Showing posts with label The Dance. Show all posts
Showing posts with label The Dance. Show all posts

Friday, August 31, 2018

FLEETWOOD MAC RELEASE VINYL VERSIONS OF THE DANCE AND SAY YOU WILL

FLEETWOOD MAC VINYL RELEASE
OCTOBER 12, 2018


THE DANCE - 1997
Historic 1997 Live Reunion Of Classic '70s Line-Up In Celebration Of Rumours' 20th Anniversary Available On Vinyl For the First Time!

To commemorate the 20th anniversary of Fleetwood Mac's landmark 1977 album Rumours, the powerhouse '70s Fleetwood Mac lineup - Stevie Nicks, Lindsey Buckingham, Mick Fleetwood, Christine McVie and John McVie - reunited for a historic national tour and this extraordinary live album recorded for an MTV special at Warner Brothers Studios in Burbank, CA. The beloved incarnation's first together since 1987's Tango In The Night and the band's first No. 1 since 1982's Mirage, the 5x platinum affair features compelling new versions of classic material like "The Chain," "Go Your Own Way," "Landslide," "Rhiannon," "Dreams" and "Silver Springs" alongside fine new additions such as "Bleed to Love Her," "Temporary One" and "Sweet Girl." The Dance ultimately became the fifth best-selling live album of all time in the U.S.


Disc: 1
  1. The Chain (Live)
  2. Dreams (Live)
  3. Everywhere (Live)
  4. Rhiannon (Live)
Disc: 2
  1. I'm So Afraid (Live)
  2. Temporary One (Live)
  3. Bleed To Love Her (Live)
  4. Big Love (Live)
Disc: 3
  1. Landslide (Live)
  2. Say You Love Me (Live)
  3. My Little Demon (Live)
  4. Silver Springs (Live)
Disc: 4
  1. You Make Loving Fun (Live)
  2. Sweet Girl (Live)
  3. Go Your Own Way (Live)
  4. Tusk (Live)
  5. Don't Stop (Live)



SAY YOU WILL - 2003
Fleetwood Mac's 2003 reunion album Say You Will served as the band's first studio effort since 1995's Time and currently stands as their final studio release to date. Although the majority of the classic '70s line-up returns to the fold here including Stevie Nicks, Lindsey Buckingham, Mick Fleetwood and John McVie, Christine McVie opted out (she does appear as a guest on a few tracks but doesn't contribute as a songwriter). Say You Will also marks the first appearance of superstar duo Buckingham and Nicks together on a Fleetwood Mac record since 1987's triple platinum Tango in the Night and they each offer up a diplomatic nine songs apiece which frequently recapture their past melodic and melodramatic glory.

Disc: 1
  1. What's The World Coming To
  2. Murrow Turning Over In His Grave
  3. Illume (9-11)
  4. Thrown Down
Disc: 2
  1. Miranda
  2. Red Rover
  3. Say You Will
  4. Peacekeeper
Disc: 3
  1. Come
  2. Smile At You
  3. Running Through The Garden
  4. Silver Girl
  5. Steal Your Heart Away
Disc: 4
  1. Bleed To Love Her
  2. Everybody Finds Out
  3. Destiny Rules
  4. Say Goodbye
  5. Goodbye Baby

Sunday, August 19, 2012

It Happened: 15 Years Ago Today Fleetwood Mac released "The Dance"

Fleetwood Mac "The Dance" Released 15 Years Ago Today

August 19, 1997 - Fleetwood Mac released The Dance on the 20th Anniversary of Rumours, and the 30th Anniversary of Fleetwood Mac. The ablum went on to become the fifth best selling live album of all time in the US. To date US sales alone total over 5 million copies. The Dance marks the first album to feature the most successful line-up of Fleetwood Mac since the release of Tango in The Night in 1987 and the first album by the band to top the US albums charts since 1982's Mirage.  The album debuted on Billboard's Top 200 Albums Chart September 6, 1997 with sales of 199,000.  It would spend the next 12 weeks inside the top 10 and would sell its first million copies in the US within 8 weeks.

The album contained three new tracks - Temporary One from Christine McVie, Bleed To Love Her from Lindsey Buckingham and Sweet Girl from Stevie Nicks.

Neal Preston Photos


It all began May 22, 1997 when the band reconvened in a Warner Bros. Studio soundstage in Burbank, California where over the course of two evenings (May 22nd and 23rd), The Dance was filmed before a live audience.  MTV began airing the special August 12th and one week later Reprise released the album on August 19th.  Warner Reprise released the VHS video version first on August 26th following the album release, then on DVD September 23, 1997.  To date The Dance video has been certified platinum.

The DVD version contained five exclusive tracks not found on the CD: Songbird, Gold Dust Woman, Gypsy, Over My Head and Go Insane.

With the release of The Dance, it not only delighting exsisting fans world wide, but we fell in love with them all over again.  Fans had all but given up on the classic line-up ever getting back together again.  The Dance also introduced the band, and was the entry point for many new fans of Fleetwood Mac - thanks in large part to the MTV and vh1 airings of The Dance and also in large part to the singles releases from the album including "Silver Springs" which was a Rumours cut originally slated for the album, but was cut at the last minute because of vinyl limitations only making it to the B-side of the Go Your Own Way single back in the 70's and later in 1992 on Fleetwood Mac's box set "25 Years - The Chain".  The tune was issued to pop, AC and Mainstream rock radio July 22, 1997 with "The Chain" following as a promotional only CD issued to radio August 4, 1997.  "Landslide" was released, remixed and reached as high as #51 on Billboards Top 100 Singles chart.


THE CHAIN
BLEED TO LOVE HER

Following the release, Fleetwood Mac mounted A huge 45 date US fall tour playing to sold out venues everywhere making this the first tour all 5 Rumours era members would be on stage together since 1982. It also marked the last tour with all five members as Christine McVie retired from the band in 1998.


THE DANCE - Photo Opp, Rehearsal & Interview
1 of 4 videos:

Friday, August 05, 2011

Christine McVie... A Mac Attack

Photo of Christine McVie during The Dance Tour used in a Fleetwood Mac mention in Billboard Magazines feature on the 10th Anniversary of Concert Promoter TMG.  Louis Messina recounts how PACE Touring landed Fleetwood Mac's "The Dance Tour" in 1997. 

Sunday, December 12, 2010

(CHART UPDATES): FLEETWOOD MAC & STEVIE NICKS BEST OF'S + THE DANCE



Top 100 Albums Chart - UK
Week of 11th December, 2010 
  • Fleetwood Mac's "Rumours" is currently at #31 on the Top 40 Catalogue Chart for December 11th.
Top 100 Albums Chart - Ireland
Week Ending 9th December, 2010

  • Fleetwood Mac "The Very Best Of" remains at # 64 this week in it's 16th week on the chart.
Top 50 Catalogue Albums Chart - Australia
Week of 13th December, 2010
  • On the Top 50 Catalogue Chart Fleetwood Mac's "The Very Best Of" holds down the # 1 position again this week.  
  • Stevie Nicks "Crystal Visions The Very Best of Stevie Nicks" moves down to # 46 on the Australian Top 50 Catalogue Chart for the week of December 13th.

Top 50 DVD Chart - Australia
Week of 13th December, 2010
  • On the Top 50 Music DVD Chart, Fleetwood Mac's 8x Platinum "The Dance" re-enters the chart at # 26.








Thursday, November 18, 2010

UNEARTHED 1997 FLEETWOOD MAC INTERVIEW AND PERFORMANCE

Christine McVie, John McVie, Stevie Nicks, Mick Fleetwood and Lindsey Buckingham. All the players are here. In the following clips, the band is interviewed in North Hollywood, California, during their rehearsals for the CD and live TV Concert "The Dance". The interview took place on April 18 1997.

Enjoy these rare, behind the scenes interviews and performances from Fleetwood Mac!

Thank you to JeffreyChristIsAlive for posting these 4 parts.




Sunday, July 04, 2010

STEVIE NICKS & FLEETWOOD MAC AUSTRALIAN CHARTS UPDATE JULY 5, 2010

AUSTRALIA'S TOP 50 CATALOGUE CHART: WEEK OF JULY 5, 2010
Week 9 on Australia's Top 50 Catalogue Chart for the week July 5, 2010 - puts Stevie's 2007 "Crystal Visions The Very Best Of Stevie Nicks" at #17 down two positions from last week.

 

AUSTRALIA'S TOP 40 DVD CHART: WEEK OF JULY 5, 2010
Fleetwood Mac's "The Dance" DVD drops down to #40 on the Australian Top 40 DVD Chart, but reaches a new certification level of 8x platinum or 120,000 units sold.

Wednesday, October 07, 2009

INSTRUMENTAL FORCE IN REUNITING FLEETWOOD MAC (1997) APPOINTED CHIEF CREATIVE OFFICER


Warner Music Group Corp. (NYSE: WMG) today announced that it has named Grammy Award-winning music producer, Rob Cavallo, to the newly created position of Chief Creative Officer. As such, Cavallo will provide WMG with his exclusive services as a producer and an A&R executive.

One of the top-selling producers in the world, Cavallo has produced or had creative involvement in albums that have sold more than 125 million units over the past 16 years, nearly 30 million of those units in the last five years alone.

In 1997, Cavallo was an instrumental force in reuniting the members of Fleetwood Mac at Warner Bros. and produced the band's reunion album, DVD video and TV special, "The Dance," which combined have sold more than six million units.

WMG PRESS RELEASE

Most recently, Rob Cavallo produced two tracks on Lindsey Buckingham's "Gift of Screws" "Wait For You" and "Gift of Screws".

Saturday, August 16, 1997

Fleetwood Mac Back With Album, Video

Reprise's The Dance' Marks `Rumours' Anniversary



BY LARRY FLICK
and MELINDA NEWMAN
Billboard Magazine
August 16, 1997

**NEW YORK** - On Aug. 19, Reprise Records will commemorate the 20th anniversary of Fleetwood Mac's landmark "Rumours" recording with "The Dance," a live album culled from an MTV special that reunites the band's classic lineup of Lindsey Buckingham, Stevie Nicks, Mick Fleetwood, Christine McVie, and John McVie. The set will trigger a 40-city U.S. fall tour that will put the group on the road together for the first time since 1982.


The 17-track collection, which combines four new songs with familiar tunes, was gathered from three performances on a Warner Bros. Studios soundstage in June. The 90-minute MTV special, which will begin airing on Tuesday (12), will be issued Aug. 26 on home video via Warner Reprise Video, with a DVD release planned for Sept. 23. A laserdisc version of the show will be handled by Image Entertainment and will be offered Sept. 23.


"This has become a monumental event that pays long-overdue tribute to a band that continues to have immeasurable influence on new musicians," says Craig Kostich, senior VP of artist development/creative marketing (U.S.) at Reprise. "These songs sound as strong now as they did when they were first released. Judging from early interest in this project, people are still clearly very turned on by them."

The extensive marketing strategy behind "The Dance" started to unfold on July 22, when Reprise issued the album's first emphasis track, "Silver Springs," to pop, AC, and mainstream rock radio formats. Since then, the Nicks-fronted tune—which was originally recorded for "Rumours" but did not make the final track listing—has gathered airplay on 47 stations, with audience impressions of 3.8 million, according to Broadcast Data Systems. WNOK, a top 40 station in Columbia, S.C., played "Silver Springs" more than a dozen times its first week out, but PD Jonathan Rush says it's too early to determine the ultimate fate of the song. "I think the album will do very well, but will the single do well? I don't know. It doesn't jump off the radio quite like we'd like it to," he says. However, Rush believes it was a good choice for a first single as a way to bridge the gap between the past and the present. "I think it's kind of neat that it was an old song that was never on an album, and here's a revised edition recorded by the same party in a new era."

Reprise widened the radio scope of "The Dance" by issuing a promotional CD pressing of "The Chain" on Aug. 4. "We're planning to go several cuts deep into this album," Kostich says, noting that the label will eventually focus on the set's new songs, which hark back to the sound of the band's heyday.

Since word of the Fleetwood Mac reunion has circulated for months, retailers are anticipating a strong consumer response to "The Dance." "We're already getting a strong buzz on this; the word has been out for a long time," says Eric Keil, buyer for Compact Disc World, a New Jersey chain. "People have been asking about it and when it is coming out, when they can get it. We put Fleetwood Mac albums in a [summer] promotion, and the 'Greatest Hits' and 'Rumours' flew out of the stores. We know there are people out there who still love this band. This has the potential to be big, not as big as [the Eagles'] 'Hell Freezes Over,' but it could approach that. That was a monster for us."

Television exposure beyond MTV—which has already begun airing clips of "Silver Springs" and "The Chain" from the special—will play a vital role in the marketing of the album. VH1 will air a condensed, 60-minute version of the special in September and has designated Fleetwood Mac as the network's artist of the month in October. VH1 has also recently featured "Rumours" in a recent episode of its "Classic Albums" series.

Additionally, various members of the band are tentatively slated for a string of high-profile stints on shows, including "The Rosie O'Donnell Show," "Good Morning America," and "The Tonight Show With Jay Leno." Most of these appearances will be made before Fleetwood Mac begins its tour in mid-September. Dates for the trek were still being confirmed at press time.

The seeds of the band's reunion were sowed earlier this year. Fleetwood and Buckingham had been working together on Buckingham's solo project, so for Fleetwood, the reunion seemed like a natural progression. "I was really excited," he says. "I felt we had already met musically somehow because I had been working with Lindsey for over a year, or being there and being supportive. I knew the creative light was alive. It was not like a business manager called up and said, 'You've been offered $20 billion to reconvene.' It was not like that."

Fleetwood had disbanded the group two years ago, only after different permutations failed to ignite. "I was a person that very much tried to keep Fleetwood Mac together at any cost, literally," he says. "It has been my life, and the letting go was a decision John [McVie] and I made. Every brick wall, people would say this is the end, but keeping it going was the only thing I knew. We'd had such a cycle of reinventing ourselves as a band. After the [1995] album with Billy [Burnette] and Bekka [Bramlett], we realized that we weren't going anywhere, and that was a major thing for me to admit, and it took me a little time to absorb that."

For Fleetwood, it was a chance to realize that he could survive in a world without Fleetwood Mac. "I truly had let go, and that was good. I sobered up and changed my life; there was a different life to be had, and it was a good one. I know now that I can function without the [band]."

But to Nicks, functioning without Fleetwood Mac was never a question. "We can all go our separate ways for periods of time, but we always seem to come back to each other," she says. "There's a connection between each of us that has nothing to do with business. When I got the call about doing this, I took a deep breath, and then I said yes."

Because Buckingham was recording a new solo album, he was the hardest member to convince to come back; however, no reunion would have happened without his participation. His decision was based somewhat on the clout a reunion would give him when it came time to return to his solo work. "A lot of people seem to think that if you make an album every four years or so, as I do, there was nothing to be lost in doing the reunion, and possibly a great deal to be gained in terms of visibility and opening political doors," he says.

"The hardest part was thinking about putting down [an album] I'd been working on for two years plus and just leaving it on the back burner," he continues. "[Warner Bros. Records chairman/CEO] Russ Thyret called me and said, 'Are you doing this [reunion]?' And I said, 'Give me until the first of April,' and I just took a chance, and I can't say I'm sorry. I'm a different person now. It's a great thing for everybody in the group. I mean, I feel like I'm giving something to these people who have contributed to my life."

After Buckingham agreed to the reunion, the band began rehearsing immediately on April 1 for the MTV taping. "We thought MTV was Fleetwood Mac adverse, but they weren't," says Buckingham. "We rehearsed for six or seven weeks, which wasn't quite enough. I think there was a general view that this thing may disintegrate in a week, and I was gonna do my best to make sure it wasn't me that made that happen. But, you know, Stevie is in a really good place, and there was something good about it. You just have to keep watching yourself to make sure that you don't get petty. I went in and I tried to make nice, and it wasn't hard. It's sweet, it's nostalgic; you could cry over it if you let yourself."

Nicks says there were actually quite a few tears shed during the last of the three shows the band played for the special. "In my heart, I knew that final show was the one that we would use, and I paced myself emotionally. Something clicked as we started to play that night. The magic was there again, only we weren't mad at each other anymore. I looked into Lindsey's eyes during so many of the songs, and the tears came. It was uncontrollable. And it was a beautiful night for us and everyone in the audience."

Buckingham was pleased with the wide demographics the taping attracted. "There really was a nice element of a younger, 20s and 30s crowd, which was great, because a lot of those people learned about us from their parents, or from the rekindled interest in the band since Billy Corgan and a few others have said, 'Fleetwood Mac is not the enemy.'"

Nicks agrees, noting the previously untapped young audience that "Gold Dust Woman" reached after Courtney Love covered the "Rumours" cut with Hole late last year. "She claims to know more about me and my music than I can even remember—which is terrifying but probably very true," Nicks says with a laugh. Love will interview Nicks for Spin magazine this fall.

Buckingham confesses it's been "surprisingly pleasurable" reuniting with his bandmates. "It's been kind of a trip, because we're getting along really well. There's very little of the baggage left that was

 there when I left in 1987," he says. Like Buckingham, Fleetwood's antennae were up, checking for signs that the reunion might not work. "I would always be looking; that's my nature," he says. "We know each other so well. You know what to do to upset someone, and you know what to do to make the situation good; that's what I do with anybody. I would be watching for what anyone would construe as the danger signal. The reality is that these five people have the capability of managing themselves, and we did for years. Basically, we were always very successful, and part of that success was because it was an unusual animal, this thing called Fleetwood Mac. And it came from within."

The live forum of the MTV special created the perfect environment for the band to reconvene, because, as Fleetwood says, creating a new studio album would have been "too stressful. This is a great way of celebrating who we are and then reinventing some of the songs and just saying, 'Shit, we haven't played for years' and have it be really good. I truly think the band is playing 40% better than it ever has before."

While there are no announced plans other than "The Dance" and a 40-city tour, Buckingham doesn't know if the reunion will end after the last date is played. "Well, if you'd asked me a year ago whether I would be doing this, I would have said 'absolutely not,' but here I am, so I'm not going to discount anything." Nicks is equally guarded about the band's future—but admittedly optimistic. "Fleetwood Mac will never die. Whether any of us will fess up to it or not, the spirit of this band will live in each of us forever. And that's a good thing. Some people only dream of the magic we've made—and then we get to revisit it and to build upon it. That is truly a blessing."