Stevie Nicks: Soundtrack of my life
The Fleetwood Mac veteran and solo star picks the music that has inspired her through her 40-year career
Interview by Gareth Grundy
The Observer,
Sunday 26 June 2011
The Fleetwood Mac veteran and solo star picks the music that has inspired her through her 40-year career
Interview by Gareth Grundy
The Observer,
Sunday 26 June 2011
From Florence Welch to Courtney Love, Sheryl Crow to Taylor Swift, there are plenty of artists who owe a debt to Stevie Nicks (63). She began as half of Buckingham Nicks, in partnership with then boyfriend Lindsey Buckingham. They remained artistically though not romantically entwined, joining Fleetwood Mac and helping the group become synonymous with 70s rock. Last month Nicks released her first solo album in a decade, In Your Dreams. The track "Soldier's Angel" offers a clue to how she's spent her time in the interim. It was inspired by regular hospital visits to wounded American veterans of Afghanistan and Iraq, something she's done since 2004, along with raising funds for their rehabilitation. "There's no politics involved," she says. "I'm just visiting kids. I take them presents of iPods loaded up with songs, which breaks the ice. Most of them don't even know who I am, although they do by the time they leave and I've sat and held their hand. I'll keep doing it as long as there is a need."
STARTING OUT IN ROCK'N'ROLL
'Rock & Roll Woman', Buffalo Springfield (1967)
Hearing this for the first time was like seeing the future. [Sings] "And she's coming, singing soft and low…" When I heard the lyrics, I thought: that's me! They probably wrote it about Janis Joplin or someone like that but I was convinced it was about me. I saw Buffalo Springfield at the Winterland Ballroom at the time, and it could not have been better. They were a very Californian band and it was the height of the Haight-Ashbury scene. My parents had moved to San Francisco in my final year of high school, so I was new and didn't know anyone. But music was everywhere, everyone was listening to the radio all the time – I was living in the middle of a music revolution.
By 1968 I was in a band with Lindsey. His family lived in the same gated community as us, and we would practise at his house. My mum and dad liked him, and everybody in the band. We practised Monday to Thursday, then played gigs on Friday and Saturday. So we were serious about it from the beginning, and my parents understood that.
THE ALBUM THAT TAUGHT ME TO SING HARMONY