SOUND CITY PLAYERS: L.A. DEBUT & THEATRICAL PREMIERE JANUARY 31
On the heels of their instantly sold out debut live performance and Sundance premiere, Dave Grohl’s SOUND CITY PLAYERS have confirmed that they will commemorate SOUND CITY the film’s January 31 Los Angeles premiere at the Cinerama Dome with a one-time-only L.A. performance that same night at the Hollywood Palladium.
The supergroup features Stevie Nicks, Rick Springfield, John Fogerty, Lee Ving of Fear, Brad Wilk of Rage Against The Machine, Rick Nielsen of Cheap Trick, Robert Levon Been and Peter Hayes of Black Rebel Motorcycle Club, Alain Johannes and Chris Goss, as well as Foo Fighters regulars Taylor Hawkins, Nate Mendel, Chris Shiflett and Pat Smear and Nirvana bassist Krist Novoselic.
Tickets On Sale 12 noon January 16th at Livenation
Ticket Price: US $75.00 Ticket + US $15.90 Fees = US $90.90
Check the list of cities... The Documentary could be playing in your city FOR ONE NIGHT ONLY on January 31st! Soundcitymovie
The first is Lindsey Buckingham's One Man Show, a near-exact replica, right down to the between-song banter, of the program that the Fleetwood Mac frontman gave at the Lexington Opera House in November. Regardless of such a steadfast repertoire, this is a blistering set mostly because Buckingham obliterates the concept of what a solo acoustic concert can be.
One Man Show is not some folkie reinvention of Buckingham's music in and out of Fleetwood Mac. It is, rather, what its title implies: an unaccompanied rock parade that just happens to acoustic. From Buckingham's ageless vocal howl to guitar work that exerts itself with dizzying exactness, the record is steeped in frenzy.
It doesn't matter whether the music stews in the brooding intensity of Go Insane, Never Going Back Again and So Afraid or boils over with the hopped-up drive of Big Love, where the guitar runs sound positively caffeinated. Either way, Buckingham presents One Man Show as a restless joyride.
Big Mac faves make up roughly half the album, and Buckingham fleshes out the remainder with some genuine surprises. From the early '70s comes the pre-Fleetwood Mac instrumental Stephanie, One Man Show's lone statement of solace. But the real treats come by way of three tunes from Buckingham's underrated 2007 solo album, Under the Skin, highlighted by the bittersweet departure meditation Cast Away Dreams.
As of now, One Man Show is available only through iTunes.
Fleetwood Mac – Tusk – Warner Brothers (1979)/ Reprise Records (2012) 531909- 180-gram audiophile.
In 1979, Fleetwood Mac recorded Tusk. At a cost exceeding 1 million dollars, and taking up two years in studio time, this double album was a significant departure. Under the artistic direction of Buckingham, the twenty-song project mixes a variety of musical styles in a fragmented technical whirlwind. Surrounding the concise songwriting of McVie and Nicks is the spontaneity of Buckingham. However, the anchor to this music is the inimitable rhythm section of Mick Fleetwood and John McVie. It is hard to think of another bass/drum partnership that is so fluent and cohesive. Side 1 opens with a subtle atmospheric number (“Over And Over”) that showcases McVie’s soulful alto, and the blended backup vocals. The next song is more experimental with Buckingham adding some New Wave guitar jaggedness. The juxtaposition continues with a buoyant love song (with impeccable harmonies) arranged in a joyful, British folk romp (“Save Me A Place”). The side concludes with Nicks’ ruminative “Sara”. Her deep-throated singing is compelling and the ethereal backup singing on the bridge is exquisite.
No other woman has so successfully managed to have a life in one of the best bands of all time, and go on to impress as a soloist with hits including Bella Donna and Rooms On Fire. All that, and she’s still the queen of rock ’n’ roll, 40 years after it all began in the early ’70s.
Stevie Nicks's tumultuous life as a rock queen led her to addiction, heartbreak and "insanity". As Fleetwood Mac reunites, she tells Caspar Llewellyn Smith why she's going back for more
Before I meet Stevie Nicks, I hear her. She is downstairs somewhere in the house she's renting on the beach in Malibu – a short drive, traffic allowing, up the Californian coastline from the two homes she owns in LA – and looking for her dark glasses. It's early evening in December and has long since turned dark outside, but if you're the ultimate rock goddess – NME's recent description, testament to an ongoing revaluation of interest in Fleetwood Mac among the younger generation – wearing shades at night goes with the territory.
Scented candles are spaced throughout the room and there's a well-thumbed copy of the first book in The Twilight Saga on a side table – signs that suggest that the 64-year-old singer is comfortably in residence. Plus there's her Yorkshire terrier, getting stuck continuously under my feet. But, as Nicks says, when all five feet one-and-a-half inches of her does emerge at the top of the stairs, she can't seem to settle.
In fact she shouldn't be here at all (and wasn't planning any interviews), but on holiday in the Florida Keys she was getting bitten to death by bugs and, besides, felt bored. Going home to either of her places in the city wasn't an option because right now she's "making a molecular change": parking her solo career, which saw her tour the world with her solo album In Your Dreams for the past two years, and getting ready for the return of the Mac.
Instead she asked to see if this place, which she'd rented previously, was available. "I'm trying to rest and it's really hard to rest because in either one of my own houses I feel like I should be working," she explains. "I've been coming here off and on for nearly 10 years and there's absolutely nothing for me to do except draw or sit and write poetry or bring the electric piano down." Problem is, "I've been here since Tuesday and I haven't managed yet to actually come up here at three in the afternoon and go sit on that miserable couch and draw for a few hours – because that's when I know I've made a change."
Despite the homely touches, the house looks perfectly nondescript from the outside, and it's modestly apportioned by the standards of LA rock aristocracy. But then Nicks doesn't play the diva either – kooky fan of fantasy, yes (her fondness for the oeuvre of Stephenie Meyer and liking for US fantasy TV series Game of Thrones fits right into that), but not the figure who insisted during Fleetwood Mac's Tusk tour that every hotel room she stayed in be painted pink and must house a white piano.
It is now 40 years since her first album, Buckingham Nicks – the fruit of her relationship, both musical and romantic, with Lindsey Buckingham – and life is coming full circle. Later this month, the most classic of all Fleetwood Mac albums, Rumours, gets the full reissue treatment, and the band will hit the road again for a US tour that will also likely come to Europe. (Of the rumours that they'll headline Glastonbury, Nicks is noncommittal, though she does say she'd love to do it.)
There is also the likelihood of the first new Fleetwood Mac record in 10 years – and even the prospect of a second Buckingham-Nicks album. For fans, this news is as exciting as it might sound improbable. Nicks once said herself that "to be in Fleetwood Mac is to live in a soap opera. And it has been pretty scandalous and incestuous…" And of all relationships, it's been that between her and Buckingham that has provided the richest story lines of all.
See Stevie Nicks, Lindsey Buckingham and Mick Fleetwood on the big screen beginning January 31st.
"... Sound City is a film about American's Greatest unsung-recording studio. Deep in California's Sun Burnt San Fernando Valley, tucked away behind the train tracks and dilapidated warehouses, it was the birthplace of legend. It was witness to history, it was home to a special few, intent on preserving an ideal. An analog church, a time capsule. The last bastion of a craft defied by technology. It was Rock and Roll hallowed ground. And it was our best keep secret. Sound City is a film about the truth, the craft, and the integrity of Rock and Roll." - Dave Grohl
In Theatres for On Night Only! Check out Sound City for a listing of cities and theatres in the US and Canada to see the film.
Trailer:
Lindsey Buckingham:
Mick Fleetwood:
Sound City Soundtrack 'Real to Reel'
Scheduled for release March 12, 2013, the sound track includes "You Can't Fix This" with Stevie Nicks, Dave Grohl, Taylor Hawkins & Rami Jaffee
Fleetwood Mac is inducted into the Rock and Roll Hall of Fame at the thirteenth annual induction dinner held at the Waldorf Astoria in New York City.
Sheryl Crow introduced the group. The band played Landslide, Big Love and Say You Love Me.
INDUCTEES: Lindsey Buckingham, Mick Fleetwood, Peter Green, Danny Kirwan, John McVie, Christine McVie, Stevie Nicks and Jeremy Spencer.
The Fleetwood Mac story is an episodic saga that spans more than 45 years. It is the saga of a British blues band formed in 1967 that became a California-based pop group in the mid-Seventies. In between came a period where Fleetwood Mac shuffled personnel and experimented with styles, all the while releasing solid albums that found a loyal core audience. Despite all the changes, two members have remained constant over the years: drummer Mick Fleetwood and bassist John McVie, whose surnames provided the group name Fleetwood Mac. Although most rock fans are familiar with the lineup that includes Lindsey Buckingham, Christine McVie and Stevie Nicks – by far the longest-running edition of the band, responsible for the classic albums Fleetwood Mac and Rumours – the group possesses a rich and storied history that predates those epics. Earlier Fleetwood Mac lineups included guitarists Peter Green, Jeremy Spencer, Danny Kirwan, Dave Walker, Bob Weston and Bob Welch. - Rockhall.com
When Dave Grohl recently announced that he would be performing at Sundance with a new band called Sound City Players, he neglected to mention which musicians would be appearing alongside him. Now, the Foo Fighters leader has confirmed the star-studded list of folks who will be joining him on stage in support of his new Sound City documentary.
The performers were revealed in a post on Facebook. They include Stevie Nicks (Fleetwood Mac), John Fogerty (Creedance Clearwater Revival), Krist Novoselic (Nirvana), Brad Wilk (Rage Against the Machine), Pat Smear (Nirvana's touring guitarist), Rami Jaffee (the Wallflowers), Lee Ving (Fear), Rick Nielsen (Cheap Trick), Rick Springfield, several Foo Fighters members (Taylor Hawkins, Nate Mendel, Chris Shiflett), Alain Johannes (Queens of the Stone Age), Corey Taylor (Slipknot, Stone Sour) and more.
These are some of the folks who appear in Sound City, which focuses on the legendary Los Angeles studio of the same name.
Sound City Players. Rock Show. Jan.18th Park City Live. Tickets go on sale TODAY at 5pm PST at http://parkcitylive.net/
IMPORTANT INFO:
(2) ticket limit per household.
You must be 21+.
This is Will – Call only.
No paper tickets will be issued in advance.
Government issued Photo ID required at Check-in.
Tickets are non-transferable.
You and your guest must arrive and check-in together.
Upon check in, you will be wristbanded and walk directly into the venue.
There are no ins and outs.
Multiple orders will be cancelled.
Fleetwood Mac Live in Ottawa Bus Tour
April 22 - April 24, 2013 Target Tours
Target Tours is your connection to the Fleetwood Mac concert at Scotiabank Place in Ottawa this April.
This tour departs PEI with pick-ups throughout New Brunswick and transfers from Nova Scotia. Don't miss this chance to explore Ottawa and be part of the 2013 Fleetwood Mac World Tour.
"It's the perfect time to go back out," Stevie Nicks told the Rolling Stone Magazine. The band will be performing classic hits including "Dreams," "Rhiannon," "Don't Stop," and "Landslide," among others.
Depart for Ottawa on this tour from the following cities:
Prince Edward Island:
Charlottetown and Borden-Carleton
New Brunswick
Aulac, Salisbury, Lincoln and Woodstock
CONTEST: Fleetwood Mac Live Tour Q93FM - Charlottetown, PEI
Q93 and Target Tours is giving you a chance to WIN a trip for 2 to see Fleetwood Mac at Scotiabank Place in Ottawa April 22-24 (show on April 23)
The trip is worth close to $1200 and comes with all the bells and whistles. Prize includes tickets for 2 to the concert, transportation and accommodations!
Q93FM will be taking qualifiers weekdays at 7:20 and 8:20 Monday January 7th through to Thursday January 31st on the Q Morning Crew.
Fleetwood Mac in Ottawa! “Presented by Target Tours ‘Creating Memories, One Journey at a Time’ and The Island’s Rock Q93.
Swag tags available for pickup at the House of Q, 5 Prince St., during regular business hours or wherever Q93 is broadcasting on location.
Full details at Q93FM. Contest open to all residents of Canada.
New episodes of "Oprah's Master Class" and "Oprah's Next Chapter" will feature such household names as Drew Barrymore, Alicia Keys and LL Cool J, among others. Hollywood Reporter
Sheri Salata and Erik Logan, presidents, OWN, showcased the upcoming 2013 schedule at the Television Critics Association press tour.
Along with announcing four new original series being added to it's schedule later this year, Oprah's "Master Class" The unique first-person series returns in March with the stories you've never heard from the people you thought you knew best, including Alicia Keys, Stevie Nicks, Tom Brokaw and more.
You may recall that back in September, 2012 a film crew from OWN was at Stevie's live show in St. Petersburg at The Mahaffey Theater filming the show to be used in some way on "Master Class". Check out the post here.
When the news broke on New Years Eve that Irving Azoff had stepped down from his position at Live Nation as chairman and CEO of Front Line Entertainment, it came as a bit of a shock. It wasn't initially clear at the time what the status of Fleetwood Mac or it's members was in terms of artist representation. But according to RollingStone, Fleetwood Mac will still be managed by Mr. Azoff.
"Azoff, 65, will continue to manage the Eagles, Aguilera, Fleetwood Mac, Van Halen and more of his biggest clients; he has a two-year non-compete agreement with Live Nation, the world's biggest concert promoter, but can work on projects involving recorded music, TV, movies and music and book publishing."
Mr. Azoff will continue to manage these artists under his Azoffmusic Management. Lindsey Buckingham signed with Irving just a couple of years ago - so it seems he's still connected with Irving. Where Stevie stands, I'm not sure. Stevie's managed by Howard Kaufman and Sheryl Louis. Howard was a partner in Front Line Management with Irving at the time of the merger with Ticketmaster and with Front Line staying with Live Nation, It's not clear what her status is whether she's still with Howard and Front Line under Live Nation, or if Howard left with Irving and therefore took Stevie and whomever else he managed with him. When Irving left, leaving behind Front Line he only retained a select number of artists he managed directly ie the Eagles (who he's managed since the 70's) and Christina Aguilera. Presumably Lindsey falls under Azoffmusic Management. This is also where I'm assuming Fleetwood Mac falls. It's entirely possible that Stevie as a solo artist could be in that mix as well - or it's possible that for her solo work she's still with Howard under Front Line which is still with Live Nation. Confusing!
The Back Story
This is how I understand it... Irving Azoff and Howard Kaufman were partners in Front Line Management from '74 to '83 when Irving decided to leave Front Line to become president of MCA Records in 1983. Irving continued managing artists like the Eagles under Azoffmusic Management. Mr Kaufman then created a talent management company, HK Management, who at the time managed Stevie Nicks. In 2005 Irving and Howard formed a partnership and merged their two companies to reform Front Line, the management company. Now Stevie is with Front Line guided by Howard and Sheryl Louis. Front Line as a management company then began acquiring other smaller management companies and artists bring them under the Front Line umbrella becoming a rather large management company with a stable of managers who managed well over 200 artists, some of the biggest in the industry. Irving then took Front Line and merged it with Ticketmaster in 2008 and became the head of Ticketmaster Entertainment. Front Line became a subsidiary of Ticketmaster. After that merger, he then merged Ticketmaster with Live Nation in 2010 becoming Chairman of Live Nation in 2011. Again, Front Line was a subsidiary. With the artist and ticketing and with Live Nation and all the venues they own the world over, from a business point of view, it just made sense to have everything in house. But according to what Mr. Azoff is saying in these departure interviews, with Ticketmaster and Live Nation being public companies, you are restricted in what you can do and he felt smothered.... So he felt it was time to move on.
But it's good to hear Fleetwood Mac will still be well looked after.
Check out billboard Biz and these two articles in The Hollywood Reporter here and here plus the latest in Rolling Stone"Irving Azoff's Live Nation Exit Leaves Many Questions Unanswered Powerful manager was frustrated in efforts to reform concert business"
I find this stuff kinda fascinating, but oh so confusing!
Well this is interesting... I wonder if she's speaking about this footage? If so, it's cool to know that it's intact somewhere and by the sounds of it, is being worked on. Michael Collins is also the one who shot the documentary footage that will be released with the Rumours re-release later this month.
Ringing in the New Year With Fleetwood Mac
by Jane Heller Huffington Post
I've never been a big fan of New Year's Eve. There's so much pressure to do something out-of-this-world fabulous, not to mention have someone out-of-this-world fabulous to do it with. I remember prix fixed restaurant dinners that weren't worth the money and too-big parties whose forced gaiety made everyone feel tense and champagne hangovers that wrecked me for days. And I remember occasions when my husband was suffering from flare-ups from Crohn's disease and was too ill to celebrate at all.
My favorite memories are of quiet evenings with him and a few close friends, and this past New Year's Eve was a case in point. He was in better-than-usual health and good spirits, so out we went.
Our hosts were Martha and Michael Collins, who had lost their house in the 2008 wildfire that destroyed over 200 homes in the Santa Barbara area. After living in a trailer for four years, Martha and Michael rose from the ashes, literally, and moved last month into the spectacular new house they built on the same site -- a meticulously-crafted beacon of resilience. Some people would have been thrown by the very notion of losing everything (short of the clothes on their backs and their laptops), but Martha and Michael thrived, their marriage and partnership more solid than ever.
We were in the midst of their scrumptious meal when Michael, a filmmaker whose specialty has been chronicling the lives and music of our most accomplished rock 'n' roll artists, mentioned that among the very few material possessions he'd been able to grab before a wall of flames drove him and Martha out of their house was the documentary footage he'd shot 35 years ago of Fleetwood Mac's 1977 Japanese tour to promote their "Rumours" album.
"I'm finishing up the documentary now," he told us.
"The public has never seen Fleetwood Mac like this before," Martha chimed in. "They were so young and it was such an innocent time, and the music is beyond great since they were in their prime."
I put down my knife and fork (not easy when your hosts have prepared a feast that would rival any restaurant), and said, "Can we see this documentary? Like, tonight?"
Michael hesitated. "It's still raw -- a work in progress. But I guess I could show you clips."
I was not taking "I guess" for an answer. Fleetwood Mac has always been one of my favorite bands and on this particular New Year's Eve, when I'd felt barraged by news of Kanye West, the Gangnam Style guy and Rihanna's latest Twitpic, I was so in the mood for a little boomer music.
Michael obliged. We adjourned to the Collins's living room with its 50" flat screen, professional-grade sound system and comfy chairs, and watched avidly as cameras swooped in on the youthful faces of Mick Fleetwood, Stevie Nicks, Lindsey Buckingham and Christine and John McVie. (If you liked the close-ups in Les Mis, you'll love this film.)
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