Stevie Nicks Sighting - at Neiman's Photo by: @marcolabelle

Stevie Nicks was spotted today at Neiman's at one of the makeup counters... I'm assuming in LA... Cool!

Review: Lindsey Buckingham Durham, NC Oct 1st

Continue to the full review + really great photos HERE

Born on this day.... LINDSEY BUCKINGHAM!!! Happy Birthday Lindsey!!

Lindsey Buckingham turns 62 today (October 3rd)

HAPPY BIRTHDAY LINDSEY!

All the best!!... Have a good show in Jacksonville, FL tonight

and keep on doing what you do!

Photos / Video: Big Love for Lindsey Buckingham in Durham, NC last night

Lindsey Buckingham at The Carolina Theatre 
Durham, NC October 1, 2011

Just a few pics, but really awesome just the same... Check out the gallery of shots from last nights show in Durham, NC

Photos by Nicholas D'Amato

BIG LOVE

Lindsey Buckingham, Stevie Nicks, Blondie and The Cars - Ageless on new albums

Veteran rock artists like Lindsey Buckingham prove ageless on new albums
By Joe Szczechowski
Delconews Network

If there’s anything more difficult than achieving success in popular music, it’s sustaining that success. The overwhelming majority of artists and bands never sign to a national record label. Only a small percentage of signed artists ever sell enough music to make the charts. Of those that do, the majority make their mark and disappear with careers that last less than five years. For that reason alone, artists and bands that have enjoyed careers lasting 10, 20 or 30 years and more deserve respect and attention.

Rock and pop music is primarily marketed to and created by young people. With a few exceptions, established artists who pass middle age and continue to create music are often overlooked or ignored. Ironically, while the artists may be aging, their music remains ageless. Over the last few months, a wealth of "classic" rock and pop stars released new, notable albums that belied the age of their creators and deserved an audience.

In case you missed them, here are four of the best:

Panic of Girls; Blondie (Eleven Seven/EMI)
Move like This; The Cars (Hear Music)

In Your Dreams; Stevie Nicks (Reprise) –In the press release accompanying In Your Dreams, Stevie Nicks’ first album in 10 years, Nicks is quoted as saying: “This was one of the most extraordinary experiences I’ve had making a record. It is the first album that I have had this kind of collaboration since the making of Rumours. It was everything I always wished making a record would be.” Since major-label releases by major artists are often accompanied by their fair share of hype, it was clear that the album was being marketed as a “return to form” for Nicks.

Surprisingly, In Your Dreams not only meets expectations; it surpasses them. Nicks’ solo work outside of Fleetwood Mac has always been uneven. She’s capable of writing some of rock music’s most poetic lyrics and matching them to memorable melodies, but she seemed to thrive best in Fleetwood Mac’s group environment, where her individual musical excesses were reined in.

In Your Dreams was written and recorded at Nicks’ Los Angeles home and is co-produced by Dave Stewart (Eurythmics) and Glen Ballard (Alanis Morissette). Perhaps Stewart’s guiding hand was needed to extract this gem from Nicks. She literally sounds reborn – her voice is as clear and strong as it was on anything she ever sang with Fleetwood Mac.

Most of the material on the album was written over the past few years, but some songs – like the album’s first single, “Secret Love” and the Edgar Allan Poe-inspired “Annabel Lee” – date back as far as the early 70s.

Album highlights include “For What It’s Worth,” an acoustic mid-tempo ballad that’s as good as anything on Tusk, the aforementioned “Secret Love” and the up-tempo title track, which proves Nicks can indeed still “rock a little.”

Elsewhere, Nicks draws inspiration from literary sources in “Wild Sargasso Sea” (from the book and movie of the same name) and “Moonlight (A Vampire’s Dream)” (inspired by the film New Moon), as well as places in “New Orleans” and “Italian Summer” and events in “Soldier's Angel.”

With only a few slight missteps, In Your Dreams might be Stevie Nicks’ most consistently strong album to date.

B+

Seeds We Sow; Lindsey Buckingham (Buckingham Records) – Ever since the modern incarnation of Fleetwood Mac rose to popularity in the mid-70s, the band’s most valuable player has been Lindsey Buckingham. Buckingham’s contributions – solid songwriting, emotional vocals, fluid, finger-style guitar playing, and state-of-the-art production – are largely responsible for making albums like Rumors and Tusk the pop music milestones they are.

All of those attributes align once again on Buckingham’s new solo album, Seeds We Sow. While it’s by no means a stripped-down acoustic set (the route Buckingham took for the most part on Under the Skin), Seeds We Sow has a very intimate feel to it. It’s an album that’s meant to be listened to with headphones – the better to appreciate every detail of Buckingham’s musical tapestry.

Buckingham is an excellent traditional pop songwriter, but what sets his music apart from the crowd is the unexpected, sometimes quirky layers he adds to his songs – the echo effect in “Stars Are Crazy” or the intense vocal surge on the chorus of “On Our Own Time.”

Fans of Buckingham’s Fleetwood Mac contributions or his earliest solo work will find much to like on Seeds We Sow. Songs like “Gone Too Far,” “Illumination,” and especially “That's the Way Love Goes” would have fit well on Fleetwood Mac albums of the late 70s and early 80s. It helps that Buckingham’s voice hasn’t lost any of its range or power, and also that his guitar playing remains top-notch. He shows off his trademark finger-style playing throughout the album, and even pulls out a terrific shredding solo on “One Take.”

With “Seeds We Sow,” Buckingham has created an album that will be appreciated by Fleetwood Mac fans, Lindsey Buckingham fans, and if there’s any justice, lots of new fans.

A-

Parade Magazine: Lindsey Buckingham... Magazine Scan

Lindsey Buckingham in today's issue (October 2, 2011) 

of Parade Magazine 

Walter Scott's Personality 

Thanks ellellew

Review: Lindsey Buckingham - Glenside, PA Sept 22 (Philadelphia)

Lindsey Buckingham at the Keswick
By: Mark Wolverton
Broadstreet Review

Nostalgia can be a dangerous thing, especially when it comes to music. The songs and albums that speak to the core of our being when we’re passionate and volatile youngsters make an imprint on the soul and heart that never quite goes away-- even when the bands break up in rancor, retire, sell their beloved tunes to corporations for TV commercials, overdose in Parisian bathtubs, or just fade into oblivion.

So when those icons of one’s youth return decades later with new music and new performances, the apprehension can be overwhelming.

Real-life soap opera

Lindsey Buckingham made his mark in the 1970s both as the guitarist and one of the three singer-songwriters of Fleetwood Mac. That group’s history is one of rock music’s most famous soap operas, a saga of intra-band romance and intrigue that the group’s members channeled into their greatest artistic works, such as the classic album, Rumours.

Buckingham, weary of the strife and eager to pursue other musical interests in a solo career, left the group in 1987. The songs from his latest album, Seeds We Sow, are indeed more intimate and restrained than his Fleetwood Mac work, reflecting a greater self-awareness and maturity, as he explained to the Keswick audience.

He began his show quietly, performing a set of some of his most famous songs (“Big Love,” “Never Going Back Again,” “Trouble,” “Go Insane”), armed only with an acoustic guitar and his powerful voice, giving the tunes a fresh interpretative spin that highlighted their essential power and emotion. It was a gutsy move for an artist who’s somewhat infamous for his affinity for studio trickery and sonic manipulations. 

Time machine

But soon enough, Buckingham transformed the Keswick from a quiet nightclub into a rock arena, bringing in a three-piece band (drummer, guitarist, and guitarist/bassist/keyboardist) to ramp up the intensity both on his newer solo work and his Fleetwood Mac hits.  He proved his legendary guitar chops with his transcendent soloing on “I’m So Afraid,” displayed an uncanny talent for showmanship and musical arrangement on a spooky version of “Tusk,” and pulled out all the stops to close the main set with his signature song, “Go Your Own Way.”

Lindsey Buckingham managed to transform the Keswick into a melodic time machine that, for a couple of hours at least, made their fans feel 20 years old again.  Not a bad achievement for a guy in his 60s.

Stevie Nicks... Vamping it up!

via Flourish Public Relations - Melbourne

Lindsey Buckingham... Q&A on Seeds We Sow, Fleetwood Mac, Touring, Stevie Nicks & More...

Q&A with Fleetwood Mac's Lindsey Buckingham
Lindsey Buckingham keeps making his own music, but Fleetwood Mac is always there, too.

By Heather Lovejoy - Sept 30, 2011
The Florida Times Union

There aren't many rock musicians who have performed to packed houses in the largest venues in the world. Lindsey Buckingham is one of them.  As part of Fleetwood Mac, the singer/songwriter/guitarist has experienced the pinnacle of popularity.  But when he plays at 8 p.m. Monday at the Florida Theatre, fans will see and hear a slighty different side of him.

Buckingham spoke to the Times-Union recently by phone about his solo work, Fleetwood Mac and more. Here are excerpts from the conversation:

How was your flight?

It was fine. You know, we're doing some commercial flights and some bus trips this time, [laughs] because I'm kind of spoiled.  The shows are going well, though. And I'm very happy with the way things are going.

Where are you now?

In Minneapolis.

You'll be in Jacksonville on Oct. 3; your birthday, isn't it?

That is my birthday.

What's the best present a fan could bring you?

That's a good question. [laughs] I don't know. Did you have something in mind?

No, no. It's just that when fans find out it's your birthday, they are probably going to at least make a poster or something.

Ah, well, we don't want to make a big deal of it. You know, I'm from one of those families that used to just give a Hallmark card. It's not a big deal, really.

What can the audience expect to hear at the show?

Well, we are doing a healthy amount of the new album, which is great, and I'm very happy with the way the songs turned out live and the way they've been received, too.... I am opening the show with something I love to do more and more, which is just get up with a guitar and play by myself, so I'm doing about five songs, sort of opening for myself in a way. ... That approach has become more and more important to me.... There's a nice healthy amount of material from previous solo work, and of course, you've got to throw in a few Fleetwood Mac jams. There will be those.

About the new album, "Seeds We Sow," what prompted the title?

I wasn't planning on making an album, and the time opened up and I filled it. ... It seemed like the songs were sort of arising out of nowhere or out of very vague notions while I was recording. The same is probably true of the subject matter. There was no preconceived idea of what I was going to write about. But at the end, I realized ... there was all this stuff about choices and changes.... It's the good or ill that exists in anything, whether it's the world or in something as small as relationships.... It turned out to be a lot about choices. Much of the album had to do with that kind of karmic thing. ...

[As a guitarist,] you mostly fingerpick. Over the years, has that been hard on your hand? 

... I can't keep nails and if I do they start to get sheared off. ... Before a tour, I basically cut my nails as short as possible. ... No, I don't think so. ... I've been playing since I was about 7. I never really used a pick very much. I mean, once in a while, if you're in a festive mood, you might draw a little blood, but nothing significant. ... But my hands aren't abused, really.

You've never been big on music theory, and you don't read music. Is that right?

I do not read music. I never had lessons. I basically taught myself by listening to my brother's records, the 45s he bought.... It's always been based around the song, and guitar-playing in the service of the song. ... The sensibility is about songs.  I like to think of it as kind of "refined primitive."

How do you think that has affected your songwriting?

That's a very good question, because there are a lot of things that I don't know. ... That is something that you have to let go of, because you can only aspire to be what you are on your own terms. You work with your strengths, your limitations. If I had some amount of schooling, maybe I'd be writing with more sophistication in the European sense.

The other way of looking at it, I think of myself as much as a stylist as a writer. I think of myself as somebody with something he can call his own. A lot of people who have gone to music school have gotten their individuality stomped out of them. It becomes harder to find those instincts. Really, it could go either way.

At this point, it's a little too late to worry about it. [laughs]

How does being on stage with your solo band compare to performing with Fleetwood Mac?

There are certain aspects that are similar. Certainly, whatever I learn while I'm out solo, I bring back to Fleetwood Mac. ... Clearly, the big machine and the small machine support each other creatively - although, that may not have always been the case, but it has become that now.... The last time Fleetwood Mac went out on the road, without an album, it was kind of a freeing experience. Generally speaking, the Fleetwood Mac audience isn't really that interested in hearing anything new. ... You get to a point when your body of work speaks for itself, and you can be down with that and just put it out there.  Obviously, in Fleetwood Mac, as a band, there's always going to be more chaos, more politics. We're people who maybe shouldn't even be in a band together, but the synergy is what makes it interesting, I guess. It also makes it more difficult sometimes.... Working with the solo situation, it's a little more brainier, I think. It's more academic, a more meticulous process. And I love that. I also love figuring out how to make it work on stage. ...

So a Fleetwood Mac reunion tour is in the works for next year.

Well, we never really use the word "reunion," since we never really broke up. We're just a band that takes breaks. People are always of doing other things ... but we come back together. There is talk of doing that; that would follow the pattern of the last 10 years. There is nothing on the books, certainly. But I would be surprised if there was nothing going on with Fleetwood Mac next year.

Of course, what everyone wants to know is, how do you get along with Stevie Nicks these days?

Oh great, great. I spent quite a bit of time with her when she was finishing up her solo album and helped her out with that. I've known her since I was in high school, you know. And somehow we're still evolving; it's hard to believe, but we are.

Fleetwood Mac take a GIANT leap up the Billboard Top 200 + Lindsey Buckingham Tour Stats

Billboard Magazine 

Week ending September 25th, issue date October 8th:

The big news this week isn't the fact that both Lindsey and Stevie drop off the Top 200 Albums Chart this week with Seeds We Sow and In Your Dreams, but that Fleetwood Mac's 1977 Rumours album continues to sell so well 34 years after it's initial release.  Again this week the album re-enters multiple Billboard charts, most notibly the Billboard Top 200 Albums Chart where it re-enters at # 74 on a 328% sales increase or 6,293 total units sold vs 1,470 units sold the week prior.  The massive increase is likely due to Amazon's deeply discounted mp3 album download that saw the title being sold for as little as $3.99 last week.  Even today the album can be bought for $5.99 as an mp3 download on Amazon.  To date Rumours has sold 2,891,943 albums in the US since November, 1991 when Soundscan began tracking over the counter sales.

No such luck for Lindsey's Seeds We Sow on the Top 200, even though Amazon had the album for most of last week discounted down to as little as $4.99 the album drops off the Top 200 this week.  Seeds We Sow in it's 3rd week of release remains on the Top 200 Current Albums Chart falling from # 132 last week to # 177 this week.  On the Top Independent Albums Chart, the album remains in the Top 40 at # 38 down from # 32 last week.

Back to Rumours:  On the Top Digital Albums Chart, Rumours re-enters at # 24 this week while on the Top Catalogue Albums Chart the album re-enters at the # 4 place right behind The Beatles at # 1, Adele and Amy Winehouse.

Stevie's In Your Dreams drops out of the Top 200 Albums chart this week along with the Top 200 Current Albums Chart and the Top 50 Rock Albums Chart.  Her new single "For What It's Worth" remains on the Top 30 AC Charts holding steady at # 26 for a second week.

Complete charts below.  Previous week in parenthesis.

USA ALBUM CHARTS

Billboard Top 200 Current Albums Chart
# 177 (132) Lindsey Buckingham - Seeds We Sow

Billboard Top Independent Albums Chart
# 38 (32) Lindsey Buckingham - Seeds We Sow

Billboard Top Digital Albums
# 24 (-) Fleetwood Mac - Rumours (Re-entry)

Billboard Top 200 Albums Chart
# 74 (-) Fleetwood Mac - Rumours (Re-entry)

Billboard Top Catalogue Albums Chart
# 4 (-) Fleetwood Mac - Rumours (Re-entry)

Billboard Top 30 AC Charts
# 26 (26) Stevie Nicks - For What It's Worth

On the tour front, Seeds We Sow Tour attendance to the first 3 shows reported by promoters to Boxscore have been published.  Attendance average based on these first 3 is at 73% which is higher so far then his last two tours ended up after a majority of the dates had been published... It's early yet so provided more stats are published on more dates, this will change.

Video: Watch Lindsey Buckingham on Morning Joe MSNBC

Visit msnbc.com for breaking news, world news, and news about the economy

Photos by Drew Katchen - Morning Joe Blog

Fleetwood Mac guitarist and vocalist Lindsey Buckingham joined the show today to discuss his new record "Seeds We Sow" and actress Goldie Hawn stopped by to discuss her new book "10 Mindful Minutes."

Old Grey Whistle Test 40 with Stevie Nicks, Lindsey Buckingham & Mick Fleetwood

Old Grey Whistle Test 40

Bob Harris celebrates the 40th anniversary of The Old Grey Whistle Test. Remembering each series with archive recordings, plus new interviews and exclusively recorded sessions.

Series 1 - Episode 6:

Episode aired last night September 28, 2011 on BBC Radio 2.  

Mick Fleetwood & Lindsey Buckingham appear in this weeks episode via old 1976 interview footage that was recorded about a year and a half after Lindsey and Stevie joined the band & during rehearsals in 1976 prior to an upcoming tour. With Rhiannon on the charts at the time, Mick and Lindsey talk about finishing up the recording of Rumours, how the album compares to the white Fleetwood Mac album that was released the year before and how Lindsey and Stevie joined the band.

Stevie Nicks is then interviewed, which was recorded when she was in the UK in June.  She comments on the video footage of Mick and Lindsey being interviewed in 1976 and on the Rhiannon video that was filmed during the rehearsals that day...  Stevie describes how innocent the guys look and that those were the men she fell in love with, that innocence... Then she proceeds to annalyse the 1976 Rhiannon video footage and it's lasting legacy.

Overall this section of the show is about 8 minutes long.  Listen again on the BBC Radio 2 website.  If you don't want to listen to the full hour long show, the Fleetwood Mac section starts at about the 51:30 mark.