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Mick Fleetwood Interview with Heather Morrison of Magic 98.3 Saskatoon, Canada speaking life, Fleetwood Mac and the upcoming tour.
Mick Fleetwood talks Mac 2013 tour with Robin Larose of Classic Rock 101 Vancouver
Wednesday, December 05, 2012
Q&A w/ Stevie Nicks and Lindsey Buckingham 'Now that you've talked to the two of us, are you starting to feel like a shrink?'
Q&A: Stevie Nicks and Lindsey Buckingham Reveal Lingering Tensions in Fleetwood Mac
'Now that you've talked to the two of us, are you starting to feel like a shrink?' asks Buckingham
As previously reported, Fleetwood Mac will head out on the road next year for a massive world tour. It turns out the tour was originally scheduled for 2012, but Stevie Nicks decided to take an extra year for her own solo trek. The rest of the group decided to make the best of things and use the time to cut a new album, but that ultimately fell apart, too.
'Now that you've talked to the two of us, are you starting to feel like a shrink?' asks Buckingham
As previously reported, Fleetwood Mac will head out on the road next year for a massive world tour. It turns out the tour was originally scheduled for 2012, but Stevie Nicks decided to take an extra year for her own solo trek. The rest of the group decided to make the best of things and use the time to cut a new album, but that ultimately fell apart, too.
Rolling Stone spoke at great length to Nicks and Lindsey Buckinham about all the drama, their disagreement over how to celebrate the 40th anniversary of their long out-of-print collaborative LP, Buckingham Nicks, and how the ex-lovers manage their fragile partnership. They got on the phone separately, about a week apart.
Full Q & A with both Stevie and Lindsey at Rolling Stone.
Don't skip Lindsey's end of the Q&A, which is on page two, it's really great. Informative with a lot of talk about Buckingham Nicks and the Fleetwood Mac album that was almost... PLUS it's quite funny actually!
Don't skip Lindsey's end of the Q&A, which is on page two, it's really great. Informative with a lot of talk about Buckingham Nicks and the Fleetwood Mac album that was almost... PLUS it's quite funny actually!
Audio Interview: The Legendary STEVIE NICKS Checks In With Lone Star 92.5
STEVIE NICKS Checks In With Bo and Jim at
Length is approximately 10 minutes
Tuesday, December 04, 2012
Lindsey Buckingham points out, his solo work is ultimately good for Fleetwood Mac
Brian Ives, CBS Local
Lindsey Buckingham has just released One Man Show, a solo acoustic live album, taken from his first tour in that format. The track listing spans his career; it includes “Trouble” from his solo debut, 1981’s Law And Order, his 1984 hit “Go Insane,” “Seeds We Sow” from his 2011 album of the same name and a number of Fleetwood Mac classics, including “Never Going Back Again,” “Big Love,” “So Afraid” and “Go Your Own Way.” There’s even “Stephanie,” from the Buckingham/Nicks album that he did with Stevie Nicks before they joined Fleetwood Mac.
Buckingham famously quit Fleetwood Mac in 1987, just after the release of Tango In The Night, partially because he wanted to focus on his own records. Since rejoining the band in 1997, he’s remained prolific on his own, releasing three solo albums and touring frequently (One Man Show is his third live release during the same time period).
He tells CBS Local, “Doing the amount of solo work that I’ve done in the past decade, it clearly is kind of the antidote to the experiences I was repeatedly having in Fleeetwood Mac for years, where I would try to work on a solo album and get it out, and (the solo songs) would either be co-opted because of group pressure, or it would be set aside. And that’s fair enough too, because if you’re in a band, you’ve got to be a band member in good standing and you have to keep the big picture in mind.”
He says that these days, he has hit a good balance between working solo and being in the band. And, he points out, his solo work is ultimately good for Fleetwood Mac: “It allows me to bring back something into the band that I might not have otherwise. I keep growing as an artist, and keep pushing my limits a bit, in a way which I couldn’t do in Fleetwood Mac.”
He points out that there’s a big difference between what he does on his own, and what he does with the group. “What I do as a solo artist is kind of tapping into the left side of the palate, the more esoteric side of things. So I think inherent in that is losing a greater portion of the people who might be Fleetwood Mac fans for different reasons. Obviously it’s the difference between playing in an arena and playing in a theater.”
He’s fine with playing to smaller crowds on his own. “That’s always part of the equation when you get to a certain level of popularity, there’s kind of a corporate mentality that kicks in,” and he mentions the need to uphold the band’s “brand.” “(But) it isn’t necessarily the best adage to follow as an artist. You have to kind of remember who you are, and you have to be taking risks, even at the risk of diminishing commerce. That’s sort of the equation I’ve been living for many years and have somehow managed to strike a balance between what I call ‘the big machine’ and ‘the small machine.’ At this point they support each other, and it’s a good place to be. “
One Man Show is availble now, exclusively at iTunes.
CBSHe tells CBS Local, “Doing the amount of solo work that I’ve done in the past decade, it clearly is kind of the antidote to the experiences I was repeatedly having in Fleeetwood Mac for years, where I would try to work on a solo album and get it out, and (the solo songs) would either be co-opted because of group pressure, or it would be set aside. And that’s fair enough too, because if you’re in a band, you’ve got to be a band member in good standing and you have to keep the big picture in mind.”
He says that these days, he has hit a good balance between working solo and being in the band. And, he points out, his solo work is ultimately good for Fleetwood Mac: “It allows me to bring back something into the band that I might not have otherwise. I keep growing as an artist, and keep pushing my limits a bit, in a way which I couldn’t do in Fleetwood Mac.”
He points out that there’s a big difference between what he does on his own, and what he does with the group. “What I do as a solo artist is kind of tapping into the left side of the palate, the more esoteric side of things. So I think inherent in that is losing a greater portion of the people who might be Fleetwood Mac fans for different reasons. Obviously it’s the difference between playing in an arena and playing in a theater.”
He’s fine with playing to smaller crowds on his own. “That’s always part of the equation when you get to a certain level of popularity, there’s kind of a corporate mentality that kicks in,” and he mentions the need to uphold the band’s “brand.” “(But) it isn’t necessarily the best adage to follow as an artist. You have to kind of remember who you are, and you have to be taking risks, even at the risk of diminishing commerce. That’s sort of the equation I’ve been living for many years and have somehow managed to strike a balance between what I call ‘the big machine’ and ‘the small machine.’ At this point they support each other, and it’s a good place to be. “
One Man Show is availble now, exclusively at iTunes.
Buy "One Man Show" Available ONLY at iTunes
Lindsey Buckingham talks about Christine McVie Re: Fleetwood Mac “She Didn’t Have To Burn As Many Bridges As She Did”
“She Didn’t Have To Burn As Many Bridges As She Did”
Singer/keyboardist/songwriter Christine McVie — who wrote and sang “Say You Love Me,” “Over My Head,” “You Make Loving Fun,” “Think About Me,” “Hold Me,” “Little Lies,” and of course, “Don’t Stop” — left the band after their reunion tour promoting 1997′s The Dance.
Since then, the band have toured as a foursome (with support musicians in tow), and have released a (double) album, 2003′s Say You Will. But time can heal all wounds — The Rolling Stones recently played two concerts where they were joined by former members Bill Wyman and Mick Taylor for a few songs. So, would Fleetwood Mac ever welcome Christine to join them for a few of her classics? CBS Local put that question to Lindsey Buckingham.
“Well, that’s a good question! It’s an odd thing for me, in many ways I’m having a better time in the band as a foursome, only because it opens up a range of things that I can do. Except for maybe ‘Don’t Stop,’ we don’t do a lot of her stuff. It opens up the amount of material we can play, it allows me to be more of a ‘guy,’ to be more of who I am up there,” he explains, saying that without a keyboardist in the band, his guitar takes center stage. ”I would be shocked if she ever expressed any interest to do anything with us. Shocked and pleased.”
Christine has attended one Fleetwood Mac show since leaving the band (she declined to perform with them), but she hasn’t had much contact with the group in the past decade. But Buckingham explains that she was going through a lot of life changes at that point.
“She ended up getting a divorce, she ended up selling her house in L.A., she moved back to England, she quit the band, she sold her publishing,” Buckingham said. “She didn’t necessarily have to burn as many bridges as she did. Everyone sometimes wonders whether or not there might have been more of a middle ground for her to strike, not necessarily in terms of her staying in Fleetwood Mac. But she just wanted to reinvent herself. She seems to want to lead the antithesis of the life she led before, and I don’t pretend to understand such a radical change but it was obviously something she needed.”
Full article at 94.5 Kool FM
Stevie Nicks says about new Fleetwood Mac tunes "These songs sound like they're 30,"
Fleetwood Mac to Release New Music Before Spring Tourby Gary Graff, Detroit
Billboard Magazine
"These songs sound like they're 30," Stevie Nicks tells Billboard. "It blows my mind. Because we've never stopped, our voices and everything"
Steve Nicks tells Billboard that the group has recorded three songs for release before the band hits the road April 4 in Columbus, Ohio for a 34-city trek that concludes June 12 in Detroit. Two of the tunes, "Sad Angela" and "Miss Fantasy," stem from sessions guitarist Lindsey Buckingham, bassist John McVie and drummer Mick Fleetwood held earlier this year, while Nicks describes the third as "an old Buckingham Nicks song that, really, we can't either one of us figure out why it didn't go on the record."
The songs were recorded in November at Buckingham's home studio while the quartet was gathered to discuss its tour plans.
"We wanted to have something to put out before we go out, January or February, in whatever way you do that -- iTunes or something," explains Nicks, who says she herself doesn't own a computer or spend time on the Internet. "And since nobody really cares about albums anymore, if you can come up with two or three great songs and just put them out there...people can at least hear how we sound today when it comes to actually recording."
Full article at Billboard.com
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