Cable Ratings: American Horror Story Wins Night! Wednesday's Top cable program @StevieNicks #AHSCoven

American Horror Story was Wednesday's top cable program 

with a 1.8 adults 18-49 rating down from a 2.1 for its most recent episode and 4,807 million (live and same day viewers).  This entire season of American Horror Story has routinely been the No.1 cable program on Wednesday nights and has outpaced both of the previous seasons in terms of ratings.

The first episode with Stevie is still to air in the UK and Australia... That happens next week January 13th and 14th.

Don't miss finale night:
American Horror Story: Coven airing Wednesdays at 10:00 PM ET/PT with the finale scheduled to air on January 29.

Here's an interview with Stevie from Entertainment Weekly on SiriusXM from January 8th.  She's talkin' a mile a minute, so listen close... She's excited!



The below is a piece from Inside Entertainment that hasn't been posted.

'American Horror Story': Stevie Nicks on her 'Coven' cameo: 'Don't you know? I have powers now!'
By Ray Rahman
Inside Entertainment

The White Witch has arrived! As promised, tonight’s new American Horror Story: Coven will feature a special guest turn from rock legend Stevie Nicks. It’s shaping up to be an exciting episode for Fleetwod Mac fans and Lily Rabes everywhere: Nicks will not only cross paths with her biggest fan, the supernatural swampstress Misty Day (Rabe), but she’ll also perform a certain witchy Fleetwood Mac classic.

Plus, she’s bringing a new course to Miss Robichaux’s Academy: Shawl Twirling 101 (which you can catch a sneak peak of in the video below). EW talked to Nicks about her AHS: Coven debut, meeting Rabe and the gang, and the presents she brought to the set. And if you’re worried about those old rumors about her being an actual real-life witch resurfacing, don’t be: “Don’t you know? I have powers now!” she says.

EW: Ryan Murphy had told us that when he first pitched you to be on the show, you were hesitant. What ultimately made you decide to do it?

STEVIE NICKS: When they called and asked me if they could use my music, they just explained it a little bit: there’s a character, and you’re a muse because she listens only to you — and she lives out in the swamp. And that was good enough for me! I’m like, sure you can! So whether it was a Fleetwood Mac song or Stevie Nicks song, they were going to choose a song that fit into their story. I thought, fantastic — as a songwriter, you could not ask for anything more. And I’m pretty close to them because of Glee, of course. So I said, sure, take my music — absolutely.

#AmericanHorrorStory Coven Finale Ep. to feat "Stevie Nicks music video extravagaaaaanza!"

'American Horror Story': Ryan Murphy talks Stevie Nicks' debut on 'Coven' and which witches are actually dead 
by Tim Stack
Entertainment Weekly

The “White Witch” finally made her much-anticipated debut last night on American Horror Story: Coven. Yes, the one and only Stevie Nicks popped up as a pal of Fiona’s and gave the Miss Robichaux ladies a little private concert. Elsewhere, Nan, Joan and (maybe?) Misty perished. Plus, Marie did an awesome thing her tongue. EW talked to co-creator Ryan Murphy about all this and more, like which witches are gone for good.

ENTERTAINMENT WEEKLY: Let’s talk about Stevie first. Did she have a blast? How did she feel about the experience?

RYAN MURPHY: She did have a blast. She was nervous because she’s never acted. But it’s one of those weird things where you mythologize somebody for months and months and months in the scripts and then you tell the actors “Oh by the way, that person is coming.” So the anticipation for her on the set with the cast and the crew was great and everybody wanted to meet her and take pictures with her and talk to her. She’s one of those ladies that’s so gracious. She’s just an amazing soul and kind. I love that she did those songs. She just had a ball. She was also very interested in the acting part of it so she spent a lot of time on set watching them and really getting into it. Everybody couldn’t say enough good things about Stevie Nicks nor could I. She’s a great person.

How did you come up with which songs she sings?

I chose “Rhiannon.” At the end, I definitely knew I wanted her to do “Has Anyone Ever Written Anything For You” which is one of my favorite songs. I thought it oddly applied to the Jessica Lange character where Fiona has had all these great opportunities and squandered them and is just looking for some peace after her horrific acts. So that was great and Stevie loved that idea. And “Rhiannon,” we put that in the script months ago and at that point I hadn’t even imagined Stevie could do the show. That song is very witchy and fun.

Now, everyone at home can learn to twirl like Stevie Nicks.

I’ve seen her in concert and Stevie Nicks is famous for her twirling and her shawl changes. I said to the writers, “Do you think Stevie would have a sense of humor about this?” Knowing her I thought I think she’ll go for it and she did. Nobody twirls like Stevie Nicks.

Lily is a pretty good twirler.

All the girls watched Stevie Nicks on repeat to get that twirl down, believe you me. And she’ll be back still?

Yes, she’s the complete cold opening of the last episode.

Can you say if she sings?
Oh yes! Yes! It’s a Stevie Nicks music video extravagaaaaanza!

Continue to the full article at Entertainment Weekly

Check out the two videos in this post of Stevie singing Rhiannon and Has Anyone Ever Written Anything For You.

Review | Photos Fleetwood Mac's Last Show - Live in Las Vegas, Paris Hotel

Fleetwood Mac Blaze Through One Monster Show
By Mike Mettler
Sound and Vision
Photos: @_sophinie | Eric Adams | T-Mak World

"We knew this was a bunch of people who love music," said an appreciative Stevie Nicks about the

Monstrous crowd at Fleetwood Mac's muscular 75-minute set, which capped Monster's 2014 Retailer Awards at the Paris Ballroom in the Paris Hotel in Las Vegas on January 8. The mighty Mac were the headliners for a night that saw Monster celebrate its 35th anniversary with style and class.

And no one was prouder of the night's events than Head Monster Noel Lee, who has featured A-list artists at previous Retailer Awards ranging from Ray Charles to Rod Stewart to Diana Ross to Alicia Keys. And on Wednesday night, Fleetwood Mac was in the house to put a fine exclamation point on what also served as the final night of their year-long tour.

I had the perfect A/V vantage point for the show, perched at the front of a riser just to the right of the soundboard. It took a few songs to get the mix dialed in properly — "every night is an adventure!" I heard one of the board engineers chuckle about 10 minutes into the set — but once both band and sound were in sync, their special mesh of ferocity and finesse came to the fore, especially noticeable during the second half of "Rhiannon" and all of "Tusk," and the intensity level stayed high to the end.

Lindsey Buckingham's furious solo take on "Big Love" was a fingerpicking guitar clinic. When Stevie Nicks took over for "Gold Dust Woman," serious magic was in the air, and the band turned in the best performance of that song I've ever seen them do. Drummer Mick Fleetwood commenced the haunting song with clear, clinking chimes and stark cowbell hits, and bassist John McVie locked right into the groove with Fleetwood's kick drum. Stevie's echo-laden vocal wails and improvs beautifully played off and around Buckingham's delayed and left-right panned riffs.

"I'm So Afraid" opened with Fleetwood and Buckingham jamming together, followed by an ominous organ fill from secondary bandmember Brett Tuggle (who also plays in Lindsey's solo band). Buckingham went into a zone during his lengthy guitar solo, stomping across the stage like, well, a monster, occasionally leaping into the air to punctuate some seriously squealing riffs. After the song ended, the crowd roared, and Buckingham let out a few primal screams in response (as he is sometimes wont to do).

More Buckingham showcase jamming came during his signature Mac tune, "Go Your Own Way." Nicks donned a top hat and brandished a tambourine, and the former yet forever-linked lovers turned to look directly at each other when they sang the telling lines, "packing up/shacking up/is all you want to do." The right amount of crunch and sustain came through in the solo, and Buckingham jumped up on the drum riser to bash a cymbal with his hand to further accentuate the endgame vibe.

Closing the show with a triumphant run through "Don't Stop," Fleetwood Mac's final tango in the night was clearly the perfect bookend to one Monsteriffic anniversary celebration.

Photos by Erik Kabik
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Photo: Monster Products
Mick and Stevie with Monster Products Noel Lee (Pre-show)

Reviews | Pics American Horror Story: Coven Ep 10 "The Magical Delights of Stevie Nicks"

Great show tonight... Stevie was really great and the two piano versions she played were beautiful!  Can't wait for finale night at the end of the month... She'll be back!  Here's are a few reviews from the show tonight.

 By Chuck Bowen
Slant Magazine

The episode's transition from a negligible slide show of CliffsNotes to something genuinely moving is best illustrated by the Nicks appearances that bookmark it. Nicks's first song, a performance of "Rhiannon," is an awkward cap to Misty's preoccupation with the legend's work, but her second performance at the end, a heartbreaking version of "Has Anyone Ever Written Anything for You," is a succinct embodiment of Fiona's unrelieved loneliness, which is poignant even as its understood to almost certainly be the font of her evil.

Read the full episode review at Slant

“The Magical Delights Of Stevie Nicks” is by far the best episode of this season of American Horror Story
By Todd VanDerWerff
AVClub.com

Stevie Nicks shows up, introduced as a powerful white witch, and her first line of dialogue is, “You must be Misty. I’m Stevie Nicks,” and it’s the greatest thing that’s ever happened on television, basically, because everybody is so agreeably self-aware about all of it. But then she just kind of hangs around and plays a few songs on the piano, and the novelty wears off (though I did enjoy her and Misty having a shawl-spin-off). Still, the weirdness of Stevie Nicks being there, constantly referred to with both names, and the show being smart enough to basically treat her as a Love Boat guest star made up for a lot.

"I so hope Stevie Nicks sticks around, so when the witch hunters descend upon the house, she can score it all to an acoustic cover of “Tusk.”

Read the full episode review at AVClub

Rhiannon
Has Anyone Ever Written Anything For You


AHS: Coven Recap: If Anyone Falls
By Andy Patrick
TV Line

Although this week’s American Horror Story: Coven cues up “The Magical Delights of Stevie Nicks,” it isn’t all shawl twirls and platform boots. (I mean, there is a lotta that. But it’s not all that.) There’s also a visit from voodoo devil Papa Legba, two major deaths that seem likely to stick and an attempted murder that’s almost certainly destined to fail. Confused? You won’t be (hopefully) after reading this recap…

STAND BACK | When Cordelia tries to blame herself for Hank’s “heroic” suicide mission, Marie reveals both that he was a witch hunter and that he was on her payroll. At once, Fiona moves to strike — Marie, it looks like. Instead, Fiona slaps Cordelia — hard! — and shrieks, “You’re not just blind, you’re willfully blind!” Later, while Fiona and Marie continue to bond as they cast a spell to bankrupt Delphi, Fiona and Cordelia’s already awful mother/daughter relationship deteriorates further. No, you can’t help us, Fiona shrieks at Cordelia. (Come to think of it, she pretty much shrieks everything she says to Cordelia in this episode.) “You’re worthless! Hopeless!” Oh my. Afterwards, Myrtle tries to cheer up Cordelia by suggesting that maybe she could work on a cruise ship — you know, like that perky Julie McCoy — but this only results in the disgraced sorceress throwing a lot of pots and smashing a lot of beakers.

TALK TO ME | Meanwhile, since Fiona remains as intrigued as ever by Marie’s (extremely fetching) longevity, the voodoo queen finally explains to her new frenemy that she was given immortality by Papa Legba. The price? Her soul. First, the spirit (styled to resemble a kind of African-American cross between Slash from Guns N’ Roses and Gary Oldman in Dracula) took her baby, and ever since, he’s forced her to provide him with an innocent per year. This all sounds fine and dandy to Fiona, so she lays out some enchanted cocaine — what would you serve? Cookies and milk? — and summons Papa to the negotiating table. Unfortunately, when they seal the deal with a kiss, he calls the whole thing off. “You have nothing to sell,” he realizes. “You have no soul.” Back to Plan A, the Axeman suggests — do away with the new Supreme. Screw that, Fiona says. “I’ll just kill ’em all.

STOP DRAGGING MY HEART AROUND | After the teenage witches decide that Queenie is really, most sincerely dead (hmm… ), Nan finds out that not only has Joan killed Luke, she’s had him cremated as well. (No Mistyrection for you, bub!) In retaliation, the wannabe Supreme psychically forces the murderess to suck down a bottle of bleach. Recognizing that whether Nan is the new Supreme, she could still be a threat — especially after she offed Joan — Fiona suggests to Marie that she doesn’t have to make the newborn she’s abducted this year’s sacrifice to Papa Legba, they can give him Nan instead. So they drown her. Just like that. Emerging beside Papa, Nan frets that now she’ll be stuck wearing the same frumpy dress for all eternity. But he assures her, “The other side is filled with treats for a girl like you.” And that’s that — off they go to the other side.

I CAN’T WAIT | Before all that, however, Fiona interrupts Misty’s shawl-twirling practice to describe the Supremacy as a “skeleton key” — an all-access pass to anything she wants, including Fiona’s old friend, Stevie Nicks! “You owe me five bucks,” Fiona deadpans to Stevie when Misty faints at the sight of her idol (who, it bears mentioning, looks as great as she sounds — and she sounds fantastic!). Listening to Stevie sing “Rihannon” for Misty, Madison is so consumed by envy that she first tries to convince her rival that the superstar is just using her — “Players only love you when they’re playing,” she hints as if her knowledge of music history predates Ke$ha — and then clocks her with a brick and has her entombed in a cemetery! (Is the elimination of the competition one of the Seven Wonders? If so, check!) Finally, as the hour draws to a close, Stevie serenades Fiona with a lovely rendition of “Has Anyone Ever Written Anything for You?”

Okay, your turn. What did you think of the episode? Were you surprised that Nan was killed? (She was starting to convince me that she really WAS the Supreme.) Do you believe that Queenie is dead? What about Marie and Fiona’s truce? You buying it? (That look on Marie’s face after she called Fiona an equal makes me wonder.) As much fun as Stevie was, Myrtle still takes the cake for me. Between her theremin-playing and her ideas for Cordelia’s future (“Your salad dressing is absolutely magic — maybe you could bottle it!”), she just cracks me up. 

@FleetwoodMac are LIVE in Las Vegas tonight at CES2014 everyone else is watching #AmericanHorrorStory !

Stevie Nicks talks 'American Horror Story': 'I was scared to go there'
Dreams are far from unwinding on "American Horror Story: Coven."
By Yvonne Villarreal
LA Times

An ongoing thread in the third installment of the series has been the unbridled infatuation swamp-dweller Misty Day (Lily Rabe) has for rock heroine Stevie Nicks, whom Day firmly believes is a "White Witch."  After repeated listenings to "Rhiannon," the backwoods fangirl won't have to twirl in vain much longer.

The Fleetwood Mac frontwoman guest stars in Wednesday's episode, aptly titled "The Magical Delights of Stevie Nicks." And yes, there will be twirling.

Already accustomed to working with show creators Ryan Murphy and Brad Falchuck (she consulted on the Fleetwood Mac tribute episode on their other show, "Glee"), Nicks is taking it one step further by appearing in front of the camera on the horror drama.

Nicks' appearance comes courtesy of Fiona (Jessica Lange), who calls in a favor with the songstress in an effort to out Day as the next in line for the Supremacy.

Show Tracker spoke with the 65-year-old singer to talk about the episode, which she has yet to see. Read on for tales of drama class horrors, her love of set real estate, and who the diaphanous scarf-loving songstress fears.

Do you know how many people are eager for Wednesday's episode?

Yvonne. Wait. Wait. Wait. Wait.

OK?

I haven’t seen the episode yet so don’t tell me if you have. Wait, tell me. No, nevermind, don't tell me.

You’re supposed to have the scoop!

I haven’t seen it. [Fleetwood Mac] has a show tomorrow night at 8 o’clock when "American Horror Story" comes on in Phoenix so I won’t see it until we fly back to Phoenix at 2 a.m.  I could have gotten an advance link to see it, but I didn’t want to. I want to see it on the night that it goes out to the people.

Continue to the full article at LA Times

Stevie Nicks on Her 'Fantastic' 'American Horror Story: Coven' Cameo (VIDEO)
Read the article at Billboard

By Keith Caulfield

Stevie Nicks Previews Her Trippy Cameo #FleetwoodMac #StevieNicks #AHS

Stevie Nicks on John McVie's Cancer: 'He's Gonna Be Fine'
Nicks says the Fleetwood Mac bassist is 'not a person to mess with'

Full article at: Rollingstone

'American Horror Story: Coven's' Stevie Nicks Previews Her Trippy Cameo
Hollywood Reporter
by Lesley Goldberg

Is Misty the next Supreme on FX's American Horror Story: Coven? The skilled witch is about to inch closer to finding out her fate during Wednesday's hour when musical goddess Stevie Nicks guest stars.

The hour, fittingly titled "The Magical Delights of Stevie Nicks," will see Lily Rabe's Misty Day finally come face-to-face with the only "other witch" -- as showrunner Ryan Murphy first coined her -- that she's ever known.

Nicks tells The Hollywood Reporter that she reconnected with Murphy, whom she knew after Glee paid tribute to Fleetwood Mac with a season two episode, when the prolific writer-producer called to use her music on the series. Nicks recalls the conversation in which Murphy told her about Misty, describing the character as one who lives in a swamp who uses her music as a way to calm down.

Full article at Hollywood Reporter