Showing posts with label Pollstar. Show all posts
Showing posts with label Pollstar. Show all posts

Thursday, April 17, 2025

Stevie Nicks Working on New Album Her First Since 2011

Stevie Nicks Reveals She’s Working On New Album, Includes Song About Prince


Pollstar


The legendary Stevie Nicks, who tonight was inducted into the Pollstar Live Hall of Fame and graces the cover of this week’s Pollstar, broke news from the stage during her acceptance speech that she is currently working on a new album.



“I’m actually making a record right now,” Nicks said. “I call it the ghost record because it just kind of happened in the last couple of weeks.”  Nicks explained that she began work on the new record after being evacuated from her Los Angeles home due to the wildfires and after being evacuated for 91 days she needed  to “get back to work.”  That led to her writing new music.  


“I have seven songs and they are autobiographical,” Nicks continued. “real stories where I’m not pulling any punches for probably the first time in my life. They’re not airy-fairy songs that you’re wondering who they’re about, but you really don’t get it. They are real stories, memories of mine, of fantastic men.”



Nicks then pointed to one of those “fantastic men,” famed music mogul Jimmy Iovine and said, “You’re next.” Iovine, who inducted Nicks into the Pollstar Live Hall of Fame and also produced her records, once dated Nicks.


Another “fantastic man” is the music icon Prince, who initially inspired Nicks to work on her new record. “I’ve written a song about Prince because we were friends,” she explained before recounting a story of meeting up with the famed musician at the Hollywood premiere of “Purple Rain,” which she apparently couldn’t watch after the film’s love interest, Apollonia, is slapped.


“So I go across the street to the party. (Prince) Is upstairs in a little room and he’s basically waiting for me to ask me, ‘Well, did you love it?’ And I’m like, ‘I only saw the first half.’ And he’s like, ‘Why?’  “Because you slap that girl.’  And I said, ‘But I brought you a gift. It’s a really beautiful 24 carat necklace with little gold hearts on it.’ And he goes, “I don’t want your necklace and then he said, this is in the song and this is where this record began. ‘You always bring me a gift. You never bring me you.’


Nicks, whose extensive music career dates back to the 1960s, forming Buckingham Nicks, joingng Fleetwood Mac in 1974  and going solo in the early-’80s has had one of the most successful careers in the music business. She’s the only women to be elected to the Rock ‘n’ Roll Hall of Fame—twice.






Stevie Nicks The Road & 2025 Pollstar Live Hall Of Fame Inductee



Stevie Nicks, The Reigning Queen Of Rock & Roll, The Road & 2025 Pollstar Live Hall Of Fame Inductee


by Bob Mehr

Pollstar


It was somewhere around 1960 when Stevie Nicks stepped on stage for the first time. Nicks was just 12 years-old she made her debut, bringing a bit of rock ‘n’ roll showmanship to her El Paso grade school talent show.


“Me and my friend Colleen, we choreographed a tap dance routine to Buddy Holly’s ‘Everyday,’” Nicks recalls. “We practiced on my porch for weeks ’til we got it perfect. All the people there really seemed to like it, and I was hooked.”


More than six decades later, Nicks’ dedication to performing and the affection of audiences remains undiminished making her a much-deserved inductee into Pollstar’s 2025 Live Hall of Fame. “The ability to go on stage and put on makeup and outfits and sing and dance and tell stories, that’s such a big part of who I am,” says Nicks. To wit, as this story was going to press, Nicks announced new arena tour dates slated for August and October.


As a member of Fleetwood Mac – a group which she joined in 1974 – Nicks would come to define the band’s transformation from blues-rock band to global pop superstars. In the early-’80s, at the height of the Mac’s multiplatinum peak, she ventured off into a solo career with the equally successful Bella Donna, eventually earning distinction as one of the only women elected to the Rock ‘n’ Roll Hall of Fame—twice.


These days, multiple generations of stars – including the biggest contemporary acts, from Taylor Swift to Beyoncé to Lana Del Rey – all pay homage to Nicks. At 76, she’s arguably at the height of her cultural relevance and popularity, playing massive shows throughout the world. “Look at the power and joy she brings to people,” says her friend and longtime bandmate Mick Fleetwood. “She’s like Edith Piaf. They love her. They feel her.”

“She’s a force,” notes Nicks’ longtime collaborator, Tom Petty & The Heartbreakers keyboardist Benmont Tench. “Artist after artist – mostly women – talk about her as a creative influence, as an example of someone who just shone through in the midst of all the men in this business. She’s had a huge impact on things in a way that people don’t even realize.”

Fellow Heartbreaker Mike Campbell – who toured with Nicks as part of Fleetwood Mac in 2018-2019 – says it’s her total commitment that makes her so compelling. “She has a way of connecting with people in this very passionate, real way,” notes Campbell. “And I think that’s why she’s so beloved. Stevie’s really unlike any other rock star I can think of.”


For Nicks, the importance of playing live has taken on a new meaning since the disruption caused by the COVID-19 pandemic. After being forced off the road in 2020 and 2021, Nicks returned to the stage 2022 and has been going strong ever since, headlining her own shows and sharing bills with fellow rock vet Billy Joel.


The pandemic pause was difficult and frustrating for Nicks, but the time away also helped reinvigorate her. “I feel like I’m a better performer than I’ve ever been,” Nicks says. “And maybe that’s because of the years we had off and were banished from the road. I certainly appreciate being able to go on stage now more than ever.”


Campbell notes that Nicks has devoted herself to maintaining her greatest gift, her voice. “Stevie’s such a unique singer, but she also has a really strong work ethic,” says Campbell. “She has her vocal coach on tour who works with her every day. And she still sings great because she works at it. She doesn’t just coast along.”


Tench, who filled in on tour with Nicks a few summers ago, notes that her powerful contralto remains a thrilling instrument. “It was astounding to be on stage every night and listen to that,” says Tench, “to listen to her sing like that night after night.”


In 2025, Nicks also continues to find deep connection with her veteran backing group, which includes close decades-long collaborators like singer Sharon Celani and guitarist Waddy Wachtel. “When I walk on-stage, I couldn’t be prouder of my band,” notes Nicks.


“The thing about Stevie is she’s real rock and roller, and I don’t use that term loosely,” says Wachtel, who’s known Nicks since 1970 and has been her band leader since the early-’80s. “We get out there and try and put the songs across in a genuine way. We’re trying to present them the way those records affected people originally. That’s an important thing.”


These days, Nicks’ concerts are less elaborate stage productions, and more deeply felt story sessions. “I just wear one cool outfit for the whole thing and tell a lot of tales,” Nicks says. “I have a really good time putting my stories in and out of the songs. That part has been fun.”


Nicks’ recent FireAid performance was one of the night’s most poignant. She told tale of her harrowing evacuation from her Palisades home, which she was certain would be destroyed by the encroaching inferno. Giving full credit to the heroic firefighters, especially a team from Santa Rosa who saved her home, Nicks dedicated to them a stunning rendition of “Landslide,” a song she wrote in 1973 that has come to mean so much to so many.


According to Pollstar Boxoffice Reports, Nicks has averaged 10,200 tickets and $1.2 million gross per show. Her career gross, listed at $320 million, is much higher with her Boxoffice reports only dating back to 2001. If you add in Fleetwood Mac’s Boxoffice total of $600 million and her solo career launched in 1981 she easily crosses the $1 billion mark.


Nicks’ top-notch team includes manager Sheryl Louis of CSM Management, Creative Artists Agency’s Jeff Frasco, lawyer Jamie Young, longtime executive assistant Karen Johnston and Kristen Foster of Full Coverage Communications.


Now with her solo arena tour and a series of major stadium shows withoel planned for the summer of and fall of 2025 – at MetLife Stadium in New Jersey, Levi’s Stadium in Santa Clara, California, the Caesars Superdome in New Orleans, and Ford Field in Detroit – Nicks plans on carrying on as she always has: bringing her special alchemy of music and magic to massive audiences across the country, and around the world.


“That’s what I’ve done since I was a kid, since I was a little girl,” says Nicks. “And I’m still doing it. I don’t intend to stop.”

Saturday, January 03, 2015

Fleetwood Mac Rank 13th on Pollstar Year End Top 20 Worldwide Tours

Fleetwood Mac grossed $74.1 million from 40 shows in 34 cities in North America in 2014 coming in at No.13 on the Annual Pollstar Year End Top 20 Worldwide Tours.



The average ticket price was up this year to $131.69 and the average tickets sold per venue is up as well to 16,550. Total tickets sold were 562,685 with an average per show gross of $2,179,412.

Compared to 2013 this is a fairly substantial increase.  In 2013 they grossed $94.3 million from 67 shows in 63 cities with an average ticket price of $110.58 and 13,536 tickets sold per venue. Total tickets sold in 2013 were 852,776 and the average show gross was $1,496,825.

2014 Results (pdf)
2013 Results (pdf)

Monday, January 13, 2014

Fleetwood Mac had the 7th highest grossing North American Tour of 2013 earning 67m from 47 shows

Pollstar have released their year end 2013 North American Tour Numbers and Fleetwood Mac as expected were one of the top grossing North American tours from 2013. With gross earnings in North America of just under 67 million derived from 47 shows in 46 cities, playing to 604,000 people, the band came in at No.7 on Pollstars Top 200 listing.

On the world-wide stage, they ranked 14th with total gross box office receipts totaling 94 million.  To view the complete Top 200 North American Tour Numbers and the Top 100 Worldwide Tour Numbers, head on over to Pollstar


Thursday, January 02, 2014

Fleetwood Mac Rank No.14 on Pollstar Year End Top 20 Worldwide Tours. Details here

Fleetwood Mac grossed nearly 100 million dollars performing 67 shows in 63 cities in 2013 landing them at No.14 on Pollstars Year End Top 20 Worldwide Tours tally.  Almost 900,000 fans from US/Canada, UK and Europe saw the band between April and December.  Pollstars full 2013 touring report will come available January 9th.


Just to compare to the last time the band toured I dug out the 2009 Year End Results from Pollstar - they ranked No.13 in the world for the Unleashed Tour grossing 84.9 million from 79 shows in 72 cities. What you have to look at is the increase in the Average Ticket Price and the Average Attendance per show for 2013 - both of which are way up, which increases your per show take.  The band did very well in 2013!


Saturday, July 13, 2013

Fleetwood Mac Tour Lands at No.3 on Pollstar Mid-Year Charts and No.9 For The World

North America and World Wide Tour Stats published by Pollstar for the first half of 2013 have Fleetwood Mac coming in at No.3 in North America and at No.9 for the world.

Fleetwood Mac appearing in the third position on Pollstar’s mid-year North American Tours  reminds us that the band’s absence from the concert stage only fueled fans’ desires to hear those classic songs performed live one more time.  Scoring a total gross of $58.1 million during the first six months of the year, the band played 42 shows in 42 cities with an average ticket price of $107.80, resulting in an average per-show gross of $1,383,333.  Check out Pollstar for the full listing of North America and Worldwide Tour stats


Below is an updated list of published individual dates reported to Pollstar for Fleetwood Mac's 2013 tour.
New to this list: Ottawa and Edmonton, Canada; North Little Rock, AR. and San Jose, CA.


Thursday, June 27, 2013

The Top 20 Concert Tours rank: Fleetwood Mac NEW at No.5


The Top 20 Concert Tours ranks artists by average box office gross per city and includes the average ticket price for shows in North America. The previous week's ranking is in parentheses. The list is based on data provided to the trade publication Pollstar by concert promoters and venue managers.

1. (1) The Rolling Stones; $7,969,276; $346.08.
2. (2) Taylor Swift; $2,072,961; $84.02.
3. (3) Kenny Chesney; $1,829,281; $76.47.
4. (4) Bon Jovi; $1,622,485; $106.01.
5. (New) Fleetwood Mac; $1,426,254; $111.75.
6. (5) Maroon 5; $879,457; $62.99.
7. (6) Jason Aldean; $754,571; $51.28.
8. (7) Brad Paisley; $578,398; $36.74.
9. (8) Carrie Underwood; $497,868; $62.07.
10. (9) Leonard Cohen; $489,734; $106.77.
11. (10) Green Day; $469,164; $50.47.
12. (11) Motley Crue; $332,400; $78.37.
13. (New) Widespread Panic; $281,496; $42.36.
14. (12) Bassnectar; $179,128; $36.44.
15. (13) Diana Krall; $176,499; $83.60.
16. (15) Chris Tomlin; $163,206; $28.29.
17. (17) Shinedown / Three Days Grace; $156,081; $39.40.
18. (16) Il Divo; $152,184; $76.21.
19. (19) Nick Cave & The Bad Seeds; $142,644; $52.23.
20. (20) Willie Nelson; $133,423; $55.67.

SF Chronicle

Friday, July 10, 2009

FLEETWOOD MAC #2 IN NORTH AMERICA #6 WORLDWIDE

FLEETWOOD MAC RANKS 2nd IN NORTH AMERICA BEHIND BRITNEY SPEARS
Pollstar has released it's mid year Top 100 North American Concert Tours for the first six months of 2009. Fleetwood Mac is #2 in North America with a gross of 54.8 million on 53 shows.






On the Top 25 Worldwide Tours - Fleetwood Mac rank #6.

Considering the economy in North America this past year along with Fleetwood Mac not promoting any new material but touring behind their past hits, I think they did quite well with a million dollar average per show.