Adding Neil Finn to Fleetwood Mac has been a huge and lovely success

DON’T STOP
The New Zealand Herald
Sept 12, 2019

 From the September 12, 2019 edition of Time Out

New Zealand Herald

Mick Fleetwood talks to Karl Puschmann about the new-look band and touring with Neil Finn Downunder

Adding Neil Finn to Fleetwood Mac has been a huge and lovely success, Mick Fleetwood tells Karl Puschmann.

IF, AT times, it’s been a particular torture being in Fleetwood Mac, is it then safe to assume that joining Fleetwood Mac is also painful and fraught?

“Oh yeah,” Mick Fleetwood says. “We hung him up by his toenails.”

We’re talking, of course, about Neil Finn, the newest recruit to one of pop music’s greatest and most enduring bands, Fleetwood Mac. Finn was brought in, along with Mike Campbell, former guitarist for Tom Petty and the Heartbreakers, to join the Mac last year as replacements for long-term member Lindsey Buckingham, who left under fairly acrimonious conditions.

Today, however, Fleetwood’s in a chipper mood. He’s full of beans and excitement for tonight’s show in Sydney.

“It’s a show day,” he says, when I ask how he’s going, “It’s a circus.”

And, just like a circus, the show must go on. That means there’s not much time for talking, so I cut to the chase. The big question everyone in New Zealand wants to know is how Neil Finn came to join Fleetwood Mac.

It turns out Fleetwood’s been a Finn fan for more than 20 years.

“I’d always been a huge fan of his, unbeknown to him,” he says.

“Not only the artiste in him, but the songwriter and the singer in him is — for me and many other people, and especially for you folks there in New Zealand — something very special. But I always followed him as an artist and loved his songs.”

The fan eventually met his hero after they both played a benefit gig for Paul McCartney’s wife Linda, who had recently died.

“I met him at an after-party and we spent the whole night chit-chatting,” he says.

“I actually said, way back then, ‘One day, it’d be great to be in a band together’.”

Prophetic, perhaps, but not immediately meant to be.

“That was that; we went off into the night and never saw each other for another 18 years until I bumped into him backstage at an awards show in Auckland,” Fleetwood says, referencing the 2015 New Zealand Music Awards that he attended as a surprise guest. “Ever since then we’ve remained very close family friends.”

Soon after, Fleetwood returned and spent about six months in the studio with Finn and his son Liam, drumming on their excellent joint album, Lightsleeper, which was released last year.

“That was really where the magic of putting together this funny puzzle of us becoming very, very close friends happened,” Fleetwood says.

“So, when this all came up with Fleetwood Mac it felt eventual. I asked him whether he would be up for doing what he’s doing and it’s been a huge success.”

“So,” he says, capping off his story, “that’s how it happened”.

The other question fans want to know is why it happened? Buckingham’s sudden departure, both shocking but, perhaps, not unexpected.

In the 52 years Fleetwood Mac has existed (the band formed in 1967), roughly a dozen musicians have cycled through the band — a tally that does not count its six current members, which include Christine McVie on vocals and keys and iconic singer Stevie Nicks.

The only constant in all this time has been Fleetwood and his old mate John McVie on bass.

Which is only fitting, seeing as the band is named after them, although Fleetwood clarifies that it was long-departed founding member Peter Green who came up with the name, “somewhat ironically”.

So, when asked what’s kept them going through all the band’s tumultuous periods — in-band romances, marriages, adultery, divorces, backstabbing, bickering and monumental cocaine use — Fleetwood simply says, “It’s probably stubbornness or the English grit in me where, no matter what, you keep going with a stiff upper lip.

“Me and John McVie just aren’t giver-upperers. We always had the nucleus of a band. We don’t sing. We are the rhythm section.

“When Peter Green left it was a huge blow to us but it was a lesson learned — that you can survive and come out when you think you can’t,” he says. “Having done that once in such a major way it became sort of a habit . . . We just keep going. And we haven’t done that badly if you look at what we’ve been able to pull off.” He laughs and says, “I’m being a little facetious,” which is true, when you consider what they’ve “been able to pull off”, is selling more than 120 million records, releasing a string of hits that are woven into people’s lives and being part of a band whose current live show, even with four members in their 70s, remains vital and unmissable. “The truth is it’s sticking at it and going, ‘Why wouldn’t we try that?’ The trying became the next step. It could have been we tried and we failed,” he says, before giving an example.

“Look at what we’ve done with Neil and Mike. We could have looked at what was a huge change at a very late date in this band’s history, the parting of company with Lindsey Buckingham, that could have been, ‘We’re done’. But we all looked at it and said, ‘We don’t want to be done’. The question was how do we do this with integrity?

“And it’s not been anything but a huge and lovely success. But we might have failed in the trying. We might not have been able to find those right people to put in the band, and you wouldn’t be talking to a present member of Fleetwood Mac.”

So, there you have it, the secret to Fleetwood Mac’s half-century of success; don’t stop thinking about tomorrow and go your own way. There’s probably a song or two in that . . .

NEW Christine McVie 90 Minute Documentary airs in the UK September 20th

If you are in the UK on September 20th, cancel your plans!

Fleetwood Mac's Songbird: Christine McVie
Friday 20, September 2019 21:00 BBC FOUR

Christine McVie is undoubtedly the longest-serving female band member of any of the enduring rock ‘n’ roll acts that emerged from the 1960s. While she has never fronted Fleetwood Mac, preferring to align herself with ‘the boys’ in the rhythm section whom she first joined 50 years ago, Christine is their most successful singer-songwriter. Her hits include ‘Over My Head’, ‘Don’t Stop’ and ‘Everywhere’.

After massive global success in both the late 1970s and mid-1980s, Christine left the band in the late 1990s, quitting California and living in semi-retirement in Kent, only to rejoin the band in 2014. In this 90-minute film, this most English of singers finally gets to take centre-stage and tell both her story and the saga of Fleetwood Mac from her point of view.

Interviewed Guest Christine McVie
Interviewed Guest Stevie Nicks
Interviewed Guest Mick Fleetwood
Interviewed Guest John McVie
Interviewed Guest Neil Finn
Interviewed Guest Mike Campbell
Interviewed Guest Stan Webb
Interviewed Guest Nancy Wilson
Executive Producer Mark Cooper
Director         Matt O'Casey

There are actually two channels in the UK airing shows related to Fleetwood Mac on September 20th 

(Compiled by Fleetwood Mac UK)
UK TV channels BBC Four and Sky Arts have an evening dedicated to Fleetwood Mac on Friday 20 Oct 2019

Fleetwood Mac is rock history. It’s a pity no-one new is coming even close to taking the place of talent like this.

Fleetwood Mac Bring Neil Finn Back To His Musical Home Melbourne 
by PAUL CASHMERE
Noise11
Photo: SusanMM

I guess a lot of us went along to see Fleetwood Mac tonight not really knowing what to expect. No Lindsey Buckingham meant this could go horribly wrong. Instead it went wonderfully right.

Fleetwood Mac has operated like a corporation since the inclusion of California duo Lindsey Buckingham and Stevie Nicks in the mid 70s. Their addition became a nucleus of the band. A non-Buckingham Fleetwood Mac cannot bypass his legacy. Songs like ‘Second Hand News’ and ‘Go Your Own Way’ were generated from his DNA, so while the man has gone, the DNA remains. Neil Finn handled the Lindsey vocals honorably. Heartbreakers’ guitarist Mike Campbell handled Lindsey’s leads remarkably.

The songs are what makes Fleetwood Mac and this is simply one of the great bands of all-time performing some of the greatest songs of all-time.

Lindsey’s songs, his voice and that guitar style meant that no-‘one’ could replace him … so they chose two. The Heartbreakers Mike Campbell, long associated with the band through Stevie Nicks and Neil Finn, a great friend of Mike Fleetwood, faithfully reproduced Lindsey’s musical DNA. Neil is there for the voice, Mike for the guitar. Both their individual legacies are recognized with Neil’s Split Enz and Crowded House classics ‘I Got You’ and ‘’Don’t Dream Its Over’ and Petty’s ‘Free Fallin’ added to the set as a tribute to Tom in the encore.

Review - Fleetwood Mac Live in Melbourne, AU Sept 2, 2019

Review: Fleetwood Mac at Rod Laver Arena
Cameron Adams,
Herald Sun
Photo: Brett Schewitz

Given the well-documented dramas they’ve endured over the decades, you assumed by now Fleetwood Mac were pretty much invincible.

However reuniting that classic Rumours-era line-up back for the 2014/2015 tour proved they had one more soap opera-style twist up their billowing sleeves.

So in 2019, it’s either this Lindsey Buckingham-free version of Fleetwood Mac or nothing.

But the chain’s been broken and repaired so many times over the years change is the only constant in the band’s line-up.

It speaks volumes that Buckingham’s replacements are local hero Neil Finn and former Tom Petty guitarist Mike Campbell.

Fleetwood Mac lives up to expectations, new lineup, same thrill

The whole room swooned — it’s Stevie
Karl Puschmann
The New Zealand Herald
August 30, 2019
Photo: Qudos Bank Arena

Fleetwood Mac lives up to expectations, new lineup, same thrill

There’s charisma, there’s star power and then there’s Stevie Nicks. Dear gawd she’s cool. She didn’t even have to do anything other than walk onto the stage at Sydney’s Qudos Banks Arena for me to feel it in every fibre of my deeply uncool bones.

I’d been pretty excited to see Fleetwood Mac live, despite not being a purist. I don’t know the deep cuts,

heck, I don’t even really know the mid cuts, but I really love the band’s hits. And that’s what I was there for.

So I applauded with appropriate enthusiasm when new guitarist, and ex-Tom Petty’s Heartbreaker, Mike Campbell walked on stage clad in the rockstar attire of a zebra print jacket, crimson shades and wide-rimmed hat. I gave Neil Finn a hometown holla as he took up his new residence at the front of the stage, and the longstanding duo of bassist John McVie and drummer Mick Fleetwood got a cheer.

But then Christine McVie and Stevie Nicks walked out and the whole room swooned and I felt something like a cosmic gut punch. It was powerful and visceral and stopped me in my claps. Feeling the collective energy of 21,000 people all simultaneously in total awe and slightly gobsmacked is a trip, man.

FLEETWOOD MAC Brisbane "It’s a night full of hits, a subtle sidestep around Tusk"

Fleetwood Mac - Brisbane Entertainment Centre
August 20, 2019
by Lauren Baxter
Photos Bianca Holderness
The Music

Walking into Brisbane’s Entertainment Centre, what looks like netball training is just wrapping up. Teens in lycra stream out of the adjacent sports complex and we overhear one ask another, “Who’s playing tonight?” 

“Dunno, some old-school band,” they reply. 

There’s a completely different vibe in the room by the time we take our seats, a wholesome group nearby welcoming us to their “concert family”, forewarning there will be plenty of dancing. No complaints here, it’s Fleetwood Mac after all – shawls and twirling are a given. We overhear parents congratulating one another for bringing their kids and raising them right and bets are made as to what the opening track will be. “You can Go Your Own Way home because it won't be The Chain...” It's The Chain.

And what a way to start. Lindsey Buckingham’s absence doesn’t seem to phase the crowd (another overheard moment: “I can live without Lindsey but I can’t live without Christine”) and his replacements, the beloved (adopted) Australian Neil Finn and Heartbreaker Mike Campbell, slot into the mix effortlessly. 

REVIEW Fleetwood Mac Brisbane "It’s rare for such a historical band to only sound better as the years go on"

Fleetwood Mac – Brisbane Entertainment Centre
Written by Jack Gobbe
Photo by Mitch Lowe
SaveTonight
CLICK THROUGH FOR PHOTO GALLERY

It’s rare for such a historical band to only sound better as the years go on. But if any band could, it would be Fleetwood Mac. Over fifty-two years, Fleetwood Mac has undergone various transformations, as members come and go. Recent years have found the most iconic lineup of Mick Fleetwood, John McVie, Stevie Nicks, Christina McVie and Lindsey Buckingham tour for the masses, although heightened disagreements between Nicks and Buckingham saw the latter depart the band last year.

And thus formed what almost seems like a rock super-group at this point, as the addition of Crowded House frontman Neil Finn and former guitarist of Tom Petty and the Heartbreakers Mike Campbell allows for a breath of fresh air into the iconic lineup. Regardless of who’s playing what, Fleetwood Mac have undeniably stood the test of time, punters young and old uniting at Brisbane Entertainment Centre to catch one of the most important bands

The night was dominated by ‘Rumours’, the album that broke the band in more ways than one. As fractured relationships within the band reached their breaking point, the band’s eleventh album was a turning point in their career. As such, it was only fitting for the record to have a significant presence throughout the night, particularly as the relationship between Nicks and Buckingham has recently reached another point of conflict.

‘The Chain’ opened the night, the grand scale of the track showcasing how tight this new iteration of Fleetwood Mac is. As the track built up to its sweeping climax, you couldn’t help but sit back and prepare for a night of rock mastery. Just two songs later, ‘Dreams’sent the audience into a frenzy. The hypnotic guitar licks echoed through the venue, forcing hips to sway and hands to rise. Nicks’ everlasting vocal capacity carried the chorus to a triumphant peak, allowing the audience to revel in what is arguably one of the biggest songs to come out of the 1970s.

Despite kicking things off with many of their greatest hits, Fleetwood Mac surged through their two hour set with a repertoire of songs that never failed to amaze the crowd – a testament to their powerful discography. Deeper cuts such as ‘Black Magic Woman’ and ‘Oh Well’allowed the band to exhibit the wildly different sounds that come from a band with such longevity. While ‘Black Magic Woman’found Nicks crooning along with the bluesy cut, ‘Oh Well’saw Campbell deliver frolicking guitar-led song that wouldn’t sound out of place as the theme song for a Western.

And then there were the covers, a surprisingly vital part of the night. It’s not every night that a band’s biggest singalong is a cover, although that is exactly what happened when Finn performed his beloved Crowded House track ‘Don’t Dream It’s Over’. Similarly, Tom Petty was honoured in the encore as the band covered ‘Free Fallin’, a moving tribute that sees Nicks and Finn trading perfect harmonies while Campbell honours his late frontman with dazzling guitar work.

‘Don’t Stop’seems only fitting as a closer, the title reflecting many fans’ feelings towards the night. Fleetwood Mac hasn’t stopped for fifty-two years, and by the looks of it, they won’t be stopping anytime soon.

Who would have thought that we'd still be seeing Fleetwood Mac in 2019?

Seeing Fleetwood Mac in 2019 is a strange experience — but they’ve always been a strange band

By Dan Condon
ABC.net.au
Photos Robbie Smith

 If their songs weren't so strong, endurance may be Fleetwood Mac's greatest legacy

Thirty minutes into Fleetwood Mac's set at the Brisbane Entertainment Centre this week, Stevie Nicks admitted that she didn’t realise 'Black Magic Woman' was a Fleetwood Mac song until well after she’d joined the band.

It's an astounding admission. Sure, the song had been popularised by Santana's 1970 cover, but to not know the extent of your new band's catalogue – especially the hits – before joining is almost unthinkable.

But this says more about the strange and complex entity that is Fleetwood Mac than it does Nicks' own knowledge gaps. This is a band whose history is confusing, whose music is wildly diverse, and who continue to keep us guessing.

Who would have thought that we'd still be seeing Fleetwood Mac in 2019? Moreover, who'd have thought that Neil Finn and Tom Petty collaborator Mike Campbell would join the band?

You don't get a timeline like this without a strange history.

That's why the prospect of seeing this wildly new incarnation of one of the history's most celebrated rock bands doesn't seem completely unfaithful. Consistency is not Fleetwood Mac's strong-point. When their line-up has remained staid, their very existence has been precarious, reportedly fraught with infighting and ill-feelings.

If nothing else, you have to respect the band's endurance. That they are still touring in any form feels almost miraculous.

But are they any good?

REVIEW Fleetwood Mac Brisbane August 20, 2019

STILL GOING THEIR OWN WAY
Andrew McMillen
The Australian

Since it began as a British rock band in 1967, Fleetwood Mac has undergone 19 iterations while steadily adding Americans and, most recently, a New Zealander to its line-up. Its only remaining founding member is drummer Mick Fleetwood, who recently described each version of the group as “incredibly different musical episodes in this Shakespearean play we blundered into”.

Whether at work, at play, at each others’ throats or at risk of dying young from excessive drug consumption, this group of artists has produced some of the finest songs in popular music, which is why tickets to these tours continue to sell at premium prices, and why audiences continue to show up by the tens of thousands.

Few albums in rock ’n’ roll history have sold more copies — or prompted more commentary about the unique interpersonal dynamics that surrounded its creation — than 1977’s Rumours. Towards the end of the year of its release, the group — Fleetwood, singer Stevie Nicks, singer-guitarist Lindsey Buckingham, singerkeyboardist Christine McVie and bassist John McVie — visited Australia for a tour named Rockarena, on a bill that also featured Santana and Little River Band.

REVIEW Fleetwood Mac Live in Brisbane August 20, 2019

A crowded house for Fleetwood Mac’s Brisbane return
Lydia Lynch
BrisbaneTimes.com

The first few songs of Fleetwood Mac’s Brisbane return roused cringe-worthy flashbacks to one of those work Christmas parties where you end up at a dingy karaoke bar in the early hours of the morning.

The sound was off, the vocals felt groggy and the sparkle that fuelled decades of success for the 50-year-old band was just not there.

That was until the group launched into the first bars of Black Magic Woman, penned by former band member Peter Green, and the hypnotic Fleetwood Mac spirit arrived.

“When we first went into rehearsal for this tour we went through our history of Fleetwood Mac and we picked out a couple of songs we thought you might enjoy,” Stevie Nicks told the crowd on Tuesday night.

REVIEW An extraordinary group of people comprise Fleetwood Mac these days

Fleetwood Mac @ Qudos Bank Arena - Syndey
15 August 2019 | Beck
TheMusic.com
Photos Josh Groom

"The hits just kept on coming."

An extraordinary group of people comprise Fleetwood Mac these days - much technical brilliance, decades worth of experience, probably centuries really if you added it all together, and flat-out, no question, critically and commercially tested, outright talent.

Mick Fleetwood, Christine McVie, John McVie and Stevie Nicks may have lost Lindsey Buckingham in the last band shake-up but have added Mike Campbell (ex Tom Petty & The Heartbreakers) and Neil Finn to fill the gap and it’s evident from the opening song, The Chain, that they couldn’t have done better.

The hits just kept on coming, and not little ones either. These are the BIG ones. The songs that have been feeding commercial FM radio since its inception. Over two hours worth of songs that are so deeply ingrained in our collective consciousness that we don’t even remember how we know them.

“It’s huge, and it’s magical,” he said of the latest incarnation of the Fleetwood Mac.

NEIL’S MAC PACK
The Courier-mail
By Kathy McCabe

MICK Fleetwood believes the seed for Neil Finn to join the legendary Fleetwood Mac was planted more than 20 years ago.

Ahead of the first of four concerts in Sydney on their world farewell tour, the band’s co-founder said Finn was one of the first people he thought of when Lindsey Buckingham left the band last year.

After the bandmates decided to continue touring, Stevie Nicks, Christine McVie and John McVie enlisted former Tom Petty band member Mike Campbell to join them to play guitar.

And then Fleetwood suggested his “secret weapon” Finn, who he has become “incredibly close”, with their respective families sharing holidays in Auckland.

The drummer also played on their “family album”.

They first met when they were sitting next to each other at a Paul McCartney benefit at the Royal Albert Hall two decades ago and have continued to catch up at random events before forming their firm friendship.

“It’s huge, and it’s magical,” he said of the latest incarnation of the Mac.

“And this funny relationship that I had with Neil, neither of us knowing why it was that we have passed in the dark, so many times. And now we know.”

At the Live Nation Green Room event before the show, the famous drummer said he wouldn’t go into the details behind the separation between the band and Buckingham.

“Note that I’ve said it before, we were not happy, and that was really the crux of, of all the details that don’t need to be known,” he told the invited guests.

Fleetwood also reminded his fans about his other Australian friendships developed when he had a home in Mittagong, close to Jimmy Barnes’s old property.

“We called it Barnesville back in the day,” he said of the Southern Highlands town. Fleetwood credits the generational appeal of the band – and in particular their seminal Rumours record, which remains one of the best-selling vinyl records each year – to their musical integrity.

“And we put our heart into what we do. And we took a lot of trouble whenever we made our albums, and they translated into something that has become somewhat, if not extremely, timeless, which is about the biggest blessing an artist can have especially when you get into your 70s,” he said.

Fleetwood Mac began a four-night stand in Sydney last night and play at the Brisbane Entertainment Centre on August 20, 22 and 24.

‘It’s a love story really’: Mick Fleetwood and Stevie Nicks on wooing Neil Finn
Fleetwood Mac brought ‘secret weapon’ Finn into the fold after an ‘incredibly sad, incredibly challenging’ time

By Steph Harmon
The Guardian

Mick Fleetwood described Crowded House frontman Neil Finn as a “secret weapon” he held onto for two decades, before asking him to fly to Hawaii to audition for Fleetwood Mac.

In April 2018, it was announced that longstanding member Lindsey Buckingham would be leaving the band, to be replaced by Finn and Mike Campbell, the guitarist from Tom Petty and the Heartbreakers.

REVIEW Mick Fleetwood is a tornado of flying limbs and screaming lunacy

FLEETWOOD MAC
QUDOS Bank Arena, Sydney Thursday 15 August 2019
Photographer : Joshua South
Reviewer : Louie Smith
Reverbstreetpress

Fleetwood Mac conquer the Qudos and ‘unleash the howls’.

Combined feelings of nostalgia, excitement and intrigue swirled along with Stevie Nicks on Thursday night as she spun around in a familiar gypsy fashion. Her hair as luscious as the day she first sung the lyrics “listen to the wind blow, watch the sun rise“, although now joined by the legendary lyricist Neil Finn. An obvious and seamless addition, Finn formed some of the most magical moments of the night. His presence felt natural and long time members Nicks, Christine McVie, John McVie and the eccentric Mick Fleetwood all revelled in his talent just as Finn did theirs.

He wasn’t the only new addition, with Tom Petty and the Heartbreakers guitarist Mike Campbell demanding the spotlight with his sharp solos, not allowing anyone to neglect his position as he stood side by side the hyped up New Zealander. Both held their own in a night of celebrating one of the most revered catalogues of music and with a crowd of all ages proving the span in which Fleetwood Mac’s music truly transcends.

It’s hard to believe that the four core members are all in their seventh decade of life. “Like a weird flock of birds” they still travel around “this lovely planet of ours”, sharing wisdom and playing shows as if they weren’t a day over twenty. Although time has put limits on McVie and Nicks’ physical abilities their passion and drive still lies deep within their voices. Fleetwood on the other hand is a tornado of flying limbs and screaming lunacy. A drawn out drum instrumental had everyone at arms length, flurrying in and out of a strange trip.

REVIEW Stevie shines on Dreams, Rhiannon and Gold Dust Prompts Standing Ovation

Fleetwood Mac concert review: Hits, new members and one sly dig at Sydney
Fleetwood Mac played the first of several shows in Sydney last night — but new member Neil Finn couldn’t resist a hilarious dig at the city.

By Nick Bond
News.com.au
Photos: Christian Gilles

Sydney’s controversial lockout laws have given the city quite the reputation, it would seem.

Midway through Fleetwood Mac’s first show at Qudos Bank Arena last night, faced with a somewhat timid weeknight audience, the band’s newest member Neil Finn goaded the crowd to get up and dance with a cheeky dig at the Harbour City.

“Remember, you’re out of the inner city now, so that means you can have a good time. You can drink and dance as much as you like,” he teased. “You know you want to.”

This new-look Mac — Lindsey Buckingham unceremoniously dumped last year, replaced by Crowded House star Finn and Tom Petty and the Heartbreakers band member Mike Campbell — may take a moment for some fans to adjust to. It’s only as Finn takes centre stage for electric opener The Chain, his vocals carrying the song, that you realise Buckingham’s are big shoes to fill.

To address the elephant in the room: No, Buckingham doesn’t rate so much as a mention during this two-and-a-half hour show.

REVIEW The Fleetwood Mac of today is not some hodge-podge operation

The Fleetwood Mac Sydney show was a testament to their timelessness
By S. B. Williams
Photo Dean Hammer
Tonedeaf

SYDNEY, AUSTRALIA, AUGUST 15, 2019

Last night, Fleetwood Mac descended on Sydney’s Qudos Bank Arena. The band treated fans to a career-spanning setlist that proved that though 50 years into their career, the band are not one to rest on their laurels.

The show was Sydney’s first taste of Fleetwood Mac in their new form. Last year, longtime singer, guitarist and songwriter Lindsey Buckingham was “let go” from the band after they reached a boiling point over touring disagreements. Buckingham was replaced by New Zealand royalty, Neil Finn of Crowded House and Tom Petty & The Heartbreakers guitarist, Mike Campbell.

Whilst it would be futile to deny that the absence of Buckingham was not felt; the new lineup revitalized the band in other ways. The addition of Finn on vocals has ushered in a new era for Fleetwood Mac, one that feels fresh and exciting. The Fleetwood Mac of today is not some hodge-podge operation tenuously thrown together in an attempt to ride the coattails of former glory. Rather, they are a band with a passion that feels tangible, that reinvented themselves out of necessity.

REVIEW Fleetwood Mac Live in Sydney Aug 15, 2019

Fleetwood Mac review: Neil's in, and it's not a too-crowded house
By Michael Bailey
SMH.COM

FLEETWOOD MAC ★★★½

Qudos Bank Arena, 15 August

It was apt that Frankenstein's monster was on the big screens as Neil Finn played I Got You on this night with, blimey, Fleetwood Mac.

For this unlikely melding of Kiwi artiness and California slickness was thanks to the 'Mac going back to the lab. Sixties bluesers who owned the late 1970s after sewing on folk duo Buckingham Nicks, last year they shafted Lindsey Buckingham and grafted on one of Tom Petty's Heartbreakers, Mike Campbell, plus the singer-songwriter from Split Enz and Crowded House.

The experiment ended better on this night than Dr. Frankenstein's did, although as in Mary Shelley's novel, the motivations weren't perfectly clear.

Drummer Mick Fleetwood, bassist John McVie, and frontwomen Christine McVie and Stevie Nicks certainly seemed pleased with their antipodean addition, and not just because Finn's presence meant they could book four nights at this arena instead of the three they could justify when they last visited in 2015.

Show #1 Fleetwood Mac Live in Sydney, AU August 15, 2019

Following the departure of Lindsey Buckingham, Neil Finn stepped in to play with Fleetwood Mac
Kathy McCabe, National music writer, News Corp Australia Network
The Weekly Times
Photos: Christian Gilles

The Chain has been a Fleetwood Mac concert opener seemingly forever, an ode to the musical bond which has bound these legendary artists together against the odds.

That bond has been stretched and tested and snapped over the decades thanks to their well-documented divisions and most recently last year when Lindsey Buckingham not-so-amicably parted company with Mick Fleetwood, Stevie Nicks, John and Christine McVie.

Perhaps now The Chain better represents the connection between the band and their millions of fans around the world as they continue their farewell victory lap of the globe.

The signature song also served to satisfy the curiosity of fans new, old and somewhere in between, about how Neil Finn and Tom Petty’s longtime sideman Mike Campbell fit into this iteration of the legendary rock band.

A natural interplay both vocally and as performers between Finn and Nicks was further underscored when they were matched in Second Hand News.

There’s definitely no doubt he is loving this gig.

Christine McVie, who returned to the band in 2013 after a 16 year hiatus, may not possess as much lead vocal strength as in decades past but her harmonic presence and keyboard virtuosity are essential to this farewell tour.

Fleetwood Mac "Man of the World" Live in Perth, Australia August 11, 2019

Watch Fleetwood Mac Play ‘Man of the World’ for First Time in 50 Years
Band also brings out 1975 deep cut “Blue Letter,” which they hadn’t played since 1990

By ANDY GREENE
Rollingstone

Fleetwood Mac brought their world tour down to Australia for a month-long run of shows late last week, and during the second concert at the RAC Arena in Perth Sunday they expanded the setlist by playing the Peter Green-era classic “Man of the World” for the first time since 1969. Check out fan-shot video of the song right here. “We’re going to debut this song now which was one of [Green’s] great songs,” Neil Finn told the crowd before they did it. “It’s an honor and a privilege for me to play it for you.”

The show also featured the Split Enz song “I Got You,” which was in the setlist when the tour began in October but vanished after just eleven shows. Neil Finn is native to New Zealand and the 1979 song hit Number One there in addition to Australia, so bringing it back into the set was a no-brainer. More surprising was the return of “Blue Letter” from the 1975 Fleetwood Mac LP, which the band hadn’t played since the Behind The Mask tour in 1990.

Before the tour began, Stevie Nicks told Rolling Stone that she wanted to play songs they hadn’t touched in a long time, including ones from the Peter Green period of the late 1960s and early 1970s. “There are 10 hits we have to do,” she said. “That leaves another 13 songs if you want to do a three-hour show. Then you crochet them all together and you make a great sequence and you have something that nobody has seen before except all the things they want to see are there. At rehearsal, we’re going to put up a board of 60 songs. Then we start with number one and we go through and we play everything. Slowly you start taking songs off and you start to see your set come together.”

Fleetwood Mac’s Australia/New Zealand leg ends September 21st with a show at Forsyth Barr Stadium in Dunedin. They then return to North America in late October to make up for seven shows they postponed earlier this year when Stevie Nicks came down with the flu.

Fleetwood Mac 2019 deliver a show with something for everyone - Perth Aug 9, 2019

LIVE: FLEETWOOD MAC – Perth, 9 August, 2019
RAC Arena, Perth, Western Australia
Reviewed by Shane Pinnegar
Photography by Damien Crocker
100PercentRock.com

How do you know when a band is ubiquitously iconic?

When the opening notes of practically every song they play are instantly recognisable to fifteen thousand people whose ages and backgrounds range from teens to pensioners, and across all demographics.

It sure doesn’t hurt that the noticeable absence of Lindsey Buckingham (hey – vocal harmony combinations like his, Stevie Nicks and Christine McVie are one in a billion) is brilliantly filled by not one but two guitarist/singers with almost as impressive careers as theirs.

Mike Campbell, sidekick to Tom Petty in The Heartbreakers even before that band formed, is a laid back presence on the stage, and Neil Finn – of Split Enz, Crowded House and solo fame – needs no introduction, especially in this neck of woods, and he enjoyed a rousing cheer at every turn.

Anyway, this is one band which is no stranger to radical personnel changes, and their early, bluesier days with founding guitarist Peter Green get a very welcome revisit tonight with a darkly gothic take on Black Magic Woman, Nicks re-purposing the lyrics from the titular woman’s perspective, and a raunchy romp through Oh Well with Campbell taking the lead vocals and him and Finn tearing it up with a fiery guitar rough n’ tumble.

REVIEW Fleetwood Mac Live at RAC Arena Perth August 9, 2019

Sean Drill
TheMusic
Photo: Linda Dunjey
(view more photos at the link above)

Is there any band that has undergone more line-up changes, infighting, break-ups and love-ups than Fleetwood Mac? 52 years together with 19 line-up changes in that time, it was the years between December ’74 and August ’87 where the hit machine was in its most prolific and popular form.

It was this configuration (almost!) we got to see on Friday evening. Mick Fleetwood, John and Christine McVie and Stevie Nicks were all present. Who wasn’t, however, was the recently and unceremoniously dumped Lindsey Buckingham. Not surprisingly, this void could not be replaced by a single individual, instead vocal and rhythm guitar duties were taken by Neil Finn (Split Enz/Crowded House) and Mike Campbell (Tom Petty & The Heartbreakers).

With no opening act and the RAC Arena at full capacity, Mick Fleetwood took to the stage to a roar of applause. A giant screen behind projected footage of his foot laying down the opening beat to The Chain while the rest of the band and backing performers took their places.

It was a simple stage layout with minimal decorations but it worked to keep the focus on the performers.

REVIEW Fleetwood Mac Live in Perth August 9, 2019

Fleetwood Mac: Australian tour opens with emotional first night – now with added Neil Finn

By Bob Gordon
The Guardian
Photographs: Duncan Barnes

RAC Arena, Perth

If Lindsey Buckhingham must be replaced, best to do it with the likes of Finn and Mike Campbell. In the legendary band’s latest incarnation, the magic of the music lives on.

Fleetwood Mac are a lore unto themselves. While the Rumours-era line-up holds the romance (mostly broken) for the majority of its fandom, it is the 11th line-up in a total of 19. This is a band who, aside from the rock-solid rhythm section footing of Mick Fleetwood and John McVie, has weathered more life and loss than most. Anyone else, no matter how famous or beloved, has come and gone … some returning, and then going again.

So despite the uproar that followed the 2018 announcement that Lindsey Buckingham had been let go, it was, in the context of history, less of an anomaly and more a case of showbusiness-as-usual. The regard held for new members Neil Finn and Mike Campbell is clear and present all evening on the opening night of the band’s Australian tour – from the sentiments offered from the stage by Fleetwood, vocalist Stevie Nicks and vocalist/pianist Christine McVie, to the time given to showcase the talent of the new breed.

Mick Fleetwood walks out onstage first to a legion of cheers, promptly applauding the crowd before his bass drum brings in The Chain and his bandmates take the stage. It’s spine-tingling from the get-go; Stevie Nicks is reassuringly draped in black with sleeves, long lace, braids and beads on her microphone stand and arms, while John McVie’s classic bass intro to the song’s outro is just well, classic. Notably, Neil Finn on guitar/vocals is immediately a strong presence as is former Heartbreaker Mike Campbell, who owns the lead break.

“Welcome Perth. We’ve done 62 shows in the US and Europe and this is show 63,” Nicks says by way of greeting. The singing icon sounds worryingly hoarse, but her voice warms to the occasion within a few songs.

Christine McVie’s Little Lies raises spirits and hands, and Dreams is suitably dreamy: Nicks’ voice folds warmly into it, her hands exuberantly working a tambourine. A huge chandelier hangs from above, its grandeur complemented by video screens switching from noir-framed mansion staircases to sunny Californian coastlines in washed-out ‘70s colour.

Fleetwood Mac, as such, are augmented by keyboardist Ricky Peterson, guitarist Neale Heywood, percussionist Taku Hirano and backing vocalists Marilyn Martin and Sharon Celani, though everyone is working up a storm onstage. Second Hand News finds Finn on lead vocal, turning slightly sideways to face Nicks as they sing, similar to the time-honoured manner she did with Buckingham.

Say You Love Me Brings the smiles, but when Nicks introduces Black Magic Woman claiming that she initially though it was by another big band (that’s Santana, by the way), she takes band-founder Peter Green’s vocal and sings it “from the eyes of a woman and here she comes now.” The song becomes an extended blues jam, all personnel shining, all giving each other perfect space. 

“Okay now for a complete contrast,” says Christine McVie, as the pop feel of Everywhere is followed by the Finn-fronted Spit Enz hit, I Got You. The contrast continues with Rhiannon immediately bringing the crowd to its feet. There’s tingles aplenty as the older voice gives new weight to this dark, Welsh tale and Nicks receives absolute applause for her signature song.

Live set mainstay, World Turning, is led vocally by Finn and McVie but remains Fleetwood’s showcase, from the video montage of the man through the years to his wild, lively call-and-response drum solo, which features master percussionist Hirano. He soon comes to the front of the stage armed with his beloved African talking drum, shouting joy at the crowd before the band closes the song, and Fleetwood delivers some loving band introductions, notably for Campbell and Finn, the latter’s name almost bringing down the roof. McVie is described as “the songbird,” Nicks the “eternal romantic” and lastly, bassist John McVie as being “always on my right-hand-side, no doubt the backbone of Fleetwood Mac.”

Nicks’ eternal romance is showcased in Gypsy and Landslide, though those two songs are split by Campbell fronting a mean and dirty run through Peter’s Green’s Oh Well: all riffage and world-weary with angry young man attitude.

From rock to jewel, Fleetwood gives a heartfelt introduction to Finn’s Don’t Dream It’s Over. The Crowded House staple is delivered with the expected tender gusto from Finn, but as Nicks takes the lead on the final verse it steps into a previously unexpected dimension. “A song like that comes along once on a million years,” she states at song’s end. “It’s magnificent.”

In 1982, Hold Me – from the band’s album Mirage – was quite the hit single, but over the years seems largely forgotten in the haze of decades of multi-platinum success. Tonight it returns, a compelling soft-rocker that allows each member to shine. It’s followed by Christine McVie’s Rumours-era track You Make Loving Fun, about the man she left John McVie for in 1977. One wonders what he makes of it all, playing this irresistibly giddy love song every night on tour.

From Rumours’ most happy moment to perhaps its most ominous, Gold Dust Woman find Nicks in a golden shawl, delivering a trademark dark Hollywood Hills evocation. It’s a bravura performance that inspires a fair few arms-undulating “Stevies” in the audience, too.

Go Your Own Way provides a majestic and rousing end to the main set, with Finn – having completed a winning lead vocal – ending the song on the drum riser, eye-to-eye with Fleetwood, looking for all the world like a kid who cannot believe his luck.

INTERVIEW Fleetwood Mac Sunday Night Australia TV Special

Fleetwood Mac Sunday Night Australia TV Special

INTERVIEW Mick Fleetwood and Neil Finn Sunday TV New Zealand

Kiwi music legend Neil Finn is famed for his bands, Split Enz and Crowded House.  But when one of the world's biggest acts, Fleetwood Mac, offered him a lead role in their group, he couldn't say no.

Next thing, he was stepping straight into playing alongside Stevie Nicks and Mick Fleetwood with the band who've bewitched audiences on and off the stage for more than 50 years.

Originally aired on Sunday TV New Zealand

Fleetwood Mac concert-goers are demanding refunds

Fleetwood Mac concert-goers are demanding refunds after the iconic band performed at two London shows at Wembley Stadium on Sunday and Tuesday evening.
Evening Standard
By Rebecca Speare-Cole

Some fans praised the “absolutely fantastic” and “incredible” event from parts of Wembley Stadium, but others complained that the band's music sounded “terrible” due to the audio set-up.

The legendary band performed in the capital as part of their 28-date tour around the world.

The Pretenders also performed as the band's supporting act and Harry Styles from One Direction made a surprise appearance on Tuesday, even bringing along his mother to the gig.

Stevie Nicks dedicated the song Landslide to the One Direction star, saying: "He’s really a gentleman, sweet and talented and boy that appeals to me.”

However, hundreds of the 90,000 people in the crowd, who paid up to £150 for a ticket, are demanding a refund after claiming they were unable to hear “anything but echo”.

Sue Allen tweeted on Wednesday morning after the show: “Shocking sound quality at #FleetwoodMac at Wembley last night. Left early. V disappointed and will be pursuing a refund."

Another fan who said the bought three tickets costing £51.70 tweeted that: “the sound system was terrible. It was one of the most expensive concerts I have ever been too and am so upset at how bad the sound was.

“I do feel under the circumstances that some sort of refund is due.”

On Sunday Jules Swain posted a video which appeared to support their claims of poor sound at the show, saying “You need to fix the sound!!! Can’t tell a word they’re singing.”

“At Wembley – can’t hear anything but echo - £300 on tickets – you are awesome but sadly your sound people have massively let you down,” one twitter user said.

Helen Murray said: “Sound system at Sunday concern in block 122 row 39 was DREADFUL. The echo was painful and completely spoilt the show.”

According to fans, Live Nation, the concert’s organisers, are refusing to offer refunds.

Despite the sound issues, many people celebrated their experience on Twitter, with one user saying: “Best experience of my life to date! @fleetwoodmac were absolutely fantastic.”

Another wrote: “Fleetwood Mac last night @wembleystadium were absolutely incredible. Have to say when Stevie Nicks began singing I got literal goosebumps. Such a special evening thank you."

The Mac produced nothing short of a spectacle in a packed-out Wembley Stadium.

Fleetwood Mac put the past to bed at their second and final Wembley Stadium show
By Bobby Rathore
The Line of Best Fit

The turbulence of Fleetwood Mac off-stage is essential to their energy, chemistry and intimacy on-stage; it's fuelled them for over 50 years. Tonight, the angry ghost of Lindsey Buckingham was keenly felt, but nonetheless, The Mac produced nothing short of a spectacle in a packed-out Wembley Stadium.

A tour set against the backdrop of Buckingham's looming absence did not derail this battle-scarred band. It was difficult not to feel a fleeting twinge of sadness at the erstwhile frontman; his distinctive voice and masterful guitar-playing undeniable; his tension and on-stage chemistry with Stevie Nicks achingly romantic.

Despite this undercurrent of loss, tonight Fleetwood Mac demonstrated that the band is bigger than the sum of its parts - an idea already developed through their shifting line-ups through the ages. Tonight’s show was a careful balance of nostalgia and restoration, as the two newest members, Neil Finn from Crowded House and Mark Campbell from Tom Petty and the Heartbreakers, showed their worth. Their clever use of these two replacements to do something different worked tonight in a way that left the audience both surprised, heartwarmed and elated.

The band start off steadily, despite the racing tune “The Chain” opening the night - after sixty-one shows this year already, weariness could be rearing its ugly head. Before any of the audience members can even formulate this thought into a lasting opinion, Stevie Nicks unleashes her wild on-stage persona, shaming 90,000 people for even toying with the idea that this would not be worth the ticket price. “Second Hand News” transforms Nick’s famous tasselled sleeves into air drumming drum sticks as she bangs them through the air, encouraging Mick Fleetwood’s relentless energy on percussion.

From hereon in, the show was set. “World Turning” is welcomely interrupted by the elected showman for the night - “don’t be shy” screams Mick Fleetwood during a close-to-ten-minute solo and drum battle with Taku Hirano. Fleetwood jumps up from his impressive percussion set and starts banging on a handheld drum, inciting Taku and the crowd even further, and just when the drumming is beginning to sound like thunder, the band take us back to “World Turning”. The sound issues that plagued Sunday's show are mercifully absent throughout. It's a moment that drives home Fleetwood Mac’s sheer energetic agelessness - they are a band that do not grow old.

With songs being dedicated to Tom Petty, Jimmy Iovine and Harry Styles, and an audience comprised of millenials with their grandparents, Fleetwood Mac’s performance tonight showcased their timelessness in a fashion that only the likes of The Rolling Stones can match.

• The Chain
• Little Lies
• Dreams
• Second Hand News
• Say You Love Me
• Black Magic Woman
• Everywhere
• Rhiannon
• World Turning
• Gypsy
• Oh Well
• Don't Dream It's Over (Crowded House cover)
• Landslide
• Hold Me
• You Make Loving Fun
• Gold Dust Woman
• Go Your Own Way

Encore:

• Free Fallin' (Tom Petty cover)
• Don't Stop

After 52 years Fleetwood Mac can still sell out Wembley - June 16, 2019

Fleetwood Mac at Wembley Stadium — has the chain been broken?

Ludovic Hunter-Tilney
Financial Times
★★☆☆☆

After 52 years the band can still sell out Wembley Stadium but the latest line-up change may be a rupture too far.

A tour by one of the biggest bands in rock history is always notable, but “An Evening with Fleetwood Mac” might have been particularly special. When it was conceived, there were suggestions that it could have been Fleetwood Mac’s swansong. A new album was in the offing too, a final recording. But the band’s penchant for volatility has once again intervened.

It is the second tour since Christine McVie officially rejoined their ranks in 2014. The keyboardist-singer played a key role writing some of their biggest hits, and the new Fleetwood Mac album was to have been written by her and guitarist-singer Lindsey Buckingham. But singer Stevie Nicks did not want to record a new Mac album, so instead it appeared under McVie’s and Buckingham’s joint name in 2017.

The next twist came with Buckingham’s exit from the group, reportedly after reigniting his long-running feud with his ex-lover Nicks. He stomped off to play solo shows in the US last year, where his setlist included a pointed rendition of the Fleetwood Mac song “Never Going Back Again”. Meanwhile, his septuagenarian former bandmates are touring the world with a nostalgia-circuit setlist and no talk of farewells.

Fleetwood Mac review, Wembley Stadium: Band perform with too much zest for this to be a simple exercise in nostalgia
It is difficult not to occasionally feel the lack of guitarist Lindsey Buckingham, less for his guitar wizardry than for the tense, loaded chemistry he always shared with ex-partner Stevie Nicks

Alexandra Pollard
Independent
Photo by looper23

“It’s unbelievable that we’re all still doing this,” proclaims Mick Fleetwood from behind his vast drum set onstage at Wembley Stadium. The “all” isn’t quite accurate – for one thing, guitarist Lindsey Buckingham was unceremoniously ousted from the band last year, reportedly after smirking at Stevie Nicks – but he has a point nonetheless. Fleetwood Mac have come to the brink of self-destruction more times than there are people in this enormous stadium.

Fifty-one years after the band first formed (though Mick Fleetwood and John McVie are the only founding members remaining), this is “the 61st show of a long trip we’ve been on since September”, announces Stevie Nicks. She says so with just a hint of weariness – the energy, at first, is a little fatigued, the first few songs sung seemingly by rote. But things take a turn by the time “Second Hand News” comes around, taken from their seminal 1977 album Rumours, which was recorded when the band were tied up in romantic knots and barely speaking to each other. Nicks, an occult leader all in black, suddenly clicks into gear, air drumming along to Fleetwood’s hugely impressive percussion.

Fleetwood Mac Live at Wembley Stadium June 16, 2019

Review: still going their own way
Even without Lindsey Buckingham, the band's unmistakable sound, as promised, lingers on

By John Clarke
iNews

Fleetwood Mac
Wembley Stadium, London
★★★★

Like a mighty ship of state, Fleetwood Mac finally sailed into London over the weekend. One crew member, Lindsey Buckingham, had been cast adrift but two new shipmates – Crowded House’s Neil Finn and Tom Petty guitarist Mike Campbell – had signed up.

It had been a lengthy voyage. “This is the 61st show of a long trip that started last year,” said Stevie Nicks, “and we’re glad you’re all here. Let’s get this party started.”

The fear was that with Buckingham’s departure – he left under less than happy circumstances last year – Finn and Campbell would change the shape of a band that has already sold 100 million records worldwide. Mick Fleetwood wasn’t worried. “We jammed with Mike and Neil and the chemistry really worked… We know we have something new, yet it’s got the unmistakable Mac sound,” he said on the band’s website.

It was hard to argue with that, as they promptly emerged on stage and launched into a supercharged “The Chain” that immediately had everyone out of their seats.

The sound, despite the huge open spaces in Wembley Stadium, was big, thick and impressive. It even got intimate when Christine McVie, regal as ever all in black, gently sashayed into “Little Lies”. Crowd pleaser, “Dreams” was next, with a vocal chorus that came more from the audience than it did the stage.

It was a reception that seemed to energise an already hyperactive Nicks as she darted around the stage, her peerless vocals on the still enormously effective “Rhiannon” and admitting “I’m the black magic woman” on a reboot of a hit from 1968, and what now feels like the band’s distant past.

New boy Finn proved his worth with a melodic and touching version of Crowded House’s “Don’t Dream It’s Over” (with vocal support from Nicks) which fitted seamlessly into the Fleetwood Mac oeuvre. Campbell got his chance later in the evening with “Free Fallin’”, an emotional and moving tribute to the late Tom Petty.

It wasn’t all plain sailing. Mick Fleetwood appropriated “World Turning” for a drum solo, complete with screams which segued into a conga-driven battle with percussionist Taku Hirano as the rest of the band ambled off stage. It was interesting, but a tad too long for comfort. And while Campbell made a brave bid to tackle another earlier Fleetwood Mac classic, “Oh Well” it lacked the grandeur of Peter Green’s original version.

The band were on safer ground with “Go Your Own Way” which saw Finn step neatly and almost imperceptibly into Buckingham’s shoes. “Don’t Stop” closed the night. The music may have had to, but the good-time feeling lingered.

LIVE REVIEW FLEETWOOD MAC LONDON JUNE 16, 2019

Fleetwood Mac review – latest lineup makes loving them fun
Having weathered the acrimonious departure of Lindsey Buckingham, Fleetwood Mac seem to be enjoying themselves more than ever

By Alexis Petridis
The Guardian
Photograph: David Levene/The Guardian

Wembley Stadium, London

Happy Father’s Day, London,” offers guitarist Mike Campbell, one of Fleetwood Mac’s two new recruits. “I know,” he adds meaningfully, “there are some fathers out there.” There certainly are, but perhaps not as many as you’d think. The crowd packing out Wembley to see what – at a conservative estimate – is something like Fleetwood Mac’s 13th lineup is far from entirely comprised of the middle-aged-to-pensionable.

If you want proof of how wrong the recently departed Lindsey Buckingham was when he suggested the band were “incredibly unhip”, here it is – fans visibly too young to remember Fleetwood Mac’s late-80s resurgence with Tango in the Night, let alone the release of Rumours; twentysomething women dressed up as Stevie Nicks in top hats and scarves. On stage, the actual Stevie Nicks – no top hat, but very much dressed up as Stevie Nicks – is dedicating Landslide to Haim, one of umpteen latter-day bands under the spell of the music Fleetwood Mac made 40-odd years ago.

She says that Haim, too, might be on stage in their 70s, to which the obvious response is: only if they write more songs like these. Little Lies, Dreams, You Make Loving Fun – they’re built to withstand anything, from human resources issues to the sound at Wembley, which tonight recreates the experience of trying to listen to Fleetwood Mac with your head submerged in a tureen of soup. The visuals appear to be broadcast direct from Nicks’s brain – trees silhouetted against misty moons, stallions galloping through the surf in slow motion, mysterious ladies holding crystal balls etc – but more striking is the atmosphere emanating from the stage.

Over their 52-year career, being a member of Fleetwood Mac has always looked like a fraught business, but tonight, at least, they seem to be enjoying themselves. Mick Fleetwood is a constant blur of eye-popping, tongue-waggling and grinning; Nicks unguardedly plays not just air guitar, but air drums; Christine McVie, who gave a dislike of touring as the reason for her 15-year absence from the band, seems untroubled by such concerns, whether playing bluesy electric piano or standing front and centre to deliver her peerless song Everywhere.

The setlist is designed to subtly accommodate Buckingham’s acrimonious departure – it lightly steps around Tusk (1979), an album that was the guitarist’s baby; Big Love is noticeable by its absence from the cavalcade of hits – but both new members are what a football manager would call strong signings. Campbell storms confidently through the Peter Green-era anthem Oh Well. Neil Finn, meanwhile, brings with him not only a voice that sounds pretty much perfect standing in for Buckingham on Second Hand News, but also his own back catalogue. When the rest of the band cede the stage to him and Nicks for an acoustic version of Crowded House’s Don’t Dream It’s Over, it provokes the audience into the latter-day lighters-aloft moment that is waving your mobile phone with its torch activated.

Perhaps they’re just relieved Fleetwood’s solo turn is over. A drum duet with percussionist Taku Hirano, decorated with a lot of extempore grunting and whooping, it goes on long enough to accommodate not merely a visit to the lavatory and a queue for the bar, but a trip back home to check whether you’ve left the gas on, although in fairness, sections of the crowd respond as though a drum solo with extempore grunting is precisely what they’ve ponied up £200 to see. Behind him, the screen fills with images of past Mick Fleetwoods, favouring the world with drum solos over the decades, which gives his interlude as much of a symbolic air as the concluding run at Don’t Stop. If it seems as if it could go on for ever, well, so do Fleetwood Mac themselves.