Tuesday, May 26, 2009

HAPPY BIRTHDAY ROCK AND ROLL LADY

Stop Draggin' My Heart Around

Rocks Off would wholeheartedly like to wish Ms. Stevie Nicks a very happy birthday today; since she's the epitome of a rock and roll lady, we'll refrain from revealing her actual age. At Fleetwood Mac's Toyota Center concert earlier this month, Nicks seemed to be walking with a limp, and her voice was noticeably raspier than on record, but her performances of "Gypsy," "Sara" - during which she walked over to embrace Lindsey Buckingham near the end, a clearly unrehearsed and utterly moving bit of stagecraft.

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By Chris Gray

MEET MICK FLEETWOOD IN SALT LAKE CITY JUNE 2ND

Mick Fleetwood at Flemings

Fans of the iconic rock band, Fleetwood Mac, can dine with band member -- and winemaker -- Mick Fleetwood while he is in Salt Lake City for an upcoming concert.

On June 2, Fleetwood will host the three-course wine dinner beginning at 7 p.m. at Fleming's Prime Steakhouse & Wine Bar, 20 S. 400 West, in the Gateway Mall. (The band performs June 3 at Energy Solutions Arena)

"Mick's Favorite Dinner" includes shrimp cocktail, filet mignon and berries with vanilla ice cream. The meal will be paired with two of Fleetwoods handcrafted California wines: Mick Fleetwood Chardonnay and Mick Fleetwood Cabernet.

Cost is $95 per person and includes a copy of Fleetwood's new live CD, “Blue Again” and a framed photograph at the event. For reservations call 801-355-3704.

He's still a better musician than winemaker, but Mick Fleetwood Private Cellar wines have received several awards in California tasting competitions. And the Wall Street Journal gave it the title of "Best Wine" in a blind tasting of 50 celebrity wines.A sweet little lie? Check it out for yourself at the official website: mickfleetwoodprivatecellar.com

Fleetwood Mac takes a while finding its groove

ANAHEIM REVIEW - FLEETWOOD MAC

LOS ANGELES (Hollywood Reporter) - Fleetwood Mac's show was ambling along on Saturday. The packed crowd at the Honda Center in Anaheim was being entertained but not really affected.

"We're gonna get this party started," Stevie Nicks said after the second number, and the band began "Dreams" -- a No. 1 single from a 19 million-selling LP, but not what leaps to mind when one thinks "party starter."

And so it went for more than an hour: pleasant old songs, pleasantly recited, with the occasional address to the audience. But then the vibe changed.

The once-huge group played "Say You Love Me," written and originally sung by Mac retiree Christine McVie. Lindsey Buckingham embellished the second verse, almost arguing with the melody. The 40-year rhythm section of Mick Fleetwood and John McVie made it rumble.

The song earned the evening's first true roar, and it was game on.

Nicks then let loose on "Gold Dust Woman," offering her most inspired vocal of the night. Then came "Oh Well," the set's oldest song and by far its hardest-rocking. Buckingham bit off the lines, keeping the emphatic pauses, then ripped off a long guitar solo that was heavier than anything he ever recorded with Fleetwood Mac.

The crowd had caught on, and the rest of the night was terrific.

Taken in full, this was exactly what a heritage rock act playing arenas should deliver: Put aside any simmering personal issues and play 2-1/2 hours of the biggest hits, with a few fan-favorite album cuts and some nuggets -- at a top ticket price of $150.

Of course, "personal issues" were synonymous with Fleetwood Mac at the height of its popularity (18 of the night's 23 songs came from the group's megaplatinum 1975-79 era). Buckingham acknowledged the band's "fairly complex and convoluted emotional history." Those old tensions were evident as the main quartet kept their distance onstage as if separated by minefields. Meanwhile, the giant video screens often showed Buckingham and Nicks side by side as if via Photoshop.

Backed by two musicians -- tucked in a nook that was borderline backstage -- and three singers, the Mac was in good form. Buckingham sang and played with fervor, adding bursts of big guitar. Dressed in her trademark webby chiffon that resembles a giant doily, Nicks played air drums and guitar and real tambourine, her smoky vocals steering clear of the higher ranges but working well otherwise. Fleetwood and John McVie laid down typically solid rhythms, the former taking a brief eyes-closed drum solo.

Christine McVie was missed, with only a few of her songs making the set list. But this was an enjoyable show that justified a veteran act hitting the road with no new material. As Buckingham said: "This time we said to each other, 'Let's just go out and have fun.' ... There is no new album -- yet."

No need, really.

Happy Birthday Stevie

Monday, May 25, 2009

REVIEW: Fleetwood Mac Live in Glendale, AZ

Fleetwood Mac delivers greatest hits
Live in Glendale, AZ May 24, 2009










by Larry Rodgers
AZCentral

The Rock and Roll Hall of Famers in Fleetwood Mac showed Sunday night that they have emerged from a five-year performance hiatus with their musical mystery and superstar aura intact.

In a homecoming show for singer Stevie Nicks, the band served up an ambitious set of classics that ran nearly 2 1/2 hours at Jobing.com Arena in Glendale.

Its four members, augmented on their Unleashed tour by three singers and two other musicians, may be in their early '60s, but there was plenty of energy onstage from the bouncing opening chords of 1975's “Monday Morning.”

Guitarist-singer Lindsey Buckingam seemed to be the most supercharged Sunday, enthusiastically diving into the vocals of that tune, which like much of Mac's catalog, talks about the double sword of romance.

The Phoenix-born Nicks exuded a regal, dignified presence onstage, suitable for her status as one of rock's most magnetic and complex performers. But she clearly was happy to be back in Arizona, where she owned a home for 25 years.

“We have family here tonight (including her sister-in-law, Lori Nicks, on vocals). I am thrilled to be here,” Nicks said early on. “It is my home, you know.”

Nicks later dedicated a poignant version of “Landslide” to her mother, Barbara, a longtime Valley resident.

The arena crowd, a few thousand seats short of a sellout, responded to the between-song banter Nicks and Buckingham with loud love.

Though Mac is viewed as a baby-boomer act, a healthy number of teens and 20-somethings were in the Glendale crowd, perhaps drawn by the group's decision to spotlight its biggest hits on this tour.

With no new album to promote, Buckingham told the audience, “This time, we said, ‘Let's just go out there and have fun.'”

The set which included such mega-hits as “Rhiannon,” “Go Your Own Way,” “Dreams,” “Sara” and “Don't Stop,” left longtime fans like Pamela Frady, 54, of Fountain Hills satisfied.

“All the old songs were really good,” she said.

Frady's husband, David, 54, who has seen the band through the years, added, “They have done nothing but improve phenomenally.”

Buckingham remained as fiery as ever when he attacked his guitar on “Big Love” and the show-stopping “I'm So Afraid.”

He mentioned “the power and importance of change” before starting the rapid-fire plucking of his acoustic guitar on 1987's “Big Love.”

When he was done, he looked up at the crowd, smiled and touched his heart.

As 1975's “I'm So Afraid” built to a raging climax, Buckingham ran around the stage, pausing several times to pound on the fret board of his guitar, within inches of the outstretched arms of fans.

Nicks' vocals were smooth and strong on the aforementioned hits, as well as “Dreams,” “Gypsy,” “Gold Dust Woman” and the show-ending “Silver Springs.”

The keys of some songs appeared to have been lowered, and Nicks long ago altered her treatment of some lyrics to avoid high notes, but her rich voice remains of of rock's most distinctive.


Nicks, who reportedly has lost 60 pounds, looked as mystical as ever, dressed early on in a dark dress with material cascading from its sleeves and tall boots. She had some subtle costume changes during the show, including various shawls that added drama to her trademark move — extending her arms and twirling (done more slowly than in the '70s and '80s).

During the always-powerful “Gold Dust Woman,” Nicks turned her back to the crowd and stretched out her arms, silhouetted by an onstage spotlight. As the haunting song wound down, Nicks' dance moves were eerie and ghostlike, and the crowd responded with a roar.

Drummer Mick Fleetwood, who co-founded the band with bassist and fellow Brit John McVie in 1967, got into the act with a spirited drum solo during the first encore song, “World Turning.”

Wearing a microphone and looking like rock's crazy, old uncle with his gray beard and bulging eyeballs, Fleetwood cracked up the crowd with yelps and hoots.

McVie, whom Fleetwood introduced as “the backbone of Fleetwood Mac,” was his usual low-key self on stage, decked out in a cap and dark vest.

Throughout the set, Fleetwood waved his approval at Buckingham's masterful guitar work and blew kisses at Nicks.

Nicks and Buckingam, who were a couple before and during their early days in Fleetwood Mac (they joined in 1974), came out for the first encore holding hands, and Buckingham gently kissed the singer's hand.

The gesture was bittersweet and powerful, just like Fleetwood Mac's latest concert set.

Set list:
“Monday Morning”
“The Chain”
“Dreams”
“I Know I'm Not Wrong”
“Gypsy”
“Go Insane”
“Rhiannon”
“Second Hand News”
“Tusk”
“Sara”
“Big Love”
“Landslide”
“Never Going Back Again”
“Storms”
“Say That You Love Me”
“Gold Dust Woman”
“Oh Well”
“I'm So Afraid”
“Stand Back”
“Go Your Own Way”

Encore:
“World Turning”
“Don't Stop”
“Silver Springs”

(REVIEW) Fleetwood Mac Live in Oakland May 20, 2009

THUNDER ONLY HAPPENS WHEN IT'S RAINING
Planet Out

The music of mega group Fleetwood Mac has always sounded like a quiet storm to me… and not simply because of the song "Storm," the "Dreams" lyric: "Thunder only happens when it's raining" and the rain scene in the "Gypsy" video.

Between Mick Fleetwood's steady drumming, Christine McVie's precise keyboarding and Stevie Nick's haunting vocals, I just hear rain.

But I say a quiet storm because it's not a torrential downpour, it's not a day that you want to get shelter from -- unless it's to, dare I say it, "make love" on a four poster bed draped in velvet – but rather one best spent twirling around in the rain, with your inner-gypsy hanging out.

Still, there's something to the fact that just under the surface of much of this soft classic rock, there are underlying notes of the much talked-about, written-about, dwelled-upon Buckingham-Nicks break up. 

True, it was the end of their relationship that provided most of the inspiration for the classic 1977 "Rumours" album as well as a third of the 23-song set of their current "Unleashed" tour which hit Oakland Arena on May 20. The band played on at HP Pavilion in San Jose on May 21. 

On a sparse, black and white and red all over set (featuring little more than a handful of video screens, alternating between new visuals and timeless video clips), and bolstered by three backup singers, an added guitarist and a harmonizing keyboardist (presumably filling in for the decade-long absent Christine McVie) the quartet of singer Stevie Nicks, singer/guitarist Lindsey Buckingham, drummer Mick Fleetwood and bassist John McVie tackled three decades of greatest hits and should-have-beens.


Opening with the some might say optimistic mid-tempo number "Monday Morning," the band began drawing fans in with the haunting breakup tracks "The Chain" and "Dreams," for which Nicks danced around in her black bustier dress with flowy skirts and sequined shoulder trim [she wore a red version in the second half of the show], clutched her scarved and chained mic stand, often gripping the sparkly semiprecious strands like rosaries or shook her tambourine, trailed by multi-colored streamers, as Buckingham strummed away. Nick's trademark raspy vocals and tambourine-playing were in top form and Buckingham's guitar-playing was spot on.

After welcoming Bay Area fans, Buckingham gave the audience the blood that they demanded by addressing the band's troubles over the years: "We have a convoluted and complex emotional history, and we've been together a long time, which works in our favor," he said. "We've taken long breaks, but every time we get back together it's different, but there's always forward motion." 

So while rehearsing for this greatest hits tour, without the pressure of selling a new album, the band decided to just have fun and "do the songs that we love a lot and hopefully the ones you love, too," he added. 


It was clear that "the man with the magic fingers" was enjoying himself, particularly his own guitar skills mid-show, even giving himself the proverbial pat on the back for his excellent riffing on tracks like the indelible "Tusk," "Big Love" and the Peter Green-era Fleetwood Mac number "Oh Well," complete with jumps that left him clutching his heart and mouthing "Yeah."

But the true magic happened when Buckingham and "our first lady" Nicks produced beautiful harmonies together on a slowed-down, country-fried version of "Gypsy," which Nicks said was about the wonderful time she and Lindsey spent in San Francisco during the 60's summers of love, on "Rhiannon," "Second Hand News," the first recorded song on the "Rumours" album, which Buckingham described as "a sad song, with some humor, optimism and a good dose of aggression," "Storms," a dark rarity about, according to Buckingham, "stormy, dark, deep, stormy, difficult problems" which features the evocative lyrics, "I'd like to leave you with something warm. But never have I been a blue calm sea. I have always been a storm," "Go Your Own Way," which morphed into a gorgeous psych jam session as Nicks twirled around in a top hat. 


While the rhythm section of drummer Mick Fleetwood and bassist John McVie, the band's founders and backbones for the last 42 years, really shone at the end – I guarantee that no one will soon forget the wild-eyed, high energy drummer's solo during the encore section of the show -- the band sounded most in synch for one of my favorite songs, "Gold Dust Woman," for which a hunched-over Nicks, wrapped in a gold shawl appeared cobra-like, dancing hypnotically with her back to the audience, as the band accompanied her symbiotically.

But it was a moment during "Sara" where Nicks met Buckingham half way on stage and rested her head on his shoulder that was most bonding – that is until a shout from one crowd member was heard: "Don't do it." 

I realized at that moment that for many a fan, Fleetwood Mac needs the tension, that aforementioned quiet storm to succeed. If the band were one big lovefest all the time, we might not all have been there that night at Oakland Arena -- 30 years later.

(Images courtesy of Getty)