Tuesday, March 04, 2025

Christine McVie’s Belgravia flat has hit the market

 


Fleetwood Mac Star Christine McVie’s London Penthouse Hits the Market

The Belgravia duplex owned by the rock legend has a price tag of £6.9 million.  Christine owned the top 2 floors and the roof top terrance


In 2014, Christine McVie, best known as the keyboardist for Fleetwood Mac, rejoined the band for its reunion world tour. At the time, McVie—who wrote some of the band’s biggest hits, including Don’t Stop and You Make Loving Fun—owned a 19-acre Tudor property in the Kent countryside, according to her former manager Martin Wyatt, who’s now the executor of her estate.


“When she first moved back to England from LA, she was desperate to be in the country. She clearly wanted the Hunter Boots and Barbour coats and Range Rover—the classic English country life situation,” says Wyatt of his close friend, who died in 2022. But McVie eventually missed the buzz of the big city, and going back on tour made her want to have a home base in the capital again, he says.


“She was desperately keen to get a place in London and briefed me to start looking for permanent homes for her,” Wyatt says in an exclusive interview with Bloomberg Pursuits. McVie, he says, wanted to be in the middle of everything. “She liked Belgravia, because she could walk to Harvey Nicholas and Harrods around the corner, and that’s what she used to always do when she came up to London,” he recalls.


Wyatt came across a penthouse duplex on tony Eaton place in a classic Regency-era Belgravia building, just a 10-minute walk from those famous department stories. He and McVie liked that it was a corner apartment with an abundance of windows. “The roof terrace was a real selling feature, because she loved the garden that she had at the other house,” Wyatt says. “She had over-planted, to be honest with you. There were plants everywhere!”


McVie purchased the home in 2015 and lived there until her death seven years later at age 79.




Now, McVie’s Belgravia flat has hit the market for £6.95 million ($8.8 million) with Beauchamp Estates. For that, a buyer gets McVie’s 2,552-square-foot penthouse with three bedrooms, three and a half bathrooms and a roof terrace in a building with a doorman. The apartment’s entry level is accessible via an elevator. The home also has air conditioning, a rarity in London’s historic housing market.


The first floor of the apartment features a reception room, kitchen, dining room and study. There are light-colored oak parquet floors throughout, installed at McVie’s request. She also did work on the kitchen, adding an oak worktop, warm yellow ceramic wall tiles and a breakfast bar.


McVie hosted family Christmases in the dining room a few times, Wyatt recalls. “She did like to sort of twinkle around at Christmas time and play a few old carols and things like that on the piano. But it was difficult sometimes—when we tried to encourage her to play piano, she’d go, ‘No, that’s my day job. That’s what I do all the time.’”



Christine's kitchen as she decorated it



The duplex’s upper floor is home to the primary bedroom, which has a dedicated vanity and dressing area and en-suite bathroom with a large soaking tub and shower. There are two additional bedrooms and bathrooms on this level. The roof terrace that sold McVie on the house is just above that.



“She did like the sun, so she enjoyed being able to get up there, but it was generally only her up on the roof most of the time. It wasn’t like she was entertaining up there, although there was enough space,” he says, adding that she wasn’t a “party girl” during her time in Belgravia. (She was in her 70s for the years she lived in the apartment.)


Wyatt thinks McVie’s penthouse will likely suit another well-known person due to the general glamour and exclusivity of the area. “There’s apparently quite a few famous people who live around the corner to us, but I’ve never bumped into them,” he says.


Though she was a member of one of her era’s most famous and successful rock bands, McVie herself managed to keep a fairly low profile. “Stevie was always the one who got spotted out of the band, of course, and Mick because he’s so tall and outrageous,” Wyatt says of his McVie’s bandmates Stevie Nicks and Mick Fleetwood, “but Christine and John [McVie, Christine’s ex-husband and a founding member of Fleetwood Mac] could slide in anywhere. People wouldn’t even know they were at the next table at a restaurant,” Wyatt says.


“She really enjoyed the quiet of being in Belgravia,” he says. “She was happy there.”




Source: Bloomberg

Saturday, March 01, 2025

Fleetwood Mac "You Make Loving Fun" Platinum Certified in the UK

Fleetwood Mac's 4th and final single released from Rumours was certified Platinum in the UK on February 28, 2025.  Platinum in the UK represents 600 units sold. Units sold is derived from actual sales of songs and streaming of tracks. 


 

Thursday, February 27, 2025

Fleetwood Mac "SARA" New HD Upgraded Video

Fleetwood Mac's Record Label have upgraded the 1979/1980 video of "Sara" the second single released from "Tusk". It looks fantastic.  I wish they would do the same for the entire Tusk Documentary that the video is pulled from.



Stevie Nicks and Billy Joel Live in Santa Clara, CA October 4th

 New Date Announced:


Stevie Nicks and Billy Joel will be in Santa Clara, CA on October 4, 2025 at Levi's Stadium.  Tickets go on sale to the general public on Friday, March 7th at 10am PST - but Citi Cardmembers have access to presale tickets begining on Monday, March 3rd at 10am PST. Tickets available via Ticketmaster or access the link at StevieNicksOfficial.com

Saturday, February 22, 2025

Stevie Nicks I Can't Wait Billboard Hot 100 Debut Feb 22, 1986

Stevie Nicks’ *"I Can’t Wait,"* released in 1985 as the second single from her third solo album, *Rock a Little*. This track is a fascinating snapshot of Stevie’s life and creative process during a turbulent period.

*"I Can’t Wait"* dropped in late 1985 and hit the charts at number 60 39 years ago on February 22, 1986, and peaked at number 16 on the Billboard Hot 100 on April 12th. 

Let’s dive into the background.


By the mid-1980s, Stevie Nicks was a rock icon, both as a member of Fleetwood Mac and as a solo artist. After the massive success of her 1981 debut *Bella Donna* and 1983’s *The Wild Heart*, she was under pressure to keep delivering hits. At the same time, her personal life was a whirlwind—marked by romantic entanglements, the strain of fame, and her deepening struggle with substance abuse, particularly cocaine. *Rock a Little* came together during this chaotic chapter, and *"I Can’t Wait"* reflects that urgency and intensity.


Stevie wrote *"I Can’t Wait"* with her longtime collaborators Rick Nowels and Eric Pressly. The song’s creation was famously spontaneous. According to Stevie, it came together in a flash—about 15 minutes—while she was at a recording studio in Los Angeles. She’d been listening to a demo track with a driving beat, and the lyrics poured out of her. She’s described it as a moment of pure inspiration, fueled by her emotional state at the time. The song’s restless, almost desperate tone mirrors her mindset—she was reportedly impatient to move forward, whether in love, life, or her career.


The production was handled by Rick Nowels and Jimmy Iovine, who gave it that polished, synth-heavy 1980’s sound. The track features pulsating rhythms, layered keyboards, and Stevie’s raw, emotive vocals. It’s a departure from her more mystical, folk-rock roots, leaning hard into the pop-rock energy of the era. The recording process for *Rock a Little* was notoriously disorganized—Stevie was juggling addiction, shifting producers, and a grueling schedule—but *"I Can’t Wait"* emerged as a standout, capturing her ability to turn chaos into art.



Lyrically, *"I Can’t Wait"* is about longing and impulsion—an anthem of someone who’s done waiting for something (or someone) to happen. Lines like “She wonders how many more hours her heart will feel broken / In secret she says she needs to see him but no words are spoken” convey a mix of passion and frustration. Stevie’s said it’s not tied to one specific person or event but reflects a broader feeling of being trapped in limbo, wanting to seize the moment. Some fans interpret it as a love song, others as a declaration of independence—either way, it’s steeped in her trademark emotional intensity.


There’s also a personal layer: 1985 was when Stevie’s cocaine use was spiraling, and she’d soon enter rehab in 1986. Retrospectively, the song’s frenetic pace and lyrics about time slipping away feel like a subconscious cry from someone racing against their own demons.


It got heavy MTV rotation thanks to its cinematic music video, directed by Marty Callner. The video’s got Stevie in dramatic black outfits, swirling around with dancers in a hazy, dreamlike set—pure ‘80s excess. It’s a time capsule of that era’s aesthetic, and it helped cement her as a solo star beyond Fleetwood Mac.  In 2007 commenting on the filming of the video, Stevie said “I look at that video, I look at my eyes, and I say to myself, ‘Could you have laid off the pot, the coke, and the tequila for three days, so you could have looked a little better?’"


The song remains a fan favorite, often praised for its infectious energy and as a testament to Stevie’s resilience. It’s not as introspective as *"Landslide"* or as ethereal as *"Rhiannon,"* but it’s a banger that shows her versatility.




Friday, February 14, 2025

Just Announced! Stevie Nicks and Billy Joel New Orleans Oct 18, 2025

A new date was announced on Thursday, February 13, 2025.


Billy Joel and Stevie Nicks will play the Ceasars Superdome in New Orleans, October 18, 2025

Citi Card members will have access to presale tickets beginning on Monday, February 17th at 10am EST.  Tickets will go on sale to the general public on Friday, February 21st at 10am EST.

Tickets available via Ticketmaster or through Stevie's website


Friday, February 07, 2025

More Gold and Platinum for Fleetwood Mac in the UK

Fleetwood Mac's "50 Years - Don't Stop" was certified 5x PLATINUM in the UK February 7, 2025 representing sales of 1.5 million units.  

The album is No.11 this week on the UK Top 100 albums chart. 



Also certified on February 7th, Fleetwood Mac's single "Silver Springs" reached GOLD with sales of 400K units.





Thursday, February 06, 2025

Fleetwood Mac Record Store Day 2025 Picture Disc Release

Just like clockwork... Another Record Store Day and another Fleetwood Mac release.  This time it's a picture disc for the 1975 White album.  Rhino is releasing this version in a relatively small quantity compared to the 18,000 that were released of the Rumours picture disc album in April, 2024.


RECORD STORE DAY 2025

Release Date: April 12, 2025

Format: LP Picture Disc

Label: Rhino

Quantity: 6,475

Release type: RSD Exclusive Release

Fleetwood Mac’s 7X platinum-certified 1975 self-titled album on picture disc for the very first time in celebration of its 50th Anniversary! Features 2-sides of unique artwork, and includes the hit singles “Landslide,” “Say You Love Me” & “Rhiannon”.

Tracklist

A1. Monday Morning

A2. Warm Ways

A3. Blue Letter

A4. Rhiannon

A5. Over My Head

A6. Crystal


B1. Say You Love Me

B2. Landslide

B3. World Turning

B4. Sugar Daddy

B5. I'm So Afraid

Tuesday, February 04, 2025

Mick Fleetwood and Lindsey Buckingham Grammy Night 2025

Mick Fleetwood was at the 6th Jam for Janie Grammy Awards viewing party presented by Live Nation at the Hollywood Palladium February 2nd... He performed with Steven Tyler at the event.  A little bit of a reunion took place. Photos surfaced of Lindsey also at the event.. Which is super cool. The last time published photos of Mick and Lindsey together was in 2018 if I'm not mistaken. 

Friday, January 31, 2025

Video Stevie Nicks Live in Los Angeles at Fire Aid January 30, 2025

Stevie Nicks took to the KIA Forum Stage on January 30th taking part in Fire Aid A Benefit Concert For Wildlfire Relief.  The set was short, she was on stage for about 25 minutes, performed three songs opening with "Stand Back", then speaking to the audience telling her own experience evacuating the fire zone in Pacific Palisades where she has a home.  Even though the fire came close to her home, her home and street were spared and saved with the help of the Santa Rosa Fire Dept, who she thanked before segueing into "Landslide". She finished her set with "Edge of Seventeen".

Check out Stevie's full set:



 

 



Photos from Instagram:
- Fullcoveragepr
- iheartradio
- rockinwithmygoodeyeopen