Trailer: Stevie Nicks: Through The Looking Glass 2013 Movie

Stevie Nicks: Through The Looking Glass

For over four decades Stevie Nicks has been responsible for composing some of the best loved and most joyous contemporary songs ever written, as this documentary film recounts. Featuring rare footage, archive and new interviews, plus contributions from those who have worked closely with Stevie such as good friend Keith Olsen, Rumours producer Ken Caillat, and Rick Vito, this DVD will delight fans.

Not really sure what this is... But it might be interesting.
Available April 9, 2013 - AMAZON

The lady in the last half of this clip I believe is Ann Power who interviewed Stevie at SXSW.

SNEAK PEAK: Oprah's Master Class with Stevie Nicks Sunday 10/9c on OWN

Stevie Nicks - Master Class

Watch Oprah's Master Class with Stevie Nicks on Sunday, March 24, at 10/9c on OWN.

You don't want to miss this!

Singer/songwriter Stevie Nicks discusses her mother's death, her legendary musical partnership with Lindsey Buckingham, and Fleetwood Mac. Plus, Stevie opens up about the mistakes she has made, including marrying her friend's husband and her battle with drug addiction.

For more on Oprah's Master Class, visit 

www.oprah.com/MasterClass

On Sale Now. STEVIE NICKS: IN YOUR DREAMS Documentary Screenings in Miami Tulsa Bolingbrook & Glendale

‘IN YOUR DREAMS’ – STEVIE NICKS DOCUMENTARY SCHEDULED FOR EXCLUSIVE NORTH AMERICAN RELEASE ON APRIL 2ND

In Your Dreams Movie Website

Tickets Now On Sale for 5 new locations:

TULSA, OK

Circle Cinema

10 South Lewis Avenue

GLENDALE, WI

The Bayshore Town Center

5800 N. Bayshore Drive

BOLINGBROOK, IL

The Promenade Bolingbrook

619 E Boughton Road

MIAMI, FL

MDC's Tower Theater

1508 S.W. 8th Street


WINSTON SALEM, NC
311 West Fourth St.
Winston Salem, NC

Most U.S. Theaters now have on-line tickets available, with just a handful of holdouts... If your city isn't selling tickets on-line, the theater may be selling directly at the box office., click the links below for contact details 

Get them while you can.  Limited availability.  One Night Only!

Steve Nicks of time

by Shinan Govani
National Post

“You do not mess with a married man,” Stevie Nicks says. She knows what she’s talking about.

A ripple of unsustained ardour: That’s what went out when the news hit recently that Stevie Nicks will be stopping in  Toronto next month in support of a new documentary by and about her, In Your Dreams.

Having game-changed and inspired and lived to tell the tale, been to the moon, Betty Ford and back, the Fleetwood Mac frontwoman brings out a very special denomination of devotee. April 15. King Street. Sundown. That’s when one of the last of the old-school rock stars is set to appear at two back-to-back unspoolings of a film that shares its names with her last solo album and was co-created with her producer, Dave Stewart of The Eurythmics. And if her appearance at the South By Southwest festival, in Austin, last week, is any indicator, her Q&A-appointments, here at TIFF Lightbox, will not be rote. Simply put: the woman gives good mantra.

Sitting down with NPR the other day for a long live-in-person — particularly about those heady times in the ’70s when the band put out an album in May and “by September or October” she and collaborator Lindsey Buckingham were millionaires — she offered her own Sheryl Sandberg-isms about being a woman in her biz. Lean in? Been there … done that! Looking around the club she was suddenly part of back then — the Eric Claptons, the Mick Jaggers, etc. — she decided, “we can never be treated like second-class citizens … so when we walk into the room, we have to walk in with a big attitude. Which does not mean a snotty, conceited attitude. But it means we have to float in like goddesses, because that is how we want to be treated.”

As for men, get your own! So insists the goddess, speaking from experience. Getting onto the subject of adultery — inspired by her watching the new Anna Karenina movie — Nicks shares, “I have done exactly what [Anna] did. And do you know what it got me? Nothing. It got me misery and unhappiness. … And bad karma.”

Tickets on sale to TIFF members March 20th - General Public sale March 27th

Fleetwood Mac World Album Charts Update: UK, USA, NZ, Australia

USA - March 23, 2013

For the sales week ending March 10th and chart date March 23rd Fleetwood Mac have two albums in the Top 200.  Rumours moves up to 188 from 194 last week even though it declined in sales by 4%.  Sales this week were 2,836 vs 2,952 last week. Total U.S. sales since November, 1991 = 3,161,992.  Greatest Hits has the greatest gain on the chart moving this week to 102 from 128 last week on a 14% sales boost or 4,444 units vs 3,883 last week.  Amazon for almost two weeks had a deal on Fleetwood Mac's Greatest Hits selling the mp3 version for only $4.99.  Total U.S. sales since November, 1991 = 4,632,885.

On the Top 200 Catalogue Chart 4 titles remain with Greatest Hits moving into the top 10 at number 8 up from number 20 last week.  Rumours is also up to 43 from 51 last week and The Very Best Of also moves up to 139 from 175 the previous week with sales at 1,764 for the week vs 1,696 the previous week. Total U.S. sales since it's release in November, 2002 = 1,550,529.  Fleetwood Mac's self titled 1975 release moves up slightly to 153 from 158 last week shifting another 1,685 units vs 1,793 the previous week.  Total U.S. sales since November, 1991 for that title = 905,666.

BILLBOARD TOP 200 ALBUMS CHART
# 102 (128) Fleetwood Mac - Greatest Hits 4,444 (3,883) Total 4,632,885
# 188 (194) Fleetwood Mac - Rumours 2,836 (2,952) Total 3,161,992

TOP 200 CATALOGUE CHART
# 8     (20)   Fleetwood Mac - Greatest Hits
# 43   (51)   Fleetwood Mac - Rumours
# 139 (175) Fleetwood Mac - The Very Best Of
# 153 (158) Fleetwood Mac - Fleetwood Mac

UK - March 23, 2013

"Everywhere" sticks around the UK Top 30 for a second week. That little Shetland Pony Ad continues to fuel the momentum.

Last week when "Everywhere" re-entered the UK charts at number 15 it did so on sales of 17,798 singles giving Fleetwood Mac their first Top 20 hit in 25 years in the UK; only surpassed by the same track back in 1988 making it to number 4. The spin off effect on other tracks was evident with "Little Lies" last week seeing a bump in tracks sold as well (1,640) boosting it to number 147 on the unpublished charts.  Go Your Own Way also saw significant sales (2,523) allowing it to re-enter the chart at number 98.  Greatest Hits was the big winner in terms of percentage increase in sales jumping from 128 to 69 with 2,310 in sales.  The Very Best Of also saw benefits climbing from 156 to 99 with 1,457 in sales.  Rumours last week declined in sales moving from 17 to 19 with a respectable 8,722 units sold in it's sixth week in the top 20.

This week "Everywhere" drops to number 29 on the Top 100 chart, which is still pretty good! After spending the last six weeks in the top 20 Rumours drops down to 23 from 19 last week. Greatest Hits drops to number 78 from 69 and The Very Best Of moves up to 74 this week from 99 last week.

"Everywhere" also spends a second week on the Top 100 Singles Chart in Ireland moving down to number 74 this week after re-entering the chart at number 46 last week.

TOP 100 SINGLES CHART
# 29 (15) Fleetwood Mac - Everywhere

TOP 40 DIGITAL SINGLES CHART
# 29 (15) Fleetwood Mac - Everywhere

TOP 100 ALBUMS CHART
# 23 (19) Fleetwood Mac - Rumours
# 74 (99) Fleetwood Mac - The Very Best Of
# 78 (69) Fleetwood Mac - Greatest Hits

HERITAGE CHARTS - Top 40 Singles - March 16, 2013
# 1 Fleetwood Mac - Everywere
# 7 Fleetwood Mac - Go Your Own Way
# 21 Fleetwood Mac - Little Lies

Scotland - March 23, 2013
TOP 40 SINGLES CHART
# 26 (13) Fleetwood Mac - Everywhere

TOP 40 ALBUMS CHART
# 23 (16) Fleetwood Mac - Rumours

Ireland - March 14, 2013
TOP 100 SINGLES CHART
# 74 (46) Fleetwood Mac - Everywhere

TOP 100 ALBUMS CHART
# 43 (44) Fleetwood Mac - Rumours
# 48 (42) Fleetwood Mac - Greatest Hits

The Netherlands - March 16th
Top 100 Albums Chart
# 63 (55) Fleetwood Mac - Rumours

Belgium - March 16th
TOP 200 ALBUMS CHART
# 47 (43) Fleetwood Mac - Rumours
# 135 (R/E) Fleetwood Mac - 25 Years The Chain [Box set]

Australia - March 18th
TOP 100 ALBUMS CHART
# 26 (19) Fleetwood Mac - Rumours

TOP 40 CATALOGUE ALBUMS CHART
# 3 (2) Fleetwood Mac - Rumours
# 16 (17) Fleetwood Mac - The Very Best Of
# 21 (26) Fleetwood Mac - Greatest Hits

Fleetwood Mac's Classic Albums edition of "Rumours" enters the top 40 DVD Chart in Australia for the first time at #19.
TOP 40 DVD CHART
# 6 (3) Fleetwood Mac - The Dance
# 19 (NEW) Fleetwood Mac - Classic Albums "Rumours"

New Zealand - March 18, 2013
TOP 40 ALBUMS CHART
# 38 (21) Fleetwood Mac - Rumours

SXSW INTERVIEW: Stevie Nicks: 'When We Walk Into The Room We Have To Float In Like Goddessses' by ANN POWERS

Stevie Nicks: 'When We Walk Into The Room We Have To Float In Like Goddessses'
by ANN POWERS
NPR

The true rock legends change the game. Stevie Nicks, as a member of Fleetwood Mac, and later in her solo career, changed the game not only for women, but for what you could do in rock as a songwriter and a singer. While living in the male-dominated world of the very peak of the music industry in the 1970s, she wrote indelible songs that tell real, true stories, often about the bond between women, and about the life of an adventurer.

Nicks has stayed busy. In April, she'll join Fleetwood Mac for a world tour. In 2011, she released an album, In Your Dreams, produced by Dave Stewart of The Eurythmics, which was the basis for a new documentary that Nicks co-directed with Stewart. And at this year's South by Southwest, Nicks joined Dave Grohl on stage to perform as part of his Sound City players, a group of musicians who have all recorded at Los Angeles' famous Sound City Studios and later came together to make a soundtrack to Grohl's documentary about the history of the studio.

Earlier that day, NPR Music's Ann Powers spoke with Stevie Nicks in front of an audience at the Austin Convention Center. Over the course of a nearly hour-long conversation, Nicks talked about what it takes to sing harmonies, a recent movie that sparked both memories of her own complicated romantic history as well as creative inspiration, the three musicians who provided templates for her style on stage, which Fleetwood Mac rarity the band will perform on its upcoming tour and why, when she and Lindsey Buckingham were being courted by Fleetwood Mac, the band placed the ultimate decision in the hands of Christine McVie.

NPR: I want to start by talking about In Your Dreams, the new record. I feel that it's a culmination of the best aspects of your solo work. I know you have said that it's your favorite solo album, in many years at any rate, and it includes at least one song written in the '70s and some that you wrote it right there during the sessions. So for me it really is an apex. And it also shows, I think, the two sides of your songwriting process merged so beautifully. Many people talk about, "Oh Stevie Nicks, she writes about, you know, fairies and witches and all that." But to me you are one of the most realistic songwriters about male/female relationships especially. And about what it's like to be a woman in quote unquote man's world, especially of rock 'n' roll. And I wonder how in your writing process you bring those two sides of you together. The wild dreamy Stevie and the Stevie with so much wisdom?

Stevie Nicks: What a question. You know, I think that the best way to start the answer to that question is to say that, when I first joined Fleetwood Mac and met Christine I was later to find out that it was all up to her whether or not they would accept me into the band or not. They needed a guitar player. Bob Welch had just quit. They did not need another girl. They already had a girl. And what a girl. So we all had dinner at a Mexican restaurant on like the second day of 1975. Mick [Fleetwood] had called us on New Year's Eve night and said, 'Would you like to have dinner with us? We really want to talk to you about joining our band.' And you know, Lindsey wasn't really — and he doesn't get mad at me for telling this, 'cause it's really the truth. He wasn't really all that excited about it. Because we had already started our second Buckingham Nicks record. And we were making it on spec, which means that the studio, Sound City, was giving us free time. So if somebody didn't come in, you know, our producer Keith would call us and say, come down right now. There's five hours of empty time that you can have for free. So he was really excited about this record that we were making. And also, the [first] Buckingham Nicks album was, in its own weird way, starting to simmer back in the South, you know.