Rock legend and winemaker advocates a more accessible wine experience
The Aspen Times
ASPEN — Some decades ago, Mick Fleetwood had little interest in wine. And who could blame him? Several times a year, on his early visits to the U.S. — he says the experience was very different in Europe — the British-born Fleetwood would subject himself to the discomfort and degradation of ordering wine to go with dinner. No matter how good the bottle may have been, the process left him with a bad taste in his mouth.
“It was people sitting in a restaurant, quivering in their boots, thinking, ‘What are we going to order?’” said Fleetwood. “In truth, they were just told what to like. And I remember sitting there drinking, and thinking, ‘Oh, I’m supposed to like this — and not necessarily liking it.’”
Fleetwood turned his attention away from oenology, and focused instead on music. It proved to be a wise decision; he has never seemed to need outside prodding to know what sounded good to his ears. In his earliest days, it was blues-rock — first with John Mayall’s Bluesbreakers, then, beginning in the late ’60s, with the earliest incarnation of Fleetwood Mac. In the mid-’70s, with the addition of Lindsey Buckingham and Stevie Nicks, the band’s sound took a sharp turn, toward radio-friendly pop-rock. It was an assured stylistic change, however, as Fleetwood Mac turned out such essential ’70s works as 1975’s eponymous album and 1977’s “Rumours.”
A decade and a half ago, Fleetwood had another abrupt about-face, this time in his offstage life. It was almost certainly a good thing; Fleetwood Mac was one of the primary symbols of rock ’n’ roll excess, mid-’70s-style, and Fleetwood himself was never known to exclude himself from the party. His 1990 memoir, “Fleetwood: My Life and Adventures with Fleetwood Mac,” recounts his cocaine addiction and bankruptcy. And in looking to switch things up, Fleetwood decided on a new beverage to go with his new ways: wine.
“Probably about 16 years ago or so,” said Fleetwood, by phone from his home on Maui. “That was a journey that started really from a change in lifestyle. My crazy rock ’n’ roll lineage wound down a bit; my home life changed. I started entertaining at home, not going out so much.”
(An aside: The life change apparently did not include going any easier on his drum kit. Not long after this adjustment, Fleetwood played a New Year’s Eve gig at the old Double Diamond in Aspen, on a bill with rockabilly singer Billy Burnette, a member of the latter-day Fleetwood Mac, and then little-known singer, Sheryl Crow. I happened to be backstage in the company of Fleetwood, and we had a pleasant drink and conversation. He was then called to his drum set, and started playing the show while we were still sharing our moment together. Standing a few feet from the six-foot, six-inch Fleetwood as he played, I was shaken by the force of his drumming, and his near-manic energy.)
Friday, June 13, 2008
Rock legend Nicks mixes her music with Mac’s
By DAVID DORSEY • news-press.com • June 13, 2008
HOLLYWOOD, FLA. — Her blond hair waving and her costumes flowing — and oftentimes spinning — Stevie Nicks mesmerized a sellout crowd of 5,000 fans with her mystical blend of classic rock.
Nicks, who celebrated her 60th birthday May 26, opened at the Hard Rock Live venue with “Outside the Rain” as she launched into an hour and 50 minutes’ worth of songs.
Nicks covered a mix of her own material and that of the band that made her famous in the 1970s — Fleetwood Mac.
But she also put her own spin on the works of others, playing the Dave Matthews Band song “Crash,” a Bob Seger cover and Led Zeppelin’s “Rock and Roll,” the first song of the encore.
Performing with nine others on stage, Nicks took to the center, flanked by a guitarist, a rhythm guitarist, bass player, drummer, percussionist (he banged on African-style drums among other instruments), a keyboardist, piano player and three background vocalists, including her sister-in-law.
The two drummers came in handy, teaming for a drum duet that energized the crowd before being rejoined by Nicks and the rest of the band for the final song of the set — and her best song — “Edge of Seventeen.”
As the drummers showed off their skills, Backstage, Nicks changed into a white gown. When she came out and turned around and stretched out her arms, her back to the crowd, her arms resembled wings. She transformed herself into the image of a white-winged dove.
“Stand Back,” and “How Still My Love,” were included in her set along with Fleetwood Mac’s “Rhiannon,” “Gold Dust Woman,” and “Landslide,” the latter of which she dedicated to her late father, with snapshots of her and her dad flashing on the big screen behind her.
The emotional moment drew a standing ovation, as did the final song of the evening, “Has Anyone Ever Written Anything For You,” a song she dedicated to injured U.S. troops who were stationed overseas.
HOLLYWOOD, FLA. — Her blond hair waving and her costumes flowing — and oftentimes spinning — Stevie Nicks mesmerized a sellout crowd of 5,000 fans with her mystical blend of classic rock.
Nicks, who celebrated her 60th birthday May 26, opened at the Hard Rock Live venue with “Outside the Rain” as she launched into an hour and 50 minutes’ worth of songs.
Nicks covered a mix of her own material and that of the band that made her famous in the 1970s — Fleetwood Mac.
But she also put her own spin on the works of others, playing the Dave Matthews Band song “Crash,” a Bob Seger cover and Led Zeppelin’s “Rock and Roll,” the first song of the encore.
Performing with nine others on stage, Nicks took to the center, flanked by a guitarist, a rhythm guitarist, bass player, drummer, percussionist (he banged on African-style drums among other instruments), a keyboardist, piano player and three background vocalists, including her sister-in-law.
The two drummers came in handy, teaming for a drum duet that energized the crowd before being rejoined by Nicks and the rest of the band for the final song of the set — and her best song — “Edge of Seventeen.”
As the drummers showed off their skills, Backstage, Nicks changed into a white gown. When she came out and turned around and stretched out her arms, her back to the crowd, her arms resembled wings. She transformed herself into the image of a white-winged dove.
“Stand Back,” and “How Still My Love,” were included in her set along with Fleetwood Mac’s “Rhiannon,” “Gold Dust Woman,” and “Landslide,” the latter of which she dedicated to her late father, with snapshots of her and her dad flashing on the big screen behind her.
The emotional moment drew a standing ovation, as did the final song of the evening, “Has Anyone Ever Written Anything For You,” a song she dedicated to injured U.S. troops who were stationed overseas.
Labels:
Stevie Nicks
Thursday, June 12, 2008
Stevie's revolving door of opening acts.
Mandy Moore will be opening for Stevie in Boston on June 22nd and in Toledo on June 25th. Myspace
Mandy is the third act to be opening for Stevie on this short June tour. Shawn Colvin and Peter Cincotti are the others.
Mandy is the third act to be opening for Stevie on this short June tour. Shawn Colvin and Peter Cincotti are the others.
Labels:
Stevie Nicks
Wednesday, June 11, 2008
Stevie Nicks will sing songs people want to hear
Stevie Nicks vows to stick with fan favorites for her show here
By Kevin C. Johnson
STLtoday.com
POST-DISPATCH POP MUSIC CRITIC
06/12/2008
Stevie Nicks vows to stick with fan favorites for her show hereBy Kevin C. Johnson
When Stevie Nicks comes to Chaifetz Arena this weekend, her fans won't have to worry about her dropping "Gold Dust Woman," "Rhiannon," "Landslide" or other staples to make room for new material.
First of all, Nicks, 60, hasn't released new music since 2001's "Trouble in Shangri-La"; her latest release is last year's "Crystal Visions — The Very Best of Stevie Nicks."
Second, Nicks just isn't into deleting hits from her set.
"People aren't happy with you for doing that, and we've all tried," she says. "The Eagles tried it, Fleetwood Mac tried it, I've tried it. We try to do it because we want to do something different. But then when you do it, you find your audience going to the bathroom or going to buy a T-shirt.
"They've leaving because they're not familiar with what you're doing and don't care. So all we can do is take the nine or 10 songs they're coming to hear, build a set around those songs, add four or five songs, and mix it around, change the sequencing. Then it appears to be different to everybody."
Nicks, who will rejoin Fleetwood Mac for a tour next year, says her show has changed since the last time fans saw her.
She put "Beauty and the Beast," "Has Anyone Ever Written Anything for You" and "Outside the Rain" back into her show, and added songs by Bob Seger and Dave Matthews Band.
"Has Anyone Ever Written Anything for You" is performed in front of a video montage of American soldiers in noncombat situations.
"It's great, but I couldn't look back at the video," says Nicks, who believes she'd lose it if she did. "It's beautiful and poignant. It had everyone in tears."
Nicks, who filmed a PBS "Soundstage" episode to air this summer, had more to say about her music and tour.
Q. When you look over your solo repertoire with a collection like "Crystal Visions — The Very Best of Stevie Nicks," are there any regrets?
A. I have no regrets. I did everything pretty right. The only thing was in 1986, with the tranquilizers (she says it was Alonpin). I got through the pot and the cocaine and the Kool menthols and still worked. But the tranquilizers stole my soul. It was a very sad time. I curled up and didn't do anything. I could have made one or two more Fleetwood Mac records, and my own repertoire would've been 30 to 40 percent bigger.
Q. You released "Timespace — the Best of Stevie Nicks" in 1991. What makes "Crystal Visions — the Very Best of Stevie Nicks," the very best?
A. Some of it is live, some of it is hot new mixes, some of it is video with me sitting and doing commentary over each video and telling people what the song is about and what was happening in my life when the song was being made. That's interesting and fun to me because it's not just greatest hits.
Q. Dixie Chicks and Billy Corgan both covered "Landslide." What's the preferred version?
A. I love the Dixie Chicks, and I love Billy Corgan's version, crazy as it was. I'm friends with the Dixie Chicks and I got to sing it with them in a four-part harmony, and they brought it back in a huge way. Now the version I do is different, and the Dixie Chicks made that possible.
Q. Your songs have been heavily remixed by dance-music technicians, including the Deep Dish remix of "Dreams" on "Crystal Visions." How do you feel about your material getting this treatment?
A. I love them. I work out to all these dance remixes. With Deep Dish, they asked whether they should use my old vocal, or another singer, or if I could sing it over. I said I'll be there in an hour. It was a thrill to put a brand-new vocal on it, though it sounds similar to the old (one). My voice doesn't change.
Q. Destiny's Child used "Edge of Seventeen" for its hit "Bootylicious." What was your thought on that?
A. I know Beyoncé fairly well, and she's a doll. She asked me if she could do it, then she called and asked me to be in the video. As a writer, 50 percent of that song is mine. Every time that song is played, Beyoncé and I make the same money.
Q. When can we expect the next Stevie Nicks studio project?
A. I don't know. That's why I'm doing more greatest hits and going back in the vaults and finding cool stuff that might bring people out to Borders and Starbucks to buy a record. I can do a solo record, but what will happen is 1,000 hard-core fans will buy it and push the send button and send it to 5 million others. That makes me wonder, why bother? People are stealing our songs.
By Kevin C. Johnson
STLtoday.com
POST-DISPATCH POP MUSIC CRITIC
06/12/2008
Stevie Nicks vows to stick with fan favorites for her show hereBy Kevin C. Johnson
When Stevie Nicks comes to Chaifetz Arena this weekend, her fans won't have to worry about her dropping "Gold Dust Woman," "Rhiannon," "Landslide" or other staples to make room for new material.
First of all, Nicks, 60, hasn't released new music since 2001's "Trouble in Shangri-La"; her latest release is last year's "Crystal Visions — The Very Best of Stevie Nicks."
Second, Nicks just isn't into deleting hits from her set.
"People aren't happy with you for doing that, and we've all tried," she says. "The Eagles tried it, Fleetwood Mac tried it, I've tried it. We try to do it because we want to do something different. But then when you do it, you find your audience going to the bathroom or going to buy a T-shirt.
"They've leaving because they're not familiar with what you're doing and don't care. So all we can do is take the nine or 10 songs they're coming to hear, build a set around those songs, add four or five songs, and mix it around, change the sequencing. Then it appears to be different to everybody."
Nicks, who will rejoin Fleetwood Mac for a tour next year, says her show has changed since the last time fans saw her.
She put "Beauty and the Beast," "Has Anyone Ever Written Anything for You" and "Outside the Rain" back into her show, and added songs by Bob Seger and Dave Matthews Band.
"Has Anyone Ever Written Anything for You" is performed in front of a video montage of American soldiers in noncombat situations.
"It's great, but I couldn't look back at the video," says Nicks, who believes she'd lose it if she did. "It's beautiful and poignant. It had everyone in tears."
Nicks, who filmed a PBS "Soundstage" episode to air this summer, had more to say about her music and tour.
Q. When you look over your solo repertoire with a collection like "Crystal Visions — The Very Best of Stevie Nicks," are there any regrets?
A. I have no regrets. I did everything pretty right. The only thing was in 1986, with the tranquilizers (she says it was Alonpin). I got through the pot and the cocaine and the Kool menthols and still worked. But the tranquilizers stole my soul. It was a very sad time. I curled up and didn't do anything. I could have made one or two more Fleetwood Mac records, and my own repertoire would've been 30 to 40 percent bigger.
Q. You released "Timespace — the Best of Stevie Nicks" in 1991. What makes "Crystal Visions — the Very Best of Stevie Nicks," the very best?
A. Some of it is live, some of it is hot new mixes, some of it is video with me sitting and doing commentary over each video and telling people what the song is about and what was happening in my life when the song was being made. That's interesting and fun to me because it's not just greatest hits.
Q. Dixie Chicks and Billy Corgan both covered "Landslide." What's the preferred version?
A. I love the Dixie Chicks, and I love Billy Corgan's version, crazy as it was. I'm friends with the Dixie Chicks and I got to sing it with them in a four-part harmony, and they brought it back in a huge way. Now the version I do is different, and the Dixie Chicks made that possible.
Q. Your songs have been heavily remixed by dance-music technicians, including the Deep Dish remix of "Dreams" on "Crystal Visions." How do you feel about your material getting this treatment?
A. I love them. I work out to all these dance remixes. With Deep Dish, they asked whether they should use my old vocal, or another singer, or if I could sing it over. I said I'll be there in an hour. It was a thrill to put a brand-new vocal on it, though it sounds similar to the old (one). My voice doesn't change.
Q. Destiny's Child used "Edge of Seventeen" for its hit "Bootylicious." What was your thought on that?
A. I know Beyoncé fairly well, and she's a doll. She asked me if she could do it, then she called and asked me to be in the video. As a writer, 50 percent of that song is mine. Every time that song is played, Beyoncé and I make the same money.
Q. When can we expect the next Stevie Nicks studio project?
A. I don't know. That's why I'm doing more greatest hits and going back in the vaults and finding cool stuff that might bring people out to Borders and Starbucks to buy a record. I can do a solo record, but what will happen is 1,000 hard-core fans will buy it and push the send button and send it to 5 million others. That makes me wonder, why bother? People are stealing our songs.
Labels:
Stevie Nicks
Tuesday, June 10, 2008
Has Anyone Ever Written Anything For You
Stevie performing at the Hard Rock Live, Hollywood, Florida, June 7, 2008
Labels:
Stevie Nicks
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