Sunday, October 02, 2022

Lindsey Cancels the Remaining European Dates of Tour


Lindsey performed in London on Oct 1st and Berlin prior to that on Sept 28th. The first 5 dates of his European tour were canceled due to illness. He also canceled the remaining dates of his European tour due to illness.
• Glasgow Oct 3
• Liverpool Oct 4
• Dublin Oct 6

Not sure what the health issue is but he did have covid which caused the first rescheduling of the Euro dates, this could be a relapse. Get well Lindsey! 

His tour resumes in the US on October 26th.

10/26/2022 - Bristol, TN - Paramount Center for the Arts
10/27/2022 - Louisville, KY - Kentucky Center for the Arts (Brown Theatre)
10/29/2022 - Des Moines, IA - Hoyt Sherman Place
10/31/2022 - Eau Claire, WI - University of Wisconsin Eau Claire (Pablo Center at the Confluence)

NOVEMBER, 2022
11/1/2022 - Green Bay, WI - Meyer Theatre
11/3/2022 - Nashville, IN - Brown County Music Center
11/4/2022 - Elkhart, IN - Lerner Theatre
11/6/2022 - York, PA - Appell Center for the Performing Arts
11/7/2022 - Huntington, NY - The Paramount
11/9/2022 - Port Chester, NY - The Capitol Theatre
11/10/2022 - New London, CT - Garde Arts Center
11/12/2022 - New Brunswick, NJ - State Theatre New Jersey
11/13/2022 - Annapolis, MD - Maryland Hall for the Creative Arts
11/15/2022 - Roanoke, VA - Jefferson Center
11/16/2022 - Durham, NC - Carolina Theatre
11/18/2022 - Nashville, TN - CMA Theatre (Country Music Hall of Fame)
11/19/2022 - Augusta, GA - The Bell Auditorium

Photo: Matthew John Benton

Wednesday, September 28, 2022

REVIEW Stevie Nicks Live in Bridgeport, CT Sept 24, 2022

Stevie Nicks returns to Bridgeport for Sound On Sound headlining performance
Andrew DaRosa


After her last appearance almost 20 years ago, Rock and Roll Hall of Famer Stevie Nicks returned to Bridgeport on Saturday for a headlining appearance at Sound On Sound music festival. The 74-year-old singer-songwriter led the audience in an hour-and-a-half performance that saw Nicks perform hits from all eras of her career.

Nicks, who was rather talkative during the show, introduced songs like a show-and-tell presentation — offering insights and stories behind songs like “Gypsy” and “Stop Draggin’ My Heart Around.” Fans of Nicks’ Fleetwood Mac work walked away pleased as the singer of group belted classics like “Landslide,” “Dreams” and “Rhiannon.”

One surprise moment of the show was a rendition of Buffalo Springfield's "For What It's Worth," which Nicks recently recorded and released on streaming platforms on Sept. 23. Nicks told the crowd that she has always admired the songwriting craft of Stephen Stills, and wanted to record her own version of the song. 

Nicks' last solo show in Connecticut occurred at Mohegan Sun Arena in 2016 while Fleetwood Mac's last Connecticut performance happened in 2019, according to setlist.fm. The last time Nicks performed in the Park City was in 2003 with Fleetwood Mac at the Arena At Harbor Yard (now-Total Mortgage Arena).

Friday, September 23, 2022

NEW INTERVIEW Stevie Nicks on why she recorded "For What It's Worth"

 





Stevie joined Zane Lowe on Apple Music 1 to discuss her cover of “For What It’s Worth.”

About Her History With Stephen Stills’ Song “For What It’s Worth”...

So, I'll tell you why I used it. Since 1966, when it was first written, I was a big Buffalo Springfield fan. So then, we moved quickly towards the future, and say 1968 is probably when I really started listening to Crosby, Stills & Nash. So, what happened was, is that then I really became a big fan of that song. And, even in those early days, that was right when I joined the band with Lindsey, it was 1968 in San Francisco. And, in my little head, thinking that, "Yes, of course this is going to work out." I said, "I'm going to record that song someday.”

Why She Decided To Release The Cover Now...

It took a whole long time to do it, but the reason that I recorded it was because a week after the Uvalde shooting, I recorded it. I just said... It just came into my head. Sometimes you're just sitting on the couch, and sometimes it'll just come into your head, and you didn't even look for it, and it just comes. So, I thought, okay, I'm going to record it. And, I called my favorite producer, Greg Kurstin, and I said, "I would like to record this." And, he goes like, "Okay, great." He recorded it, he played everything except the lead guitar solo by Waddy Watchel. And, I went in and sang it, and with this whole COVID thing, it's not all so easy to just do that, but we did it, and we wanted to put it through a record company, because it was early in the summer. And so, that of course then takes a while, and then I had to go back on the road. So, it was not ever a protest song. Stephen Stills wrote it about the kids on the Sunset Strip getting together to go to the Roxy, and Troubadour, and everything. And then, the police said, "Well, you can't be keeping everybody in the Hills awake. So, you have to be gone by 10 o'clock." And, of course, I don't go to bed till eight in the morning. So, just imagine. It's like, you have to be off the streets at 10 o'clock, and they're like, "Are you serious? That's not going to happen." So, it turned into riots. I mean, they were like, "You're not going to tell us when we have to go to bed. So, we're not going to leave." So, that's really what he wrote it about. I had no idea, but it is. That's the truth.

How She Approached Covering The Song and What She Hopes Fans Get Out Of Listening To It...

So, everybody has their own meaning for that song, but I just think that somewhere in Stephen Still's amazing songwriting, visionary, whatever you want to say, for what it's worth, he managed, in that song, to cover everything. To cover everything that everybody's complaining about, and fighting against, in the entire world. He managed, in that song, to touch on everything so subtly… you could have said, "Okay, is that song about gun violence? Is that song about women's rights? Is it about immigration?" You wouldn't have had any idea exactly what it was about, but you could take it all in to be about anything that you personally wanted it to be about. But, I know, if I'm going to sing some really famous rockstar guy’s song, I better sing it well, or I'm going to get totally panned. So, I put everything I have into doing an interpretation of a song written by a man and sung by a man... especially such a famous man and songwriter as Stephen Stills. So I really did try to stay as within Stephen's realm as I could. And that's really, basically what I tell the audience is, "This is a song I long wanted to record. This seemed to be the right time. And I hope that you, whatever you're..." I don't know if I ever said whatever your views on anything are, I hope that you can rise above that and take it for what it is. And also, I just hope you like the song.

The witchiest women in pop, the great Stevie Nicks Live in Bangor Maine

Stevie Nicks as talented and charming as ever in Bangor show
The Fleetwood Mac singer's set Thursday was wide-ranging and pulled primarily from her solo career.


BY ROBERT KER
Photo: @hachetommy

The autumn equinox officially brought fall to Maine on Thursday, and with it blew in one of the witchiest women in pop music, the great Stevie Nicks. Possessing an extraordinarily rich catalogue of music and a fashion sense so distinct that if you saw dressed-up concert attendees at gas stations you’d know exactly where they were driving, she charmed the Bangor crowd with poise, presence and a voice that improbably hasn’t aged a day since she climbed onto the tour bus with Fleetwood Mac in 1975.

Autumn’s arrival also brought a noticeable drop in temperature and scattered showers that dampened concertgoers just enough to add some bite to the cool wind. This didn’t have any noticeable effect on the crowd’s spirits, however. The audience at Maine Savings Amphitheater was on its feet and boisterous throughout, screaming wildly whenever Nicks stepped away from the microphone to take flight into her trademark twirls – a more delicate prospect at age 74, making the effort all the more endearing. Coincidentally, she also opened the concert with a medley that directly referenced the weather conditions, beginning with “Outside the Rain” from her 1981 solo album “Bella Donna” and featuring a silky segue into the Fleetwood Mac classic “Dreams” (featuring the “thunder only happens when it’s raining” line in the chorus).

Throughout the set, she dipped more heavily into her solo catalogue than her Fleetwood Mac catalogue. Indeed, there were almost as many nods to her friend Tom Petty as there were to Fleetwood Mac – she came out on stage to Petty’s “Runnin’ Down a Dream” playing over the sound system, performed their duet “Stop Draggin’ My Heart Around” and covered his “Free Fallin’.”

Her solo material, combined with her Mac material, proved how far-ranging her songwriting is, almost as if she wrote songs specifically for a full and satisfying concert set. If you wanted synthesizer-fueled dance songs, you had “If Anyone Falls” or “Stand Back.” You had barroom blues with “Enchanted,” soft-rock with “Gypsy” and power balladry with “Bella Donna.” This range, performed with a polished backing band, was all exercised to draw maximum drama and contrast from the material.

This was most evident in the two songs that closed out the set: “Gold Dust Woman,” the final song from Fleetwood Mac’s “Rumours,” and “Edge of Seventeen,” her biggest solo hit. “Gold Dust Woman” featured a long, drawn-out intro, before Nicks reemerged to the stage wearing a gold shawl. It also contained lengthy instrumental passages in the center and the end, with Nicks dancing with carefree abandon. At the song’s close, she stood with her back to the audience, raising her arms so that the shawl resembled wings.

On “Landslide,” the prior song, she sang the line “I’m getting older too” – a line she has been singing for nearly 50 years, with increasing pointedness with each passing year. Her songwriting balance of youthful energy, singular perspective and wise-beyond-her-years lyrics have aged remarkably, and she’s still interpreting her older material as if she wrote it yesterday, remaining endlessly vibrant even as we all grow older.

Thursday, September 22, 2022

NEW STEVIE NICKS SINGLE "FOR WHAT IT'S WORTH" OUT SEPTEMBER 22ND

 NEW MUSIC... Friday September 22nd

Stevie Nicks announced via her social media sites that she will release "For What It's Worth" a cover of Buffalo Springfield track written by Stephen Stills in 1969 on Friday September 22nd.

She's been performing the track live on the current tour and initially announced it during a concert that it was coming soon.

iHeart Radio had the exclusive premiere September 21st airing the track on it's classic rock stations.

Look for the song on all streaming platforms where ever you are at midnight.





Tuesday, September 20, 2022

Review Stevie Nicks Live in Asbury Park NJ Sept 19, 2022

Stevie Nicks unleashes ‘fairytale’ rock dominance
Matt Smith | For NJ Advance Media

As the ocean breeze fluttered the scarves and chains dangling from her microphone stand, Stevie Nicks gazed out over the immense crowd — some 30,000 strong stretched a quarter-mile down the beach, a vision of late-summer Jersey Shore serenity — and described the scene as only she might: “a fairytale.”





“Is this the world of Bruce Springsteen?” Nicks asked early in her 90-minute performance, egging on the crowd. While The Boss did not appear, no shine was lost from Nicks’ emphatic set, which echoed effortlessly over the waterfront expanse and beyond the waves painted green, pink and blue by filtered lights. Attend enough festivals and you’ll learn some artists’ voices just don’t carry well in such monstrous settings. But Nicks, 74, was in full command, unloading a mix of solo classics and Fleetwood Mac staples, twirling in place and traipsing around the stage as her eight-piece band played on.

The night’s single-most affecting moment came, perhaps unsurprisingly, during “Landslide,” which Nicks tearfully dedicated to Tessa Fleetwood, Mick Fleetwood’s granddaughter and her goddaughter, who was in attendance. The crowd belted along, many eyes similarly dampened.

More explosive were the crashing renditions of “Gold Dust Woman” (with flecks of golden dust swirling on the big screen), and her synth-laden solo cut “Stand Back.” And of course, “Edge of Seventeen” ignited the audience once more. Nicks sang “Free Fallin’” as a tribute to her close friend Tom Petty, who died in 2017, with happy images of Petty and Nicks on the screen.

She also unloaded a sharp cover of Buffalo Springfield’s “For What It’s Worth,” preceded by a funny quip: “I hope you all like it, whatever, I love it.” I’ll take Stevie’s attitude eight days a week.


And the set finished with a rousing take on Led Zeppelin’s “Rock N’ Roll,” sending the audience off on a high. It was a propulsive performance, noticeably more high-octane than her solo tour I covered a few years back, and surely the most memorable headlining set in Sea Hear Now’s young history. Pure joy and power.




Sea Hear Now Festival in NJ Brings Stevie Nicks, Green Day and a Packed Lineup to the Land of Bruce

By Michele Amabile Angermiller

























Photo credit Charles Reagan for Sea Hear Now

Not long into her headlining set on the first day of the fourth annual Sea Hear Now festival in Asbury Park, New Jersey, Stevie Nicks had a question for the thousands stretched across the beach.

“Is this the world of Bruce Springsteen?” she asked to enthusiastic cheers. “OK, we’re driving through, and there’s a street sign and I asked that same question and nobody really answered, at least like you guys just did.”

Springsteen is certainly a part of the tapestry of the town, and was well-represented in photographer/festival organizer Danny Clinch’s art tent. But the city has an ever-evolving musical scene, and the beachside setting was its own draw on a weekend of warm, beautiful days and picturesque nights, with an ocean breeze enveloping Nicks and her flowing scarves, creating an ambience — or as she described it, a “fairytale” — only Mother Nature can provide. A red crescent moon peeking through the overhead clouds added to the mystique on the final weekend of summer and beginning of the fall season, or as Nicks — in a nod to her fans donning witch hats and Stevie-attire on the sand — framed it: “it’s almost Halloween.”

“I would like to thank Danny Clinch for putting on this amazing festival,” Nicks said. “To have a festival right on the ocean is pretty spectacular. I live on the ocean so for me I feel like I’m right at home.”

Sea.Hear.Now electrifies the beach with Green Day, Stevie Nicks, and more
Photo credit Charles Reagan for Sea Hear Now




Time to run to the Surf Stage to see the legendary Stevie Nicks, for what we can only describe as magical and spiritual experience, seeing Stevie perform to a crowd of over 30,000 people at one of our favorite beaches was a bucket list item for us.

The icon took the stage and you could hear the roaring crowd for miles. The Sea.Hear.Now audience gave her the warmest welcome with the utmost energy and excitement, with people waiting at her stage dripping in Fleetwood Mac and Stevie Nicks merch since the doors opened at noon.

'Can I sail through the changin' ocean tides?'
Stevie performed Fleetwood Mac and her own classics during the hour and half set including, “Edge of Seventeen,” “Dreams,” “Landslide” and a cover of Tom Petty’s “Free Fallin.”

You could feel the energy in the air as she pulled out hit after hit, leaving the massive crowd stunned. Not to be predictable, but our favorite moment of the show was during “Landslide,” which she dedicated to Tessa Fleetwood, Mick Fleetwood’s granddaughter and her goddaughter, who was there to watch her performance. As soon as the first few notes played, the entire beach went silent and took in what was about to happen. All of the conversations and screams came to a halt as everyone softly sang together to a song that means so much to so many people. We’ll remember this performance for the rest of our lives.


GRIFFIN LOTZ FOR ROLLING STONE