(REVIEW) FLEETWOOD MAC DON'T STOP DELIVERING - BOSTON

It’s official: Fleetwood Mac hasn’t lost a step.

Boston Herald

By Lauren Carter

They may be aging rock stars on the back end of massive stardom and near-meltdowns, but apparently they’re no worse for the wear.

Five years since their last tour, sans keyboardist and singer/songwriter Christine McVie, the Mac remains a well-oiled machine that need only be kicked into gear when the timing is right.

Wednesday night at a nearly sold-out TD Banknorth Garden, the famous foursome rocked as though they’re not technically hovering near senior citizenship.

John McVie was the silent, sturdy anchor of the rhythm section, tugging at his bass with businesslike precision.

Counterpart Mick Fleetwood was, as usual, giddy and borderline crazed with joy to smash away at a drum set and serve as the band’s pulse.

At 59, Lindsey Buckingham continues to play with the inspired, tortured fervor of a guitarist with much more to prove and much less in his bank account.

Whether plucking away solo on the acoustic monster “Big Love,” playing backup to Stevie Nicks on the always poignant “Landslide” or letting loose like a man possessed on “I’m So Afraid,” Buckingham’s guitar work remains an undeniable star of the Mac spectacle.

A radiant Nicks reprised her role of dreamy enchantress on “Gypsy,” a beautiful “Sara” and “Storms,” the “Tusk” gem that is seeing the light of performance for the first time on this greatest hits tour.

Nicks’ voice has deepened, but its emotive quality is still intact, and she accessorized the Mac’s music with her typical array of add-ons - layers of lace and chiffon, a top hat during “Go Your Own Way,” swats at the tambourine, wry smiles, her signature sways and spins, wardrobe changes while Buckingham went to work on the guitar, and - occasionally - shared glances with Buckingham that probably did as much for the crowd as the music itself.

At two-plus hours and 23 songs, the set allowed latitude for the band to delve into their greatest hits and beyond, including “The Chain,” the shadowy “Gold Dust Woman” and “Say You Love Me” as well as “Don’t Stop,” Nicks’ synth-rock hit “Stand Back” and the one-time “Rumours” B-side “Silver Springs” during the second encore.

The extra dimension that Christine McVie adds to the band’s harmonies - as well as their musical selections - was clearly missed, but her absence let the focus alternate between Nicks and Buckingham.

BOSTON FLEETWOOD MAC CONCERT (PICS)

Fleetwood Mac played Boston Banknorth Garden on tonight.... March 11, 2009

Photo by: ProtestPhotos1's (click for more)

WASHINGTON, DC FLEETWOOD MAC PHOTOS

Washington, DC Show from last night March 10th.

Photos by: Henson701 (click for more)

FLEETWOOD MAC'S HIGH ENERGY TOUR HAS BEEN "UNLEASHED"

Fleetwood Like old times

Adam Mazmanian

Washington Times

Thursday, March 12, 2009

Mick Fleetwood acts as if he has the best job in rock 'n' roll. Resplendent in breeches, stockings and bright red shoes, he commands the stage from his position on a riser surrounded by a gargantuan drum kit, complete with a shiny golden gong. The occasional close-ups of him on the JumboTron at the Verizon Center last night revealed a man gleefully possessed, whether tapping on a cowbell or unloading on the crash symbols. His drums are amplified beyond what is normally considered decent for a band that attracts, let us say, mature audiences.

Mr. Fleetwood's drive, energy and sheer joie de vivre are perhaps underrated as a force behind Fleetwood Mac's success. Another reason behind the band's success was there only in spirit - Christine McVie, singer, songwriter and ex-wife of founding bassist John McVie.

The band is crisscrossing the United States and Canada playing arena shows on its "Unleashed" tour. With no album to promote, the band mates are playing a selection of their most popular hits, a few of Miss McVie's compositions among them - including "The Chain," "Say That You Love Me," "World Turning" and "Don't Stop." For longtime fans steeped in the band's romantic intrigue, tempestuousness and shifting lineups, the current tour offers a familiar, passionate approach aimed at pleasing the vast majority of the audience.

Guitarist and singer Lindsey Buckingham alluded to this, introducing "Dreams" with a brief monologue on the "fairly complex and convoluted emotional history" of the band. By and large, though, Mr. Buckingham let his nimble fingers do the talking. His fiery, loose finger-picking style is a rarity among big-name electric guitarists. His frequent solos appeared to leave him spent, and he seemed authentically humbled by the applause that rained down after his efforts - especially after the lengthy, lightning-fast shredfest that concluded "Go Your Own Way."

Mr. Buckingham also does justice to the softer side of the Mac oeuvre, shifting adroitly between the frenzied, pulsating electric material and the acoustic miniset he performs with just Stevie Nicks at his side, including "Landslide" and "Never Going Back Again."

Miss Nicks was the wild card of the foursome. Her voice is best when it's rough and edgy, but at times her signature timbres seemed to give way to a flatter, more generic sound. On a few songs, her vocal lines were buoyed by the efforts of three backing vocalists. Her performance was uncertain at times as she leaned on her microphone as if for support. Perhaps, because it's early in the tour, she was pacing herself.

Still, by the time Miss Nicks had worked her way through two costume changes and the band had busted out the classic (and local favorite) "Silver Spring," she sounded a little more like the Stevie Nicks of yore. If Miss Nicks was feeling shaky, her audience was more than prepared to forgive her. She got her biggest cheer of the evening on "Landslide," with the lyric "But time makes you bolder/Children get older/I'm getting older too."

The 23-song set was more than businesslike but less than riveting. While the Verizon Center was filled nearly to the rafters, there wasn't an overpowering energy in the crowd. Even in the very front, just a few rows danced their way through the show. But my guess is that people who grew up on Fleetwood Mac will experience whatever transcendence their memories supply so long as the band keeps cranking out their old hits.

Fleetwood & Co. take to the town
By: JEFF DUFOUR and KIKI RYAN
Washington Examiner
03/11/09 12:05 AM EDT

Lindsey Buckingham made like a Clinton with a free night in Washington on Monday: The famous front man of Fleetwood Mac dined at the Bombay Club, across Lafayette Park from the White House.

What about drummer Mick Fleetwood, who used to own a restaurant in Alexandria? Another source spotted him getting into a car in front of the Ritz-Carlton on Tuesday afternoon, in advance of the band’s show at Verizon Center. His attire: “Blingy” sunglasses.

FLEETWOOD MAC - WASHINGTON DC REVIEW

Washington Post

Tuesday night at the Verizon Center, Fleetwood Mac surveyed 40 years of its turbulent career, including material written by members past and present. But the concert was dominated by singer-guitarist Lindsay Buckingham, whether the quartet was excavating its origins as a late-'60s blues band or playing hits from "Rumours,'' its 30-million-selling 1977 zenith.

"Rumours'' connected to so many listeners because its raw emotions neatly contrasted the band's '70s update of California folk-rock, and because the group had three equally matched songwriters. One of them, Christine McVie, left the band in 1998, but the Mac could hardly play more than two hours without doing a couple of hers: "Say You Love Me'' arrived about two-thirds through the show, and onetime Clinton anthem "Don't Stop'' was among the encores.

Since there's "no new album... yet,'' as Buckingham announced to cheers, the group was free to mix longtime favorites with a few lesser-known numbers. Both Buckingham and singer Stevie Nicks performed tunes from their solo albums, although only the former got the stage to himself. But then Buckingham held the spotlight even when the full band (plus five backing musicians) was present. While much of his guitar work was folk-style finger-picking, he strutted as an electric-blues axe hero during "Oh, Well (Part 1)'' -- a song recorded years before Buckingham joined the group.

With Mick Fleetwood's drums heavily overamplified and as many as seven voices belting the choruses, the delicacy of the group's sound was sometimes at risk. But the melodies held up just fine, Buckingham led as deftly on stage as in the studio and Nicks showed she still knows how to really work a shawl.

101.9 RXP INTERVIEW WITH STEVIE NICKS

101.9 RXP THE NEW YORK

ROCK EXPERIENCE

Stevie Nicks joins Matt and Leslie today for part 1 of a 5 part interview. Stevie discussed getting the call to join Fleetwood Mac, working with Lindsay Buckingham before they joined Fleetwood Mac and how since Stevie was a young girl she knew she had a gift for poetry and songwriting.  Stevie also discussed her Soundstage DVD and CD release, the Rumours Boxset that's coming out and what's going to be on it.  This is a really good interview.

If you want to listen to the interview as a stream click here.  It's approximately 25 minutes long uninterupted by commercials.