REVIEW Fleetwood Mac Live at Amalie Arena, Tampa, FL February 18, 2019

Review: Fleetwood Mac, remade and re-energized, salutes Tom Petty at Tampa's Amalie Arena
It was a homecoming of sorts for Heartbreakers guitarist Mike Campbell, who along with Neil Finn replaced Lindsey Buckingham in the band.

Review and Photo by Jay Cridlin
Tampa Bay Times

Most reviews of a legendary rock band that’s been around half a century don’t lead with the replacement guitarist who joined last year.

But this is Florida, and the heck if we’re not kicking it off with Mike Campbell.

"I gotta say, for myself personally, it’s so good to be back in the state of Florida where I grew up," the Fleetwood Mac guitarist -- man, that still sounds so weird -- told 17,000 fans midway through Monday's sold-out concert at Amalie Arena in Tampa. "Orlando, Jacksonville and of course Gainesville, where I started my band many years ago with my friend Tom."

And with the ovation that followed, the Heartbreaker hero removed his hat, bowed, and, in his first Florida show since Tom Petty’s death, ripped through a version of the vintage Mac cut (and Heartbreaker favorite) Oh Well that would’ve made his late bandmate proud.

REVIEW Fleetwood Mac Live in Tampa, FL February 18, 2019

In Tampa, Fleetwood Mac survives a slow start and hypnotizes a sold-out Amalie Arena
Gold dust and rust can coexist, right?

BY RAY ROA | PHOTOS KAMRAN MALIK
Creative Loafing View Photos

Forty-five minutes. That’s approximately how long many Fleetwood Mac fans waited before heading to the facilities during the band’s sold-out, Monday night show at Tampa’s Amalie Arena.

The exodus happened as Christine McVie and Crowded House’s Neil Finn (one of two newly minted Mac-ers) dusted off an old Fleetwood Mac cut from Kiln House. The band rarely played the song until last year. In fact, it’s been nearly half a century since the album it was pulled from was released.

But last night was as good a time as any to find new levels of nostalgia.

REVIEW Fleetwood Mac Live in New Orleans February 16, 2019

A reborn Fleetwood Mac showed all its strengths during sold-out New Orleans concert
BY KEITH SPERA
The Advocate | Photos: Jeff Strout

Fleetwood Mac vocalist Stevie Nicks had just concluded “Gypsy” on Saturday at the Smoothie King Center when guitarist Mike Campbell stepped to the microphone.

“She is our gypsy!” Campbell enthused.

He didn’t say, “She is Fleetwood Mac’s gypsy.” Instead, he used the first-person plural possessive, “our.”

That Campbell felt comfortable enough and empowered enough to count himself in that "our" spoke volumes about his status in Fleetwood Mac. The Tom Petty & the Heartbreakers alumnus, as well as Crowded House singer/guitarist Neil Finn, joined the band last year to replace the fired Lindsey Buckingham.

But as Campbell’s comment illustrated, and as the whole of the two-plus hour performance demonstrated, he and Finn are not simply stand-ins. They are fully ingrained members of a new incarnation of Fleetwood Mac, the latest of many roster re-configurations.

REVIEW Fleetwood Mac Live in NOLA February 16, 2019

Fleetwood Mac’s New Orleans gig proves yesterday’s not gone at all
By Doug MacCash | Nola.com
Photo Dinah L. Rogers

Fleetwood Mac summoned the magic of the 1970s at the Smoothie King Center on Saturday (Feb. 16) with a string of hits that are wound into the musical DNA of multiple generations.

I was late to Saturday’s concert, but it didn’t take long for Stevie Nicks to put the squeeze on my heart yet again with her fragile, girlish voice, as she sang “Landslide." Nicks' melancholy contemplation of the passage of time probably seemed more profound than ever to her audience, many of whom had silver hair that shone like snow-covered hills. 

Before the song, Nicks had congratulated guitarist Neil Finn (a newcomer to the band) on the imminent arrival of a grandchild. 

But, as anyone in attendance will tell you, the years have not dimmed the band’s passion or musicianship. Mick Fleetwood attacked his array of drums and cymbals as athletically as in days of old, Christine McVie’s understated vocals still poured from beneath her shaggy bangs as unwaveringly as ever and Mike Campbell (an alumnus of the late Tom Petty’s band who is replacing Lindsey Buckingham on the current tour) provided the soaring symphonic leads the band’s classics demanded.

The group closed the concert with “Go Your Own Way,” Tom Petty’s “Free Fallin’” and “Don’t Stop Thinking About Tomorrow,” a trio of anthems that seemed to capture the sweep of the band’s tumultuous half-century career (the group’s personal and professional ups and downs are legendary).  

Fleetwood Mac (whose original members have all entered their eighth decades) ended their New Orleans show with a wistful duet by Nicks and McVie called “All Over Again,” that left no doubt that they wouldn't trade their long experience together. “Let's stop before it's too late,” the venerable rockers sang, “and leave it all up to the fates, ‘cause in spite of the heartaches and troubles in love, I'd do it all over, I’d do it all over again.”

REVIEW Fleetwood Mac Live in Birmingham, AL February 13, 2019

What happens when Fleetwood Mac says bye-bye Buckingham?
By Mary Colurso
AL.com

Photos: By Joe Songer

Fact: It takes two people to replace Lindsey Buckingham in Fleetwood Mac.

Opinion: Neil Finn of Crowded House and Mike Campbell of Tom Petty and the Heartbreakers did a fine job of it on Wednesday night at the BJCC’s Legacy Arena in Birmingham.

Confession: It’s difficult to evaluate the current incarnation of Fleetwood Mac without taking note of Buckingham’s absence. He made an indelible mark on the classic rock band during its heyday in the 1970s and ’80s, defining much of the music as a guitarist, songwriter and singer. That’s not to diminish the contributions of the other band members -- Fleetwood Mac made its fame as a complex and multi-faceted piece of machinery -- but to say that Buckingham mattered. He definitely mattered.

Now that Buckingham is absent from the roster -- he was fired by the other band members, filed a lawsuit, settled it and recently underwent emergency heart surgery -- Fleetwood Mac is a less thorny outfit. That can be regarded as a blessing or a curse, depending on your perspective. Creative tension fueled the band at its peak, and Buckingham was a key instigator of it.

At Wednesday’s performance, the four remaining principals -- singer Stevie Nicks, singer and keyboard player Christine McVie, bassist John McVie and drummer Mick Fleetwood -- collaborated on stage in a polished, congenial, ultra-professional way. Nostalgia ran high during their 8:15 p.m. set, which featured 22 songs and lasted for more than two hours.

REVIEW Fleetwood Mac Live in Austin, TX February 9, 2019

Fleetwood Mac Goes a New Way at Frank Erwin Center
Slow start aside, don’t dream it’s over

The Austin Chronicle
By Doug Freeman | Photos David Brendan Hall

When Fleetwood Mac rolled through Austin in 2015, Lindsey Buckingham provided the spark for the now half-century-old institution. With the longtime guitarist now unceremoniously fired, the double-axe add of Crowded House’s Neil Finn and Tom Petty mainstay Mike Campbell has received mixed reviews.

As irreplaceable as Buckingham, 69, may be, Fleetwood Mac’s new lineup ultimately proved a worthy evolution over the two-and-a-quarter-hour, 22-song showing this past Saturday night – even after a far from stellar beginning.

Working through a heavy dose of Rumours to start, hits “The Chain,” “Dreams,” and “Second Hand News” all spun out lethargically. Granted, nearly every song from the Rock & Roll Hall of Famers struck familiar to the rafters-packed Erwin Center. Nevertheless, the kickoff run churned rote and uninspired.

The switch flipped six songs deep, as the core sextet – Mick Fleetwood, 71; John McVie, 73; Stevie Nicks, 70; Christine McVie, 75; Finn, 60; and Campbell, 69 – reclaimed founding F-Mac guitarist Peter Green’s “Black Magic Woman.” Nicks enchanted on lead with one hand gloved in lace and the other leather, but Campbell lit the fire as he worked the stage and guitar throughout the jam, ultimately pulling up next to Christine McVie’s keys, hat reverentially in hand.