Saturday, October 17, 2020

Eddy Quintela, second husband to Christine McVie has passed away

Eddy Quintela, second husband of Christine McVie and co-writer on a number of her songs from 1987 through 1997 has passed away.

Song writer, keyboardist and composer of Portuguese origin, Eddy Quintela was also the second husband of Christine McVie, a fundamental element in the formation of Fleetwood Mac. For the North American band, Quintela composed with McVie numerous songs between the years 1987 and 1997 Among them is the hit, "Little Lies" from the album Tango in the Night, published in 1987. The hit helped this LP to become the second best seller in the entire Fleetwood Mac career.

They divorced in 2003 but continued to collaborate on Christine McVie's solo album published the following year. One of Eddy Quintela's themes for the American band, "Nights in Estoril", alludes to the time spent by the couple in Portugal, where the musician established several connections, namely in the Cascais line, with Marita Leon (with whom he maintained a musical project in the 1990s) and Fernando Cunha dos Delfins. The song would be published on Fleetwood Mac's Time album, which came out in 1995. In an interview with the British newspaper Guardian, McVie would say however "he was not happy in love".

Eduardo Quintela de Mendonça, of his full name, will also have collaborated with Adelaide Ferreira, at the time of "Baby Suicida" and Portuguese rock. In a post on his Facebook page, Manuel Falcão, founder of BLITZ, says he met Eddy Quintela through a mutual friend, Pedro Baltazar. "He lived a large part of his life in the United States and Great Britain and returned to Portugal some twenty years ago. He was a creative man, he was engaged in a musical project that he loved, a rock opera about John Kennedy, which he left almost ready, now that's left".

- Blitz Expresso

Little Lies by Fleetwood Mac was certified Platinum in the UK

Fleetwood Mac's "Little Lies" has been certified Platinum in the UK on October 16, 2020 for sales exceeding 600,000 units.

Little Lies was the 3rd single released from Tango In The Night in 1987 and peaked at number 5 in the UK.



Stevie Nicks talks Harry Styles, Christine McVie and the Pandemic

Stevie Nicks talks Harry Styles, pandemic fears and her Fleetwood Mac pact

Bree Player, Stellar Magazine
The Daily Telegraph (Australia)

Rock’n’roll royalty Stevie Nicks talks to Stellar about her fear of the pandemic, her close friendship with Harry Styles and the pact she made with bandmate Christine McVie at the beginning of their run with Fleetwood Mac.

How are you going in Los Angeles?

I’m as good as you can be in these circumstances. I really have been locked down because I truly believe that should I contract this disease it would kill me, or it would at the very least knock me down so bad I wouldn’t have a career anymore.

And at 72 years old, I may have my freedom but I don’t have much time, as Mick Jagger would say. So, even if this takes another year-and-a-half I’m going to get through this without getting it because I want to go back to work. I want to go back on tour. I want to come back to Australia, for god’s sake!

Your natural space is the stage. How are you handling not performing live for such an extended period of time?

Well, this was meant to be a year off for me, but I was still performing six shows and we probably would have added six more. I do miss it – I don’t feel like myself.

I look at these next six or so years as my last youthful years, when I’m going to feel like putting on six-inch heels and dancing across a stage for the world. Because, really, at some point you have to go, “OK, you’ll be 80 – just exactly how long can you cartwheel across the world?” I don’t have that much time left to be a rock star.

Although you can’t perform now, you’re releasing your most recent solo tour 24 Karat Gold The Concert in cinemas next week, so you’re still managing to keep busy…

Yes, this film was so lovingly made and I’ve also just released a song called ‘Show Them The Way’. These are projects I’m so proud of and in this time of strife for all of us, I’m hoping that both the film and the song might be something that will make people feel better and give them some hope.

I made a video for this song that’s mostly photographs but I shot a small portion of it in my entryway. I put on my boots for a couple of hours and for those hours I felt like myself again. I feel like Cinderella putting on her glass slippers.

At five-foot-seven, I feel incredibly powerful, at five-foot-one in a pair of bedroom slippers or tennis shoes, I don’t feel so powerful.

FLEETWOOD MAC ALBUMS CHART UPDATES - US, UK AU & NZ

Fleetwood Mac makes some significant moves on the albums and singles chart in these selected countries.



 


AUSTRALIA

Fleetwood Mac's 'Dreams' enters the Top 10 in Australia for the first time jumping 10 spots this week to number 4 from number 14 last week.  'Rumours' climbs up the Top 100 albums chart to number 11 from number 17 last week.

NEW ZEALAND

'Dreams' remains in the Top 40 in New Zealand on the singles chart moving up 4 spots this week to number 6 from number 10.  'Rumours' jumps into the Top 10 at number 6 this week up from number 10 last week on the Top 40 Albums chart.

UK 

In it's 100th week on the UK Top 100 albums chart, Fleetwood Mac's "50 YEARS - DON'T STOP" climbs back into the UK Top 10 at number 10 this week up from number 17 last week. 

- 100 weeks in the top 75
-  95 weeks in the top 40
-  69 weeks in the top 20
-  14 weeks in the top 10

'Rumours' moves up to number 18 from number 22. 

Finally, Fleetwood Mac’s Dreams re-enters the Official Singles Chart Top 40 for the first time since 1977, climbing 18 places to Number 37. The feat follows a surge in streams and downloads following the viral TikTok video of user Doggface208 skating to the track while drinking cranberry juice. Mick Fleetwood and Stevie Nicks have each since responded with their own TikToks paying homage to the clip.

Dreams only peaked at Number 24 upon its original release in August 1977, however its success has endured over the years, racking up just shy of 100 million streams in the UK since streaming was introduced in 2014.

Dreams is Fleetwood Mac’s first UK Top 40 entry in seven years. In 2013, their 1988 hit Everywhere re-entered the Top 40 at Number 15 following its use in a TV advert.

IRELAND

In IRELAND Fleetwood Mac’s discography is being streamed strong, leading to a new peak for the band’s 2018 box set '50 Years – Don’t Stop'. Peaking at #5 previously, the collection advances to #4 this week. 'Rumours' returns to the Top 10, climbing to #6. 


USA / CANADA

Fleetwood Mac's 'Rumours' is the "greatest gainer" this week on the Billboard Top 200 albums chart dated October 17, 2020 as it explodes in sales and jumps up the Top 200 albums chart to number 13 from number 27 last week as a result of Nathan Apodaca’s viral TikTok video featuring 'Dreams'. The last time the album was this high on the charts was back in May, 2011 when the entire 'Rumours' album was featured in the Glee episode and it reached number 11.

The 1988 Greatest Hits release also sees a major boost on the chart, jumping up to number 61 this week from number 103 last week.

DREAMS ROCKETS UP THE BILLBOARD HOT 100

'Dreams' re-enters the Billboard Top 100 singles chart at number 21 this week based on sales, streams and radio play. The song took off following Nathan Apodaca’s viral TikTok video flying up the iTunes and Spotify song charts. The song is currently No.1 on iTunes in the US and has been for a number of days.  This is the first time the song has been on the Hot 100 since August, 1977!

Other Billboard Charts:

Friday, October 16, 2020

At 72, STEVIE NICKS is still looking for adventure

Stevie Nicks on art, ageing and attraction: ‘Botox makes it look like you’re in a satanic cult!’

Jenny Stevens - The Guardian

At 72, the singer is still looking for adventure. She talks about her years with Fleetwood Mac, the abortion that made them possible, and her friendship with Harry Styles

Stevie Nicks has been taking the pandemic even more seriously than most. She has barely left her home in Los Angeles this year. “My assistant, God bless her, she puts on her hazmat suit and goes to get food, otherwise we’d starve to death,” she says. She fell seriously ill in March 2019, ending up in intensive care with double pneumonia; after that shock, she fears contracting Covid-19 could end her singing career: “My mom was on a ventilator for three weeks when she had open-heart surgery and she was hoarse for the rest of her life.”

What would it mean to her to stop singing? “It would kill me,” she says. “It isn’t just singing; it’s that I would never perform again, that I would never dance across the stages of the world again.” She pauses and sighs. “I’m not, at 72 years old, willing to give up my career.”

It is nearly midnight in LA when we speak on the phone; not a problem for Nicks, who is “totally nocturnal”. The night she fell ill last year, she had just become the first woman to be inducted into the Rock and Roll Hall of Fame twice – an honour that reflects her wild success as one of the lead singers of Fleetwood Mac and as a solo artist, as a writer and singer of raw, magical songs about love and freedom, including Dreams, Rhiannon, Gold Dust Woman, Landslide and Edge of Seventeen. Nicks is unabashedly funny, dry as a bone, often sidling into sarcasm.

I ask about her approach to spirituality. She says that, for all her fears about her career, “some people are really afraid of dying, but I’m not. I’ve always believed in spiritual forces. I absolutely know that my mom is around all the time.” Just after her mother died, in 2012, Nicks was standing in her kitchen with “really bad acid reflux”. “And I felt something almost tap my shoulder and this voice go: ‘It’s that Gatorade you’re drinking,’” she says. “I’d been sick and chugging down the Hawaiian Punch. Now, that’s not some romantic, gothic story of your mother coming back to you. It’s your real mother, walking into your kitchen and saying” – she puts on a rasp – “‘Don’t drink any more of that shit.’” She pauses, waiting for me to laugh, then cackles.

Nicks was close to her mother, Barbara, who pushed to get her career back after she had children. “She said to me: you will never stand in a room full of men and feel like you can’t keep up with them. And you will never depend upon a man to support you. She drummed that into me, and I’m so glad she did.”

Women’s rights have been on Nicks’ mind since the death of her “hero”, the US supreme court justice Ruth Bader Ginsburg, last month. “Abortion rights, that was really my generation’s fight. If President Trump wins this election and puts the judge he wants in, she will absolutely outlaw it and push women back into back-alley abortions.”

Nicks terminated a pregnancy in 1979, when Fleetwood Mac were at their height and she was dating the Eagles singer Don Henley. What did it mean to be able to make that choice? “If I had not had that abortion, I’m pretty sure there would have been no Fleetwood Mac. There’s just no way that I could have had a child then, working as hard as we worked constantly. And there were a lot of drugs, I was doing a lot of drugs … I would have had to walk away.” She pauses. “And I knew that the music we were going to bring to the world was going to heal so many people’s hearts and make people so happy. And I thought: you know what? That’s really important. There’s not another band in the world that has two lead women singers, two lead women writers. That was my world’s mission.”

Stevie Nicks, she reflects on mortality

Stevie Nicks Salutes Lost Friends: ‘I Never Thought Prince And Tom Petty Wouldn’t Be Here In 2020’

By Steve Baltin Forbes


There are certain moments you dream (pun intended ) of as a journalist. Spending 90 minutes on the phone on a Friday night with twice-inducted Rock And Roll Hall Of Famer Stevie Nicks is definitely one of those.

Over the course of the wide-ranging conversation, which will run in three parts, due to the remarkable length, we touched upon a number of subjects, from her brilliant new single, "Show Them The Way" to her influences.

At one point we joked about the viral success of "Dreams." Thanks to the superb original TikTok video from Nathan Apodaca, the song was top five on streaming charts from that day, sandwiched between six or seven Van Halen songs following the death of guitar legend Eddie Van Halen a few days before our conversation.

Of course, Nicks knew Van Halen, who she said she had written a tribute to (as of this publishing it has not been shared). And that set off a conversation about other recent losses, including her friends like Tom Petty and Prince.

Here in part one with Stevie Nicks, she reflects on mortality.

Steve Baltin: "Dreams" is on the charts today sandwiched between several Van Halen songs, which should rightly be in the top 10.

Stevie Nicks: I wrote something about Eddie that I'm gonna put on my website cause I knew him quite a while ago. So when you know somebody fairly well for several years it doesn't have to be just the few years. He was always so nice to me and such a nice person. I really liked him besides the fact he was such an awesome guitar player. But that's really too bad, that's a big loss. One more person that I didn't want to lose.

Baltin: Is there music from friends who have passed you find it hard to listen to?

Nicks: It's mostly Tom's music and I love Tom's music. I listen to Tom Petty Radio [on Sirius XM] and it makes me feel like he's still alive because he spent a lot of time on that radio station to the point where the rest of the Heartbreakers were like, "So you missed your calling. You just really wanted to be a disc jockey." And he did so much work on it they've been able to totally keep the Tom Petty radio station alive and I'm so happy about that because to me I hear him and it's like I'm talking to him while he's talking to us. I forget that he's gone because of that station. And I'm so happy that he actually did piss everybody off and spent a lot of time putting that all together for all of us because it's so special. But I did want to tell you one thing my dad said to me once. He died in 2005. In the last couple of years of his life, at one point he said to me, "All my friends are dead." And I was struck dumb when he said that cause I actually knew a lot of his friends. But then of course there were a lot of his friends that I didn't know or didn't know anything about cause he was 22 years older than me so there were a lot of friends in my father's life that I never even knew. Same with all of us, we don't really know everything about our parents. And the fact is when he said that to me I thought, "That's the worst thing I ever heard." And just in a really quite, somber voice, "All of my friends are dead." I'm like, "I don't want to hear that, that makes me so sad for you." So when my dad died there was a part of me that went, "Farewell, my friend, farewell, my father. Now you're gonna be with all your friends who you obviously were missing so much. And I'm glad you made that final journey and you're up there with them now." When he said that I didn't even get it. And now I'm starting to really understand because just in the time of the loss of Prince, the loss of Tom Petty, the loss of Glenn Frey, the loss of Eddie Van Halen, it's like I knew all these people. And then you can kind of go to the generation that was 15, 20 years older than me and think, "They already went through this. Every generation it goes through." And the people that live to be really old, like hopefully me, there will be a time where a lot of people will be gone. And I certainly never expected for Prince and Tom Petty to be gone in 2020.

Baltin: I don't think anyone did. But I love what you said about the radio station. And it's funny because when you think back on his relationship with Jim Ladd and "The Last DJ," he did give a foreshadowing he wanted to be a DJ.

Nicks: Well, he never did tell me that and I never even knew he was working on that. But then when he died all the rest of the Heartbreakers told me all of their stories cause they'd be like, "Tom, let's record something." And he'd be like, "I'm going to the station." And he wanted to be there by himself so he could make up all those names. And I just laugh because he had such a goofy sense of humor, dry, but goofy. And it's all there. And I just go, "This is so great that he actually did this." It's too bad all of us aren't obsessed enough with radio we can't go out and actually do what he did because it really had made a difference I think for everybody who misses Tom Petty. You just turn on that station and listen to him, it's like he's back. If anything it proves we need to try to appreciate our friends more than we probably do because we're not gonna have them forever.

Baltin: Is there one Tom song you wish you had written or one that speaks to you the most?

Nicks: That would be a hard question for me because there are so many. I really love "Don't Come Around Here No More," which came basically from Dave Stewart to me. Dave Stewart wrote the track for that for me, for the timbre, timbre was the word he used, of my voice. And then we went into the studio with Jimmy Iovine, me and Dave and Jimmy. Then we started working on it and at some point Jimmy said, "We should call Tom." I said, "Yeah, he can come and help us." So Tom came down and by this time it was one o'clock in the morning and for whatever of my reasons, me who stays up all night every night, I was tired. So I went home to get some rest and said I'd try to be in the next afternoon earlier than usual. So when I came back the next night I walked in and Jimmy was like, "Okay, listen to this." Tom was there, Dave was there, they pushed play and it was the entire song, done, finished. And I was furious, I was so pissed off because I said, "It's done." And Tom says, "Oh, you can change any of it you want." "Thanks, yeah, I'm gonna change your, 'I don't feel you anymore, don't darken my door.' First of all, Tom, I bow to your greatness. And it's amazing. You did an amazing job for this f**king awesome song." Then I said to Dave, "I'm sorry, Dave Stewart that it's now not gonna be my song. It's gonna be Tom Petty's song, the world is gonna love it and you did a great job." And I said to Jimmy, "How could you let this happen?" And I fired him. I was so angry. And then Jimmy sent me a final mix of it and I thought, "This has just become my favorite Tom Petty song. So it really was a collaboration between him and Dave Stewart, who wrote the track. So the track was really as it is now. When Dave does a track for you it's like done. Same with Mike Campbell. They give you the finished track almost. Then it became my favorite song to do with Tom on stage. So as difficult as it was that I didn't get to write it because Dave did write, "Don't come around here no more," just that one sentence. He usually does that. Like "In Your Dreams," he wrote a song for me, just the track. But he did write "Everybody loves you, but you're so alone." So he gives you this little seed of an idea and then you take it from there. And when I listen to "Don't Come Around Here No More" I always think there's a little bit of my vocals because Sharon [Celani] and I did do some vocals that first night on that chorus. But there are so many. If I got a list of all of Tom's songs, there are a million songs he wrote I'd like to actually record and may sometime take four or five of his songs and record them. But I would trade all that just to have him come back.

Part 2 and 3 to follow.