Monday, May 04, 2009

(REVIEW) FLEETWOOD MAC - TULSA, OK 5/3/09

Fleetwood Mac rocks BOK
By SARAH HART
World Assistant Scene Editor
TulsaWorld.com

In their hit song "The Chain," Fleetwood Mac says they'll never break the chain. It seems they've made the chain even stronger. 

And after Sunday night, thousands of fans are forever added as links. 


Fleetwood Mac roared into the BOK Center to a huge crowd that was at once young, old, rock 'n' roll and classic, heavy metal and soft rock. The crowd roared back, from the opening "Monday Morning" to the second-encore closer "Silver Spring." 

Fleetwood Mac formed in the 1960s, and has often had its own internal soap opera. But its solidarity, strength and storytelling remain as polished and relevant today as when their album "Rumours" topped the charts. 

"Our band has always had a complex and convoluted, emotional-ness to it," guitarist Lindsey Buckingham said. "But that has always worked in our favor. We take breaks, but every time we get back together, we get a sense of forward motion." 

Buckingham said band decided that since they aren't touring in support of an album, "Yet," he said to cheers of those hopeful for a new Fleetwood Mac venture, "We thought 'Let's just go out there and have fun and do the songs that we love ... and hopefully they'll be the ones you love, too.' " 

Oddly enough, the next song was "I Know I'm Not Wrong," from their album "Tusk," a song not as well-known as some of their other hits. Still, the audience grooved, and when Buckingham ground his guitar, going into one of many solos of the evening, he hopped like Chuck Berry across the stage. 

Afterward, he grabbed his back as if aching, grinned to the audience hopped some more, growling "Oh yeah!" into the microphone. 

The show's spotlight went back and forth between Buckingham and Stevie Nicks, who got the audience going when she told the story of the song "Gypsy." 

"I met Lindsey when I was a senior and he was a junior," she said. "I met him one day and didn't see him again for two years. Then, out of the blue he called me one day and asked if I wanted to be in his band. I was like, 'yeah,' and I didn't even know what kind of band it was." 

"He later told me it was a hard-rock band. And that moment catapulted me into the greatest musical time of all time, 1965-1970 in San Francisco ... where I'm back to the velvet underground" (the first line of the song "Gypsy"). 

The crowd went crazy for Nicks, who was looking as beautiful as ever, her waist-length honey-blond hair swaying, her arms wrapped in a sparkly black shawl. Meanwhile, on a screen behind the band, a sentimental song became even more so as snapshots of the band in their younger days went by. 

Nicks was equally bewitching on "Rhiannon." She turned her back to the audience and went into her patented trancelike dance, swaying her hips, shawl floating through the air. She was as cool and enigmatic as ever. 

It's hard to find a highlight on a greatest hits tour that features songs that you know by heart, but one of the most electrifying was "Gold Dust Woman." Nicks disappeared off the stage often. Before that particular song, Nicks sang former band member Christine McVie's part in "Say You Love Me," which was weird coming from Nicks, but a nice homage to McVie. 

Then Nicks darted off stage, and the band started the haunting beginning of "Gold Dust Woman." 

On the screens, chunks of gold confetti fell and there was Nicks, gold shawl wrapped around a black cat suit under a flowing red dress. She nailed the song, hitting notes she often leaves up to her backup singers. She was brooding, mysterious and moody, and it was downright spooky in parts. 

Buckingham's guitar work was as impressive throughout the show. He's one of the most underrated guitarists in history, inventive and clean, charismatic and cool. 

He sang some of his well-known songs, "Big Love" and "Never Going Back Again," and the whole band joined in on "Second Hand News." 

Nicks also dazzled with a song from her solo career, "Stand Back." 

Some of the most touching moments were Nicks' "Sara" and "Landslide." During "Sara," Buckingham backed up Nicks, and she later went to him for a lengthy embrace, a tender moment between the former lovers. 

"I don't personally know anyone in Oklahoma," Nicks said to the frenzied crowd before playing "Landslide." "So I'm just going to dedicate this to all you Oklahomans. We love you." 

The band actually had to wait for the audience to stop cheering so they could close the song. It was beautiful, awe-inspiring, and makes you understand why many bands have covered it. 

Fleetwood Mac did two encores. When Nicks and Buckingham walked on stage for the first encore, they held hands. The band closed the first encore with the song that makes many think of Bill Clinton's first campaign for president, "Don't Stop." For their first encore song, drummer Mick Fleetwood had a rousing drum session that bumped the BOK Center and got everyone on their toes. Then he introduced the backup band, which includes Lori Nicks, Stevie's sister-in-law. Then he introduced Buckingham, Nicks ("Our first lady," he called her) and bassist John McVie. 

The BOK Center was close to a full house Sunday night, and Fleetwood Mac, whose fame has spanned 40-plus years, still has the chops to amaze and captivate any audience from start to finish. 

Sunday, May 03, 2009

WIN TICKETS TO OMAHA CONCERT


Send your entry to contests@ktgl.com or click here

Entry Deadline Tonight at Midnight (local time)

STEVIE NICKS WORSHIPERS DESCENDED UPON THE HIGHLINE BALLROOM

NOTS 19:
Stevie Nicks impersonators ring like a bell through the night,
and wouldn't you love to love them?

May 1, 2009
NY Metromix

While you were busy drinking somewhere cheap and nondescript, hundreds of Stevie Nicks worshipers descended upon the Highline Ballroom to celebrate the 19th annual Night of a Thousand Stevies party—some coming from as far away as Las Vegas to shake their tambourines, toss their long blonde wigs and wave their lace capes to the beat of "Rhiannon" (this year's theme song). Plus there were a few people in elaborate costumes that had nothing to do with Stevie Nicks at all, but they were amazing anyway. New York, you were in fine, fine form last night. So, obviously, start planning your costume for NOTS 20....

PHOTOS

REVIEW: FLEETWOOD MAC - Live in Houston - May 2, 2009

Fleetwood Mac takes musical walk down memory lane
By JOEY GUERRA
Houston Chronicle

There were no surprises, radical reworkings or new tunes to promote during Fleetwood Mac's Saturday night set at Toyota Center.

There were just music and memories — keys to the complete Mac experience. (And Stevie Nicks in a shawl, of course, during Gold Dust Woman.)

The echoes of hope and heartache informed every lyric, and each song signaled a memory, a moment in time for someone in the crowd (and onstage).

"Fleetwood Mac, as I'm sure you know, has had a complex and emotional history," Lindsey Buckingham told the crowd.

"It's kind of worked for us. Every time we come together, there's a sense of possibility."

The band walked onto a dark stage, Buckingham leading Nicks by the hand. They kicked off with a jangly, lighthearted Monday Morning — but things quickly intensified with the pounding groove of The Chain, which boasted solid harmonies (aided by a trio of background singers).

The staging was simple but effective, a maze of shadows and light. Nicks' trademark scarves were wrapped around her microphone stand.

The gypsy woman can't quite hit the girlish high notes of enduring hit Dreams, but her voice still has a bleating allure. She introduced Gypsy as a nod to her musical history in San Francisco, which gave it a wistful sense of remembrance.

Less dynamic were the moments when Buckingham took command (I Know I'm Not Wrong, Go Insane). The crowd thought so, too, and several folks scurried up toward the lobby. His voice-and-guitar take on Big Love, however, was a searing set highlight.

Nicks sparkled amid the rueful strains of Rhiannon, and Second Hand News (the first song recorded for the Mac's legendary Rumors album, Buckingham said) was a blaze of joyful vocals and instrumentation. Tusk boasted a blaring kick, and it's impossible not to be moved by Landslide's weary grace.

But the small details often made the biggest impact: Nicks sweetly placing her head on Buckingham's shoulder during a heartfelt Sara; Buckingham taking quick moments to soak in the cheers after every song.

joey.guerra@chron.com

Saturday, May 02, 2009

(ON UK TV) THE FLEETWOOD MAC STORY

THE FLEETWOOD MAC STORY
MAY 2nd - 11pm

A series that takes a fresh look at the last 30 years of pop history, using family trees compiled by music journalist Pete Frame to explore the dramas that lie behind some of the best-known bands.

Fleetwood Mac, formed in 1967, has survived many different line-ups, but band members have paid a high price for their success. Key figures such as Mick Fleetwood, John McVie and Stevie Nicks tell the band's story.

PETER GREEN: MAN OF THE WORLD
MAY 8th - 9:30pm
MAY 9th - 1:35am

Legendary blues guitarist BB King named Peter Green as one of the greatest exponents of the blues, and the 'only guitar player to make me sweat'. If Green had only written Black Magic Woman, his name would still have a place in blues rock history forever.

His three short years leading Peter Green's Fleetwood Mac saw the band established as one of the biggest-selling groups of the 1960s. Yet at the height of their fame Green left the group, with his life spiralling into turmoil as drug-induced mental health issues took control. Rumours of his demise began to spread, and sightings of him became notorious.

After years battling his mental illness, Green is writing and recording again. Featuring archive performances and interviews with Carlos Santana, Noel Gallagher, founding members of Fleetwood Mac and Green himself, this film tells the story of one of blues rock's living legends.

Friday, May 01, 2009

THE PERFORMANCE WAS TOP NOTCH (DALLAS OBSERVER)

Last Night: Fleetwood Mac at the AAC

By Darryl Smyers

Fleetwood Mac
American Airlines Center
April 30, 2009

Better Than: Seeing a Fleetwood Mac cover band at an AARP Convention.

Seemingly every MILF in the greater Dallas/Fort Worth area made their way to the American Airlines Center last night to catch a truncated (but still powerful) version of Fleetwood Mac. The legendary rock act brought out 23 chestnuts spanning the band's four decade career, even throwing in a couple of numbers from solo efforts from Lindsey Buckingham and Stevie Nicks.

The nearly three hour show thrilled the homogeneous collection of forty and fifty-somethings, about 75% of whom were women sporting outfits that hadn't seen the light of day since Bill Clinton was getting his first Lewinsky. I'm happy that these folks were getting in some good cardio work by dancing throughout the show, but after seeing an octogenarian tumble to the floor (sadly spilling her red wine) it was obvious that some folks should have called it a night way before the encore.

Regardless of any audience shenanigans, the performance was top-notch. Lindsey Buckingham is still one of the most talented guitarists working in the rock/pop field. His finger picking style, best exemplified on songs such as "Never Going Back Again" and "Big Love". The set list featured several interesting choices, including three from my personal favorite Mac album "Tusk." Stevie Nicks explained that the band wanted to unearth some songs that it hadn't performed on previous tours.

Even though keyboardist/vocalist Christine McVie decided not to join the band for this tour, Nicks and Buckingham did a nice job substituting on McVie's "Say You Love Me." Even more intriguing was the choice of "Oh Well," a song that predates Nicks and Buckingham even joining Fleetwood Mac. Of course, the hits keep the crowd happy and band didn't fail to deliver such 70's standards as "Dreams," "Rhiannon," "Landslide" and "Gold Dust Woman." And despite Nicks' wardrobe changes, the band looked great and played marvelously.

Critic's Notebook: Random Note: Why do folks begrudge a guy who simply needs to go to the bathroom? The grandpa and grandma at the end of row N just about had a cow when I asked to get by. I think the old coot purposely kneed me in the shin when I came back.