NICKS RULES OUT AUTOBIOGRAPHY

FLEETWOOD MAC SET TO PLAY IRELAND

Rumours have been persistent about Fleetwood Mac playing Glastonbury this year in the UK, and with news today being reported by the Irish Times that Fleetwood Mac are set to play Ireland at the "Electric Picnic Music and Arts Festival" , can there still be doubt out there that Fleetwood Mac will be heading to Europe this Summer?

The festival is held at Stradbally, Co Laois.

FULL ARTICLE

REVIEW: Fleetwood Mac at MSG in New York City

Fleetwood Mac
Madison Square Garden
The Village Voice
by Chris Ryan
photo by David Atlas

It was sometime during Stevie Nicks and Lindsey Buckingham's delicate duet performance of the lullabye-like "Never Going Back Again" at last night's Madison Square Garden Fleetwood Mac show when someone behind me opined, "They shouldn't even be allowed to fucking play these hallowed fuckin' halls."

This self-appointed curator of Madison Square Garden, a man who could be best described as what would've happened to Turtle from Entourage had he never gotten out of Queens, was dismayed at the similarity of last night's set to previous Mac gigs he had seen. And while I wouldn't exactly put it the same way, you could empathize with his frustration.

Tonight's most recent incarnation of Fleetwood Mac, a Stevie-John-Mick-Lindsey-and-five-dudes-playing-backup-in-the-shadows set-up, was, according to ticket stubs, on the Unleashed: The Hits 2009 Tour. But despite a set list of nothing but straight-'70s-FM-God-Body-Heat-Rocks this wasn't easy listening.

Fleetwood Mac's well-known extra-musical narrative is about the strong personalities, big demons and contentious conflicts that haunted the band. And their records, especially the classic run from Fleetwood Mac through Tango In The Night, are testaments to the band members' collective ability to overcome their egos and all the upheaval in their lives and make a seamless, often beautiful, sound together. They really were a collective; imbuing any song--be it a Stevie, Lindsey, or Christine--with a sound only the group could produce.

So it was kind of sad watching them balkanize their set in such a decided way: making their performances celebrations of individual achievement rather than group harmony, pummeling the real trophywives of the NYC in the audience with drum and guitar solos, and badly misjudging the pacing and momentum of the set.

The early part of the night peaked with the band's most unselfconscious performance: a blinding take on "I Know I'm Not Wrong" from Tusk that had motorik and sounded more like The Clean than anything else. After a marching-band-free "Tusk," the band went all an-intimate-evening-with... and played a sleepy stretch of quiet jams: "Sara," "Landslide," and the rarely-played-out "Storms."

After a punishing Turkish prison sentence of the Peter-Green-era blues explosion, "Oh Well," and some Mick Fleetwood drum-solo/scream therapy (enlivened only by a great version of Nicks' solo new-wave classic "Stand Back"), the group came into the home stretch: "Go Your Own Way," then break, then "Don't Stop Thinking About Tomorrow." As people started to file out, Turtle piped up, "They got one more; they're gonna do 'Silver Springs.'" And, like clockwork, the band filed out to play the gorgeous mid-tempo break-up song, originally left off Rumors. On this very last song, Fleetwood Mac, playing a tune about tearing yourself apart, actually sounded the most together they had all evening. And despite knowing what was coming all night long, even the self-appointed guardians of these hallowed halls--as they tipped back their white Yankees hats and teared up a little--seemed to finally feel like they got what they paid for.

REVIEW: Fleetwood Mac at Madison Square Garden Unleashed Tour

Fleetwood Mac's Golden Oldies are Aging Just Fine

New York Daily News
BY JIM FARBER
DAILY NEWS MUSIC CRITIC
Photo: Loud/Getty

Family dynamics never cease to fascinate us - especially ones with histories as incestuous as Fleetwood Mac's.

It should surprise no one, then, that the band's show at Madison Square Garden last night proved as musically vital, and as alive with subtext, as ever. This, despite the fact that the band had no new music to play, instead drawing most of the material from wells filled more than 30 years ago.

Opening with 1975's jubilant "Monday Morning," the band's remaining four main members wove through a two hour and 20 minute set that functioned as a nearly unbroken greatest hits medley.

The current "Unleashed" tour represents the band's second since singer/songwriter Christine McVie bailed. So, naturally, the defection has thrown a harder light on the complex interplay between Lindsey Buckingham and Stevie Nicks.

Their songs threaded in and out of each other at last night's show just as the lives of these former lovers have. "Gypsy," Nicks' tale of emotional independence, played off Buckingham's admission of neurotic excess, "Go Insane" - together serving as an on-going public confession of their mutual needs and deficiencies.

In "The Chain," the two harmonized about family bonds in a way that communicated less loyalty than threat. "You'll never break the chain," they brayed at each other. Consider these guys the original "reality show."

The loss of McVie has robbed the group - which also features John McVie and Mick Fleetwood - of its most diplomatic voice. And she was missed on the few numbers that originally featured her, like "Say You Love Me."

But as a happy consequence, the band rocked harder and found more room for Buckingham's fiendish guitar work. His obsessive arpeggios gave a richly tactile feel to "Big Love," while in "I'm So Afraid," he mined deep blues hues.

The group kept things frisky by tweaking the arrangements and the harmonies in many songs.

Buckingham delivered some with newly emphatic inflections.

But the night's emotional highlight struck a tender note. When Nicks sang her song of age and humility, "Landslide," she read the line "I'm getting older, too," with an acceptance that showed not an ounce of regret.

Some families, it seems, only grow more sure with age.

LANKY STICKS MAN BEHIND FLEETWOOD MAC

by JOHNSON CUMMINS

Montreal Mirror

It’s not often you get a chance to talk to a legend, and the rather lanky sticks man behind Fleetwood Mac, Rock ’n’ Roll Hall of Famer Mick Fleetwood, is indeed a card-carrying member in the legendary set, having cut his teeth during the British blues explosion of the mid-’60s with John Mayall’s Bluesbreakers and then of course recording one of the biggest selling records of all time in 1977, Fleetwood Mac’s Rumours.

Now in his sixties, Fleetwood is feeling a little bit nostalgic these days, having managed to get Fleetwood Mac’s most famous line-up back on the road (well, almost—keyboardist Christine McVie chose to tend to her garden instead). Fleetwood’s on the cusp of seeing the Rumours deluxe edition re-released, and releasing the Mick Fleetwood Blues Band’s Blue Again!, which revisits all the original Fleetwood Mac blues classics.

“I really have nothing but amazing joy when I think of those days,” says Fleetwood. “We had such an amazing journey in such a short space of time, it blows my mind. I still consider myself more of a bluesman than a pop star and I think that the music we made back then still really holds up.”

CONTINUE

PHOTOS: Fleetwood Mac - June 11, 12009 - New York City

Debra L Rothenberg Photos

Mick Fleetwood makes an appearance at Barnes & Noble

TODAY - 12 NOON - NEW YORK CITY

Rock legend Mick Fleetwood makes an appearance at Barnes & Noble on Fifth Ave. Probably best known for his contributions to the band, Fleetwood Mac, this time the rocker appears solo to promote his newest album “Blue Again.” The album was released on March 17 and features several collaborations. 12 Noon; free admission. 555 Fifth Ave. (212-697-3048).

REVIEW: Monday Morning Launched The Show - Fleetwood Mac Live in Toronto

FLEETWOOD MAC

AIR CANADA CENTRE

TORONTO, CANADA - March 17, 2009

REVIEWED BY:CONCERTAHOLICS.COM

Monday Morning launched the show off followed by The Chain and Dreams. Lindsey showed his strong presence early here in the show… his unique vocals and of course his guitar mastery. I wasn’t expecting to hear “Gypsy” and it was real cool to experience as it totally brought me back to the early 80’s. Think about how many times you heard that tune on the radio back then?

FULL REVIEW

FLICKR PICS

BUCKINGHAM NICKS STILL HAVE TENSION, LOVE

Exerpts from a CNN Interview....

Mac's Buckingham, Nicks still have tension, love

Full Interview Here
Video segment

LOS ANGELES, California (CNN) -- Most musicians don't like doing interviews at their homes. It's much too private. Stevie Nicks, however, has no problem inviting journalists to her big colonial house in Pacific Palisades, half a mile above the California coastline.

"It's just easier," she confides.

Perhaps that's true. But after three decades in the public eye, she really has nothing to hide. Fans know all about her fabled history with Fleetwood Mac -- in particular, her tumultuous relationship with the band's prodigal guitarist, Lindsey Buckingham.

Even hovering around age 60, they are yin and yang. Buckingham is spirited and hot -- in sharp contrast to Nicks' eternal cool. The tension that fueled such songs as "The Chain," "Dreams" and "Go Your Own Way" in the late '70s is still palpable -- and they seem to return to it instinctively, like muscle memory.

But these days, there's also a certain acceptance and understanding.

Along with bandmates Mick Fleetwood and John McVie, Buckingham and Nicks are back on the road with Fleetwood Mac for their first tour in five years. It's a celebration of their greatest hits, as well as 30 years together as a group. During our interview, Buckingham and Nicks reminisced about how their rocky relationship became immortalized in their music -- while Buckingham's wife Kristen snapped photos six feet away.

CNN: This is the first Fleetwood Mac tour in five years.

Stevie Nicks: We don't like comebacks. We don't make comebacks. We're not making a comeback. We never went away.

Lindsey Buckingham: Every time we get together, it's like a whole new group of people.

CNN: People have always been fascinated by the dynamic between the members of Fleetwood Mac. You guys lived together, worked together, wrote songs about each other and dated each other.

Buckingham: I think if the media (paparazzi) had existed in 1977 when we were going through break-ups within the band and still moving forward on a professional level, the tabloidism that exists today would have probably eaten us alive.

Nicks: Let's use Britney Spears as an example, poor little thing. In our day, I think that the audiences revered their rock stars -- and I say that with all respect -- that our audiences cared about us, and took care of us and would never have put us under that kind of danger. I would have been a very unpleasant star if people treated me the way people treat the kids that are out there now. If I had to feel that somebody was waiting for me every time I came out, I would never leave the house. I hardly leave the house, as it is!

CNN: What do you think about, Stevie, when you are out there on stage and you hear "Go Your Own Way?" Does it bring back memories of what you were going through at the time -- because that song was about you, wasn't it?

Nicks: I think.

CNN: Lindsey?

Buckingham: Indeed, it was. Yeah, completely autobiographical. You know, the funny thing was I don't think we were aware we were writing songs specifically to each other. It was really only when our audience picked up on it that it became obvious we were dealing with a completely transparent, autobiographical piece of work.

Nicks: If Lindsey and I had been happy, happy, happy, there would have been no "Go Your Own Way." It would have just been, "Here we are -- happy, happy." And the audience would have been like, "OK, well -- next couple."

So you know, we played off of it. We had fun with it. We could actually walk on stage and have our own little almost-love affair, and have the audience go, "Oh my God! They're getting back together!" And we'd be like, "They're falling for it!" You know, we would totally play it, and we did, and we do, and we always will.

CNN: You both recently completed solo projects. Lindsey, you have your solo album, "Gift of Screws," and Stevie, there's an upcoming CD and DVD ("The Soundstage Sessions" and "Live in Chicago," respectively).

Nicks: We've been lucky. You do Fleetwood Mac, and then you work on your own stuff, and then you do Fleetwood Mac and then you work on your own stuff. As much as I love my solo work, I'm a little bored with it, so I can put that away in its magical box and I can go straight into working with three of my favorite people in the whole world.

Fleetwood Mac is bigger than anything Lindsey and I solo-wise will ever do. I never rented a 737 jet for my solo tour. So now we get to be grand, and at the end of the tour, it's kisses for everybody and goodbye. Go do your own thing, and we'll meet up again in two or three years.

"CRASH" AND "SOUNDSTAGE SESSIONS"

Stevie Nicks' "Crash" single is now available on itunes (Canada)

The Soundstage Sessions CD is available for pre-order  with the two track bonus of "Gold Dust Woman" and "Edge of Seventeen".

REVIEW: Fleetwood Mac Live in Toronto - Hit Makers Delivered a Crisp Concert

FLEETWOOD MAC: AIR CANADA CENTRE IN TORONTO

When Fleetwood Mac began preparing for its current greatest-hits tour, the idea was to use Sheryl Crow as a lean, tan stand-in for former singer-pianist Christine McVie. But, either because of scheduling problems or because of Crow's unfrivolous concern that she would be required to sleep with at least one current band member, the All I Wanna Do singer passed. So it was Lindsey Buckingham, Stevie Nicks, and band namesakes John McVie and Mick Fleetwood who arrived at Toronto's Air Canada Centre for the first of seven Canadian dates. Brad Wheeler scores the four

BRAD WHEELER

GLOBE AND MAIL

March 19, 2009

LINDSEY BUCKINGHAM

Monday Morning, the singer-guitarist's 1975 song of romantic indecision, came early - too early for the soundman, who hadn't turned on Buckingham's microphone yet. His singing, a bit scratchy to begin, improved as the 23-song show went along. Buckingham, a fit 59, dazzled as a guitarist, whether on the shimmering delta-blues intro to The Chain, the genteel finger-picking of Never Going Back Again, the iconic solo of Second Hand News or the superhuman arena-rocking shredding of I'm So Afraid. The same magic fingers that plucked those strings also, as the band walked onstage, clasped the hands of the golden-haired diva to his right.

STEVIE NICKS

"Now, I think we should get this party started," the woman in the flowing black gown said, audaciously, given that the concert was already a pair of songs in. But Dreams, third on the set list, was her first moment. Nicks, at 60, is no longer a sultry waif. Her voice is lamb-like; on Don't Stop, I wished that she would, because she was not suited for Christine McVie's parts. She was wonderful on signature pieces Sara and Rhiannon, though, and was positively jaunty with her black top hat on the buoyant singalong Go Your Own Way. Nice shawls, naturally, and her tambourine and mike stand had scarves attached.

JOHN McVIE

Commenting on the chaos of the time and giving name to the band's landmark album of 1977, McVie observed that the songs sounded like gossip or rumours. Possibly, the hang-dog bassist hasn't opened his mouth since. With his newsboy cap, the 63-year-old Englishman appeared as a country gentleman, hanging back near the drum stand. But his playing, melodic in counterpoint to Buckingham's often percussive style, was noticeable. On the Who-intensity blues-rock of Oh Well, he was vigorous like John Entwistle, and the considerable bounce of Dreams came from his Fender-made instrument.

MICK FLEETWOOD

The overly tall, 61-year-old drummer is grey and bald - his pate shone like the gong behind him (which he never struck). His presence (and his lunatic grin) showed more often as the evening progressed: The jungle-tastic energy during World Turning made his drum solo the most bearable one I've ever had the pleasure to witness.

DON'T STOP THINKING ABOUT TOMORROW

All in all, the historic hit-makers (augmented by three backup singers and a pair of sidemen) delivered a crisp concert - if anything, the longer it went, the better it got. "We plan to have fun on this tour, because there's no album - yet," Buckingham suggestively quipped at one point. Hmmm, just think what tomorrow will do.

Fleetwood Mac plays Ottawa, March 23; Montreal, March 25; Toronto, March 26; Calgary, May 12; Edmonton, May 13; Vancouver, May 15.

GOLD DUST WOMAN

Gold Dust Woman
Richard Burnett
hour.ca

My favourite rock stars have always been women - Tina Turner, Chaka Khan and Stevie Nicks - because their narratives, in life, love and song, speak to me, whereas the lyrics and life experiences of most straight men rarely do.

I've seen Tina perform live 27 times - notably in 1984 at the Spectrum where she found out backstage that What's Love Got to Do With It was number 1 on Billboard's Hot 100 chart - as well as Chaka Khan, whom I interviewed in this column in 2007.

"When I've been in need, when things weren't going well, the gay community always bailed me out," Chaka told me. "They're my most loyal friends and following and they have a special place in my heart."

But the one woman rock star I've never interviewed is Stevie Nicks. Lord knows I've tried. Former Warner Records USA president Howie Klein, who occasionally lectures at McGill University, is a friend of Stevie's and some years ago he introduced me to Warner PR powerhouse Liz Rosenberg who handles all publicity for Madonna.

Rosenberg set me up a Nicks phoner but that and a rescheduled Nicks interview were both cancelled at the last minute when Fleetwood Mac went into rehearsals for their 2003 Say You Will Tour.

I've been flailing in the wind ever since. That is until Fleetwood Mac announced their current Unleashed Tour that brings the band to Montreal next week.

This time I got band leader and drummer Mick Fleetwood on a press conference call with 30 other journalists from across Canada.

So I asked Mick - whose side project The Mick Fleetwood Blues Band has just released a terrific new live album, Blue Again - what the band dynamics are like now for Stevie since the only other woman in the band, Christine McVie, quit 12 years ago.

"Stevie's had a very successful solo career, so she brings that ability [to front a band] back to Fleetwood Mac," Mick replies. "She also puts on a new coat and becomes a band member. For many years she called all of her own shots, but in Fleetwood Mac she lets that [guard] down and pays respect to the other band members."

Nicks, with her then-partner Lindsey Buckingham, got her start with manager David Forest whom she met at Stanford University in 1966. Forest - who went on to work for Bill Graham at the Fillmore, then headed up the contemporary music division at CMA with David Geffen in 1970, before becoming a super-agent in Hollywood's multi-billion-dollar porn biz - managed Nicks and Buckingham's first band, Fritz, before they joined Fleetwood Mac.

"I knew Stevie would be a star the night Fritz opened for Janis Joplin and Big Brother at the Fillmore," David told me in 2007. "After her band members left I told Stevie, 'Stay and meet Janis.' Stevie looked at Janis and she saw herself in her."

Over the next 35 years Nicks would write and record a string of classic hits, many of which Fleetwood Mac will perform in Montreal: Rhiannon, Landslide, Gypsy, Dreams, Sara, Gold Dust Woman, and (my personal favourite) Storms, which Fleetwood Mac has never before performed on tour. The setlist also includes one of Stevie's monster solo hits, Stand Back.

So, I ask, how did Fleetwood Mac negotiate the setlist?

"We've always done Stand Back because people love to hear the song and Stevie loves doing it," Mick explains. "It's a ballbuster and gets her up there doing her thing. But we can't play eight Stevie [solo] songs or we'd have a riot in the ranks!"

Fleetwood continues, "A lot of bands play great music and don't get on. It's a business arrangement. With us business is involved but we're pretty damned happy with each other. Stevie and Lindsey still see [music] in different ways, but I would be an idiot as band leader if I didn't make sure the front line wasn't happy. You don't have a band if you can't co-exist."

Meanwhile, former Warner head Howie Klein once told me over breakfast that Stevie also cherishes her gay fan base. In fact, on May 1, Hour Editor-in-Chief Jamie O'Meara and I are jetting to NYC to catch the 19th annual Night of a Thousand Stevies, the internationally famed drag-queen tribute to Nicks.

VIP guests over the years have included Debbie Harry (dressed as Stevie!), Boy George, Courtney Love and Cyndi Lauper, and this year Jamie and I will attend with Village Voice gossip columnist Michael Musto.

"Stevie is very aware of her gay fans and has donated personal items [that were] auctioned off [for charity] at Night of a Thousand Stevies, which we have encouraged her [to attend]," Howie told me.

So if you can't see the real Stevie at the Bell Centre next week, don't miss Night of a Thousand Stevies, which each year ends with a spectacular onstage Stevie Nicks drag-queen battle royal. Who knows, we may even get an audience with the real Stevie.