Wednesday, December 17, 2014

TONIGHT: Lindsey Buckingham Reflects on his career with Fleetwood Mac on Tavis Smiley


My Conversation With Lindsey Buckingham
by Tavis Smiley

Tonight (December 17th), I'm joined by Rock and Roll Hall of Famer Lindsey Buckingham, who reflects on his career with one of the most critically acclaimed musical groups of all time, Fleetwood Mac. The Grammy-winning guitarist and vocalist has reunited with all of the band's original members for a world tour titled, "On With The Show."

In the clip below, Buckingham describes how each of the five band members have added a unique element to the group's chemistry.

For or more of our conversation, be sure to tune in to Tavis Smiley on PBS. Check our website for your local TV listings: www.pbs.org/tavis.

Houston Review: "McVie in fine form, Fleetwood Mac turns back time"

Photo by Jane Howze
VIEW GALLERY
With McVie in fine form, Fleetwood Mac turns back time in nostalgic concert
By Jane Howze

Fleetwood Mac played to a sold-out adoring crowd at the Toyota Center on Monday night. Many in the audience saw the band on their 2013 World Tour in June. Our reviewer gave the concert a big thumbs-up, with a footnote that “Fleetwood Mac is not Fleetwood Mac without keyboardist/vocalist Christine McVie.” 

This time around, a youthful looking 71-year-old McVie joined the band, and her energy and high spirits elevated the concert to another level.

Every time McVie took the lead, the crowd roared — and the band itself seemed delighted to have their “beautiful Christine” back. With good reason. She soared in a powerful “Say That You Love Me” and “Over My Head” and provided spirited keyboards on “Don’t Stop Thinking About Tomorrow.”    

Playing for nearly three hours to a mostly older yet energetic crowd (this was not your Eagles audience who meekly followed orders to stay seated), Stevie Nicks, Lindsay Buckingham and McVie shared lead vocals. Opening with “The Chain” written by all five band members from the classic album Rumours, McVie then launched into “You Make Loving Fun.” Her lyrical and earthy alto made it clear that while Fleetwood Mac has held up amazingly well given their ages, McVie adds a richer and more nuanced sound.

Plus it allowed Nicks to harmonize and Buckingham to play his emotional guitar solos without having to be overly burdened with vocals. 

Hits and cheering

NBC's A Toast To 2014 New Years Eve includes Fleetwood Mac Interview


Before the ball drops in Times Square, NBC will help ring in the New Year with "A Toast to 2014!," a two hour primetime special airing Wednesday, December 31 at 8pm/7c, hosted by Kathie Lee Gifford and Hoda Kotb. Join the PARTY ON New Year's Eve as NBC News presents a star-studded year-end look at the year's buzziest stories, scandals, videos, trends and much more.

Interviews also include: Sherri Shepherd, William Shatner, Fleetwood Mac, Kris Jenner, Ian Ziering, Katherine Heigl, Alfre Woodward, Billy Bush, Monica Potter, Zach King, Charlie White and Meryl Davis, Matt Lauer, Savannah Guthrie, Al Roker, Natalie Morales, Lester Holt, Willie Geist, Jenna Bush Hager, Tamron Hall, Dylan Dreyer, Meredith Vieira, Catt Sadler, Bob Costas, Maria Menounos, Johnny Weir, Tara Lipinski and more.



Photos: Fleetwood Mac Live in Ottawa, Canada

Fleetwood Mac Live in Ottawa, ON Canada
October 26, 2014 - Canadian Tire Centre

Photos by Mark Horton
View Gallery (30 images)


Tuesday, December 16, 2014

Review: Fleetwood Mac Live in Houston December 15, 2014

Fleetwood Mac brings songs, stories to Houston
By Joey Guerra
Chron.com
Photos by: J. Patric Schneider - View more at Chron.com


Never underestimate the power of the Mac.

Three songs into Monday night’s set at Toyota Center, Stevie Nicks promised the crowd she would “get this party started!” Until then, Fleetwood Mac had been pleasing and mostly polite: anthemic kickoff “The Chain,” “You Make Loving Fun,” “Dreams” shifted to a lower key.

But something kicked into gear with “Second Hand News.” Lindsey Buckingham ripped into the song, all wild eyes and stomping feet. It reverberated through the sold-out crowd and energized Nicks’ take on “Rhiannon.” The party had indeed started.

Christine McVie, who rejoined the band after a 15-year absence, was still soulful and sweet on “Everywhere” and “Little Lies,” which both benefited from punchy arrangements; and oft-covered set closer “Songbird.”

“Now she’s been here, and it’s almost 40 shows. And now I think she’s gonna stay,” Nicks quipped. The band returns March 3 for another show at Toyota Center.

The enduring allure of Fleetwood Mac has been the story behind the music. The core unit — Buckingham, Nicks, John McVie, Christine McVie and Mick Fleetwood – has continued to thrive both in spite and because of its tempestuous history. Life has informed music and vice versa.

Buckingham played up the sentiment, declaring that the band’s success is in its ability “to continue to prevail through the good times and the bad.” He called Christine McVie’s reappearance “the beginning of a poetic, a profound and a beautiful new chapter.”

For now, though, it was about the music. “Tusk” still brings the marching-band thunder. Buckingham indulged himself, as always, during a solo “Big Love” and several rousing crowd-pleasing guitar solos. Christine McVie ably steered the “Say You Love Me” harmonies. Nicks cast an alluring spell during “Sisters of the Moon,” an extended “Gypsy” (complete with shimmering shawl) and “Seven Wonders.” She performed the song recently on “American Horror Story” (and thanked the show for taking it to a new audience).

And, yes, something sweet and magical still happens when Nicks’ croons about getting older and snow-covered hills during “Landslide.” The entire venue seemed to sigh in unison.

Nicks introduced “Gypsy” with a lengthy story about meeting Buckingham, shopping for rock-star clothes and opening shows for Jimi Hendrix, Santana and Credence Clearwater Revival.

“Are you listening over there?” she asked him before twirling through the song.

And, yes, something sweet and magical still happens when Nicks' croons about getting older and snow-covered hills during "Landslide." The entire venue seemed to sigh in unison.

Long intros and instrumental breaks bogged down the show’s second-half a bit. But the padding was worth trudging through to hear “Go Your Own Way,” “Don’t Stop” and Nicks’ grand, gorgeous reading of “Silver Springs.”

THE CHAIN
YOU MAKE LOVING FUN

MORE VIDEOS BELOW

Monday, December 15, 2014

Review: Sold-out enthusiastic crowd welcomes Fleetwood Mac to Texas

Photo by: Richard W. Rodriguez
Review: Fleetwood Mac at American Airlines Center
BY PRESTON JONES
Star Telegram

There was a moment Sunday night when Stevie Nicks began recounting all of the acts she and Lindsey Buckingham once opened for, prior to joining the ranks of Fleetwood Mac.

It was an impressive roster of Rock and Roll Hall of Famers — Janis Joplin, Jimi Hendrix, et al — but also an anecdote making the refrain from Landslide (“I’m getting older too”) take on an extra, poignant dimension.

The years continue to accumulate (Nicks is 66), and bands like Fleetwood Mac begin to crumble and fall away — almost anything can be survived, whether it’s romantic entanglements or prodigious drug use, but no one can outrun time.

Such a feeling hung in the air Sunday at American Airlines Center as a sold-out and terrifically enthusiastic crowd welcomed Fleetwood Mac back to North Texas.

While the band itself was in town just last year, they didn’t have a key member in tow then as they did Sunday: Christine McVie, rejoining the ranks of the rock band after more than 15 years away, was a welcome addition to the core foursome of Nicks, Lindsey Buckingham, John McVie and Mick Fleetwood.

The familiar elements of a Fleetwood Mac performance were present in abundance — Fleetwood’s gaped-mouth timekeeping; Nicks’ mystical twirling and top hat; Buckingham’s incendiary guitar solos — but with Christine McVie back in the mix, the two hour-plus set felt slightly elevated, an extra, key ingredient making the well-worn (You Make Loving Fun; Little Lies; Say You Love Me) feel altogether revitalized.

Her lovely alto laid in alongside Nicks’ own gruff, feathery alto and Buckingham’s razor-wire tenor gave the show a feeling of balance, a restoration to the last, best possible version of the band beloved by the screaming thousands stuffed into the arena, something even Buckingham noted midway through.