternately stressed, possessed and enchanted.

"His stamina kept the music's energy fresh and volatile," wrote Ben Ratliff in The New York Times of a performance that followed Under the Skin's release. "At times, he seemed to be nearing a state of hypnosis while booming away on voice and guitar."

Voice and guitar also define Buckingham's newest album, a digital-only concert recording titled One Man Show, which will be released Tuesday, and the solo acoustic performance he will give this week at the Opera House.

But if One Man Show is any indication, the latter will be anything but a polite, folky affair. At 63, Buckingham is a pop soul pursuing his muse with the most restless and reliable accompanist he could find: himself.

Lindsey's show at The Opera House in Lexington, KY takes place November 14, 2012.

Tickets can be purchased at Ticketmaster

All album Available on itunes

3 NEW Tracks by Lindsey Buckingham Featured on Upcoming "This is 40" Soundtrack

Judd Apatow's upcoming movie "This is 40" soundtrack features THREE new tracks by Lindsey Buckingham.

"Brother & Sister" [ft. Norah Jones] 
"She Acts Like You"
"Sick of You"

And it appears Lindsey didn't produce himself.  His tracks along with Fiona Apple and Graham Parker were produced by Jon Brion. Which just makes me even more anxious to hear the new tunes.  Short wait for the release is a bonus!  The soundtrack will be released on December 11th, and movie arrives in theatres on December 21st.

"This Is 40" Soundtrack Tracklisting

01 Yoko Ono: "I'm Your Angel"
02 Norah Jones: "Always Judging"
03 Graham Parker and the Punch Brothers: "What Do You Like?"
04 Lindsey Buckingham: "Sick of You"
05 Paul Simon: "Rewrite"
06 Ryan Adams: "Shining Through the Dark" (Live)
07 Paul McCartney: "Lunch Box Odd Sox"
08 Lindsey Buckingham: "Brother & Sister" [ft. Norah Jones]
09 Jon Brion: "Theme 1 (Debbie & Oliver)"
10 Graham Parker and the Rumour: "Watch the Moon Come Down"
11 Loudon Wainwright: "Days That We Die"
12 Lindsey Buckingham: "She Acts Like You"
13 Fiona Apple: "Dull Tool"
14 Ryan Adams: "Lucky Now" (Live)
15 Wilco: "I Got You"
16 The Avett Brothers: "Live & Die"
17 Graham Parker and the Rumor: "Protection" (Live) (digital-only bonus track)

The Playlist

Good Housekeeping Exclusive: 
Sneak Peek of Lindsey Buckingham's Album

Speaking of new tracks... Here's another song preview from Lindsey's upcoming digital only album "One Man Show".

Check it out at Good Housekeeping

Song Premiere: Lindsey Buckingham "Go Insane" [Live Acoustic] from "One Man Show"

Song Premiere:
Lindsey Buckingham 
"Go Insane" 
New acoustic version taken from the upcoming acoustic live album "One Man Show" Available on iTunes November 13, 2012.

Check it out at msn.com

Song Premiere: Lindsey Buckingham "Never Going Back Again" Live Acoustic

LINDSEY BUCKINGHAM
"NEVER GOING BACK AGAIN"

Listen to the acoustic live recording of “Never Going Back Again” taken from the album, Lindsey Buckingham: "One Man Show", the new digital only release features recordings from a single evening in Des Moines, Iowa September 1, 2012.

Listen at Paste Magazine

Beautiful as always!

'Big Love' Live from Lindsey's acoustic live album "One Man Show"

Lindsey Buckingham Powers Through Solo Version of 'Big Love'
Rolling Stone

From Lindsey's upcoming live acoustic digital only iTunes release "One Man Show".  Recorded live in Des Moines, IA September 1, 2012.  The album will be released November 13, 2012.

Full Article at Rolling Stone