The Mac maverick goes his own way, again. Lush and reflective...
by Piers Martin
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For almost four decades, on and off, Lindsey Buckingham has been the driving force behind one of the world’s biggest bands, Fleetwood Mac.
He is the charismatic architect of Rumours and Tusk, whose songs are familiar to millions, yet it’s often the case that many Mac nuts, particularly outside the US, would be hard-pushed to name one of the guitarist’s five solo albums, let alone pick a highlight from any of them.
That doubtless says more about the fairweather nature of the band’s conservative fanbase, though to his credit, Buckingham, one of the more gifted players of his generation, has never appeared to crave attention even though he’s spent his career in the spotlight. Cast as a maverick when he indulged various eccentric recording methods for 1979’s landmark Tusk, the tag has stuck.
As a solo artist, Buckingham is, at the age of 61, enjoying a fine run of form. Seeds We Sow is his third album in five years, following 2006’s Under The Skin and 2008’s Gift Of Screws, records which the Californian singer-songwriter discovered were welcomed by a new audience who’d been enchanted by Fleetwood Mac’s surprisingly harmonious 2003 reunion and tour after 16 years apart. Their comeback set, Say You Will, from that year, was solid enough, its best song a tumbling, guitar-speckled Buckingham number called “Red Rover”. In concert, too, his solo rendition of “Big Love” illustrated the range of his exquisite fretwork and power of his star-crossed vocal. Comparison with Stevie Nicks’ latest solo effort is unnecessary, so let’s just say Buckingham’s passion for his craft is obvious.
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