New York Times Full Page Ad promoting two June New York area shows. If I'm not mistaken, it ran in the Sunday NY Times April 27th.
Thanks to Frank at
Seven Wonders
for the scan, and
to Bill for the discovery
Saturday, May 03, 2008
Wednesday, April 30, 2008
Stevie Nicks Video at the Arizona Heart Foundation
[From April, 2007] A video clip of Stevie along with her Mother Barbara, Brother Chris, Sister in Law Lori and Niece Jessica Nicks at the dedication of the research building at the Arizona Heart Foundation in April, 2007.
By Kathy Shayna Shocket
Scottsdale Republic
April 3, 2007
The Arizona Heart Foundation hosted the grand opening of the Translational Research Center with the help of singer/songwriter Stevie Nicks.
On Sunday afternoon a small invitation-only group of bighearted people joined Stevie Nicks at the Arizona Heart Foundation for the dedication of its new research building at Thomas Road and 20th Street. It's been a nine-year, grass-roots effort - literally - starting when a small group of visionaries gathered on the lawn of Ted Diethrich's Paradise Valley home to plant the first fundraising seeds for the building's $4 million campaign.
Sunday's private dedication for the Arizona Heart Foundation's Cardiovascular Research and Education Building was bittersweet.
"This was my dad's dream," Nicks said of her father, Jess, who died two years ago of heart disease. Jess' heart gave out a few days after Nicks' Dodge Theatre concert benefiting the foundation in August 2005.
Nicks' mother, Barbara, who was by her side at Sunday's party, also has heart disease, and the Arizona Heart Institute has been an important part of the Nickses' lives.
"This is the house that Jess and Stevie built," noted Gerry Kroloff, the foundation's executive administrator, also a Paradise Valley resident.
Paul and Ellen Gerding of Paradise Valley led Sunday's private dedication catered by Paradise Valley resident Vincent Guerithault.
"I know my father's here," Nicks said. "He'd be saying 'Stevie, this is so great.'"
"So, Jess, this one is for you," said Kroloff of the platform to push the envelope for the future of cardiovascular medicine.
By Kathy Shayna Shocket
Scottsdale Republic
April 3, 2007
The Arizona Heart Foundation hosted the grand opening of the Translational Research Center with the help of singer/songwriter Stevie Nicks.
On Sunday afternoon a small invitation-only group of bighearted people joined Stevie Nicks at the Arizona Heart Foundation for the dedication of its new research building at Thomas Road and 20th Street. It's been a nine-year, grass-roots effort - literally - starting when a small group of visionaries gathered on the lawn of Ted Diethrich's Paradise Valley home to plant the first fundraising seeds for the building's $4 million campaign.
Sunday's private dedication for the Arizona Heart Foundation's Cardiovascular Research and Education Building was bittersweet.
"This was my dad's dream," Nicks said of her father, Jess, who died two years ago of heart disease. Jess' heart gave out a few days after Nicks' Dodge Theatre concert benefiting the foundation in August 2005.
Nicks' mother, Barbara, who was by her side at Sunday's party, also has heart disease, and the Arizona Heart Institute has been an important part of the Nickses' lives.
"This is the house that Jess and Stevie built," noted Gerry Kroloff, the foundation's executive administrator, also a Paradise Valley resident.
Paul and Ellen Gerding of Paradise Valley led Sunday's private dedication catered by Paradise Valley resident Vincent Guerithault.
"I know my father's here," Nicks said. "He'd be saying 'Stevie, this is so great.'"
"So, Jess, this one is for you," said Kroloff of the platform to push the envelope for the future of cardiovascular medicine.
Labels:
Stevie Nicks
Saturday, April 26, 2008
Fleetwood Mac's Stevie Nicks writes another solo chapter
Stevie Nicks began an abbreviated schedule of late spring and summer solo dates April 18 in Reading, Pa., hoping no doubt to continue the string of generally glowing reviews she received for her 2007 dates both with Chris Isaak and on her own.
In recent weeks, however, most of the chatter has been not about Nicks or her tour, but the band she sings with, Fleetwood Mac.
Late last month, the veteran rock group's plans to tour in the first half of 2009 became known when Sheryl Crow, who is close friends with Nicks, announced she might be joining the Mac lineup on the road.
Singer Lindsay Buckingham has confirmed that Mac is planning to tour, but says Crow's involvement is not yet a done deal. "I think we were all a little surprised she (Crow) was announcing that to the world with such certainty," Buckingham told Billboard magazine. "We have talked about the possibility of bringing another woman into the scene to kind of give Stevie a sort of foil and shake it up a little bit. She (Crow) was certainly a name that has come up. We'll have to see."
Nicks is still promoting her late 2007 CD/DVD release, "Crystal Visions ... The Very Best of Stevie Nicks," a collection of songs that samples material from her three-decade career as a solo artist and member of Fleetwood Mac.
The CD portion includes several previously unreleased live tracks and a couple of dance remixes, while the DVD has 13 videos with voiceover commentary by Nicks and an audio interview with the Grammy Award-winning singer by journalist David Wild.
Buckingham and Nicks joined Fleetwood Mac in 1974, and with their help the band topped the charts with "Fleetwood Mac" in 1975, followed by 1977's "Rumours," which sold more than 17 million copies and is one of the best-selling albums of all time.
Nicks, who will turn 60 on May 26, is known for her tempestuous singing and mystical Gypsy hippie-persona. She started her solo career in 1981 with the "Bella Donna" CD, which made it to No. 1 thanks such hits as the Tom Petty duet "Stop Draggin' My Heart Around," the Don Henley duet "Leather and Lace" and "Edge of Seventeen (Just Like the White Winged Dove)."
Her most recent solo album, 2001's "Trouble in Shangri-La," hit No. 5 on the Billboard chart.
According to an interview for the May issue of Q magazine, Nicks is working on a new solo album. "I've been writing continually," she said as she handed the interviewer a sheet of paper with a composition titled "The Soldier's Angel," inspired by her charity work. "It's one of the many poems that is ready to go to the piano right now.
In recent weeks, however, most of the chatter has been not about Nicks or her tour, but the band she sings with, Fleetwood Mac.
Late last month, the veteran rock group's plans to tour in the first half of 2009 became known when Sheryl Crow, who is close friends with Nicks, announced she might be joining the Mac lineup on the road.
Singer Lindsay Buckingham has confirmed that Mac is planning to tour, but says Crow's involvement is not yet a done deal. "I think we were all a little surprised she (Crow) was announcing that to the world with such certainty," Buckingham told Billboard magazine. "We have talked about the possibility of bringing another woman into the scene to kind of give Stevie a sort of foil and shake it up a little bit. She (Crow) was certainly a name that has come up. We'll have to see."
Nicks is still promoting her late 2007 CD/DVD release, "Crystal Visions ... The Very Best of Stevie Nicks," a collection of songs that samples material from her three-decade career as a solo artist and member of Fleetwood Mac.
The CD portion includes several previously unreleased live tracks and a couple of dance remixes, while the DVD has 13 videos with voiceover commentary by Nicks and an audio interview with the Grammy Award-winning singer by journalist David Wild.
Buckingham and Nicks joined Fleetwood Mac in 1974, and with their help the band topped the charts with "Fleetwood Mac" in 1975, followed by 1977's "Rumours," which sold more than 17 million copies and is one of the best-selling albums of all time.
Nicks, who will turn 60 on May 26, is known for her tempestuous singing and mystical Gypsy hippie-persona. She started her solo career in 1981 with the "Bella Donna" CD, which made it to No. 1 thanks such hits as the Tom Petty duet "Stop Draggin' My Heart Around," the Don Henley duet "Leather and Lace" and "Edge of Seventeen (Just Like the White Winged Dove)."
Her most recent solo album, 2001's "Trouble in Shangri-La," hit No. 5 on the Billboard chart.
According to an interview for the May issue of Q magazine, Nicks is working on a new solo album. "I've been writing continually," she said as she handed the interviewer a sheet of paper with a composition titled "The Soldier's Angel," inspired by her charity work. "It's one of the many poems that is ready to go to the piano right now.
Labels:
Stevie Nicks
Fleetwood Mac & Stevie Nicks Up For Auction
The Edge [ tickets ] recently announced the Icons of Music Sale II to benefit Music Rising will take place May 31 at the Hard Rock Cafe New York in Times Square.
The second annual music memorabilia charity auction will be hosted by the U2 [ tickets ] guitarist with proceeds benefiting the campaign he co-founded in 2005 to aid musicians of the Gulf Coast Region in regaining their livelihood after the devastation of Hurricanes Katrina and Rita, according to a press release.
Read More:
Livedaily
Julien's Auction
Fleetwood Mac and Stevie Nicks Memorabilia up for auction:
Auction Details
(click to enlarge)
The second annual music memorabilia charity auction will be hosted by the U2 [ tickets ] guitarist with proceeds benefiting the campaign he co-founded in 2005 to aid musicians of the Gulf Coast Region in regaining their livelihood after the devastation of Hurricanes Katrina and Rita, according to a press release.
Read More:
Livedaily
Julien's Auction
Fleetwood Mac and Stevie Nicks Memorabilia up for auction:
Auction Details
(click to enlarge)
Labels:
Fleetwood Mac,
Stevie Nicks
Thursday, April 24, 2008
Stevie's Mysterious April 17th New York Show Revealed
Stevie Nicks closed the 20th annual New York-Presbyterian Hospital black tie benefit Gala held at the Waldorf Astoria in New York City on April 17th. The event raised nearly $3 million in support of Emergency Medicine department that provides around-the-clock care for over 230,000 patients each year.
Labels:
Stevie Nicks
Tuesday, April 22, 2008
Stevie Nicks Show Pleasant, Padded
By THOMAS KINTNER Special To The Courant
April 22, 2008
Stevie Nicks has seen more than her share of ups and downs over the last two decades, but the music she made with Fleetwood Mac and as a solo act has seen its popularity endure and given her any number of second chances. The 59-year-old singer's show Sunday night at the Mohegan Sun Arena in Uncasville played on that still-considerable nostalgia.
Settling comfortably into the raspy bark at the high end of her voice, Nicks belted her way through the opening "Stand Back," its thick synthesizer pulse rising from her 10-piece band's driving backdrop. True to the singer's long-established image, her multiple costume changes were largely exercises in donning new shawls and lace wraps, and though she kept her shows of agility to the barest of minimums, when she did extend her arms and spin in slow motion, the notably enthusiastic audience roared as though she were turning handsprings.
Her singing came largely in two packages, either the nasal bleating with which she batted at the chorus of "If Anyone Falls," or the more conversational manner with which she delivered verses like those of "Rhiannon." There was frequently an unbecoming monotony to her delivery, an evenness that played on her familiar sound in tunes such as "Gold Dust Woman," but never quite captured any mood.
During her cover of Dave Matthews' "Crash," she sang comfortably alongside the acoustic guitar rhythm laid down by Carlos Rios. Also pleasantly nuanced was Nicks' navigation of "Landslide," its wistful character enriched by her gentle vocal quaver.
Nicks was almost bubbly as she chatted between tunes, and took her time telling stories before the likes of the expansive "Sorcerer." Between her reminiscing and curiously long trips through the likes of "How Still My Love," there was room for only 13 songs in a set that ran just short of two hours.
Nicks muscled her way through most of the show's highlights, such as the buoyant sway of "Dreams," but her show-closing trip through "Edge of Seventeen" was bloated from its too-long guitar and percussion introduction to its expansive finish. She was the least dynamic element onstage during an undistinguished encore take on Led Zeppelin's "Rock and Roll." She closed the show with the piano ballad "Beauty and the Beast," its lyrics prodded and stretched as she took her time getting through one last number.
April 22, 2008
Stevie Nicks has seen more than her share of ups and downs over the last two decades, but the music she made with Fleetwood Mac and as a solo act has seen its popularity endure and given her any number of second chances. The 59-year-old singer's show Sunday night at the Mohegan Sun Arena in Uncasville played on that still-considerable nostalgia.
Settling comfortably into the raspy bark at the high end of her voice, Nicks belted her way through the opening "Stand Back," its thick synthesizer pulse rising from her 10-piece band's driving backdrop. True to the singer's long-established image, her multiple costume changes were largely exercises in donning new shawls and lace wraps, and though she kept her shows of agility to the barest of minimums, when she did extend her arms and spin in slow motion, the notably enthusiastic audience roared as though she were turning handsprings.
Her singing came largely in two packages, either the nasal bleating with which she batted at the chorus of "If Anyone Falls," or the more conversational manner with which she delivered verses like those of "Rhiannon." There was frequently an unbecoming monotony to her delivery, an evenness that played on her familiar sound in tunes such as "Gold Dust Woman," but never quite captured any mood.
During her cover of Dave Matthews' "Crash," she sang comfortably alongside the acoustic guitar rhythm laid down by Carlos Rios. Also pleasantly nuanced was Nicks' navigation of "Landslide," its wistful character enriched by her gentle vocal quaver.
Nicks was almost bubbly as she chatted between tunes, and took her time telling stories before the likes of the expansive "Sorcerer." Between her reminiscing and curiously long trips through the likes of "How Still My Love," there was room for only 13 songs in a set that ran just short of two hours.
Nicks muscled her way through most of the show's highlights, such as the buoyant sway of "Dreams," but her show-closing trip through "Edge of Seventeen" was bloated from its too-long guitar and percussion introduction to its expansive finish. She was the least dynamic element onstage during an undistinguished encore take on Led Zeppelin's "Rock and Roll." She closed the show with the piano ballad "Beauty and the Beast," its lyrics prodded and stretched as she took her time getting through one last number.
Labels:
Stevie Nicks
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