Tuesday, March 31, 2009

STEVIE NICKS... The Original Gold Dust Woman

Nick of Time: Q&A With Stevie Nicks
by JACOB BERNSTEIN
WWD.com

Forget retirement. For Stevie Nicks, it’s a busy few months, touring with Fleetwood Mac and promoting a live solo album and DVD. On Monday, the original Gold Dust Woman talked to WWD about what it’s like to fight with Lindsey Buckingham at age 60, the perils of Botox, and the reason she isn’t mentoring flailing divas like Britney Spears and Courtney Love. 

WWD: Your publicist barely allowed me to interview you at 2pm. What time do you ordinarily get up?
Stevie Nicks: : I get up when I have to get up. But Lindsey Buckingham insisted that we start rehearsals for the tour between 1 and 2. That meant my vocal lesson had to be at 11, and I got up everyday at 8 so I could have my two hours by the ocean with my coffee. Before that I could sleep until one or two. 

WWD: At the show at Madison Square Garden, you and Lindsey were very affectionate with one another. Have you guys finally made peace or does it change on a daily basis? 
S.N.: Well, that was a good show. We love New York. But Lindsey is married. He has three darling children, one little boy and two girls. He lives in girlie world with the wife and the four year old girl and the eight year old girl. So he’s softened. When he gets mad at me, he treats me like with the love and respect that he would show for a girl-child instead of just getting mad at me like an old, miserable ex-girlfriend. It’s different. And I’m thrilled. 

WWD: Isn’t that damning with faint praise? Wouldn’t it be better if he were mad at you like an equal rather than his preteen daughter? 
S.N.: Well, It’s a softer way. And I prefer it. He treats me as an equal. He just sometimes doesn’t agree with me. And sometimes I don’t agree with him. We don’t agree on a lot of things. Putting this set together, we didn’t agree on a lot of things. But we came to be one voice. By the end. After two months of rehearsal. 

WWD: What’s it like not having Christine McVie on tour? 
S.N.: The loss of Christine has been gigantic. Before she left there was Lindsey the gnarly gnome, Stevie the miserable, philosophical fairy and Christine the pop star. She was happy. She was able to rein everybody in. She’s five years older than me and six years older than Lindsey. She had a lot of power in this band. She was older, she was smarter, and she had been through more. So we miss her terribly and if there was any way to get her back we would. But she’s finished. She has no interest. 

WWD: You said in a recent interview that you were relieved to still look like you. And you do. Is this the result of good work or no work? 
S.N.: You mean like plastic surgery? No. I had Botox and I hated it. For four long months, I looked like a different person. It almost brought down the whole production of the last tour. It was so bad, I would look into the mirror and burst into tears. Botox is becoming the new face of beauty and it’s unfortunate because it makes everybody look like Satan’s children. Everybody has pointed eyebrows. Everybody looks related. All the Desperate Housewives look like sisters. If you’re an unattractive girl who’s trying to be beautiful with Botox, forget it. If you are a beautiful girl who’s trying to be beautiful with Botox, you will look like you’re angry all the time. You’d have to tie me down to get me to do it again. 

WWD: Do you find yourself wearing different clothes now that you’re getting older? 
SN: I’m very aware. I want to be age appropriate. I don’t want to be that girl you see walking away and she looks 25 and then she turns around and she looks 90. I don’t wear see-through chiffon skirts anymore. I wear a slip. When I was 30 I didn’t care if people could see through my clothes. Now I care. I know I’m sixty. 

WWD: In the last decade, you’ve worked with Sheryl Crow and mentored Courtney Love. What are you listening to now? 
SN: This is the part where I run and get my Ipod. Can I do that? [She runs and gets her Ipod.] I just made a tape of dance tracks. Beyonce’s “Single Ladies,” “Umbrella,” by Rihanna, “Come to me, Peace,” by Mary J. Blige, “Afraid,” by Nelly Furtado, “Touch my Body” from Mariah Carey. Love that. 

WWD: So you like R&B? 
S.N.: Oh yes, very much...I’d like to do something crazy with Timbaland and Justin Timberlake. I learned to sing listening to R&B groups, Phil Spector stuff. 

WWD: Anything else you’d like to do? 
S.N.: I’d like to do an all girl choir with Michelle Branch and Sheryl Crow and Natalie Maines. I love singing with her.

WWD: Do you still talk to Courtney? 
S.N.: I haven’t talked to Courtney in a long time. We formed a bond the last time before she got all messed up again. When she did the movie [The People vs. Larry Flynt], and came to my house and interviewed me for Spin or Interview Magazine. She was totally sober, and she was beautiful and so smart. I thought she was going to be a famous Academy Award winning actress. Then she fell apart. But if she called me and said “I need you,” I’d go to her. I love her. But you can’t tell people what to do. People say “Do you want to talk to Britney Spears.” I say “No.” Because nobody could talk to me back when I was having problems. 

WWD: Do you have any regrets? 
S.N.: The eight years I was on Klonopin. 

WWD: You don’t even drink now, right? 
S.N.: No. But not purposely. I used to have a shot of tequila before I went on stage and it would give me this acid thing. Finally, I said, “This isn’t worth it.” I can’t get a good enough buzz on one shot of tequila to risk having an acid bubble my entire show. And I don’t like watching drunk people. Especially women. My mom always said to me “Everybody forgets drunk men, but no one forgets a drunk woman.”

STEVIE NICKS FEELS LIKE SHE'S ON THE EDGE OF 17

Stevie Nicks: How I Look Fabulous at 60
By K.C. Baker
People.com

Stevie Nicks is 60 but she still feels like she's on the "edge of 17," thanks to super-efficient Power Plate workouts that have whipped her into incredible shape. 

"When I gained my 30 lbs., it was because I went on tranquilizers for eight years," Nicks told PEOPLE Monday, the day before her new CD, The Soundstage Sessions, and Live in Chicago DVD hit stores. "I don't blame myself for that." 

The secret to staying slim is finding a healthy weight you can maintain, says the "Rhiannon" chanteuse, who is now a sleek size 8 and is touring with Fleetwood Mac for the first time in five years. "You don't have to weigh 105 lbs. Weigh 125 lbs. and stay there."

STEVIE NICKS: THIS IS WHAT 60 LOOKS LIKE NOW

Stevie Nicks: This Is What 60 Looks Like Now

No computer, no cell phone, no facelift. ‘I am old-school all the way. School of rock.’

By Deborah Barrow, Editor-in-Chief

WowOWow

Stevie Nicks is a very busy woman.

Some 40 years into one of the most remarkable careers in music, she is touring the country with her famous supergroup, Fleetwood Mac, which still fills large venues with rapturous baby-boomer fans; she is releasing a new solo CD, "The Soundstage Sessions," as well as a new solo concert DVD, "Live in Chicago."

And that’s just March and April. So what’s with this sudden flurry of activity?

"It wasn’t meant to all be together," Nicks told wowOwow in an interview squeezed in during a short break in the concert tour. "Live in Chicago" was supposed to release last October, but with the Election, it was moved to this two-week period while the tour is on vacation."

What’s it like to be a rock goddess at the tender age of 60? "I would be lying to you if I told you it was easy. Our show is very hard and very long: two hours and ten minutes. Spinning around in seven-inch heels, it’s long. You have to be in really good shape. You have to take care of yourself."

In her new DVD, Stevie Nicks takes to the stage like the gypsy that she was: blonde hair to the waist. Morgane Le Fay wedding dress under a black jacket. Top hat. Feather. Ubiquitous scarves. As The Washington Post said about the Fleetwood Mac concert, "Nicks showed she still knows how to really work a shawl."

"I’ve never had a facelift and I never will. I stopped laying in the sun at 28. I never go to bed with makeup on. I have creams and lotions and I take 20 minutes of rubbing it in my skin … like a little biochemist." Nicks tells her many female friends now in their 30s, "If you think you’re not going to care how you look when you’re 60, I’m here to tell you: You are going to care more. When you’re young and thin and cute, beauty, it’s your world. You will be sorry, later on, if you don’t take better care."

When asked about her online life, she skips barely a beat: "I don’t have a computer or a cell phone. I am old-school all the way. I am school of rock."

"In 1983 when I was going out with the love of my life, Joe Walsh (legendary rock god of James Gang and Eagles fame), he had built a room in a loft filled with pianos." According to Nicks, the first time she heard a tune she had just picked out on an electronic keyboard instantly played back by Walsh with full orchestration, she realized, "Everyone, even the violinists had been replaced."

Later that year, Walsh told Nicks he couldn’t be with her on her favorite holiday, Halloween, because he had to work on his computer.

"That means I have also been replaced. If computers are going to replace me in a man’s life and replace those violinists …"

That was the end of Nicks’s relationship with computers.

So no Facebook, no tweeting, no MySpacing for Nicks. She does have an official website, a good one — The Nicks Fix — which she infrequently posts to, but is kept up-to-date by her webmasters. (Great pictures, by the way.)

When asked who she wants to come back as in her next life, she says she wants to return as her Yorkie/Chinese Crested mix. "She only wears Ralph Lauren. She always wears Ralph Lauren. She travels like a rock star."
__________________

Monday, March 30, 2009

STEVIE INTERVIEW.... "I NEED TO GO BACK IN THE STUDIO"

Ever the rock gypsy, Stevie Nicks preps a new live album and DVD while touring with Fleetwood Mac

By John Russell 
Photo by Neal Preston
HX.com

With over 30 years of touring under her leather and lace belt, Stevie Nicks is a bona fide rock ‘n’ roll road dog. But this month’s The Soundstage Sessions—released along with her new Live in Chicago DVD—is Nicks’ very first live album as a solo artist. Currently on tour with Fleetwood Mac, the luminous 60-year-old gypsy chatted with HX about life on the road with the boys in the band and why she’s never been to Night of a Thousand Stevies.

HX: For someone who tours as much as you do, it’s surprising that this is your first live solo album.

Stevie Nicks: I filmed my show in 1985 at Red Rocks in Boulder, Colarodo. And from then on, everything happened and happened and happened. Fleetwood Mac filmed in 1997 for The Dance and we filmed again in 2007 for Say You Will and somewhere in all of those years, even though I was touring in between all of those things, it just got lost, the idea to film my show. And when I finished touring in 2007, I just called my manager and said “Listen, I can’t move on until I film this show.” It started in Vegas with four shows at Celine Dion’s theater at the Colliseum at Caesar’s. It’s like, you just couldn’t take your little rock ’n’ roll band in there! I had to build that big world around that huge stage. So we went back to all our film and videos and we built a world. So PBS called and they said they would love to do it and we went to Chicago and filmed it at the Soundstage studios. It was just great, because, you know, you could take a little time between each song, so you could actually wear all the really great outfits that sometimes in a real show you just don’t have time to make those kind of changes. So I got to really do all the little images that I’ve created over the years. And it was really important to me to do that. First, because I think it’s such a spectacular show, and second, because the next time I go out on my own, I wanna do something really different. I wanna find some different songs in my repertoire and I wanna do maybe a little unplugged thing. Maybe I’ll play piano. But I couldn’t do that until this baby of mine was, you know, grown up, dressed and pushed out of the nest.

I heard that you were hesitant to play “Sara” for the taping because you consider it an exclusive Fleetwood Mac song. Are there others? What makes them sacred to Fleetwood Mac?

Well, had I known that Fleetwood Mac was going out on October 5, in 2007, I wouldn’t have filmed “Sara.” It’s fun to keep a few songs exclusive. Even though “Gold Dust Woman,” “Dreams,” “Rhiannon”—those are pretty darn exclusive Fleetwood Mac songs! But I’ve been doing them [solo] since 1982. So it’s kinda like, those songs just exist in all sets.

How do you decide which songs you put in a set list?

It really seems to have a lot to do with the time and what you’re doing and how everybody’s feeling. Some songs make great records and don’t transfer to stage very well. You know, you love one song one day and the next you want to put it away. When you have as many songs as we have between my solo work and Fleetwood Mac’s work you have a lot to choose from.

What do you think touring with Fleetwood Mac would be like if one of the guys was gay?

If one of us had been gay, I don’t think it would have mattered. I think it would have been fine. The love and respect that we have for each other would certainly have overridden any way that anyone would have felt about somebody being gay. I think we would have all been absolutely fine with that. It’s really about the music at that point.

What’s the worst practical joke they’ve ever played on you?

Well in the very beginning, I think it was the end of the Rumours tour, in Hawaii, somebody filled an entire hotel room with chickens and mud and chicken feed. And it was kind of a disaster. It was supposed to be really funny, but it really wasn’t very funny! [Laughs] That kind of stuff really doesn’t happen that much anymore. You have to remember everything else that was happening at that point. Everybody was drinking a lot, so when everybody’s goofed out and high you could say, “Let’s get a bunch of chickens and put them in the hotel room!” And not even think about the fact that you’re gonna spend $30,000 to clean up the room and get the chickens back to their home!

You’ve had some successful remixes of your early hits in the past few years. Did you ever think that 30 years later the gay boys would still be out at the clubs dancing to those songs?

You know, I always felt that “Stand Back” was such a great dance song that I was not surprised. It’s been dance-mixed a million times! It’s funny with my songs. Deep Dish, when they did “Dreams,” I think they never in a million years thought I would say, “Oh, I’m so down with doing a new vocal!” And they loved it so much that they just mixed it and mixed it and mixed it. And I did finally, laughingly say, “You guys have got to move on! I have many songs. If you want to do dance mixes I will just get the tapes out and you can just take them!”

So, Night of a Thousand Stevies is coming up in May, and there are die-hard fans who are convinced that you showed up one year in disguise.

I didn’t. I did not. But you know what? Sometimes I think I should just lie and say I did! The fact is that I’ve never been to a Night of a Thousand Stevies, not because I wouldn’t like to come. I would love to go. But I’m always working. And I’m usually working on something that I can’t get out of. And I live on the other side of the country. I would love to attend Night of a Thousand Stevies. And what I’d like to do is come in total Stevie disguise. Which of course nobody could do better than me! And one year, watch out all you people, I will be there! And you won’t know, so watch everything you say, because I could be lurking! [Laughs]

Does it ever hit you that you’re a cultural icon?
 
It probably doesn’t. Because, I play the gigs, I go back to the hotel. I don’t get to go out to clubs. I don’t even get to go out to dinner! So, when you ask me if I’m aware of my iconic status—it’s like hearing the PA in the venue. I’m aware because I can hear it, but I don’t get to be a part of it that often. And I’m sorry about that, because I would like to be more a part of it, and dig on it more. And I don’t really get to do that. But I will tell you I am very, very honored. I’m very honored about Night of a Thousand Stevies. I think it’s precious. And it goes straight to my heart. I wish I could come there every year. I know I’m a rock ’n’ roll star, but I work very hard. I’m the worker bee. I don’t really get to enjoy the honey comb very much.

So when can we expect some new material from you?

Well, when this whole Fleetwood Mac thing is done, I think I’m gonna do another record. I’ve been told by a lot of people that, “The music business is in such terrible shape, maybe you just shouldn’t do another record.” And I really took that to heart. Only in the last couple of months have I really started thinking, “Well you know what? I don’t even care if it doesn’t sell any records.” I need to go back into that creative world. I need to go back into the studio and sit at the piano and pull out all my thousands of pages of what I think is very good poetry, and write some new really beautiful songs and throw them out there. If people like them, great. If they don’t, that’s okay too. I need to do it for myself. So, are you going to hear something from me at some point? Yes you are.

The Soundstage Sessions and Live in Chicago will be released Mar. 31. Catch Stevie’s in-store appearance at Barnes and Noble Union Square, 33 E 17th St, also on Mar. 31 at 7pm.

Thanks to Jose for the heads-up on the article.

Sunday, March 29, 2009

REVIEW: Toronto (night 2) Fleetwood Mac

Concertaholics Review - Toronto (night 2) for Fleetwood Mac
The concert goal tonight was to get a cheap single on the street and get inside to where my contact was so he could assist me with getting down front on the floor. There weren’t alot of singles floating around but after waiting about 6 songs in I grabbed a ticket for $20 and was into The Air Canada Centre now.

Concertaholics Full Review

MICK FLEETWOOD OUT AND ABOUT MARCH 28TH

Mar 28 2009
Mick Fleetwood enjoying his lunch and the weather at Cross Creek, Malibu. Then he tried to work out how to use his phone. Pictured: Mick Fleetwood Picture by: London Ent / Splash News