Based on the 19 dates of the tour that have been reported by Live Nation, here are the stats for Stevie's tour...
info courtesy of: Nikolaj
Sunday, July 22, 2007
Friday, July 13, 2007
Stevie Nicks in Atlantic City August 24th
It appears the Crystal Visions Tour isn't over just yet. Another show has popped up online at The Borgata Hotel Casino & Spa in Atlantic City for August 24, 2007. Ticket Pricing: $125/$95/$75 (Tickets On Sale 07/16/07).
Also confirmed is 93.1 Jackfm "Jack's Second Show" in Irvine, CA - August 18th. The Lineup this year includes: Stevie Nicks, Stray Cats, The Pretenders, Sugar Ray and ZZ Top. Tickets on-sale now
Sunday, July 01, 2007
Stevie Nicks Delivers, Still Rocking
Nicks twirled a few times on Saturday June 30th at the Toyota Pavilion at Montage Mountain in Scranton, PA
Two Reviews:
Timesleader.com
TheTimesTribune.com
Wednesday, June 27, 2007
Stevie Nicks Concert Review - Verona, NY - Turning Stone Concert Review
Her strong, pure voice soars in Turning Stone concert
Wednesday, June 27, 2007
By Mark Bialczak Staff writer Syracus.com
Stevie Nicks was in fine voice Tuesday night at the Turning Stone Resort and Casino's Event Center.
Front and center amid her seven musicians and three backup vocalists, the woman who put much of the mystery into Fleetwood Mac belted out the hits like a true rock star.
One year removed from her 60th birthday, Nicks looked and sounded much like the energetic star who delivered to America a long line of hits, from the Buckingham Nicks start of 1971 to the full-blown Fleetwood Mac days to the solo career that bloomed because the three or four songs per album she was allowed to contribute to "The Mac," as she called them, weren't enough to satisfy her songwriting talents.
She told the just-about-capacity crowd just that early on during the concert. Nicks would be in a chatty mood, she explained, because she wanted to talk about all those great songs of hers.
From the first song of the night, "Stand Back," it was obvious that Nicks' pure, soaring rock voice still sizzles. It was vintage Nicks, dressed mostly in black, numerous strands of beads draped from her microphone stand, body ready to twirl with arms extended as if she really believed a wind beneath the balloon sleeves of her outfit could carry her off into the clouds.
Her band, led by her longtime friend and music director Waddy Wachtel on a very demonstrative guitar, was forever ready to help Nicks drive home the point with equal parts melody and power.
Between songs, Nicks smiled a whole lot.
"In 1981, going solo from the Mac was a very dangerous thing to do," she said. "I didn't want to split up the band, but I needed a vehicle to do more than three or four songs a record as a songwriter. So we put out the album 'Belladonna.' " The rest, she declared, was made rock 'n' roll history.
"I'd like to thank you from the bottom of my heart for staying with me all these years," Nicks said, fanning her eyes as if to dry tears. "And, with that said: Let's rock."
So rock they did, mixing pretty pieces like "Enchanted" with bona fide monster hits like "If Anyone Falls" and "Rhiannon."
Before launching into the gorgeous and piping hot "Dreams," Nicks described how she wrote the song while lying on Sly Stone's black velvet bed. "I took in the greatness of Sly," she declared. "I played it for the Mac, and we recorded it that day." With that classic line, "Thunder only happens when it's raining . . .," who wouldn't have?
Nicks revealed how she and guitar partner Lindsey Buckingham wrote "Sorcery" in the time when they felt lost because the Buckingham Nicks album was out of the stores and bust after only three months.
The night kept reaching new peaks, with "Gold Dust Woman" leading into Tom Petty's "I Need to Know" and the Mac classic "Landslide." "I want you to interpret my songs," Nicks said. "But the last two years, I talked a little bit about what this one means." With the numerous photos of her parents and Nicks growing up from a child to a star performer, it was obvious that her message of "putting aside ego for family" means something important to her. "I'm getting older, too," she sang, as her life shone for all on the big screen backdrop.
She demonstrated she's definitely not too old to rock hard with her rollicking cover of Led Zeppelin's rowdy "Rock and Roll" for the first encore.
For the second, she chose her theatrical "Beauty and the Beast," lighted by a candelabra on the piano and complete with a black-and-white film production to match the story on the screen.
Nicks wasn't ready to go without one more statement. She told all that the music industry is in trouble. "So go to concerts, listen to the radio, do whatever you can for new music. Or else we'll be listening to the same classic rock for the next 20 years," she said.
Mark Bialczak can be reached at mbialczak@syracuse.com or 470-2175. His blog "Listen Up" is at http://blog.syracuse.com/listenup/.
Saturday, June 23, 2007
Sales Update - Crystal Visions
Week 12 on the Billboard Top 200 - Crystal Visions Sales update:
Date / Chart # / Sales / Total Sales
04/14/07 #21 - 33,944
04/21/07 #52 - 20,884 = 54,828
04/28/07 #49 - 13,384 = 68,212
05/05/07 #71 - 9,687 = 77,899
05/12/07 #73 - 9,531 = 87,430
05/19/07 #91 - 7,829 = 95,259
05/26/07 #116 - 7,421 = 102,680
06/02/07 #138 - 5,535 = 108,215
06/09/07 #131 - 5,705 = 113,920
06/16/07 #108 - 6,558 = 120,478
06/23/07 #152 - 5,212 = 125,690
06/30/07 #169 - 5,320 = 131,010
Date / Chart # / Sales / Total Sales
04/14/07 #21 - 33,944
04/21/07 #52 - 20,884 = 54,828
04/28/07 #49 - 13,384 = 68,212
05/05/07 #71 - 9,687 = 77,899
05/12/07 #73 - 9,531 = 87,430
05/19/07 #91 - 7,829 = 95,259
05/26/07 #116 - 7,421 = 102,680
06/02/07 #138 - 5,535 = 108,215
06/09/07 #131 - 5,705 = 113,920
06/16/07 #108 - 6,558 = 120,478
06/23/07 #152 - 5,212 = 125,690
06/30/07 #169 - 5,320 = 131,010
Stevie Nicks in Canada
Stevie Nicks still wonderful
By JANE STEVENSON
The Toronto Sun
RAMA, Ont. -- Stevie Nicks was down, but not out, on Thursday night as she opened the first of two soldout solo shows at Casino Rama. .
The 59-year-old songbird and sometime Fleetwood Mac member fell down on stage toward the end of her hour-and 45-minute performance during an extended and lively version of her signature solo track, Edge of Seventeen. Nicks, who said backstage later that she had a bum knee that was now extremely swollen, was helped to her feet by one of her three female backup singers and none of her seven male band members, who seemed oblivious to her plight. Ever the trouper, the singer -- who still favours platform suede boots -- shook it off, laughing, and strongly finished the tune, and even came back for a two-song encore including a cover of Led Zeppelin's Rock And Roll.
Touring in support of a greatest-hits album, Crystal Visions, Nicks claimed she loved to come to Canada because everyone was so nice. "As much as I love my country, they aren't that nice," the Phoenix native said.
The theatrical singer, who loves flowing dresses, velvet coats and top hats, shawls, black leather clothes, and the aforementioned boots (and made about a half-dozen costume changes) had a mic stand dripping in necklaces and scarves, and never missed a moment to interpretive dance or twirl on the spot.
In response, the audience rushed the stage from the moment Nicks opened her show with crowd favourite Stand Back, followed later by some Fleetwood Mac gems as Rhiannon, Dreams and Gold Dust Woman, the latter one of the set highlights as she really let it rip vocally.
Unlike many of her contemporaries, Nicks astonishingly sounds exactly as she did almost 40 years ago when she was starting out. But it was the poignant Landslide, the song from the 1973 landmark Buckingham Nicks album, that put a lump in everyone's throat -- as she sang in front of a backdrop of images of her family, most prominently her elderly and fragile father.
This is a performer who wears her heart on her sleeve, and we love her for it.
Nicks' last song was her own Beauty and the Beast, another tearjerker as a black-and-white film acting out the tragic fairytale played behind her on a large backdrop.
The singer, who also made a point of shaking the hands of most of the fans gathered at the front of the stage, wound down the evening with a last-minute plea for the music industry, which she pointed out was in "a sad state."
"Go to concerts, buy albums, listen to the radio," she pleaded as she took her final bows with her entire band.
By JANE STEVENSON
The Toronto Sun
RAMA, Ont. -- Stevie Nicks was down, but not out, on Thursday night as she opened the first of two soldout solo shows at Casino Rama. .
The 59-year-old songbird and sometime Fleetwood Mac member fell down on stage toward the end of her hour-and 45-minute performance during an extended and lively version of her signature solo track, Edge of Seventeen. Nicks, who said backstage later that she had a bum knee that was now extremely swollen, was helped to her feet by one of her three female backup singers and none of her seven male band members, who seemed oblivious to her plight. Ever the trouper, the singer -- who still favours platform suede boots -- shook it off, laughing, and strongly finished the tune, and even came back for a two-song encore including a cover of Led Zeppelin's Rock And Roll.
Touring in support of a greatest-hits album, Crystal Visions, Nicks claimed she loved to come to Canada because everyone was so nice. "As much as I love my country, they aren't that nice," the Phoenix native said.
The theatrical singer, who loves flowing dresses, velvet coats and top hats, shawls, black leather clothes, and the aforementioned boots (and made about a half-dozen costume changes) had a mic stand dripping in necklaces and scarves, and never missed a moment to interpretive dance or twirl on the spot.
In response, the audience rushed the stage from the moment Nicks opened her show with crowd favourite Stand Back, followed later by some Fleetwood Mac gems as Rhiannon, Dreams and Gold Dust Woman, the latter one of the set highlights as she really let it rip vocally.
Unlike many of her contemporaries, Nicks astonishingly sounds exactly as she did almost 40 years ago when she was starting out. But it was the poignant Landslide, the song from the 1973 landmark Buckingham Nicks album, that put a lump in everyone's throat -- as she sang in front of a backdrop of images of her family, most prominently her elderly and fragile father.
This is a performer who wears her heart on her sleeve, and we love her for it.
Nicks' last song was her own Beauty and the Beast, another tearjerker as a black-and-white film acting out the tragic fairytale played behind her on a large backdrop.
The singer, who also made a point of shaking the hands of most of the fans gathered at the front of the stage, wound down the evening with a last-minute plea for the music industry, which she pointed out was in "a sad state."
"Go to concerts, buy albums, listen to the radio," she pleaded as she took her final bows with her entire band.
Friday, June 22, 2007
Stand Back (Remix) hits the charts
Stevie's recently remixed 1983 hit "Stand Back" debuted on the Billboard Hot Dance Club Play charts June 23rd at #31. Currently the track is sitting at #19.
Nine (9) different mixes of the track can be purchased through itunes.
Billboard Issue Date: 06/23/07
#31 - Stand Back
Billboard Issue Date:06/30/07
#19 - Stand Back
Tuesday, June 19, 2007
Stevie Nicks - Other Side Of The Mirror outtake photo unearthed!
An old NEW "Other Side Of The Mirror" era photo was discovered today on this site. It's quite nice actually. Photovision
Stevie Nicks - Still rocking, still dreaming
Still rocking, still dreaming, enchantress Nicks delivers
By Lauren Carter/ Music ReviewMonday, June 18, 2007 Boston Herald.com
At 59, Stevie Nicks is still enchanting onstage. And she still has really great outfits.
Nicks’ nearly two-hour set at the Tweeter Center last night proved that rock’s goddess has maintained the illusion of youth, but more important, hasn’t lost the fire that fueled her best work.
Fleetwood Mac classics like “Rhiannon” and “Gold Dust Woman” were dark and ominous, giving Nicks ample time to sway meditatively and charm the crowd with dreamy twirls.
Nicks can play the hard rocker as well as the haunting enchantress, breaking out Tom Petty’s “I Need To Know” and a fiery “Stand Back,” making it clear that Nicks’ silk-and-sandpaper voice has dropped in register, but not intensity.
The night included a mixture of Fleetwood Mac classics and solo hits, from the country-tinged “Enchanted” off her debut album “Bella Donna” to “Dreams” and a hard-rocking “If Anyone Falls,” with longtime guitarist and musical director Waddy Wachtel punctuating the song with a driving guitar riff.
Nicks looked the epitome of mystical cool in a black ruffled waistcoat, skin-tight pants - and those boots. There was plenty of time for wardrobe changes, mostly leading to more black ruffled outfits and gauzy shawls.
The show was well-attended but not sold out, with enough women in top hats and black, flowy garb to signal Nicks’ influence on fashion.
The heavy riff of “Edge of Seventeen” officially closed out the nearly two-hour set, with Nicks making her signature walk around the stage only to return for an encore that included Led Zeppelin’s “Rock and Roll” and a poignant “Beauty and the Beast.”
There was no elaborate set behind Nicks, just a giant screen which displayed dreamy shapes, images of mysterious, beautiful women, and during the soft cascade of “Landslide,” a montage of Nicks through the years with her now-deceased father, Jess Nicks.
At the end of that song, opener Chris Isaak, who provided an alluring but overlong opening set on his last tour date with Nicks, surprised Nicks onstage with a bouquet of flowers, thanking her for being as gracious onstage as she is off.
Tellingly, Nicks also included “Sorcerer” in her set, a song about the “netherland time” after she and then-boyfriend Lindsey Buckingham were dropped from Polydor Records - before they joined Fleetwood Mac and became world-famous rock stars - that she wrote in 1973 but didn’t record until 2001’s “Trouble in Shangri-la.” The song, like Nicks herself, has stood the test of time.
Stevie Nicks and Chris Isaak At the Tweeter Center, Mansfield, last night.
Saturday, June 16, 2007
Nicks steps onstage and back in time on new tour
Some stars reflect on past mistakes and claim they wouldn’t change a thing. Not Stevie Nicks.
The rock goddess, who plays the Tweeter Center tomorrow with Chris Isaak, may weave layers of ambiguity through her songs, but she’s straightforward about her desire to erase almost two decades of drug abuse.
Nicks battled a cocaine habit from 1977 to 1986, and almost immediately after, an eight-year addiction to the tranquilizer Klonopin. “I would absolutely do it differently,” Nicks said from a tour stop in New York City. “Cocaine almost ruined my life. And if I hadn’t done Klonopin, I would have made two or three more fantastic albums. I lost most of my 40s to Klonopin and that really makes me mad, because your 40s are great. Maybe that’s why I see through 40-year-old eyes, because I lost my 40s, so I’m trying to get a little of my 40s.
If Nicks is making up for lost time, she’s doing it in style. For her Crystal Visions Tour, the singer/songwriter has a girly new wardrobe that helps her slip into the persona of an ageless rock star even as she creeps toward 60.
“I think you really can feel the age that you want to be depending on where you are, what clothes you’re wearing, what boots you’re wearing, how your hair is. You can really keep yourself in a very youthful place if you want to. And I don’t really want to be 59. I want to be like 40, so I look at my life through 40-year-old eyes when it comes to going on the stage.”
Nicks’ tour supports her new “Crystal Visions” CD/DVD, which celebrates her solo work and with Fleetwood Mac.
Though the Mac roared back with 2003’s “Say You Will,” the groups future hangs in the balance with the departure of keyboardist/singer Christine McVie.
“I was very not inspired by not having Christine on the last tour,” Nicks said. “I miss her more than you could imagine, more than I could have even imagined. So I hope that one of these days, Christine’s going to get up in her English castle and say, ‘I’m bored. I’m going to call Stevie and I’m going to do this Fleetwood Mac thing one more time.’ Because I don’t know if I’ll be happy doing it again without her. It just doesn’t seem right to me.
While another solo album is also a possibility, Nicks is also interested in turning the Welsh mythological stories of Rhiannon into a movie, and making a cartoon out of a story she wrote at age 17 - “So that was like 100 years ago,” she said.
But while Nicks pokes fun at her age and escapes into a younger version of herself onstage, she also embraces growing older.
“In my real life I’m very much aware that I’m 59, because my life’s experience is based on 59 years,” she said. “And that part I really like, because I feel like I’m very wise now. I see mistakes coming and I avoid them. When I was 40, I didnt.”
Friday, June 15, 2007
Stevie Nicks - Stand Back (Terranova & Austin Leeds Remix)
One more Stand Back Remix:
Stevie Nicks - Stand Back (Terranova & Austin Leeds Remix)http://www.evilshare.com/1e140066-6c...b-00a0c993e9d6
Stevie Nicks - Stand Back (Terranova & Austin Leeds Remix)http://www.evilshare.com/1e140066-6c...b-00a0c993e9d6
Nicks, Isaak: Who's the soft-rock champ?
Clearly, Stevie Nicks and Chris Isaak are at the very least on good terms. It's quite possible they're good buds. They definitely don't hate each other, since they're playing a show together tonight at the Tweeter Center in Camden, N.J.
Even still, we feel like it'd be amusing to pit the two soft-rock titans against each other in a Caribbean Barbed Wire Lumberjack Steel Cage Death Match, just to see who is the true champion of soft rock radio.
Plus, there's not much to write about this week, so here goes.
•Songwriting chops. Edge: Nicks, by a mile. After Stevie moved outside the Fleetwood Mac fold, everyone wondered what she could do without Lindsey Buckingham or Christine McVie there to help as a foil, co-songwriter or musical collaborator. The answer was "Stand Back," "Talk to Me," the classic "Leather and Lace" -- which is a killer cut despite the presence of Don Henley -- not to mention "Stop Draggin' My Heart Around," which she didn't write but made awesome by blending her scratchy vocals with Tom Petty's Florida-flavored faux-Dylan lead vocal. Isaak has, er, "Wicked Game."
•Vocal chops. Edge: Draw. If you go for pure pleasantness of voice, Isaak would be the clear winner. His Elvis-meets-Roy Orbison croon and sneer could make almost any tune a hit. But Nicks' now-weathered pipes still burst with personality, and like Jules Winnfield said in "Pulp Fiction," personality goes a long way.
•Previous band. Edge: Uh, Nicks. Isaak was in a rockabilly band called Silvertone in the mid-1980s.
•Versatility. Edge: Isaak. In addition to being a great singer and decent songwriter, the studly Isaak has appeared in several films, including a brief appearance as a cop who gets duped by Hannibal Lecter in "The Silence of the Lambs." Aside from her soap opera-esque moments in Fleetwood Mac footage, Nicks doesn't act.
•Onstage accessories. Edge: Isaak. He brings the sneer and the greaser-style hairdo, but Isaak isn't really a props kind of guy. Nicks loses here for those weird cape/curtain-type things she hangs from her arms to cover herself up. Why? You go girl.
Although it looks close on paper, Nicks slaughtered the California boy.
Although it looks close on paper, Nicks slaughtered the California boy.
Nicks and Isaak will be at the center at 8. Tickets are $25, $45, $79.75 and $125 at www. ticketmaster.com.
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