Sunday, March 02, 2014

Fleetwood Mac re-enter the UK Top 40 Albums Chart this week with "The Very Best Of"


UK - March 8, 2014
Fleetwood Mac are back in the UK Top 40 Albums Chart with "The Very Best Of" at No.37 this week up from No.41 last week.  Rumours re-enters the Top 100 at No.97 this week from below the Top 100 at No.111.

TOP 100 ALBUMS CHART
# 37 (41)  Fleetwood Mac - The Very Best Of
# 97 (R/E) Fleetwood Mac - Rumours

BELOW THE TOP 100
# 172 (190) Crystal Visions - The Very Best Of Stevie Nicks

TOP 40 CATALOGUE CHART
# 21 (9) Fleetwood Mac - Rumours

SCOTLAND - March 8, 2014
TOP 40 ALBUMS CHART
# 34 (32) Fleetwood Mac - The Very Best Of

USA - MARCH 8, 2014
TOP 40 MUSIC DVD SALES CHART
# 20 (17) Sound City - Real To Reel
# 30 (24) Stevie Nicks - In Your Dreams

"In Your Dreams" Chart run thus far:
TW      LW    Weeks On
30       24     12 In Your Dreams Stevie Nicks
24       16     11 In Your Dreams Stevie Nicks
16       27     10 In Your Dreams Stevie Nicks
27       22      9 In Your Dreams Stevie Nicks
22       17      8 In Your Dreams Stevie Nicks
17       18      7 In Your Dreams Stevie Nicks
18       21      6 In Your Dreams Stevie Nicks
21       22      5 In Your Dreams Stevie Nicks
22       18      4 In Your Dreams Stevie Nicks
18       12      3 In Your Dreams Stevie Nicks
12        7       2 In Your Dreams Stevie Nicks
  7        -       1 In Your Dreams Stevie Nicks (Debut)

CANADA - February 22, 2014
TOP 50 DVD MUSIC CHARTS
# 43 (27) Fleetwood Mac - The Dance (Sales in Canada to date: 74,068)
# 49 (38) Sound City - Reel To Real (Sales in Canada to date: 6,665)

Ireland, Australia, New Zealand below

In the early days of Fleetwood Mac we liked to push the naughtiness envelope. - Mick Fleetwood


Mick Fleetwood Goes His Own Way: Custom fashion
By: Mick Fleetwood
March 2, 2014
Sunday Express

IT'S NOT exactly breaking news, my many dalliances with addiction in my life, but one hasn't been well-documented, and that's my absolute love of fashion.

Not so much fashion per se, rather my personal pursuit of theatrical self-expression through my clothes and what I present to the world.

Here's a riddle for you: What can a broke, 18-year-old, 6ft 6in beanpole find to wear in a ready-made shop? Answer? Absolutely nothing. I was left to scour the markets, usually ending up at the Army and Navy surplus store.

Then I met Rod Stewart and the incredible blues artist Long John Baldry who, incidentally, was 6ft 7in. Imagine my initial envy, seeing this tall man in garb I'd only dreamt of.

I played with Rod for two years and I attribute much of my fashion savvy to him and John. Not only were they renowned for their style, they shared their secrets, showing me the ways of bespoke tailoring on the cheap in London's East End.

I saved up for one thing that fit properly - a pair of trousers, a shirt - at a time. I was hooked. Finally, I had clothes that fit.

Then I acquired a bolt of Levi's denim (fallen off the back of a lorry) and had my first pair of jeans tailor-made. I thought I was in heaven. They were my prized possession until my poor mum washed them and then put them in the dryer.

She actually cried when she saw how distraught I was. I spent the entire day on the verge of tears, lying in the bath, trying to stretch them back to their original size, to no avail.

I still love having my jeans tailor-made (at The Stronghold in Venice, California) but trust me, I'm a stickler for pre-washed, pre-dried denim.

I really wanted a costume that stood out when I played gigs.

It had to be original, not too hot to play in and cheap.

I still had my school gym kit and fencing gear. I wore the knickerbockers, tore the sleeves off the jacket to make a waistcoat, put my gym shoes on.

That was the start of my stage costume, captured on the iconic Rumours cover, and I've worn some version of that ever since.

In the early days of Fleetwood Mac we liked to push the naughtiness envelope. At one gig I came back from a toilet break with the lavatory chains, a ball attached at each end, wrapped around my waist.

I did a solo, hitting the balls into the microphone, just to make the lads laugh. Talk about spontaneous expression! The funny part is, my balls never went away.

I began wearing wooden balls in everyday life, attached to my belt - quite the conversation starter. To this day I never play without them.

I was only one of the pioneers for diversity. Sir Mick Jagger, David Bowie and countless others who wanted to be outrageous and self-expressed, pushed the envelope of what was considered "masculine". We opened minds by blowing minds.

I say hats off to the Lady Gagas of today's world, those who challenge society's expectations and encourage people who are different from the mainstream to stay that way. Bravo.

There are a lot of minds that still need opening and blowing and much work to be done.

Mick Fleetwood is a guest Columnist with the Sunday Express.  This is his third contribution, his first two articles appeared on February 16th and February 23rd - you can read his first two columns here.

Friday, February 28, 2014

Music and Sound Awards Announced: @ThreeUK wins for use of Fleetwood Mac's 'Everywhere' in Pony Ad

Available on iTunes
The winner’s of this year’s UK Music+Sound Awards were presented at The Troxy in London last night. Awards are given out for the best music and sound design across all the visual media industries.

The use of Fleetwood Mac's 'Everywhere' used in the Three UK Pony Ad last year took home the award for:

BEST SYNC / USE OF EXISTING MUSIC: TELEVISION ADVERTISING
Three ‘Pony’ (Universal Music Publishing / Warner Music / Wieden + Kennedy)

Congratulations!


Complete Music Update

Wednesday, February 26, 2014

25 Great Albums from the new Millennium: Stevie Nicks "In Your Dreams" ranks right there near the top

Stevie Nicks – In Your Dreams (2011)
Rock icon Stevie Nicks has put out some great solo records, but In Your Dreams ranks right there near the top. She collaborates with Dave Stewart of Eurythmics, which proves to be a shrewd choice. Stewart is a master in the studio as well as an ace guitarist and songwriter, and one of the best producers in the business. Like Nicks, Stewart works best with a strong collaborator, as he did for so many years with Annie Lennox. In Your Dreams has some truly breathtaking moments, like the wistful ballad “For What It’s Worth.” One can’t help but imagine what some of these songs would sound like with Lindsey Buckingham and Christine McVie harmonizing along, but that’s just a testament to the strength of the material. The title song is another winner, and first single “Secret Love” is a strong opener. Dave Stewart’s blazing guitar takes center-stage on the excellent “Wide Sargasso Sea.” It’s a shame that In Your Dreams didn’t do better commercially. It did reach #6 in the U.S. upon its release (although with first-week sales of barely over 50k), but quickly tumbled down the charts. There seems to be a tendency by fans of older artists to ignore the newer stuff, and that’s a shame. This is still the same Stevie Nicks who wrote and sang classics like “Dreams,” “Landslide,” “Sara,” “Gypsy,” “Stand Back,” “Nightbird” and so many others.

by Chris Gerard 
MetroWeekly (Full list of 25)
February 26, 2014

Elizabeth Hopkins talks working with Lindsey Buckingham. #FleetwoodMac @DeltaRae

Delta Rae’s Elizabeth Hopkins Talks “Chasing Twisters” And Working With Lindsey Buckingham
by David Weiner
Emertainment Monthly

iTunes
WORKING WITH LINDSEY BUCKINGHAM: Rob Cavallo, our producer said, “Hey, did my assistant tell you the news? Well, I don’t know if you guys know Fleetwood Mac?” Do we know Fleetwood Mac? Of course we do, they’re one of our favorite bands. “Well I’m really good friends with Lindsey Buckingham and I had him over for dinner the other night and he asked to hear what I was working on.” Rob then tells us Lindsey started noodling around on our song and Rob stopped the song and was just like, “Lindsey would you mind if I laid that down?” And he was like, “Sure.” It was enough for us just the fact that Lindsey Buckingham liked our music, but that he was inspired enough to play on it was incredible.

Continue to the full article

Covering Fleetwood Mac's "The Chain"

Monday, February 24, 2014

Fleetwood Mac Tour Manager Marty Hom reveals how John McVie cancer diagnoses discovered

Tour Managers of Foo Fighters, Rolling Stones & Fleetwood Mac Swap Wild Tales From the Road
Billboard

Some of you have toured with the same bands for more than a decade. Describe the bonds that form between you and them.

Hom: I've been with Fleetwood Mac for 17 years, Barbra for 13 years. If you've toured with somebody long enough, they are your family. And you're kind of like the dad who takes care of them, and they depend on you. The younger artists are a little different in that they surround themselves with entourages now. They have assistants, they have managers who go on the road, publicists, they have people. The relationships are still good but they're not as personal because there are layers of people you have to go through.

Sounds like it can get pretty intimate.

Hom: Let me tell you how intimate. I had to tell Ian Astbury from The Cult that his father had passed away. They were onstage at the old Omni in Atlanta, and the manager called me. It was one of the hardest things I had to do.

I was just in Europe with Fleetwood Mac and [bassist] John McVie wasn't feeling well. So we got him to a doctor in Berlin. And he called me afterward and says, "Marty, can you come over to my hotel and talk to me?" I know that's not good, so I jump in a cab and go over to his hotel. We sit down and he says, "I've just been diagnosed with cancer." And John's sitting here and then Mick [Fleetwood] comes over, and we have a discussion of what we're going to do next. We ended up canceling Australia and New Zealand-15 sold-out shows. The band thought about moving on without a bass player but...you can't get onstage without John McVie.

Full article at Billboard