INTERVIEW Christine McVie Attitude Magazine

FLEETWOOD MAC'S CHRISTINE MCVIE ON 'AMERICAN HORROR STORY', PLAYING WEMBLEY, AND POTENTIAL NEW MUSIC
"I don't see any reason why we can't do another tour and make another record."

With a 50-year legacy of friendship, fallouts and iconic folk-rock hits, the Fleetwood Mac story is as epic as they come in music.

Over the years band members Mick Fleetwood, John McVie, Christine McVie, Lindsey Buckingham and Stevie Nicks have married, divorced, made up, fallen out, and continued to release some of the most defining pop hits of the last century - and the drama hasn't waned now most of them are in their seventies.

Disagreements over current world tour 'An Evening with Fleetwood Mac' led to Buckingham's sacking from the group in April last year, with the guitarist and vocalist settling a lawsuit against his former bandmates in December.

Talk of that lawsuit is strictly off-limits as Attitude meets Christine McVie ahead of Fleetwood Mac's two planned dates at Wembley Stadium this June, but the British-born singer is a characteristically open book when it comes to discussing the legacy of a band that has defined her life since 1970.

Despite standing as the (relative) calm at the centre of the Fleetwood Mac storm, McVie has had plenty her own ups and downs during the course of her career, most notably retiring from the group in 1998 for 16 long years after developing a debilitating phobia of flying.

Since rejoining the group onstage at Wembley in 2014 McVie hasn't looked back however, and as the 75-year-old songstrees discusses eveything from Fleetwood Mac's unlikely inclusion in American Horror Story to why the popularity of her signature track 'Songbird' has been both a blessing and a curse, it's clear she's having the time of her life...

You've had a bit of a break from touring over the last few weeks - do you feel fully rested and recuperated?

REVIEW Fleetwood Mac Live in Denver January 31, 2019

Fleetwood Mac Brings Out the Worst in Denver at Pepsi Center Show
By Kyle Harris | Westword

The bickering started in the ticket line.

A fifty-something security guard attempted to persuade a crowd blocking the sidewalk to form an orderly line outside the Pepsi Center Thursday night ahead of the Fleetwood Mac concert.

A seventy-something man belted out, “I’m not moving again!”

“Don’t get fussy with me,” the security guard clapped back. Just as the older man started to lunge, his wife grabbed his arm.

Then two teens and their mom cut in line, ignoring the glares of everyone around them by staring at their phones like zombies.

Millennials, Gen-Xers and baby boomers had all bought tickets to see a band that has given the world brilliantly crafted, durable soft-rock soundtracks for breakups, hopes and sorrows. But last night made clear that fans of the band are just as unpredictable as Fleetwood Mac itself.

Still, despite five decades of operatic drama, with members sleeping with each other, marrying, divorcing, flaming out, returning and whatnot (a confusing saga that rivals the Trump White House in its indecipherable tangle of who’s in, who’s out and who’s suing or screwing whom) — the group managed to deliver a solid performance Thursday night.

REVIEW Fleetwood Mac Live at the Forum Los Angeles December 11, 2018

Fleetwood Mac Find Freedom in Buckingham Departure at the Forum
LINA LECARO | LA WEEKLY
Photos: Rich Fury

The year may be winding down but in Los Angeles, the live music offerings have been more abundant than ever, a true gift for concertgoers that reflects the seasonal merriment and giving vibes of December. Except, of course, nobody is giving away anything for free, which means that for fans on a budget, decisions have to be made (many of you probably already maxed out your plastic for those Stones at the Rose Bowl tickets, not to mention Christmas presents). Obviously the live music industry is thriving, though. How else could Nine Inch Nails sell out six nights at the Palladium (look for my review of Saturday’s show next week) and Fleetwood Mac fill three nights at the Forum, sans Lindsey Buckingham?

I had never seen Fleetwood Mac live, so the prospect of finally doing so at the urging of my 12-year-old daughter (“Children get older/I’m getting older too”) was exciting, but I was admittedly skeptical that I’d enjoy it as much without the dominant male voice of the group. For my daughter, it was “all about Stevie,” and I’m sure a lot of people — especially females — feel that way. Nicks’ bewitching persona and gorgeous gravelly vocals have always made her the focal point and the one we want to join in with for an enchanted sing-along. But true fans know that Buckingham is as important to the band’s sound as Stevie Nicks, the McVies and its namesake percussionist. Or is he?

REVIEW Fleetwood Mac Live in LA at The Forum December 11, 2018

5 impressions of the new version of Fleetwood Mac and its first concert at the Forum
By PETER LARSEN | LOS ANGELES DAILY NEWS
Photos: Kelly A. Swift

Fleetwood Mac played the first of three shows at the Forum on Tuesday and yes, despite what you’ve thought or heard, it is still Fleetwood Mac even without Lindsey Buckingham, the longtime singer-guitarist was ousted earlier this year.

Is it the same band it was? No. And neither is it the same band it was before Buckingham and singer Stevie Nicks joined in the mid-’70s and – with members Christine McVie, John McVie and Mick Fleetwood – made Fleetwood Mac one of the biggest acts in the world.

The question you ask then is whether this version is good, and with the additions of Crowded House singer-guitarist Neil Finn on Buckingham’s vocals, and Mike Campbell, long a member of Tom Petty & the Heartbreakers on Buckingham’s lead guitar licks, the answer is: absolutely.

In a set that packed 22 songs and one massive old-school drum solo into two hours and 45 minutes, the fans got almost all the hits they wanted and a few rarer numbers that probably wouldn’t have shown up if Buckingham was still in the band, while both Finn and Campbell got spotlight moments for their work in their longtime bands.

Here are five impressions that stick in the memory the morning after.

REVIEW Fleetwood Mac Live in Los Angeles December 11, 2018

Thinking through Fleetwood Mac's tour without Lindsey Buckingham
By MIKAEL WOOD | LA Times Photo: Luis Sinco

The idea of turnover is baked into Fleetwood Mac, the long-running British American band that arrived in its latest (and possibly strangest) iteration at the Forum on Tuesday for the first show in a three-night stand.

Formed as a crusty blues-revival outfit in London in the late 1960s, the group burned through a series of singers and guitarists before resettling years later in Los Angeles, where Lindsey Buckingham and Stevie Nicks helped transform Fleetwood Mac into a polished hit-making machine.

So in a sense it comes as no surprise — as secondhand news, if you will — that the band is on the road this year after it fired Buckingham (allegedly because he didn’t want to tour) and replaced him with a pair of skilled but distantly connected pros: Neil Finn of Crowded House and Mike Campbell of Tom Petty’s Heartbreakers.

For this famously mercenary group, no one — not even the architect of 1977’s gazillion-selling “Rumours” — is safe from elimination.

Yet Buckingham in recent years had taken to describing Fleetwood Mac as a kind of monument to durability. Having quit the band himself in the ’80s (only to return a decade later), he seemed to be putting across the idea that the members’ ability to “rise above the dysfunction,” as he put it to me in a 2017 interview, gave their music a “heroic” quality that distinguished the group from other classic-rock acts still doing business.

REVIEW Fleetwood Mac Live in San Diego December 9, 2018

Fleetwood Mac soars and dips at first San Diego concert with two new band members
By George Varga San Diego Union Tribune

Ouch!  The newly revamped lineup of Fleetwood Mac that performed Saturday at San Diego State University’s Viejas Arena didn’t begin its concert by burning in effigy recently ousted guitarist and singer-songwriter, Lindsey Buckingham, at least not literally. Nor did the 51-year-old band — now touring with two new members in his place — display any Photo-shopped pictures of Buckingham being poked in the eye on any of the three video screens that bedecked the stage.

But figuratively and musically?

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Double-ouch!

The new/old band, which fired Buckingham in January, kicked off its hits-fueled, two-hour Saturday concert here with an especially impassioned version of “The Chain.” Not coincidentally, Fleetwood Mac performed the same song to open its 2014 Viejas Arena show, when Buckingham was still front and center. (It was the second song played at the band’s 2013 Viejas Arena concert.)

A standout number from “Rumours,” Fleetwood Mac’s classic 1977 album, “The Chain” was co-written by Buckingham and the group’s four remaining veterans, drummer Mick Fleetwood and bassist John McVie (who co-founded the band), and three longtime members who joined in the 1970s — singer-keyboardist Christine McVie and singer Stevie Nicks, Buckingham’s former girlfriend.

A love-gone-wrong song, “The Chain” is also tribute to tenacity and overcoming obstacles. Those attributes have defined Fleetwood Mac through its numerous lineup changes, including Christine McVie’s 16-year absence between 1998 and 2014.