Thursday, February 12, 2009

Rock Star Lindsey Buckingham at Home

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Haute bohemia meets 1920s elegance at the home of rock musician Lindsey Buckingham and his interior designer wife, Kristen.

Written by Deanna Kizis • Photographed by Simon Upton • Produced By Cynthia Frank

Anyone arriving at the Los Angeles home of Kristen and Lindsey Buckingham — of Fleetwood Mac fame — should be prepared for a boisterous family welcome. 


Son Will, 10, and daughter Leelee, 8, tumble out of a car with their tennis instructor, while an exuberant Stella, 4, greets guests wearing a red velvet holiday dress—even though it's 80 degrees—as she bosses around the three dogs. Kristen appears, herding kids and proffering coffee, all the while insisting she makes truly terrible coffee.

It's a warm introduction that befits the beckoning Norman-style house, which was built by architect Kevin A. Clark. An aficionado of period details, Kristen used legendary Hollywood architect Wallace Neff's homes of the 1920s as inspiration and kept an office on-site in a trailer during the construction. "I was here every day to answer questions," says Kristen, an interior designer. And while her approach features occasional bohemian flourishes, it's often rooted in research on historic buildings and interiors. "I wanted our house to look authentically Neff and have a feeling of quality in the surfaces, moldings, and cabinetry," she explains. She also wanted it to feel livable for her active brood. "I'm not a fan of volume," Kristen says. "Two-story entrance halls echo, and kitchens with walls knocked out for a loft effect are popular but impractical. I wanted everything to have a human scale." This philosophy is reflected throughout the five-bedroom abode, where cozy alcoves abound. The master suite includes a snug reading room, the dining room has a bar area perfect for card games, while the kitchen abuts a charming breakfast nook. And the entrance hall's winding staircase—modeled after one in decorating icon Nancy Lancaster's beloved family home in Virginia, Mirador—is striking without feeling grandiose.

Kristen's look—"a combination of traditional and edgy," as her husband calls it—and many of her own designs, are best showcased in the dining and living rooms. In the former, a Directoire-style mahogany table is surrounded by green leather chairs embossed with crests and studded with brass tacks (she is reproducing these in her new home-furnishings line). The walls are papered in Zuber's high-spirited L'Hin doustan pattern, and chandeliers lend a chic contrast to plank ceilings. Paintings and photography fill a wall behind a black-lacquer piano in the living room, while a brightly upholstered Dunbar-esque sofa echoes the vivacity of the art display. "My pieces are all very personal, and I like to layer things," she says. "And I'm not an art snob. I like what I like."

Before she became a designer, Kristen was a portrait photographer; she met her husband on an assignment 13 years ago. "I went to the studio to shoot some guy—that's who Lindsey was to me then," Kristen recalls with a laugh. "He dropped some corny line like, 'Haven't I met you before?' We had a drink and have never been apart since." Of his wife's talents, Lindsey says, "Kristen intuitively applies her sensibilities across genres. She's a gifted designer, photographer—she's even written lyrics for me." But Kristen sees their disparate professions as a plus: "I can't sing or play instruments, and he doesn't decorate. I'm convinced that's why our marriage works. That said, I love his taste and always ask his opinion."

Of course, no musician's home would be complete without a state-of-the-art recording studio. Lindsey's is located beneath the garage for soundproofing and boasts a soundboard so large it had to be lowered in with a crane. Since it is fully equipped with comfortable furniture, a bathroom, and a kitchenette, "a few guys working full days have all they need so they never have to come into the main house," Kristen says.

For a family that loves outdoor sports, there's a large, lush lawn for croquet and badminton and a pool for daily swims. "Lindsey used to be a competitive swimmer, and his late brother, Greg, was a medalist in the 1968 Olympics, so it's a sport that's close to his heart," Kristen notes. The poolhouse was inspired by an image from designer David Hicks's book My Kind of Garden. Just outside the living room is the loggia, where sun-bleached wicker chairs and a vintage Baker cocktail table supply the perfect setting for board games with the kids. Says Kristen, "We play a lot of Yahtzee. It's great to be out here and not sitting in front of the television."

Kristen even designed their master bedroom to open onto the garden—a change from the family's previous house in Bel Air. "We used to be on the second floor, very high up looking down at the city," she says. "It was a beautiful view, but it often felt kinetic and unrestful." As the sun starts to set, Kristen opens the door to the terrace from the bedroom, the sounds of her kids playing outside filling the room. "This is what we wanted—to feel connected to our surroundings."

Fleetwood Mac Pass The Torch To Radiohead

Undercover.com

Fleetwood Mac`s Lindsay Buckingham has described Radiohead`s performance at the Grammy Awards this week as a “passing of the torch”.

Radiohead performed ’15 Step’ at the Grammy Awards with the USC Marching Band. Fleetwood Mac used the USC Marching Band on their 1979 hit ‘Tusk’.

Ironically, the two bands were rehearsing last week at the same place. Fleetwood Mac were preparing for their US tour and Radiohead were rehearsing for the Awards show.

“Doctor Bartner is the guy who has been musical director for the USC Marching Band for about 40 years now,” Lindsay Buckingham said on media conference call this week. “He was the one we liaised with when we used them on ‘Tusk’. He was there rehearsing with Radiohead on an adjacent sound stage where we were rehearsing, over at Sony Studios. It is a small world”.

Lindsay loves what Radiohead is doing. “I told Art Bartner please go tell Thom Yorke and Jonny Greenwood how much their efforts have meant to me personally and thank them for their good work,” he said. “If that idea was inspired by ‘Tusk’ I would be quite complimented, as Mick should be because it was Mick’s idea to put them on the song. I look at that very much as the passing of the torch and an exchange of ideas. That is part of the greater function of music really”.

Fleetwood Mac will hit the road for the first time in 5 years on March 1.

Wednesday, February 11, 2009

Fleetwood Mac Auction Benefits School

To help parents meet their children's educational needs, supergroup Fleetwood Mac are auctioning off VIP tickets and meet-and-greets with Mick Fleetwood as a fundraiser. A cooperative, parent-participation nursery school is the beneficiary of the proceeds.

As supergroup Fleetwood Mac begins their first tour in five years, bandleader Mick Fleetwood has launched an important and exciting charity fundraiser on eBay: An auction of VIP tickets on Fleetwood Mac’s UNLEASHED tour which starts March 1st in Pittsburgh, PA.

Along with a pair of tickets in the first 25 rows, each auction winner and their guest will get a meet and greet the legendary drummer Mick Fleetwood before the show–a once-in-a-lifetime opportunity for the true fan!

The auction benefits Hilltop Nursery School in Silver Lake, California, a parent-participation, cooperative pre-school founded over 50 years ago. Giving Engine Auction Management, a pioneer in online fundraising for schools and non profits, will manage these one of kind experience packages.

This auction runs from February 9th through February 19th for the first 16 dates of the tour March 1st through March 26th

To bid on this thrilling auction go to http://www.ebay.com/hilltopla

One of the Worlds Greatest Furies... Unleashed!

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Gold Dust Woman justifies the high price of a Fleetwood Mac concert

BRAD WHEELER
Globe and Mail
February 11, 2009 

"We wish we didn't have to charge anything,” says Stevie Nicks, Fleetwood Mac singer. “We wish we could go out and play. That's what we do – we're performance artists.”

Rock on, gold dust woman. During a teleconference Tuesday, Nicks and her fellow Mac mates were chatting up their upcoming North American tour (which kicks off March 1 in Pittsburgh, with dates in Ottawa, Montreal, Toronto, Calgary, Edmonton and Vancouver to follow) when the subject of ticket prices came up. Fleetwood Mac, legendary for its rock-star indulgences in its prime, charge up to $149.50 for top seats in Toronto.

“The price of life in general is a gazillion dollars more than it was four years ago,” reasoned Nicks, not an economist. The British/Californian band's most recent tour wrapped up in 2004. “Our emotions are about trying to do this in the best way that makes sense for our audience,” chimed in drummer Mick Fleetwood, “and in a way that we can get to our audience.”

Ticket prices and ticket distribution are a touchy subject these days. A $510-million Canadian class-action suit filed this week alleges that Ticketmaster and subsidiary TicketsNow.com are conspiring to hold seats from the public and reselling the tickets at a higher prices – seemingly a violation of anti-scalping laws.

Those looking for Fleetwood Mac seats for the Air Canada Centre show on Ticketmaster.ca are able to pay face value, but also are offered “Official Platinum Seats” at the site's Marketplace, where concertgoers can purchase premium seats at inflated values – as much as $800 a ticket.

The band is represented by Irving Azoff, who also happens to be chief executive officer of Ticketmaster Entertainment, and will become executive chairman of Live Nation Entertainment if the just-announced merger of Ticketmaster and concert promoters Live Nation goes through. Asked about any unsavoury ticket-selling practices involving Fleetwood Mac, Nicks promised she would be “making phone calls” on the matter.

Nicks went to say that tour's “Unleashed” title refers to the unleashing of the band's furies “back into the universe.” Asked if the public would be able to handle all the pent-up rage, Nicks answered in the affirmative, but cautioned that fans might need to bring their “armour.”

That, and their gold card.

This is truly a new experience for Fleetwood Mac

Billboard Magazine
February 11, 2009
by: Gary Graff, Detroit

Not having a new album is working to Fleetwood Mac's advantage as the group prepares for its upcoming Unleashed North American tour.

"This is the first time we've gone on the road without an album," drummer and co-founder Mick Fleetwood told Billboard.com during a teleconference with reporters on Tuesday. "This is truly a new experience for Fleetwood Mac to go out and play songs that we believe and hope people are going to be familiar with and love."
Singer/guitarist Lindsey Buckingham added that not having to integrate new songs into the set -- which the group has been rehearsing since Jan. 5 in Los Angeles -- "just allows you to relax into the situation. We're not coming off a new group of tunes, a new album ... the stakes for that side of it become a little bit lower."

As for a new Fleetwood Mac album, vocalist Stevie Nicks said "there isn't any plan at this point ... for any album. We're going to get through this tour before deciding what to do with an album." Fleetwood, however, confirmed that "there have been discussions, for sure, that we would love to make some more music ... We hope it happens, and certainly it's been somewhat loosely touched on ... My heart says I believe that will happen. Certainly I know that all of the songwriting department, both Stevie and Lindsey are continually writing ... The whole creative bowl is very much intact, so I would love to see what happens."

While declining to get specific about the 46-date tour's repertoire, Fleetwood did say that hits such as "Dreams," "Go Your Own Way" and "Don't Stop" would be included, and that the group would be "paying some attention" to material written by former band member Christine McVie.

"Her songs are surviving very well in the set that we're doing," Fleetwood said. "Stevie and Lindsey are finding a fresh way in certain instances to present those songs. And then we are finding songs as we go along that we feel are special songs that maybe aren't considered the massive, massive hits but truly are emotionally connected to Fleetwood Mac."

Nicks, meanwhile, confirmed that the group seriously considered adding Sheryl Crow to the lineup in 2008, even setting up a rehearsal last Mother's Day to work on material.

"We needed Sheryl to come in and just play some music with us," Nicks recalled. "But it was Mother's Day. She had a brand new baby. She had all her parents and everybody coming and she chose not to cancel that, understandably. She called back and said, 'I have to pass,' and it was over. I said, 'You're making the right decision. You have a new baby, you survived breast cancer, you survived Lance Armstrong.'

"Sheryl is my very dear friend. We are best buddies, and that will go on forever. The fact she is not in the band does not mean she's not our friend."

The Unleashed tour, Fleetwood Mac's first road trek since 2004, begins on March 1 in Pittsburgh. The group is also planning to release a CD/DVD edition of its 1977 "Rumours" album with unreleased songs, demos and previously unreleased footage of the band from that era.