(PHOTO) CONNIE SZERSZEN (CHICAGO DISC JOCKEY) WITH STEVIE NICKS

Connie Szerszen was a pioneer female disc jockey in Chicago, and has just written a book called "Top Rock Girly Jock"

[excerpt from interview] The parties were always a surprise – so thrilling to be one of the special guests! Of course, I had my camera with me, as always, and snapped many good pics of my own (one very unusual shot of Elton is in the book -- that I doubt you’ll see anywhere else – Hah!) Fleetwood Mac was there at one party – Stevie Nicks was very sweet and posed for pictures.  Read the full interview with Connie at Chicagoradiospotlight

FLEETWOOD MAC DAY OCTOBER 10, 1979 - AWARDED STAR

30 Years Ago Today

It was declared Fleetwood Mac Day in Los Angeles, CA

Fleetwood Mac were awarded a star on Hollywood Walk of Fame.

REVIEW: FLEETWOOD MAC Live in Copenhagen October 8, 2009

(Translated Review)

Purely criminal sleepy Fleetwood Mac
Parken, Copenhagen
Attendance: 18,000 (40 000).

Av Per Hägred
KVP.SE

BEST: Tomorrow Danish head à la Zlatan here.

WORST: For a long time since the sound was so bad in the park.

One, two, three, Zzzzzzzz ...

Grandfather Fleetwood count in the band.

Goes like that.

Nobody will ever accuse this dinosaur to steal Ramones bang on rödbetan concept outright.

In short, the European premiere of "Unleashed" - the tour starts very sleepy. Disturbing sleepy. If not purely criminal sleepily. As if the whole concert is on the way to a couch near an afternoon nap. An impression is reinforced by the whole of the presentation where it is sent tracklist in advance with additional numbers and everything.

Fleetwood Mac is the way, like a bedroom farce. A piece like that where they open and close the doors of the party and the minute. Doors have been wide open in Fleetwood Mac, and members have been able to come and go and styles of music has slipped in and out a bit anyway. It has even been flattened between two continents. Only Mick Fleetwood is the original band that played British blues (better than anyone else), but now it's mostly about sun-ripened pop that never leave California.

The Fleetwood Mac that I love most are represented by a song: "Oh well". And - well, well - I do not think super guitarist Peter Green really like the slaughter of his masterpieces.

This is the group's first tour in five years, but they have not managed to scrape together enough songs to fill a new plate without digging into greatest-hits-sac.

Naturally, I dig out the old scratched LPs that really lies buried under layers of dust. Stevie Nicks dig out "Landslide" from the self-titled disc from 1975. As the beginnings of an acoustic party. Then it will be good. Unusual "Storm" is also deleted. On the whole, this is Stevie Nicks show now that Christine McVie with the right age have retired.

But there are bounties on the Megan Buckinhamns solo in "I'm so afraid."

FLEETWOOD MAC HAS HAD THE LONGEST SPAN OF #1 ALBUMS OF ANY MIXED-GENDER GROUP

Pop Music's Longevity Champs
Chart Watch Extra:
by Paul Grein in Chart Watch

Barbra Streisand returned to #1 on The Billboard 200 this week with Love Is The Answer, 45 years after she first topped the chart with People. Only one artist in chart history, Elvis Presley, has had a longer span of #1 albums.

Lyndon Johnson and Barry Goldwater were in the final week of a Presidential election when Streisand first reached #1 on Oct. 31, 1964. Bonanza was the season's top-rated TV show. Hello, Dolly! was Broadway's biggest hit. Mary Poppins was on its way to becoming the year's top-grossing movie.

Streisand landed her first #1 album by knocking off the Beatles' A Hard Day's Night soundtrack. She returns to the top spot this week after winning a close contest with Paramore, whose lead singer, Hayley Williams, was born 18 years after the Beatles broke up.

Streisand is one of two dozen artists who have had #1 albums spanning 20 or more years. In a business where even highly successful acts often have just a few years at the top, these artists have managed to spend decades at the forefront. Here's a complete list of these acts. Whether you're a headbanger or a "Fanilow," you're bound to find a favorite artist here.

Here are the acts that have had the longest span of #1 albums on The Billboard 200 since the chart debuted in March 1945 (when it was just a top 10 listing). Spans were rounded off to the nearest month.

1. Elvis Presley, 46 years and six months.

2. Barbra Streisand, 44 years and 11 months.

3. Ray Charles, 42 years and eight months.

4. The Beatles, 37 years.

5. Johnny Cash, 36 years and 11 months.

6. Bob Dylan, 35 years and three months.

7. Rod Stewart, 35 years and one month.

8. Led Zeppelin, 33 years and six months.

9. Eagles, 32 years and four months.

10. Santana, 32 years and one month.

11. Bruce Springsteen, 28 years and three months.

12. Barry Manilow, 28 years and seven months.

13. The Isley Brothers, 27 years and eight months.

14. AC/DC, 26 years and 11 months.

15. Eric Clapton, 26 years and two months.

16. Whitney Houston, 23 years and six months.

17. Madonna, 23 years and three months.

18. Pink Floyd, 22 years and two months.

19. U2, 21 years and 11 months.

20. Janet Jackson, 21 years and eight months.

21. Prince, 21 years and eight months.

22. Fleetwood Mac, 21 years. Fleetwood Mac (Sept. 4, 1976) to The Dance (Sept. 6, 1997). The former album spawned three top 20 hits, including "Over My Head" and "Rhiannon (Will You Ever Win)." Fleetwood Mac has had the longest span of #1 albums of any mixed-gender group.

23. Bon Jovi, 20 years and eight months.

24. Frank Sinatra, 20 years and four months.

The Fine Print: Michael Jackson would have appeared at #15 on this list if catalog albums were eligible to appear on The Billboard 200. Jackson first topped the chart with Thriller on Feb. 26, 1983. He had the best-selling album in the country most recently on Aug. 22 with Number Ones. Because that 2003 compilation is deemed "catalog," it was ineligible for the big chart. If it had been allowed to compete there, Jackson would have #1 albums spanning 26 years and six months.

And while hitting #1 is the ultimate badge of chart success, it's not the be-all and end-all. Frank Sinatra reached #2 in May 2008 with his hits compilation Nothing But The Best. If that album had sold 45,000 more copies that week, it would have topped the chart. If it had, Sinatra's span of #1 albums would have swelled to 62 years and two months, which would have propelled him into the top spot on this list. That's show-biz.

REVIEW: FLEETWOOD MAC - Lydmaessigt MacVaerk - Copenhagen 2009

This Review of Copenhagen is from the Publication Ekstra Bladet. Again the translated version below.

Sonically MacVærk

Once again, a really excellent concert knackered by wretched acoustics

Fleetwood Mac is really a strange size. They began their career in the sixties as a traditional British blues band, but after several mutations ended up as one of the seventies most popular American names, to ennoble the radio-friendly pop music for a noble art form. Albums like 'Fleetwood Mac' (1975) and, not least 'Rumors' (1977) is still a pleasure to listen to today - so at once simple and sophisticated as it gets. And the double-LP (yes, it was then) 'Tusk' (1979) were the shows that they also had the courage to test the musical boundaries.

Golden years

And although the group that visited Denmark for the first time last night, has released a string of albums since the golden years, the last honest 'Say You Will' (2003), it is primarily these three slices, which is why that 18,000 young people not quite showed up for the European premiere tour of the park. And by Fleetwood Mac well. The entire 18 tracks from tonight's track list came from here. And it could certainly have come a potentially wonderful evening of nostalgia gracious cut out. The band (especially Stevie Nicks and Lindsey Buckingham in front) seemed like such a playful enough.

Outrageous

But alas, alas. Once again we were presented with acoustically cameras in the park that the tangent the scandalous. The combination of national arena hopeless acoustics and a seemingly tone-deaf sound engineer obliterated any nuance - yes, it sounded almost as if you had thrown a blanket over the speakers, and then turned up the bass. It is one of the worst I have ever been offered here.

What does extra distracting when we are talking about a band, where melody and elegant works is an essential part of the point. Shit and paper, because I had damned really enjoyed myself. And behind the roll of thunder, I am quite convinced that veterans delivered a very fine concert. But what helps when you can not hear it? It's music to hell.

As aforementioned greasy star distribution is not so much on the Fleetwood Mac's efforts - it was almost impossible to judge under the circumstances - but more disturbed by the return to office a few acoustics, which can be rock audience to find itself in.

REVIEW: FLEETWOOD MAC - DEN LILLE NISSES VAGTPARADE - Copenhagen

Fleetwood Mac Live in Copenhagen - October 8, 2009

The printed edition of the Fleetwood Mac review in Politiken for their Copenhagen show, written by Erik Jensen, music editor appears to be slightly longer and a little different then the online version.

(Translated Version)

Drummer Mick Fleetwood was in the audience with a degree in something as old fashioned as a drum solo by Fleetwood Mac's grand demonstration of that old-fashioned musical virtues still are free.

Actually, it is unbelievable, they even said it several times throughout the evening that there has been so good and so long music out of an emotional disorder, infant up with drugs and booze in quantities far beyond the life-threatening. Livsførelsen takes into

consideration, it is also a minor miracle that four members of Fleetwood Mac from the Anglo-American group's heyday is on stage at sold-out stadiums around the world in these months. Plus he looks both vital out and play with tremendous commitment and energy.

That way Fleetwood Mac came to stand as a lively monument to everything that went well, and everything that went wrong in the 1960s so-called summer of love. Precisely in the year of the summer 1967, the band was formed as a regular blues band that later evolved towards a more airy, light and elegant melodic as members ended up in California and took the audio from the West Coast with refined harmonies up from among other Eagles. A musical museum of the endless and boundless love with two wrecked marriages in his luggage, degradation of community life and music as Redeemer for all sorts of plagues and pain.

In this context, it was a beautiful evening in survival name. A celebration of life, friendship and solidarity, sealed with a small, symbolic hug between the former spouses Stevie Nicks and Lindsay Buckingham after their duet of 'Sara'. But also a nostalgic and almost touching embrace of the music that dares to stand by itself and not be peppes up with anything to achieve his large audience.

No fancy effects. No modern hits. No other show or dance numbers. None lir. Just music. And a band that honestly stood by itself and its history and its chaos. Fleetwood Mac in the park and invited the kitsch adverts for airline Cimber Air on a journey back in time to when music on its own terms was enough to entertain 20,000 people. But in this case it was not just for fun. Start in a rather tight-lipped 'Monday Monday', it was clear that Fleetwood Mac represents the nostalgia of the purest sort, but does so without irony to distance himself and the grandiose past. Especially singer and guitarist Lindsay Buckingham performed with a vitality and commitment which he would convince every one of us that these beautiful melodic songs still mean something and not just golden genhør. There was also something to work with in the park.

First was the sound in the beginning a little muddy, and it took its time before it was mature audiences into the concert and began to show it enthusiasm, which in turn was top notch, as the concert turned into a pure celebration of the closing fireworks of the classics that everyone knows. Perhaps without knowing that it's Fleetwood Mac, who is behind them? For the band, despite its archetypal rock history with internal problems with drugs, booze and divorce in the two relationships, which represented the band in its heyday, has always been just as strange anonymous as his name.

After the little lamb came off the intensity of the concert with a successful and melodious acoustic chamber, where the sound was directed up and approached some of the best we have witnessed in the park with songs like 'Tusk'. This wonderful song was not to ruin the synthetic and in such a velkomponeret sound oddly misplaced 'fans' from the brought keyboardist, a deacon 'Sara' and 'Landslide' by Stevie Nicks dedicated to Copenhagen, which she obviously has spent some wonderful holiday week in.

Then relax Fleetwood Mac forces loose in a sand storm attack, led by energetic Lindsay Buckingham, whose rousing guitar reefs 'Oh Well' and 'Big Love' up by the roots and planted them on to the heavy rocks thorny rose bed. He was supported well by drummer Mick Fleetwood and John McVies cruelly heavy bass that is constantly hammering through all the sound barrier. Granted, that both Stevie Nicks and Lindsay Buckingham has lost little of the past lustrous vocal force. There is still juice in the old band that, ironically, really sealed the sensation of comparing the survival of divorce anthem 'Go Your Own Way', before the encores and an elongated anachronism in the form of Mick Fleetwood otherwise playful drum solo! The little goblin gråskæggede rose, knocked the dust off the drums and was a paradox at all with his back to watch the parade past the territory.

Drum Tampa Riet fell on fertile ground in the park, where the audience enthusiastically sang along to the inlaid African tribal dance before a powerful finale with 'World Turning' and 'Do not Stop'. What band did so while the game was not just good but great fun. On the way home we got a little prosecutor to remember to be good at each other from Mick Fleetwood, and so was the bridge back to the 60s, both built and open. No one fell into the water from the bridge, the Fleetwood Mac performed with dignity and honest commitment throughout.