1. Stand Back
2. Crash(Dave Matthews Band cover)
3. Sara
4. If Anyone Falls in Love
5. Landslide (orchestra version)
6. How Still My Love
7. Circle Dance
8. Fall From Grace
9. Sorcerer
10. Beauty and the Beast
In my humble opinion, Lindsey Buckingham's newest CD "Gift of Screws" is without a doubt his finest release to date.
The polar opposite of his last release, "Under the Skin," this CD is mostly a high energy electric offering with a few acoustic gems mixed in.
Let there be no mistake, though, this is a fairly intense and introspective set of songs representing his most potent song writing to date.
All songs on "Gift of Screws" were written or performed by Buckingham with very few exceptions, and the production is spotless.
The album opens with "Great Day," featuring red hot guitar solos that we have come to expect from Buckingham. But here he takes it to another level.
"Time Precious Time" is a dreamy introspective acoustic song that features Buckingham's excellent vocals and his unique ability to strum his guitar like a harp.
"Did You Miss Me" is a very catchy melancholy pop-rock song that may be an ode to his former love, Stevie Nicks, or it could be for his wife of many years, Kristen. Either way it would be an instant classic if it was on any Fleetwood Mac album and would have fit really well on "Rumours."
"Wait For You," the disc's fourth track, is a bluesy rocker that is more like Buckingham's solo work and reflects his views on getting older and less independent.
"Love Runs Deeper" is a classic Lindsey-era Fleetwood Mac rocker with terrific lead guitar work and, not so coincidentally Mick Fleetwood and John McVie on drums and bass, respectively.
If this song is not about Stevie Nicks then explain these lyrics to me, "I loved you little child, how you mystified," and "Black Angel can't be alone."
"Bel Air Rain," the album's sixth track is a lovely laid-back song featuring Buckingham's virtuoso acoustic guitar work. The introspective song is about being contented and more patient and relaxed by taking life as it comes at this stage of his life.
"The Right Place to Fade" is another introspective song about the good fortune of being able to realize what is most important in his life and how to appreciate it before it is too late. However, this song is a rocker with a freakishly wicked guitar solo at the end.
The title track, "Gift of Screws" is one that I haven't been able to get a handle on yet, but it sure sounds, like they had a lot of fun recording it.
"Underground" is a nice and melodic laid-back delivery for a song that shows his frustrations with the music business and the way in which it is run.
"Did I sell my heart for the dream in my head?" he wonders.
"Treason," the disc's closing track, is a beautiful song about love, hope and redemption with Fleetwood and McVie providing perfect accompaniment.
Everybody needs to know about this great CD. If "Gift Of Screw" was a Fleetwood Mac album it would be its best release since "Rumours," and the press would be all over it.
As it stands, it is Lindsey Buckingham's crowning achievement and one of this year's best albums.
AUSTIN SCAGGS
In 2001, Fleetwood Mac's Lindsey Buckingham had the intention of recording a solo album, but then his band showed up. "They said, 'Let's do a studio album!'" says Buckingham. "So the bulk of that material was folded into [2003's] Say You Will." Three years later, Buckingham finally struck out on his own with Under the Skin, a moody collection that highlights his virtuosic fingerpicking. On September 16th, Buckingham released a far more rocking sequel: Gift of Screws, named after an Emily Dickinson poem, is a wide-ranging collection of 10 songs he's written over the past decade. "I told the band that I wanted to be left alone for three years," he says, "so I could follow through with my plan: to put out two albums and to tour behind them."
The past 10 years have been particularly joyful for Buckingham. "There was a period where I was leading a fairly narrow life, focused exclusively on music," he says. "The past decade has been a revelation to me. Meeting my wife and having three beautiful children has infused another level of enthusiasm and optimism. You can get a sense of that in the new work." While the new disc displays the intensity that marks much of his solo work, there are moments of uncomplicated joy, such as the buoyant opener, "Great Day." And when John McVie and Mick Fleetwood join in on the galloping "Wait for You" and "The Right Place to Fade," you'll be transported to Fleetwood Mac's heyday.
After touring to support Screws through October, Buckingham will reunite with his bandmates again next spring for a tour. In March, Sheryl Crow announced plans to collaborate with the band, but Buckingham says the idea never moved beyond a casual conversation. "If you're bringing someone in just to do Christine McVie's stuff," he adds, "doesn't that sort of degrade it into kind of a lounge act?"
[From Issue 1062 — October 2, 2008]