Thursday, October 22, 2009

(REVIEW) FLEETWOOD MAC - GLASGOW, SCOTLAND

Don’t stop ... 
Fleetwood Mac wow fans
at SECC
Catriona Stewart

To bow out gracefully or to keep trading on long-since earned laurels.

That must surely be a dilemma for the spate of ageing rockers re-emerging to tour their 30-year-old reputations.

But Fleetwood Mac have put such thoughts to one side and are now in the middle of a world tour, the dates for which would make a younger band exhausted to contemplate.

Having played America and mainland Europe, the group kicked off the UK leg of their tour last night at Glasgow’s SECC, their only Scottish date.

The band are different in that they are not reforming. Fleetwood Mac never broke up but instead worked their way through a remarkably fluid line-up that saw them lose two guitarists to mental institutions and one to a cult.

Their current incarnation includes four from the 1977 Rumours tour; Bassist John McVie, Mick Fleetwood on drums, guitarist Lindsey Buckingham and Stevie Nicks minus singer Christine McVie, who has chosen retirement rather than touring with her ex-husband.

They are rowdy, they are enthusiastic and they convincingly vow to get the party started. However, they still look, and there is no way of phrasing this delicately, old.

Fleetwood’s grey beard and Nicks’ witchy dark frock aside, the group performed a slew of hits with energy belying their years and played with powerful conviction.

Nicks’ ethereal tones have dimmed slightly with age but the years have not withered Fleetwood’s drums.

Fans no doubt turn out, not only for the music, but also to see whether the legendary tensions in the group still exist. From the on-stage rapport and affection between Buckingham and Nicks, it would seem not. However, the emotion of the songs is what gives them their edge and stops the re-emergence of Fleetwood Mac from being jaded.

The crowd, who mainly matched the band in years, were beyond delighted with a fast-paced The Chain, an ethereal Rhiannon and a spine-tingling Big Love.

And surely that’s reason enough to keep rolling out those greatest hits.

REVIEW:
Fleetwood Mac at the SECC

by Catriona Stewart
Evening Times

IT'S been six years since their last world tour but it was like Fleetwood Mac had never been away as they rocked a packed SECC Glasgow.

The foursome are in the middle of a world tour which sees them travel to enough countries to make a band half their age exhausted.

Last night, their only Scottish date among seven UK stops, the band played a slew of greatest hits with energy defying their years.

During their history spanning more than 40 years, Mac have worked their way through an ever-changing line-up that saw them lose two guitarists to mental institutions and one to a cult.

Their current incarnation includes four members from 1977's Rumours tour; John McVie, drummer Mick Fleetwood, vocalist Stevie Nicks and guitarist Lindsey Buckingham.

Singer Christine McVie is the only one missing, having chosen retirement rather than touring with her ex-husband.

The group, now aged in their 60s, vowed they'd get the party started but they look (there's no nice way of putting it) old.

Nicks was in a witch-like lace dress while Mick Fleetwood's grey beard and ponytail make him look like a badly-ageing rocker.

Appearances aside, Fleetwood's drums are as powerful as ever and he even rocked out a 10-minute solo.

They were notorious for their rock'n'roll band bad behaviour in the 70s but when Linsey and Nicks took the stage holding hands it seemed old rivalries had gone.

But the emotional edge to their songs gives the hits their enduring power and stops Fleetwood Mac becoming jaded.

The crowd, who match the band in years, are beyond delighted with a fast-paced The Chain, an ethereal Rhiannon and a spine-tingling Big Love.

After a rousing version of Go Your Own Way, satisfied fans headed off into the night after a thrilling evening.

(REVIEW) FLEETWOOD MAC - GLASGOW, SCOTLAND "THE SCOTSMAN"

Gig review: Fleetwood Mac
By DAVID POLLOCK
SECC, GLASGOW
****
Photo by: Ross Gilmore

THE subtitle of this reunion tour claims we can expect Fleetwood Mac Unleashed, but it might just as easily be considered Fleetwood Mac Lashed Back Together. Few bands have been through such interpersonal upheaval and still managed to take to a stage together some 40 years after their formation. Gratifyingly, old enmities and possible past mistakes weren't just glossed over with a few platitudes.

"(The album] Rumours was recorded when we were going through such emotional turmoil," notes Lindsay Buckingham diplomatically. "So yes, there was a lot of aggression in this song." The following Second Hand News was one of the night's more impassioned tracks, regardless of the band's seeming newfound comfort with one another.

Buckingham, guitarist and often the lone singer, and singer Stevie Nicks still appear to be the kind of polar opposites you'd never normally place together. Nicks is a loveable Bohemian in shawls and floaty floor-length dresses, and bleached-blonde soft focus on the big screens.

Buckingham's thousand-yard stare and gritted teeth give a certain frightening perspective to the fact that he says Big Love described the person he was in the Eighties and that he's now merely an echo of that man. Performed solo, the song is roared, lascivious, almost confrontational.

Next to such huge personalities, Mick Fleetwood and John McVie form a prosaic backlines. Yet they switch with accomplishment between the two Fleetwood Macs on display here: the folksy, sweet feminine pop of Nicks, which runs through songs like Gypsy, Sara, Rhiannon and I Have Always Been a Storm – unplayed before this tour – and Buckingham's gruff, alpha-male rock.

Whichever of the pair is singing, large swathes of pop songwriting excellence eclipse infrequent sections of dated MOR. Before the closing Don't Stop, Fleetwood announces: "We'll see you next time". Once more, we look forward to it.

ALBUM REVIEW: FLEETWOOD MAC -THE VERY BEST OF


After years of being dismissed as bloated, coked-up rock dinosaurs, even the most jaded punk purist will quietly agree that Fleetwood Mac’s late-’70s trilogy – 1975’s Fleetwood Mac, 1977’s Rumours and 1979’s Tusk – are works of unalloyed studio-pop genius.

All are adequately represented (“Rhiannon”, “The Chain”, “Sara”, etc) on this two-CD best-of, but we’re also encouraged to reappraise the guilty pleasures in their slick ’80s canon (“Little Lies”, “Don’t Stop”, “Everywhere”).

Would’ve been nice to hear something from the Bob Welch or Peter Green eras, of course, but there’s still not a duff track here.

JOHN LEWIS
UNCUT MAGAZINE

PLAY: STEVIE NICKS COVER "IN GOOD NICKS"


I think I missed something!

I'm pretty sure I've read the article in this magazine, but can't see that I've posted it anywhere... I'll look further. But here's the cover of the magazine. It's from the August 23rd edition of the Austrailian Sunday Herald.
(click for a larger version)

(PHOTOS) LIVE SHOTS OF FLEETWOOD MAC IN ROTTERDAM

FLEETWOOD MAC LIVE IN ROTTERDAM
OCTOBER 15, 2009
Photos by: Robert van der Bruggen


Thank you to Robert for providing the link

Wednesday, October 21, 2009

SEX AND DRUGS AND FLEETWOOD MAC . .Superstars are Coming to Dublin

Sex and drugs and Fleetwood Mac. . .
The soft-rock superstars are coming to Dublin -- but in another part of town, original guitarist Peter Green is still playing the blues

By Richie Taylor

This Saturday and Sunday night, Fleetwood Mac will perform in the O2 venue in Dublin to over 20,000 fans.

Twenty-fours later, on Monday night, Peter Green, the original creative genius behind the band when they formed in 1967, will also play the capital -- probably to a turn-out of around 200 diehard fans in the Academy venue on Middle Abbey Street.

It may be a coincidence but it puts the contrasting fortunes of Green and his former bandmates in sharp focus.

Fleetwood Mac are still living off Rumours, their classic album that won a Grammy over three decades ago. They're billed in the radio ads for the O2 gigs as "the Rumours line-up", but the 2009 version of the Mac are actually missing keyboardist and vocalist Christine McVie, a key member who was responsible for writing half the hit singles on Rumours.

Peter Green is living off his reputation as a genius composer and a guitar great. Ranked 38th in Rolling Stone's list of the "100 Greatest Guitarists of All Time", BB King once said of his guitar playing: "He has the sweetest tone I ever heard."

A key figure of the British Blues movement in the 1960s, Green was a sometime member of 1960s supergroup John Mayall & The Bluesbreakers.

But it was his work with Fleetwood Mac that he is best remembered for. Alas, he had long since left the band when they went supernova in 1977.

In the late 1970s, The Mac, as they were known to their fans, personified the idyllic Californian lifestyle: luxury homes in Malibu, crates of booze, an endless supply of cocaine, flash cars and studios block-booked for years until the creative juices finally flowed. There was also plenty of romance between various band members -- something which both got the creative juices flowing but also sowed the seeds of their split.

Lead singer Stevie Nicks -- a blonde beauty whose poster adorned many a teenage boy's bedroom wall in the 1970s -- was originally with guitarist Lindsey Buckingham, but they split and she had an affair with lanky drummer Mick Fleetwood, who was married.

Christine McVie had been married to bassist John McVie, but they split and she had an affair first with one of their road crew and later with ill-starred Beach Boy Dennis Wilson.

In the late 1960s Fleetwood Mac set the charts ablaze with a string of hits -- mainly written by Peter Green -- which included 'Albatross', 'Man of The World', 'Black Magic Woman', 'The Green Manalashi (With The Two-Prong Crown)' and 'Oh Well'.

Then on tour in America, one morning pint-sized guitarist Jeremy Spencer left the hotel in Los Angeles and never returned.

He had been sidetracked on the street by members of the Children of God cult, and is with them to this day. Spencer finally broke cover a couple of years ago and revealed his location, declaring he was still happy with them.

After Spencer's departure, further cracks appeared in the band. Peter Green, who later admitted that he had taken one acid trip too many, started to act strange. He gave all his money away to charity, quit the band in 1970 and lived the life of a hermit. He later took a job as a gravedigger in order to make ends meet. He was never to rejoin Fleetwood Mac.

Meanwhile, third guitarist Danny Kirwan had also been behaving weirdly and quit music. When last heard of he was living in sheltered accommodation in London.

The remaining members of Fleetwood Mac -- Mick Fleetwood and John McVie --recruited new members, transforming themselves from an English blues band with pop leanings into an outfit that personified the hedonistic lifestyle of West Coast America.

Their soft rock was full of sunshine and melody and their playing was never less than spellbinding.

Now they're out on tour for the first time since 2004, playing a full Greatest Hits set. Christine McVie left the group in 1998, and bought a plush pad overlooking the Thames in London.

But the others can't seem to give it up. It's not as if they need the money -- 1977's Rumours has sold over 30 million copies to date.

Original member Mick Fleetwood revealed: "This time out we're giving people what they want; it's like a fans' fantasy. The new challenge for us is that we'll be playing some of Christine's songs onstage. These songs are her legacy."

Meanwhile, Peter Green continues to plough a lone furrow, playing the blues music that initially attracted him to first pick up a guitar.

In the late 1960s Green was on a par with greats Jimmy Page, Eric Clapton and Jeff Beck. Now he's overweight, has weird facial hair and doesn't say very much. But according to those who have seen him perform with his own band, the guy can still play the blues like he really means it.

Fleetwood Mac play the O2 on Saturday and Sunday. Peter Green and his band play The Academy, Dublin, on Monday

Irish Independent