Returning to her 2017 live shows proved to be a godsend for Stevie Nicks

Stevie Nicks Can’t Wait for the Magic to Come Back

Nicks discusses her ’24 Karat Gold Concert Film’ and returning to live shows in new interview

By Brittany Spanos - Rollingstone

Photo: Randee St Nicholas

In another life, Stevie Nicks would have been a music-film editor. “I think I’m really good at it,” she says one Friday evening, calling from her home in Los Angeles. Her canine companion Lily is begging for her attention with a toy as Nicks reflects on her second life. “I can only say this about a few things.”

She’s had plenty of experience, working closely with director Joe Thomas on concert films for Fleetwood Mac (2004’s Live in Boston), her late friend Tom Petty (2006’s Live From Gainesville), and most recently, Stevie Nicks 24 Karat Gold Concert Film. Recorded during her 2017 tour stops in Indianapolis and Pittsburgh, the film is getting a special release this month and being screened at select drive-ins, theaters, and exhibition spaces on October 21st through 25th. The set lists featured classic solo and Nicks-led Fleetwood Mac songs along with tracks off her 2014 album, 24 Karat Gold: Songs From the Vault. For the music fans desperately missing live shows in the time of Covid-19, the film perfectly encapsulates the tambourine-banging, shawl-twirling, story-spinning magic that only Nicks can deliver.

Putting the project together with Thomas became one of two pandemic projects for the rock goddess (the other being her new song “Show Them the Way”). She flew out to Chicago in May with her assistant on a “full-on, fogged-out, Covid-free private plane” and lived in a house on a golf course that no one had been in since before lockdown had begun. Nicks would go to Thomas’ studio, masked up alongside everyone else (“I felt imprisoned by the mask, but I love the mask — I felt safe”), and got to work, diligently assessing the footage captured by all 12 cameras from shows in the two cities.

“I’m really the second editor,” she says of her uncredited job. “The fact is that if I don’t like a shot, it’s not going in.” She learned, as she had in past editing-room experiences, that men see women differently.

Stevie Nicks hits No. 1 on Billboard's Hot 100 Songwriters chart

Stevie Nicks Tops Hot 100 Songwriters Chart Thanks to Fleetwood Mac 'Dreams' Resurgence

Xander Zellner - Billboard
October 21, 2020

She solely wrote the 1977 smash.

Stevie Nicks hits No. 1 on Billboard's Hot 100 Songwriters chart (dated Oct. 24), leading for the first time since the chart's 2019 launch, thanks to her writing credit on Fleetwood Mac's "Dreams."

The 1977 classic, and a Billboard Hot 100 No. 1 that June, rises 21-12 in its second week back on the chart, with 16.1 million U.S. streams (up 20%) and 25,000 downloads sold (up 15%), according to Nielsen Music/MRC Data. It pushes 3-2 on the Digital Song Sales chart and 18-6 on Streaming Songs.

Even in quarantine Stevie Nicks is not slowing down!

Stevie Nicks is still dreaming

by - Greg Wetherall - Dazed
October 20, 2020

Photo: Randee St Nicholas

She’s just released her first solo single in six years. A new concert film is about to hit cinemas. And a viral TikTok has put the Fleetwood Mac classic Rumours back in the Top 10. Even in quarantine, the rock and roll icon is not slowing down.

Stevie Nicks has had “a hell of a day”. Not only is it 3am at her home in Los Angeles when we first speak on the phone, the power has gone out in her house. “It was out all day until about nine o’clock (in the evening), but we’ve not been here,” she laments. “We got home and it was on. I came in, got ready to do this interview, and the power went out again.”

Nicks, the 72-year-old Fleetwood Mac singer and solo star, is almost entirely nocturnal these days. The coronavirus pandemic and subsequent quarantine has locked her into a diet of rolling news and perpetual worry, and being awake and active during the witching hour has become her normal. Her current lack of electricity, however, is somewhat less so. “We are prepared here, just in case there’s an earthquake,” she continues (the ‘we’ referring to her assistant and two goddaughters, who Nicks has been holed up with ever since the pandemic struck). “We have a lot of lanterns. I’m in a window seat in a swing. We’ve lit the area so at least I can see the papers in front of me.” Our conversation unfurls to breaking news that Donald Trump has tested positive for COVID-19. “When everyone wakes up in the morning and discovers that the whole government has possibly been exposed to the virus, they’re gonna go crazy,” she remarks, adding that Trump contracting the virus proves that wearing a mask is “not political... it’s contagious and it’s dangerous”.

To speak with Stevie Nicks is to spend time with one of music’s true greats. Not only is she responsible for writing some of the rock and pop canon’s greatest standards – “Dreams”, “Landslide”, “Edge of Seventeen” – her life has been so eventful that it can include opening up for Janis Joplin and Jimi Hendrix, to turning down Prince’s offer to record “Purple Rain” among its many, many tales. When we talk, she’s just arrived home from the edit suite, where she’s been busy applying the finishing touches to the video for “Show Them the Way”, her first solo single in six years.

Stevie Nicks can’t wait to perform with Harry Styles again when this is all through

Stevie Nicks Just Wants to Keep Telling Stories

by Keaton Bell - Vogue

October 20, 2020

Photo: Randee St Nicholas

Stevie Nicks bought her first copy of Vogue when she was 25 years old. It was 1973, around the time of Buckingham Nicks, the first and only album she and ex-boyfriend Lindsey Buckingham ever released as a duo. Still a few years removed from the fame and fortune that would follow their recruitment into Fleetwood Mac, Nicks was earning just a buck fifty an hour waiting tables in a flapper girl uniform.

“I only had enough money for one magazine at that point, and Vogue was the first one I ever bought,” Nicks recalls. “I would scrape my money together and buy it every month.” 

Five decades later, Nicks—who prefers using a landline and doesn’t own a computer—still finds comfort in her lo-fi rituals. “To this day my favorite thing is getting into bed at five o’clock in the morning with a cup of decaf coffee, playing some soft, groovy music, and reading my Vogue,” she tells me. “Me and my little dog Lily pore over every single page for hours, and it’s been that way since 1973.”

Nicks has spent most of the pandemic in her Pacific Palisades home with two close friends and the aforementioned Lily—a Chinese crested who sits dutifully on her owner’s lap during our call. “She has her back turned to me because she doesn’t really wanna be here. I just know she’s plotting her escape,” Nicks says with a raspy giggle. “It’s fine. My feelings aren’t too hurt…well, they are, but I’ll be okay.”

As Fleetwood Mac’s lovelorn frontwoman, Nicks crafted masterworks out of the sex-and-drug-fueled dalliances that almost destroyed the group (documented in real time on their 1977 breakup opus Rumours). Still one of the 10 best-selling albums of all time, Rumours made stars out of its new lineup, but it was always clear from the outset who the breakout was. With three songwriters fighting for space on each record, it wasn’t long before Nicks needed her own outlet.

“They said, ‘You can make your solo album and have a solo trip, but if we go into work, we’re gonna call you,’” she remembers. “‘Terrific, I’ll be there.’ That was always my promise to them.” 1981’s shimmery Bella Donna set the stage for a second career that made Nicks the first woman to ever be inducted into the Rock and Roll Hall of Fame twice (once with the group in 1998 and by herself just last year).

2020 was originally meant to be a year off from the grueling lifestyle that comes with back-to-back arena tours as both Fleetwood Mac frontwoman and solo enchantress. With just one festival show a month, Nicks would slow down. Then the shows—her headlining slots at Jazz Fest and Governors Ball were early casualties—began to be canceled.

FLEETWOOD MAC'S 'DREAMS' TOP SELLING SONG WORLDWIDE LAST WEEK

Fleetwood Mac's 'Dreams' Thunders to Top 10.

Billboard published the Top 10 Global Tracks and "Dreams" bounds from No. 20 to No. 10 on the Global 200, sparked by its TikTok-fueled revival.

The Billboard Global 200 chart is inclusive of worldwide data and ranks songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Nielsen Music/MRC Data.

"Dreams" vaults 20-10, with 27.3 million streams (up 36%) and 33,000 downloads sold (up 20%) globally. The classic, which was the top-selling song worldwide in the tracking week, is benefiting from the viral TikTok video in which Idahoan Nathan Apodaca rides his longboard while drinking a bottle of Ocean Spray Cran-Raspberry juice, backed by the Stevie Nicks-penned song; the band's Mick Fleetwood and Nicks have since created their own tribute clips. - BILLBOARD

Fleetwood Mac's Rumours Is Once Again a Top 10 Album in the US

Fleetwood Mac's 'Rumours' Returns to Billboard 200 Top 10 -- 42 Years Later

by Keith Caulfield
Billboard

After a 42-year wait, Fleetwood Mac’s former Billboard 200 No. 1 album Rumours returns to the top 10 this week, as the set jumps 13-7. The album, released in 1977, is basking in the glow of sales and streaming increases spurred on by publicity generated from a viral TikTok video set to the album’s song “Dreams.”

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Oct. 24-dated chart (where Rumours returns to the top 10) will be posted in full on Billboard's website on Oct. 20. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram. 

Rumours earned 33,000 equivalent album units in the U.S. in the week ending Oct. 15 – up 15%, according to Nielsen Music/MRC Data. Of that sum, 23,000 comprise SEA units (up 15%, equating to 30.6 million on-demand streams of the album’s songs, including "Dreams"), a little under 7,000 are in album sales (up 15%) and 4,000 are in TEA units (up 13%).

The TikTok video in question has “Dreams” soundtracking a man in a hoodie (Nathan Apodaca) seemingly being pulled on a skateboard, as he drinks from a bottle of Ocean Spray Cran-Raspberry juice and sings along with Stevie Nicks’ lead vocal. The video became so popular, it moved the band’s own Mick Fleetwood and Nicks to create their own tribute clips.

Rumours spent 31 nonconsecutive weeks at No. 1 on the Billboard 200 in 1977-78 – a record number of weeks atop the list for an album by a duo or group. Rumours was last in the top 10 on the Feb. 18, 1978-dated chart (at No. 10), and last ranked at No. 7 or higher on the Feb. 11, 1978 chart (where it placed at No. 7).

“Dreams” is Fleetwood Mac’s only No. 1 single on the Billboard Hot 100 songs chart – out of 25 chart hits. “Dreams” spent one week at No. 1 on June 18, 1977. The cut is one of four top 10 hits from the Rumours album. The effort also launched the singles “Go Your Own Way” (No. 10), “Don’t Stop” (No. 3) and “You Make Loving Fun” (No. 9).