[repost - reminders]
FLEETWOOD MAC
DON'T STOP DOCUMENTARY
BBC ONE
NEXT ON:
Today, November 1st - 22:20
(except Northern Ireland)
Fleetwood Mac, one of the biggest-selling bands of all time, are back on the road again. Their story, told in their own words, is an epic tale of love and confrontation, of success and loss.
Few bands have undergone such radical musical and personal change. The band evolved from the 60s British blues boom to perfect a US West Coast sound that saw them sell 40 million copies of the album Rumours.
However, behind the scenes relationships were turbulent. The band went through multiple line-ups with six different lead guitarists. While working on Rumours, the two couples at the heart of the band separated, yet this heartache inspired the perfect pop record.
BROADCASTS
Sun 1 Nov 2009 22:20 BBC One (except Northern Ireland)
Sun 1 Nov 2009 22:50 BBC One (Northern Ireland only)
Fri 6 Nov 2009 21:00 BBC Four
Sat 7 Nov 2009 02:25 BBC Four
Mon 9 Nov 2009 01:30 BBC Four
DURATION
60 minutes
Johnnie Walker's Sounds Of The 70's
On BBC Radio 2's Johnnie Walker's Sounds Of The 70's - Fleetwood Mac's Mick Fleetwood and Lindsey Buckingham join Johnnie Walker to discuss the stories behind their incredible 70s back catalogue, which includes the hits Go Your Own Way, Dreams, The Chain and Rhiannon.
Mick and Lindsay have reunited with Stevie Nicks and John McVie for Fleetwood Mac's first live tour in five years and have released a remastered collection of their greatest hits.
Next on: Sunday, November 1st - 15:00 on BBC Radio 2
The Broadcast is now available on the BBC2 site to re-listen to: HERE
Sunday, November 01, 2009
Saturday, October 31, 2009
REVIEW: Fleetwood Mac Live at Wembley in London
Fleetwood Mac at Wembley
Making Strange
"Even though it probably isn't so, it feels like every lyric about lost love is about the sad end to the relationship between Stevie Nicks and Lindsey Buckingham. The way they move around and connect with each other on stage is either a very clever act to engage the audience or they made a terrible mistake all those decades ago when they broke up."
Continue To Full Review
Making Strange
"Even though it probably isn't so, it feels like every lyric about lost love is about the sad end to the relationship between Stevie Nicks and Lindsey Buckingham. The way they move around and connect with each other on stage is either a very clever act to engage the audience or they made a terrible mistake all those decades ago when they broke up."
Continue To Full Review
COMING UP... MICK FLEETWOOD INTERVIEW ON SMOOTH RADIO 97.5 & 107.7
Mick Fleetwood will be a guest on The Mark Goodier Show on Smooth Radio 97.5 & 107.7 in the UK next week - 10am... Not sure of the exact date yet... Will post when I find out..
Labels:
Fleetwood Mac,
Mick Fleetwood
REVIEW: FLEETWOOD MAC - Live in London October 30, 2009
Fleetwood Mac, Wembley Arena
by Joe Muggs
The Arts Desk
by Joe Muggs
The Arts Desk
The first signs were good. I've been to a lot of shows by “heritage bands” in my time, but I don't think I've ever seen a crowd for a band of Fleetwood Mac's vintage that had such an even age distribution. Sure, it was heavily weighted towards the greying end of the scale, but every age group down to teens – including teens there in groups under their own steam, not just with parents – was well represented, right across class boundaries too.
But then Fleetwood Mac have always been a lot of things to a lot of people. From the bluesy 60s underground Peter Green era, through the spectacular 70s pinnacles of rock-Babylon mega-success following Green's decline and departure and the arrival of sparkly-eyed Californians Stevie Nicks and Lindsey Buckingham, to the shiny pure pop of their late-80s Tango In The Night creative swansong, they covered an awful lot of ground. Everyone was hoping their setlist might suit their own tastes – in my case the Tango In The Night songs of my schooldays. Sadly they did not play this.
On stage, the band managed the extraordinarily impressive feat for such a repeatedly split-and-reformed act of actually looking like a band. Other than the lack of Christine McVie, who has seemingly permanently retired from live performance, this was the classic 70s/80s lineup of Nicks and Buckingham out front and the founder-members' British rhythm section of Mick Fleetwood and John McVie (the original “Fleetwood” and “Mac”) on drums and bass behind them – plus backing vocalists and two session musician multi-instrumentalists in the wings.
Fleetwood and McVie looked rather like a multimillionaire Chas & Dave with their matching flat caps, waistcoats and beards, while Buckingham had the air of an over-dressed pervy music teacher and Nicks of a wonderfully batty goth aunt, complete with one black glove, tinsel hanging from her sleeves and a mic stand draped with witchy decorations. But somehow, among the arena lightshow and moving set decorations, despite all the history, they still looked like their relationship was musical.
And it is. From the swagger of “The Chain” (from the quintillion-selling Rumours) onward it was clear this is more than just some ageing drug casualties propped up by technology and extra staff. The 12-string guitar jangle of Tusk's “I Know I'm Not Wrong” showed how much Fleetwood Mac's work prefigured the whole of eighties alternative rock as well as the mainstream – making them the missing link between The Byrds and The Cult. “Second Hand News” was a mighty country-rock stomp, showing precisely how much the band were always connected to heartland America. And “Rhiannon” and “Sara” showed how much Nicks's voice was born to age gracefully, it's catches and cracks only made more affecting by age's emphasis.
Fleetwood and McVie looked rather like a multimillionaire Chas & Dave with their matching flat caps, waistcoats and beards, while Buckingham had the air of an over-dressed pervy music teacher and Nicks of a wonderfully batty goth aunt, complete with one black glove, tinsel hanging from her sleeves and a mic stand draped with witchy decorations. But somehow, among the arena lightshow and moving set decorations, despite all the history, they still looked like their relationship was musical.
And it is. From the swagger of “The Chain” (from the quintillion-selling Rumours) onward it was clear this is more than just some ageing drug casualties propped up by technology and extra staff. The 12-string guitar jangle of Tusk's “I Know I'm Not Wrong” showed how much Fleetwood Mac's work prefigured the whole of eighties alternative rock as well as the mainstream – making them the missing link between The Byrds and The Cult. “Second Hand News” was a mighty country-rock stomp, showing precisely how much the band were always connected to heartland America. And “Rhiannon” and “Sara” showed how much Nicks's voice was born to age gracefully, it's catches and cracks only made more affecting by age's emphasis.
Source: The Arts Desk
REVIEW: FLEETWOOD MAC - FRONT ROW AT WEMBLEY
Fleetwood Mac - London
Wembley Arena 10.30.09
The State Of The Nation UK
Review and Photos by Stephen Chapman
I am proud to announce the 200th posting on my blog! And it's a special entry from me today following one of the most amazing concert experiences I have had, last night at Wembley Arena.
Pete, Sonny and I went to see Fleetwood Mac on their Unleashed tour and had some luck in obtaining front row seats. There's nothing like watching 12,500 people fill up an arena behind you! But better news was yet to come as one of the road crew came out and asked us if we wouldn't mind standing for the show! So we positioned ourselves right on the stage - I was actually touching the stage's carpet! He said that they were happy for photographs to be taken, so I was very pleased with that.
The show itself was truly stunning with a performance to rival any band. We were standing on the Stevie Nicks' side of the stage and she was on great form. I have always been a fan of Lindsey Buckingham's guitar playing, but he blew me away and when he came to our side of the stage for a long guitar solo, he stood right in front of me - his boots were 2 inches away from my hand!
This is the 4th time I have seen Fleetwood Mac and it's by far the best performance I have seen - the choice of songs was brilliant and the sound impressive. The strange thing about being at the very front of the audience is that you don't really hear the main crowd and get the atmosphere, so this was very much about watching the band from close quarters and enjoying the professionalism and performance.
A night to remember. I hope you like these pictures...
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