STEVIE NICKS FIRST SHOW IN 3 YEARS - NEW ORLEANS REVIEW

Stevie Nicks made people cry as she topped a day heavy on female acts at Jazz Fest

By Keith Spera

Nola.com

Stevie Nicks opened her first show in nearly three years at the New Orleans Jazz Festival with "Outside the Rain." “I have been home watching miniseries, wearing really comfy pants and teaching my dog how to shake hands,” she said of her pandemic activities. “He doesn’t quite have it yet.”

Getting back to work, Nicks cruised through Fleetwood Mac’s “Dreams” and her own “Enchanted” and “Stop Dragging My Heart Around.” Between “Gypsy” and “Rhiannon” she showed off the original cape she wore on the cover of the 1981 album “Belladonna.”

A persistent “boom, boom” bedeviled and distracted her throughout the show. She couldn’t pinpoint the source, but it may have been the bass from Badu’s stage.

Nevertheless, she pressed on. She covered Tom Petty’s “Free Fallin’,” another tribute to a fallen friend.

Her finale was a charge through Led Zeppelin’s “Rock ‘n’ Roll.” It had indeed been a long time since Nicks rocked and rolled.

“It was a journey,” a relieved Nicks said of her Saturday show. A journey that concluded in front of a staggering crowd at Jazz Fest.

Photo by Sophia Germer

(more photos here)

Variance Magazine:
Stevie Nicks plays 'Landslide' in tribute to late Taylor Hawkins at Jazz Fest

BY JONATHAN ROBLES

Variance Magazine

Stevie Nicks took the stage Saturday night at the New Orleans Jazz & Heritage Festival, marking her first performance in nearly three years, she said.

Midway through her set, she told the crowd she was going to perform a song for a friend, the late Taylor Hawkins of Foo Fighters before she launched into a live rendition of her Fleetwood Mac hit "Landslide," joined by a sea of fans singing along every word.

Setlist and order

Outside The Rain

Dreams

If Anyone Falls

Stop Dragging My Heart Around

Enchanted

Gypsy

Bella Donna / Wild Heart

Rhiannon

Landslide

Stand Back

Gold Dust Woman

Free Falling

Edge of Seventeen

Encore:

New Orleans

Rock N Roll

STEVIE NICKS ADDS MORE SOLO TOUR DATES

4 more dates added to the list of shows for 2022. All in June.  More dates to come. I suspect July and August dates will follow and likely on the east coast since Stevie is touring into September. 

Pre-sale tickets go on sale April 27, 2022. General Public tickets on sale Friday. 

Check out Stevie's official website for the links to buy. 

MAY 7, 2022 - New Orleans, LA

New Orleans Jazz & Heritage Festival

MAY 11, 2022 - Morrison, CO

Red Rocks Amphitheatre

MAY 14, 2022 - George, WA

The Gorge Amphitheatre

JUNE 10, 2022 - Ridgefield, WA

RV INN Styles Resort Amphitheatre

JUNE 12, 2022 - Mountain View, CA

Shoreline Amphitheatre

JUNE 16, 2022 - Salt Lake City, UT

USANA Amphitheatre

JUNE 19, 2022 - Manchester, TN

Bonnaroo

JUNE 21, 2022 - Noblesville, IN

RUOFF Music Center

SEPT 2, 2022 - SEP 4, 2022 - Snowmass, CO

JAS Aspen Snowmass

with Chris Stapleton & Leon Bridges

SEPT 8 & 10 - Chicago, IL

The Ravinia Festival

SEPT 17, 2022 - Asbury Park, NJ

Sea Hear Now Festival

SEPT 24, 2022 - Bridgeport, CT

Sound on Sound Festival

CHRISTINE MCVIE SONGBIRD A SOLO COLLECTION

First Ever Compilation From Rock & Roll Hall Of Famer Highlights Songs From Her Solo Career, Newly Remastered By Glyn Johns, Along With Two Unreleased Studio Recordings

Also Features New Orchestral Version Of Fleetwood Mac Classic “Songbird”

Christine McVie was not only the songwriter and vocalist for many of Fleetwood Mac’s biggest hits (“Don’t Stop,” “Everywhere,” and “Little Lies”), but she also released some stunning solo albums during her Rock & Roll Hall Of Fame career. Rhino puts those recordings center stage on the very first compilation to spotlight McVie as solo artist.

SONGBIRD features songs that were remastered by legendary producer Glyn Johns, who worked closely with McVie on the project. It includes a selection of songs from two of her solo albums – 1984’s CHRISTINE MCVIE and 2004’s IN THE MEANTIME – plus two previously unreleased studio recordings including “Slowdown,” which was originally written for the 1985 film American Flyers.

Another song that has never been released is “All You Gotta Do,” a duet that Christine recorded with George Hawkins while making IN THE MEANTIME. The track was never finished and Johns added Ricky Peterson on Hammond and Ethan Johns on drums and guitar.

Another unreleased song is a new orchestral version of "Songbird" from Fleetwood Mac’s RUMOURS album, which has become one of McVie’s signature tracks. The new version pairs McVie’s iconic vocals from the original recording with a gorgeous new string arrangement by six-time Grammy Award winning composer and arranger Vince Mendoza.

SONGBIRD goes back to 1984 for a selection of tracks from Christine McVie, which find McVie joined by several legendary musicians. “The Challenge” includes backing vocals by her Fleetwood Mac bandmate Lindsey Buckingham and lead guitar by Eric Clapton. “Ask Anybody” is a song McVie co-wrote with Steve Winwood, who also adds backing vocals and piano to the track.

Most of SONGBIRD is taken from 2004’s IN THE MEANTIME. Highlights include the Top 40 AC hit, “Friend” and “Sweet Revenge,” one of several songs on the record that she co-wrote with her nephew Dan Perfect, who also helped produce the album.

The liner notes that accompany SONGBIRD find McVie paired with acclaimed English radio DJ and broadcaster Johnnie Walker for a conversation that touches on every song from the collection.

SONGBIRD (A SOLO COLLECTION)

Track Listing

“Friend”

“Sweet Revenge”

“The Challenge”

“Northern Star”

“Ask Anybody”

“Slowdown” *

“Easy Come, Easy Go”

“Giving It Back”

“All You Gotta Do” *

“Songbird” – Orchestral Version *

* previously unreleased

PRE-ORDER AT AMAZON OR AT RHINO.COM

CD

AMAZON | RHINO RECORDS

BLACK VINYL

AMAZON | RHINO RECORDS

GREEN VINYL

RHINO RECORDS

Album Chart Debuts:

Christine Album debuted in the UK on two charts, missing the main Top 100 Albums Chart, instead landing on the following charts:

#22 - Official Physical Albums Chart Top 100

#24 - Official Albums Sales Chart Top 100

The album also debuted at #15 in Scotland.

In the US, the album missed the Billboard Top 200 but did impact these two charts:

#49 - Top Current Album Sales

#83 - Top Album Sales

STEVIE NICKS 2022 CONCERT DATES

MAY 7, 2022 - New Orleans, LA
New Orleans Jazz & Heritage Festival

MAY 11, 2022 - Morrison, CO
Red Rocks Amphitheatre

MAY 14, 2022 - George, WA
The Gorge Amphitheatre

JUNE 19, 2022 - Manchester, TN
Bonnaroo

SEPT 2, 2022 - SEP 4, 2022 - Snowmass, CO
JAS Aspen Snowmass
with Chris Stapleton & Leon Bridges

SEPT 8 & 10 - Chicago, IL
The Ravinia Festival

SEPT 17, 2022 - Asbury Park, NJ
Sea Hear Now Festival

SEPT 24, 2022 - Bridgeport, CT
Sound on Sound Festival

STEVIENICKSOFFICIAL for tickets

REVIEW Lindsey Buckingham Live in Santa Barbara April 15, 2022

Review Lindsey Buckingham at the Lobero
Former Fleetwood Mac Star in Santa Barbara on April 15th

By Josef Woodard

Tue Apr 19, 2022 

Santa Barbara Independent

PHOTOS

What makes Lindsey Buckingham such a unique figure in pop history, even verging on the oft-misused superlative of “pop genius”? His generous and career-spanning concert at the Lobero on Friday, April 15, offered many clues. From early Fleetwood Mac hits “Go Your Own Way” and “Tusk” — highlights of this concert — up through last year’s impressive, eponymous solo album, Buckingham has deftly juggled hooks, polish, and also quirks. When he musters up grit in his vocal tone or takes off on distortion-laden guitar flights, we rarely get the sense that he’s baring his soul or channeling rock and roll angst; pop craft and artistic control trump sheer abandon.

Part of a run of smaller venue dates before heading to much larger venues in Europe, Buckingham’s Lobero concert also came equipped with extra layers of emotional underscoring. This was an eagerly awaited, pandemic-delayed tour. Additionally, since his 2018 Arlington concert with Christine McVie, Buckingham has been dismissed from Fleetwood Mac and endured emergency heart surgery and a near-divorce.

But at the Lobero, the lean and lithe Buckingham, now 72, delivered a powerful — and polished — show with his most excellent quartet. He tapped into his small but high-quality solo discography, firing up “Trouble,” “Soul Drifter,” and the new “I Don’t Mind” (a prime example of his artful way with a pop hook). Though mostly playing his delay-lathered acoustic-electric guitars, Buckingham took the occasion of the tune “I’m So Afraid” to lay out one of his tasteful, climactic, and epic electric solos towards the show’s end.

The concert also had two pivotal moments of particular poignancy. One came with his closing tune, the new “Time,” a lovely variation on the theme of Sandy Dennis’s mortality-wise anthem “Who Knows Where the Time Goes?” The other moving moment came with his slowed-down and radically reinvented version of the Mac tune “Never Going Back Again.” Suddenly, Buckingham seemed to pull away from the craft factor and bare his soul for a few minutes. A mid-show standing ovation was in order. 

San Francisco Review Lindsey Buckingham even as a solo artist is incredible

 

Lindsey Buckingham Wows at Palace of Fine Arts

Lindsey Buckingham

Palace of Fine Arts

April 5, 2022

Photo/Review by Raymond Ahner

SFSonic

Earlier last year Lindsey Buckingham announced not only the release of his first solo album since 2011, (and his first album following his departure from Fleetwood Mac) but also a North American tour. The current leg of the tour recently kicked off at The Palace of Fine Arts in San Francisco, where he performed a nearly two-hour set to a packed house.

Taking the stage with his band at precisely 7:55pm, Lindsey first addressed the crowd and apologized for the absence of keyboard player Brent Tuggle, who was ill. He then kicked off the evening with “Not Too Late,” from his 2006 solo record Under the Skin. Lindsey was as masterful on his guitars as ever, as he and his three-piece band did a few more from his solo albums, including “Soul Drifter” and “Doing What I Can,” both from his 1992 record Out of the Cradle.

As the evening progressed, Lindsey played a few songs solo, including Fleetwood Mac classics “Never Going Back Again,” and “Big Love.” His backing band was not done yet though, as they returned to play a few songs from Lindsey’s long awaited seventh and latest solo album. Highlights included “Scream,” “I Don’t Mind,” and “Swan Song,” all which showed not only Lindsey’s talent, but also the talent of the band supporting him. They also tore through Fleetwood Mac standards “I’m So Afraid,” (with an epic extended solo from Lindsey and the song that everyone in the crowd wanted to hear, “Go Your Own Way,” during which Lindsey took center stage to belt out another incredible solo to close out the set.

After a brief break Lindsey and the band returned to the stage, thanking them and stating that they were “Everything you want in a hometown crowd. He then introduced his band members (Neale Heywood on guitar, Michael Urbano on drums, and Michael Kiyoka on keyboards. The band then ended the evening with “Love Is Here To Stay” and “Time.” By the time it was all said and done, Lindsey showed that even as a solo artist he is an incredible musician, and he doesn’t appear to even be close to stopping anytime soon.