(PHOTOS) A Couple of Photos of Stevie Nicks in Atlantic City

Photos by: (link) Irmen Images 

MICK FLEETWOOD SIGHTING

Spotted August 31, 2010 at Hawaii Prince Golf Course for the "Back in the Day C&K Golf Classic With The Legends" an event to benefit Keiki O Ka Aina Family Learning Center.

Photo by: by Mailani

Photo by: LanaitheDJ

IT HAPPENED....

On this day (Sept 1st) in 1980, Fleetwood Mac ended a nine-month world tour with a performance at the Hollywood Bowl. Lindsey Buckingham announced on stage, “This is our last show for a long time.”

Lindsey Buckingham - Tusk Tour
(click to enlarge)

STEVIE NICKS WILL APPEAR IN THIS ISSUE OF ROLLING STONE

According to David Wild @Wildaboutmusic (Rolling Stone Contributing Editor) his report / preview / blurb on the next Stevie Nicks album being produced by Dave Stewart will be in this issue of Rolling Stone Magazine issue #1113 on store shelves tomorrow September 1, 2010 - You may recall his mention of her album was to appear in the September 2nd issue, but was bumped at the last minute to include U2.

Rolling Stone

David Wild's Twitter post below:

Wildaboutmusic: I can confirm the Stevie Nicks album preview is in the next Rolling Stone with this red hot "MAD MEN" cover!

Here's what David Wild Wrote in RollingStone:

STEVIE NICKS SOLO ALBUM DUE IN 2011.

"I haven't been this excited about anything I've done since [1981's] Bella Donna," says Stevie Nicks, who is working on her first solo LP since 2001. The album is a collaboration with Eurythmics' Dave Stewart, who co-wrote and co-produced the disc (Glen Ballard also worked on the recored). "It's thrilling, because I've found a writing partner," says Nicks. "I never thought that would happen, because I've never been into sharing songs." The record, which Nicks hopes to put out next spring, doesn't have a title yet but is full of atmospheric, moody rock & roll reminiscent of her best solo work. "For What It's Worth" is a road song that Heartbreaker Mike Campbell contributed the music for, "In Your Dreams" is a supercatchy, uptempo cut, and "Italian Summer" is a grand, romantic ballad based on a trip Nicks recently took to Italy. "It's so powerful," she says. "That was a magical time that's become a magical song." She adds, "at a certain point, I'm going to get too old for this, but making this album really shows that I'm not done yet."

(REVIEW) Stevie Nicks' voice clear, stunning at MGM Grand show

BY STEPHEN PETERSON
The Sun Chronicle
MASHANTUCKET, Conn.

Stevie Nicks tours even when she isn't really touring.

The stellar rock singer performed Saturday night at the MGM Grand Theater at Foxwoods Resort Casino, the last of just six dates on a mini-tour.

Nicks is scheduled to come out with a new solo album in March, which likely will mean a longer tour, however.

Nicks, 62, the singer and songwriter for Fleetwood Mac along with Lindsey Buckingham, and the group's most popular member, sang several of that supergroup's hits along with her own material.

She stayed away from any new songs, fearing they would end up on the Internet before her seventh album and the first one since 2001 comes out. But she explained one reason she decided to do a few concerts was because she finds making an album "very solitary."

Her new songs are being co-written with Dave Stewart of the Eurythmics.

Nicks' voice remains as stunning as ever, and that was clear after the opening songs in which the lyrics were a bit difficult to hear.

Kicking off with "Fall From Grace" from her 2001 album, "Outside the Rain" from her first album, "Bella Donna," a No. 1 from 1981 and her best effort, segued into Fleetwood Mac's "Dreams."

That No. 1 song was off the phenomenal 1977 Grammy-winning "Rumours" album that has sold over 25 million copies and led to a cover of Tom Petty's country-rock tune, "You Wreck Me."

Nicks had a big hit with a duet with Petty on her first album, "Stop Draggin' My Heart Around."

Nicks' "Sorcerer" featured a riveting solo from her longtime lead guitarist and music director, Waddy Wachtel.

Nicks stretched her voice at the tail end of "Gold Dust Woman," also from "Rumours." Here she really displayed her mystic pose in her black outfit and shawl.

"If Anyone Falls in Love," another solo number, preceded a fast-paced Bob Segar song, "Face the Promise."

There was a sweet piano introduction for "Rhiannon," the group's first hit, off "Fleetwood Mac," the 1975 No. 1 and first album with Buckingham and Nicks.

Nicks performed her famous twirl on her solo smash, "Stand Back," a No. 5 song from 1983's "Wild Heart" that had Prince on keyboards.

Nicks' voice was brilliant and Wachtel was on acoustic for the simply stunning "Landslide" from "Fleetwood Mac."

The smooth "How Still My Love," off her first album, led to solos by the drummer and percussionist.

Another of Nicks' big solo hits, "Edge of Seventeen (Just Like the White Winged Dove)" from 1982, showcased the organ.

The appreciative singer shook hands with dozens of fans along the front of the stage before returning for the encore, a cover of Led Zeppelin's "Rock and Roll," and her "Love Is."

Read more of this review at thesunchronicle.com/go

Nicks was backed up by two female singers - one her sister-in-law. The band was filled out by a bassist and second guitarist.

Nicks' popular "I Can't Wait" didn't make the song list.

Nicks and Buckingham brought a California flavor to the former British blues band of Fleetwood Mac, and they shot the group to worldwide fame when they joined the group in the mid-70s, adding harmony and exceptional songwriting.

Nicks has been nominated for seven Grammys and has inspired many female singers over the years.

Nicks was born Stephanie Nicks in Phoenix, and came out with one album with Buckingham before joining Fleetwood Mac.

(Review) Stevie Nicks a strong, elegant, presence at Foxwoods

By Margaret Smith
GateHouse News Service
August 30, 2010
Mashantucket, Conn. —

The glamorous trappings were there – the black lace, the white shawl, blond hair – but for Stevie Nicks and her packed house at MGM Grand at Foxwoods Saturday, the thread throughout was the beat.

The Fleetwood Mac principal and solo performer, synonymous with all things ethereal, took to the stage with an elegant presence underscored by a strong, percussive sound. Her imagery and characters may have a celestial touch, but her delivery was firmly planted on terra firma.

With a back screen projecting elemental images – such as falling rain, and for “Edge of Seventeen,” the archetypal white-winged dove, soaring in dream-like slow motion through space – the set list was a delight for Nicks fans with much-loved favorites, such as “Dreams,” “Rhiannon,” and “Stand Back.”

But, the woman who gave rock its feminine side also drew inspiration from some of the guys -- with inspired renditions of songs by Bob Seger, her long-time friends Tom Petty and the Heartbreakers, and ended with a nod to the past – Led Zeppelin’s “Rock And Roll.”

Standards such as “Gold Dust Woman” – the dark, heady exit cut on Fleetwood Mac’s “Rumours” – probably did as much as Bauhaus’ “Bela Lugosi’s Dead” to inspire a generation of gothic bands. On this night, the song’s sepulchral spirit lived again, only fresh, new, and disquieting as ever.

Nicks gave a much-deserved nod to her band, and long-time musical director, Waddy Wachtel, for helping to bring the vitality to a body of work sometimes dismissed as flighty and delicate, and detached from worldly cares.

But this has never really been true. Few coming of age songs resonate are as plaintive “Landslide,” which evoked a spontaneous, choir-like response as the audience sang along. Or “Edge of Seventeen,” which is more than about a longing for a forbidden love; it’s a mature woman’s acceptance of its truth.

And, “Still of The Night ”and “Outside The Rain,” from Nicks’ first solo album, “Bella Donna,” not as celebrated as other songs from this album, but jewels in their unadorned arrangements, and lyrics filled with passion and yearning for resolution.

In recent years, Nicks has infused a great deal more playful banter with her audience in her shows, with charmingly self-deprecating references to “Alice in Wonderland” and many warm salutes to people in her life who have inspired her works. It's hard not to feel that everyone is friends at her concert, because that is how she treats her audience -- another enduring Nicks hallmark.

The only missing feature was a signature of Nicks’ performances – changes of costume, each signifying various facets of the identities evoked in her songs.

But this too many signify a sea change – in case anyone should doubt it, it always has been about the music, and a great music maker who now as ever does more than just rock a little.