REVIEWS Fleetwood Mac Live in Pittsburgh, PA November 1, 2018

Stevie Nicks still the highlight of newfangled Fleetwood Mac
SCOTT MERVIS
Post-Gazette

Photo: Mike Drazdzinski

The Chain was supposed to keep them together, wasn’t it?

But, in the buildup to the current tour, it broke over what appears to be a fairly petty argument and now we’re in the midst of the ultimate Fleetwood Mac drama.

It didn’t stop the 11-piece band that showed up at the PPG Paints Arena Thursday from starting the show with “The Chain,” one of the signature songs of frontman Lindsey Buckingham, who is currently suing his old mates.

Their “take that, Lindsey!” moment put them in the position of sounding like a Fleetwood Mac tribute band from the outset, albeit with a pair of well-respected ringers in Neil Finn (from New Zealand’s Crowded House) and guitar hero Mike Campbell (from the Heartbreakers). Finn has a pleasant voice similar in tone to Buckingham but without the angry edge.

Despite the sold-out crowd seeming perfectly excited by it, it struck me as a rough start and had me immediately missing the plaintiff.

But then, there’s Stevie Nicks, the real drawing card, the one who has fans dressing up in black, lacy clothes. Sometimes it takes a minute for her to warm up those husky pipes, so “Dreams” was a little uneven. That went with a fairly flat “Little Lies” from Christine McVie at the keyboards, Finn doing Lindsey again on “Second Hand News” and Campbell, though very solid, making us pine for Santana on “Black Magic Woman,” reclaimed on this tour by Fleetwood Mac from the Peter Green days.

Shortly after that, though, Nicks was ready to take over the show, starting with a stunning, hard-rock version of “Rhiannon” driven by her fiery vocal. That she is 70 is a miracle...of something.

Her momentum was briefly interrupted by an intermission in the form of Mick Fleetwood’s maniacal 15-minute drum and hollering solo at the end of “World Turning,” ably assisted by percussionist Taku Hirano.

Nicks returned with a lovely “Gypsy” and then handed the stage back to the “two gentlemen [introduced] into this crazy band.” Campbell did a rare vocal turn, kind of a talk-sing, on “Oh Well,” the killer blues-rock song that first put Fleetwood Mac on the radar in the late ‘60s.

Finn’s evening highlight was a beauty. “This is a song of unity and I’d like to dedicate it to the grieving families of Squirrel Hill and Pittsburgh throughout...my heart goes out,” he said, introducing a very pretty version of Crowded House’s “Don't Dream It's Over” with lighters and cellphones all aglow.

Then, Nicks did her part for the healing.

Before a screenshot of the city skyline lined with candles, she said, “My mom always told me, ‘Stevie, you’re on a mission, you’ve always been on a mission, and your mission is to go out into the world and sing your songs and try to make people better when they need somebody to come sing something that will just take them away for maybe one moment in time.’ … I have a favorite phrase that’s called being a spiritual warrior …

“What I want you to know is, we are so sad for you,” she said, choking up, “and there’s nothing to say, except that, you know, they can’t win, and you will come around and your spiritual warriorness will take over at some point and you will get better. So, I’m going to dedicate this song to you like we have so many times in times of trouble -- after 9/11 and after, we went into Boston the day after what happened in Boston, and so it always seems we end up coming in these times. It’s called ‘Landslide,’ it’s for you.”

She poured all that emotion into the melancholy ballad, cheered by her faithful along the way. A few songs later came her show-stopping moment on “Gold Dust Woman,” complete with her gypsy shawl dance and an impassioned climax channeling pain and rage while wailing lines like “you should see me now” and “you can’t shake me down.”

McVie, by contrast, brought her cool delivery to “You Make Loving Fun” and the deep cut “Isn’t It Midnight.” The main set climaxed in full-blown rocking style with “Go Your Own Way,” sparked by Campbell’s stinging guitar work.

When I saw “Free Fallin'” on set lists, I wasn’t sure who would be singing it, but I didn’t expect it to be Stevie. The song is actually perfect for her voice. She had her own wonderful history with Tom Petty, and with pictures of the late rock icon filling the screen, she thrilled us with one of her finest vocals of the night.

After bouncing through “Don't Stop,” they brought the evening to a quiet close with Nicks and McVie sharing a duet on “All Over Again.”

In the end, it was a fine, joyful show and an interesting tangent in FM’s history, but if and when they come back, and let’s hope they do, it would be nice to see Buckingham back in his spot.

FLEETWOOD MAC SET LIST

The Chain
Little Lies
Dreams
Second Hand News
Say You Love Me
Black Magic Woman
Everywhere
Rhiannon
Tell Me All the Things You Do
World Turning (with drum solo by Mick Fleetwood)
Gypsy
Oh Well
Don't Dream It's Over (Crowded House cover)
Landslide
Isn’t It Midnight
Monday Morning
You Make Loving Fun
Gold Dust Woman
Go Your Own Way
Encore:
Free Fallin' (Tom Petty cover)
Don't Stop
All Over Again


Fleetwood Mac pays tribute to synagogue victims in Pittsburgh concert
By Scott Tady
Timesonline

Classic rockers address Squirrel Hill tragedy

PITTSBURGH — They sounded good, but it felt different. And there were emotional, touching moments addressing last weekend’s Squirrel Hill synagogue shooting.

There’s much to discuss about the new-look Fleetwood Mac’s concert Thursday at a full-house PPG Paints Arena.

At times, it seemed like every other concert Fleetwood Mac has played the past few decades at Pittsburgh’s current and previous hockey/concert arenas.

The classic-rockers started with the traditional “The Chain,” building the intensity to reach that deep, uncluttered and cool John McVie bass solo.

His ex-wife, Christine McVie, positioned stage right at her keyboards, let loose with her warm voice, singing songs like “Say You Love Me” and “You Make Loving Fun.” Her vocals weren’t quite as soaring and flawless as at the band’s 2014 Pittsburgh show, but still pretty special.

Stevie Nicks, as always, earned the loudest cheers with that potent rasp of hers still going strong, and that bohemian, bewitching persona equally intact to deliver crowd-pleasers “Rhiannon,” “Gypsy,” which featured a patented Stevie twirl, and “Gold Dust Woman,” where she wore a glittery gold shawl.

Also true to form, Mick Fleetwood played a drum solo that took too long to get revved up, amid shouting things like “are you out there?” to crank up the crowd noise. It was a such a lengthy solo, a roadie came out and held a plastic cup of refreshment to Fleetwood’ lips as he continued to bash away. Hey, when you’re the top-billed namesake and founder of a band, you get to solo as long as you want.

Though it was impossible to forget Lindsey Buckingham wasn’t there, booted from the band he’d brought exceptional and underrated guitar to for decades.

He’s been replaced by two stalwarts; Mike Campbell from Tom Petty’s Heartbreakers, and Neil Finn from Crowded House, whom Fleetwood made a public point Thursday of welcoming into the band.

Finn capably handled Buckingham’s vocal leads on “Go Your Own Way,” “World is Turning” and “Second Hand News,” the latter of which had a faster than normal but fun pace led by Fleetwood.

Finn offered the night’s most poignant sequence, starting with him dedicating a song to “the grieving families” of the Squirrel Hill tragedy, and to Pittsburghers in general still immersed in sorrow because of it. Finn then began singing his lovely ’80s Crowded House hit “Don’t Dream It’s Over,” backed only by light guitar and soft hand percussion as most of the band left the stage. For the final verse and chorus, Nicks came back out and sang along. Many spectators lifted and illuminated their phones like candles. It’s a song you’ve heard countless times, to the point you may have forgotten some of lyrics that stood out vividly Thursday; lines about negative forces trying to build walls between us. Finn emotionally emphasized the modified final line sung three times: “You know they won’t win ... you know they won’t win ... you know they won’t win.”

That sentiment perfectly mirrored the “Stronger Than Hate” banner with the Pittsburgh Penguins logo against a Star of David backdrop displayed on the jumbo screen behind Fleetwood Mac after its first song and before the encore.

Once “Don’t Dream It’s Over” ended, Nicks took the mic and talked about the healing properties of music and how the band felt an extra importance to be in Pittsburgh at this time. Nicks’ voice get choked up, as she urged fans to be “spiritual warriors.” The band followed with “Landslide,” emotionally sung by Nicks.

Fleetwood Mac chugged into the encore with “Go Your Own Way,” on which I found myself missing Buckingham’s vocals and guitar.

The encore began with a cover of Tom Petty’s “Free Fallin’,” which gave Campbell a chance to work his magic, having played on the original. The video screen flashed back to the late-Petty, including a number of photos of him with friend and collaborator Nicks.

Christine McVie set up the night’s final selection, “All Over Again,” saying it’s an ideal song under the circumstances, because it deals with hope and looking toward the future.

Overall a good show, though I’d have liked to have heard more of Campbell, who along with Finn spearheaded the night’s most exciting song, the guitar-blazing, way-back Fleetwood Mac track “Oh Well.” (You remember the opening stanza: “Can’t help it ’bout the shape I’m in/I can’t sing, I ain’t pretty and my legs are thin/But don’t ask me what I think of you/I might not give the answer that you want me to.”)

Without Buckingham in the band, the setlist suffered from the lack of his signature song “Tusk”. Nor did we get “Silver Springs,” Nicks’ tour-de-force as a vocalist always made more special in concert because the gut-wrenching lyrics about moving on from a busted relationship were directly inspired by her ex-lover, Buckingham, standing 10 feet from her.

This tour, with its new lineup, has stoked Fleetwood Mac members’ interest in the band’s back catalog, hence the playing of “Black Magic Woman,” a 1968 Fleetwood Mac single written by former guitarist Peter Green. Accustomed to the version they’ve heard on radio, many people mistakenly assume Santana originally wrote and recorded that song. Nicks once thought so, too.

“This was before I was in Fleetwood Mac,” she explained.

The version Fleetwood Mac played Thursday in Pittsburgh emphasized drums and didn’t try to duplicate Carlos Santana’s pyrotechnic guitar sorcery. For a cool twist, Nicks sang the song in the first person with girl power attitude, as in “I’m a black magic woman.”

The band dug even deeper to play “Tell Me All The Things You Do,” a 1970 Fleetwood Mac single written by another former guitarist, Danny Kirwan. The song had a fleet boogie beat that was rather enjoyable, but Pittsburgh fans craved the familiar, and took those several minutes to make a bathroom or beer run.

Kirwan lasted just four years in Fleetwood Mac. We’ll see if that’s a number Campbell and Finn will beat.

LOT'S OF VIDEOS AT THE LINK BELOW

Stevie Nicks GOES HER Own Way

Stevie Nicks GOES HER Own Way

CLOSER Weekly #54 November 5, 2018

"Let’s stop before it’s too late, and leave it all up to the fates,” Stevie Nicks sang in a duet on stage in Des Moines, Iowa, on Oct. 14. The performance was the sixth night of Fleetwood Mac’s new tour, but the group looked slightly different than usual: Guitarist Lindsey Buckingham, 69 — Stevie’s onetime boyfriend — was fired in January. Like so much in the band’s volatile history, the parting was acrimonious — Lindsey is suing for breach of contract and has blamed Stevie for his exit. So in Des Moines, after running through their hits, the band closed with the poignant “All Over Again.” Said Stevie, “It’s a song about surviving change. It’s a song about the future.” 

GOLD DUST WOMAN

Stevie knows a lot about both, but she’s focused only on her future. Just as the new tour kicked off, Stevie, 70, got nominated as a solo artist for the Rock & Roll Hall of Fame, and made a buzzed-about appearance on American Horror Story: Apocalypse. “She’s one empowered lady,” a friend tells Closer. As a star whose success spans five decades, “she knows she’s earned the respect, trust and adoration,” that’s giving her this moment, adds the insider. “As she often says, ‘I’m still kicking a--!’ ”

And while Lindsey feels bruised, Stevie is taking their fight in stride. “Our relationship has always been volatile,” she says. She’s ready to move on and “is relieved,” the friend says.

For now, Stevie is adopting “the band’s ability to put the music first,” the friend explains. “She’s very rock ’n’ roll hippie in her thinking. Whatever comes up in her path… she goes with the flow.” In other words, she’s leaving what comes next up to the fates.

— Lisa Chambers

FLEETWOOD MAC ADD 6 NEW DATES TO NORTH AMERICAN TOUR

NEW SHOWS ADDED‼️

Due to overwhelming fan demand, Fleetwood Mac has added 6 dates to their North American tour:

Jan 31 - Denver, CO,
Mar 1 - Chicago, IL,
Mar 18 - New York, NY,
Mar 22 - Philadelphia, PA,
Apr 2 - Boston, MA and
Apr 4 - Toronto, ON.
.
Sale Dates and Times:
Public Onsale : Mon, 12 Nov 2018 at 10:00 AM local time
.
American Express Presale : Mon, 5 Nov 2018 at 10AM
.
Live Nation Mobile App Presale : Fri, 9 Nov 2018 at 10AM
.
Live Nation / Venue Presale : Fri, 9 Nov 2018 at 10AM
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A limited number of LaneOne VIP Packages will also be available, including amazing seats with premium benefits such as transportation, preferred entrance and more. LaneOne here: http://smarturl.it/FMLaneOne

Ticket links www.fleetwoodmac.com

REVIEWS Fleetwood Mac Live in Detroit October 30, 2018

Fleetwood Mac spreads some fresh gold dust at Little Caesars
By Stacey Sherman
The Oakland Press

Photos by Ken Settle

GALLERY

DETROIT -- Whether or not you believe the rumors about Stevie Nicks being a witch, she and the rest of Fleetwood Mac cast a spell on the crowded house Tuesday night, Oct. 30, at Little Caesar’s Arena during the group’s 50th Anniversary Tour Tuesday, Oct. 30.

This time it was with a new incarnation of the band, currently embroiled in a public dispute with dismissed member Lindsey Buckingham -- veterans Nicks, Christine McVie, ex-husband John McVie and Mick Fleetwood joined by Mike Campbell from Tom Petty’s Heartbreakers and Split Enz/Crowded House alumnus Neil Finn.

Despite a slightly older audience that remained seated for most of the show, the band came on strong, front loading its 22-song, two-hour and 15-minute set with hits such as “The Chain,” “Dreams,” “Say You Love Me” and “Second Hand News.” Two backing vocalists, a second keyboardist, a third guitarist and a percussionist put the grand total on stage at 11. With simple fabric draping and a giant video screen as its backdrop, the band relied mostly on different lighting transitions (giant lightbulbs, draped chandeliers) and video montages for effect. The Brady Bunch-esque split screen that showed each band member during the opening was also a nice touch.

 Anyone who was curious if Finn was a good choice to join the band got their answer early . His vocal work and guitar playing quickly put to rest any question about his ability, and some of his higher range even sounded uncannily like Buckingham – especially later in the night during “Monday Morning.” He blended with both Nicks and Christine McVie for some excellent vocal dynamics and touched the fans with a version of Crowded House’s “Don’t Dream It’s Over” that had cell phone lights blinking and people singing along throughout the arena.

Often understated and sometimes overlooked, the double-barreled secret weapon of Christine McVie’s keyboard finesse and beautiful vocals were even more prominent in Buckingham’s absence. She took the lead on “Little Lies” and “You Make Loving Fun” and came front and (almost) center for “Everywhere,” showing off not only her talent, but the posture and energy of a woman half her age (75). Unlike the quiet McVie who returned to the stage somewhat reluctantly in 2014, this songbird was in her element;, even trading licks and riffing with guitarist Campbell during an excellent rendition of “Black Magic Woman,” one of several songs played from the group’s earliest days as a late 60s blues-rock outfit.

In a band whose previous guitarist was known for showing off and making sure all eyes were on him during every solo, Campbell was exactly the opposite. His laid back, casual appearance made it easy to forget what an incredible talent he is. His mastery of the intricate guitar parts was so understated that it seemed at times effortless. Far from being over-indulgent, Campbell seamlessly fit into the band while adding his own flair and signature style to songs such as “Say You Love Me” and a ripping, bluesy version of “Oh Well” on which he also sang lead. He even brought along a Marxophone to add a little something extra to “Gypsy.”

A bit of self-indulgence came during “World Turning” when Mick Fleetwood launched into a drum solo which lasted over 10 minutes. It could have been a display of Fleetwood’s technical and creative skill, but with the exception of the short time he played off of the other percussionist and when he stepped to the front of the stage with his talking hand drum, the solo was a repetitive call and response with the audience that dragged out the middle of the show. It was a welcome relief when the rest of the band returned to sing the final chorus.

One would have expected to see a few more scarves and top hats in the crowd so close to Halloween, but the Nicks contingent made a strong showing, as did the lady herself. Dressed in her signature flowing black skirts, chunky boots and shawls, Nicks commanded center stage to proclaim, “Welcome, Detroit! This is show number 13 of our tour – right before Halloween! We are really happy to share it with you.” She delivered on fan favorites “Rhiannon,” “Landslide” and an extended version of “Gold Dust Woman” that allowed time for twirling and vamping across the stage before Nicks “disappeared” in a shimmer of gold dust. Her voice was pure Stevie – that familiar throaty, raspy tone her fans know and love.

And while early in the night she seemed a bit strained during a couple of tunes, her harmonies and duets were all spot-on. She particularly shined during an emotional encore rendition of “Free Fallin’” while images of the late Tom Petty (with Nicks, Campbell and other members of The Heartbreakers) flashed on the video screen.

It was a night for looking back and moving forward, with deep cuts such as “Isn’t It Midnight” and “Tell Me All The Things You Do” mixed in with the singalong hits. McVie and Nicks closed the night out with a poignant duet of “All Over Again,” a song McVie introduced as “about change, about the future and the hope that we can celebrate all of it.” The band’s legacy is secure, and no matter which way it goes it’s clear Fleetwood Mac doesn’t plan to stop any time soon.

Fleetwood Mac in Detroit: How they were without Lindsey Buckingham
By Edward Pevos
mlive.com

Photo by Phil Clarkin courtesy of Fleetwood Mac

Some Fleetwood Mac fans are worried the band may not be the same without Lindsey Buckingham. After seeing them in Detroit on, October 30, 2018, I'm here to tell you that those fans don't need to be worried, but at the same time, this show was missing that certain something, or, someone.

Fleetwood Mac: Stevie Nicks, Christine McVie, John McVie, and Mick Fleetwood along with newcomers Neil Finn (Crowded House) and Mike Campbell (Tom Petty and the Heartbreakers took the stage at Little Caesars Arena at 8:15 p.m. and performed 22 songs over 2 hours and 15 minutes.

Yes, it was a little weird not seeing Buckingham shredding his guitar all night and hearing his signature vocals. Finn's vocals were solid and sounded a lot like Buckingham's. His guitar playing along with Campbell's were both better than good. But, still, something was missing.

Bottom line, the chemistry and charisma of Buckingham just wasn't matched. Did it matter, though? The music was still fantastic and the band was terrific with Mick on drums, John on bass and Christine on keys along with two backup singers, another keyboardist and a second percussionist.

And then there's Stevie Nicks. She still has that hypnotic voice which mesmerizes you with every word. She stole the show with her vocals on songs like "Rhiannon," "Dreams," "Gypsy," "Landslide" and "Gold Dust Woman."

Yes, McVie performed a few of her big hits with "Little Lies," "You Make Loving Fun," "Say You Love Me" and "Everywhere." And while it's terrific hearing her smooth vocals on those great songs, there was nothing like hearing Nicks live. You just wanted to hear more of her.

One of the coolest moments of the concert featured Finn performing a stripped down version of his Crowded House hit "Don't Dream It's Over." He sounded great and watching Nicks perform it with him as a duet beginning in the middle of the song made it even greater.

Campbell took lead on one song, the Peter Green Fleetwood Mac song "Oh Well." It was short and sweet. However, the encore in which he and the band paid tribute to the late Tom Petty really brought down the house. Nicks belted out every high note with passion as photos were shown on the screen behind them of Nicks and Petty over the years along with Campbell and Petty. Truly an outstanding tribute from numerous living legends to another legend.

Summary: If you've seen Fleetwood Mac with the full lineup, this show will still be a very enjoyable night for you because of the outstanding band and vocals of Nicks. Finn and Campbell are great musicians and hold their own, but this show just didn't have that certain something Buckingham brings to the table. Those who have seen Buckingham with Fleetwood Mac know what I'm talking about. So, enjoy this show for it's great music, great musicians and Nicks amazing voice. Just know you are going to miss a little of that Buckingham magic.

QUOTES:

Stevie Nicks: "Welcome. This is show No. 13. Closing in on Halloween. We are having a great time. We are really happy to share this as we are getting used to this and we are happy you are here to share it with us. Welcome Music City. Thank you."

Stevie Nicks: "This is a song ("Black Magic Woman") that was done by a really really big rock n' roll band. Even I thought they wrote it. They did not write it. Really John, Mick and Peter Green did. We decided to take it out of the trunk of old fantastic things and instead of looking at it through a man's eyes, look at it in this year of the woman, through the eyes of a woman."

Mike Campbell: "It's so great to see everybody here tonight. This is an old song, goes way back, it was written by Peter Green. It's called "Oh Well."

Mick Fleetwood: (introducing "Don't Dream It's Over") "There was a song many years ago that I heard. At that point, I had no knowledge of who had written it, who was singing it. I sort of heard the beginnings of the band that this gentleman was in and created. I had no idea all these many years later that song which had resonated with me in a moment in life when I truly needed to hear this song, having come full circle in the magical ether we all live in. It's my pleasure to not only introduce this lovely song, but the gentleman who wrote it. Mr. Neil Finn."

Stevie Nicks: We do this song just about every time I've been on stage since 1973 when this song was written. Tonight, I have to say, I looked for my friend Kick Rock, who's not here. I was devastated. He's somewhere off in Nashville. So, I would like to dedicate this song to Susan, who is a magical trip maker. It's called "Landslide."

Christine McVie: (introducing "All Over Again) "Stevie and I would like to do a duet. This is an older song which I had kind of forgotten about. My friend Stevie re-found it. It's about change. It's about surviving change. It's about the future. I hope this song celebrates all of that."

REVIEW Fleetwood Mac Live in Milwaukee October 28, 2018

Fleetwood Mac blends old with new at Fiserv Forum show
Lauren Keene
Milwaukee Record

Photo by Gary Dineen

Despite various marriages, divorces, breakups, and makeups, the members of Fleetwood Mac have continually performed alongside one another for nearly half a century. Aside from a repertoire of legendary tunes, the band is perhaps most famous for its longevity. That longevity was briefly interrupted on April 9, 2018 when a RollingStone.com headline made waves across various the internet. “Fleetwood Mac Fires Lindsey Buckingham,” declared an article on the music mag’s website. Commenters on Facebook joked about how Buckingham’s departure would have been big news in 1979, not in 2018.

While those snarky commenters weren’t completely wrong, Buckingham’s unexpected termination still managed to shock fans. The prolific band—who managed to stay together for countless decades—was, at long last, losing a crucial piece of its never-ending puzzle. Would the group continue to prosper without Buckingham’s signature howl and refined guitar work? Only time would tell.

Not long after Buckingham’s dismissal, the band announced yet another tour. “An Evening With Fleetwood Mac” began this month, making its 12th stop in Milwaukee Sunday night at the freshly minted Fiserv Forum. Buckingham was replaced with not one, but two seasoned performers who were each given the task of trying to fill the big shoes that Buckingham left behind. Neil Finn (of Crowded House) took over Buckingham’s vocal duties, while Mike Campbell (of Tom Petty and the Heartbreakers) wielded a lead guitar.

The brand-new lineup started off the set with “The Chain,” a haunting track off of Rumours, perfect for Hallo-weekend. Right off the bat, audiences were given a little taste of both Finn and Campbell’s newfound contributions to the group. Finn admittedly seemed a little uneasy during the early parts of the set, but who wouldn’t be? Buckingham managed to set an extremely high standard, both for himself and for Fleetwood Mac; it speaks volumes that two musicians were hired to replace him.

Of course, Buckingham is a very important member of Fleetwood Mac…but frankly, he’s not exactly who people come to see. The ethereal goddess (and rumored witch) Stevie Nicks has long been the group’s showstopper, and that is definitely one aspect of the band that has remained unchanged. Her haunting voice sounds almost identical to the band’s early recordings; strong, slightly raspy and powerful as ever. It’s unlikely Nicks has ever succumbed to the temptation of auto-tuning her music. She sure as hell doesn’t need to.

Fleetwood Mac’s other leading lady, Christine McVie, has consistently remained one of the band’s most understated members. She immediately claimed her throne during “Little Lies,” a track on which the British chanteuse sings lead. During “Everywhere,” McVie stepped away from her keyboard and commanded center stage as Nicks stepped to the side. McVie left Fleetwood Mac in 1998 and only recently returned in 2014. Last night, it was clear the rest of the group was thankful to have the opportunity to perform alongside McVie once again.

One of the show’s few low points was an extremely gratuitous drum solo from Mick Fleetwood after a raucous rendition of “World Turning.” Yes, Fleetwood deserves his moment in the sun, and he is an extremely talented drummer. Regardless, his solo went on for far too long and was very obviously a self-indulgent addition to the otherwise engaging set. He yelled random hype words into a microphone as he drummed vigorously, eventually moving from the back of the stage to the front with a bongo drum slung around his shoulders.

After finishing up his act, Fleetwood took a moment to introduce the group to the massive audience. Aside from the main members of Mac, the lineup consisted of two backup singers, one backup percussionist, one backup guitarist, and one backup keyboardist. A grand total of 11 musicians made the Fiserv Forum stage their home for the night, taking the group’s arena-rock sound to the next level. “We are excited to have them join this crazy band called Fleetwood Mac,” Fleetwood said with a laugh.

Naturally, the most enchanting performances of the evening were those with Nicks on lead vocals. “Gypsy” and “Rhiannon,” two of the group’s most beloved tracks, were each highlights of the two-hour set. Another highlight was Nicks’ and Finn’s teamwork on a stripped-down, acoustic version of “Don’t Dream It’s Over.” It’s seriously unlikely that anyone listening to Crowded House in the mid-’80s would have ever guessed Finn would one day be a Fleetwood Mac stand in, but hey, stranger things have happened.

After performing a generous 19-song set, Fleetwood Mac finally stepped away from the stage. The band began its encore with a heartfelt performance of Tom Petty’s signature “Free Fallin’.” The crowd went berserk immediately after hearing the iconic intro. The sweet tribute was accompanied by a slideshow of Petty, who apparently took hundreds of photos with Stevie Nicks over the course of his career. Considering Nicks’ and Petty’s impressive track record, it may have been even more impressive to hear “Stop Draggin’ My Heart Around” or another collaboration between the two artists. But when Nicks howled, “I wanna write his name in the sky,” there was not a dry eye in the, uh, forum.

“Don’t Stop,” another legendary ditty off Rumors, was very appropriately saved for the encore. “Yesterday’s gone…oh, don’t you look back,” the band harmonized with a twinge of bittersweetness. Buckingham’s name was not uttered once throughout the entire set, but perhaps it didn’t need to be. Considering most of Fleetwood Mac’s members are in their 70s, it’s hard to imagine a next “era” for the legendary group. But if their 2018 track record is indicative of anything, it’s unlikely they’ll be retiring any time soon.

And thank God for that.

VIDEOS BELOW

PHOTOS Lindsey Buckingham Live in Clearwater, FL October 26, 2018

Photos of Lindsey Buckingham playing Clearwater’s Ruth Eckerd Hall

Fans might not be able to see Lindsey Buckingham on Fleetwood Mac's upcoming tour (which hits Tampa's Amalie Arena in February), but they did get a chance to see the revered rock and roll guitarist and songwriter play a solo set at Clearwater's Ruth Eckerd Hall. Caesar was there and has these photos to share.

Photos by Caesar Carbajal Click through to Creative Loafing for more.

REVIEW Fleetwood Mac Live in Cleveland October 26, 2018

Reinvigorated and reinvented Fleetwood Mac steps into The Q and takes the crowd by a ‘Landslide’

By Chuck Yarborough, The Plain Dealer
Cleveland.com

Click through for the photo gallery

CLEVELAND, Ohio – Mick Fleetwood, Stevie Nicks, Christine McVie and John McVie have been playing Fleetwood Mac music now for nigh on 40 years – 50 for drummer Fleetwood and bassist Johnny Mac.

Why, that’s long enough that phrases like “nigh on 40 years’’ was a new way to say “a long time.”

So, with all that and a string of hits that pretty much ended with “Tusk’’ in 1979 (although there would be subsequent studio albums of new music), it’s understandable that the band, while still a good concert draw, has watched its energy level decline over the years.

But it was back Friday night, when the band played to a sold-out Quicken Loans Arena, and really, there’s only one reason why: Lindsey Buckingham got fired.

Now, let’s be up front: Fleetwood Mac is a lesser band without Buckingham, the author of some of its greatest hits and a showman equal to Fleetwood, the wild-eyed inspiration for the Muppets drummer Animal. And Buckingham’s skills vocally and musically are such that it took two men to replace him, Tom Petty & the Heartbreakers’ Mike Campbell and Split Enz and Crowded House’s Neil Finn.

But there’s a big but there:

The addition of the two newbies – primarily Campbell’s slick and tasty lead guitar and Finn’s pure baritone vocals – seemed to have relit the fire that put Fleetwood Mac in the Rock & Roll Hall of Fame.

Nicks in particular had a fire in voice, belting out songs like “Dreams” and a particularly smoky version of “Black Magic Woman’’ that never would have made it into a Mac setlist with Buckingham in the fold. Not because he can’t play it, but because his own catalog is so vast, it would’ve made no sense to go outside.

It’s true that Nicks spends even less time than she ever did exploring the higher registers, and that Christine McVie was at times a bit pitchier than I’m used to for Fleetwood Mac’s designated “songbird” and her signature lilt. But the renewed energy really was something to behold.

Nicks, at 70, is the youngest of the four remaining official members of the band. Fleetwood is 71, John McVie is 72 and Christine McVie is 75. Let’s give a little credit where it’s due, shall we? It’s just not realistic to expect the power of 20-year-old voices from these folks.

And yet the increased energy level – and the addition of that whippersnapper Finn, who’s a baby of 60 – gave renewed strength to songs like “The Chain,” “Second Hand News” (which ironically begins with the lyrics “I know there’s nothing to say / Someone has taken my place”), “Everywhere,” “Gypsy,’’ “World Turning” and “Monday Morning.’’

For more than two hours, Fleetwood Mac kept almost every person in The Q on their feet, running through “Say You Love Me,” “Little Lies,” “Gypsy,” “Landslide,’’ “You Make Loving Fun,” Gold Dust Woman” and, of course, “Go Your Own Way.’’

Fleetwood himself has always been nothing short of manic – hence his pseudo namesake on the Muppets – but he was even wilder with a drum solo that turned into a joyous collaboration with world-class percussionist Taku Hirano, coming out of and back into “World Turning.”

“Rhiannon,’’ the staple that even people who’ve never heard of Fleetwood Mac know, was rescued from its golden oldie chestnut status and given new life with better harmonies – thanks largely to Finn, whose voice meshes with McVie and Nicks far better than I expected it to.

The result is that everyone is feeding off everyone else, which is the way it works when a band is on a roll. Honestly, I wouldn’t be surprised if a few new tunes – or even an album – came out of this incarnation of Mac.

Ah, but that’s just how “Rumours” get started, right?

REVIEW Fleetwood Mac Live in Cleveland October 26, 2018

A Revitalized Fleetwood Mac Delivers an Engaging Performance at the Q
Concert Review By Matt Wardlaw
Clevescene.com

More Photos HERE
Photos by Scott Sandberg

While it might not have happened in the way some fans were hoping for, in the world of Fleetwood Mac, the way the celebration of their 50th anniversary has played out makes perfect sense for a band that across its history has had many a member shuffle in and out the door, while dealing with enough interpersonal conflict along the way to shatter five bands. In the end, when you look back at how the group has progressed through each modification, it’s been the music that has held it all together, locked in place by deep-rooted friendships and relationships. 

So when it was announced that longtime singer-guitarist Lindsey Buckingham would not be taking part in the celebratory trek, even as much of a shock as it was, it made sense that drummer Mick Fleetwood, a founding member of the group, wouldn’t allow the Mac ship to be steered in the wrong direction. For guitar work, it made good sense to grab Mike Campbell, a man who had recently been left without a band in the wake of the unexpected death of Tom Petty. The longtime Heartbreakers guitarist has ties to the Fleetwood Mac camp that starting with Stevie Nicks, go back for decades. It was easy to see that he’d bring the right vibe to the group. The band’s next choice, singer-songwriter Neil Finn, of Crowded House fame, was a bit more surprising on paper, but for longtime fans of Finn’s work, it was easy to see how he too, would fit well into the framework.

As they rolled through the opening moments of “The Chain” last night at the Q, it was quickly apparent just how well matched Finn and Campbell are for this band. Finn sang the classic lyrics, “And if you don’t love me now/You will never love me again,” with the same emphatic spirit that Buckingham had put into those words for so many years and Nicks trained that same intense gaze on Finn, once fueled by the prior history between her and Buckingham and perhaps now, still driven by the lingering memories. Watching the pair in that moment, you believed. 

Campbell stood stage left, off in his own musical universe a bit, casually playing the classic riffs in a way that was faithfully close to the originals, while adding his own sound into the mix, In the way that he did with the Heartbreakers, he could just stand there and slay you with his guitar work, without having to be the star. He’s a hell of a guitar player and would demonstrate that often throughout the night, but it’s the humble style in which he carries himself that makes him so endearing to the fans. In fact, during “Little Lies,” he walked over to the side of the stage to acknowledge a group of fans, tipping his hat to them and then flicked a guitar pick into the masses. It was a quick but important added personal touch that demonstrates that he recognizes the connection between the music that has given him a career and how that ties back directly to the fans who have supported him through all of the decades. 

So close to Halloween, it perhaps made perfect sense that there was also some Fleetwood Mac cosplay happening, with a good number of fans dressed as Nicks that could be spotted in the concourses and inside the arena. But this is hardly a new thing and the Cult of Stevie needs no excuse to dress up and honor their favorite witch — we’ve seen the same dedicated outfits at other Mac shows previously and in one case at a solo Nicks show in Youngstown on St. Patrick’s Day a few years ago, they worked in a bit of Irish flair. Nicks would not disappoint, extending her arms wide during “Rhiannon,” while later dissolving (thanks to some clever lighting) into a cloud of gold dust at the end of “Gold Dust Woman.” She had visible joy, harmonizing with Finn on a Mac rendition of the Split Enz favorite “I Got You,” playfully wagging her finger at Finn, while later pretending to push him back with her hand. Finn told the story of writing the song “in a small flat in Sydney,” not aware that Nicks was “learning the harmony on the other side of the world as she watched it on MTV.” 

REVIEW Lindsey Buckingham Live in Washington, DC October 19, 2018

Lindsey Buckingham at National Theatre
“We love you, Lindsey!”

“Fleetwood who!?

“I’ll have all your babies!”

Check out the photo gallery at OnTapOnline

Although Lindsey Buckingham’s show at the Warner Theatre on October 19 wasn’t quite sold out, those in attendance showered love and support for Fleetwood Mac’s former singer, songwriter and lead guitarist extraordinaire. Performing songs from a catalog going back 35 years, both from solo work as well as his days with Fleetwood Mac, Buckingham turned in a stellar and moving performance.

The concert opened quickly with “Don’t Look Down,” “Go Insane” and “Surrender in the Rain.” But soon enough, Buckingham addressed the matter on everybody’s mind: his recent, and untimely, ousting from Fleetwood Mac, saying slyly “one of the reasons” for this tour was because Warner Brothers had asked him to put together a compilation of his solo work.

“Although I’ve never been one to look back, this was an opportunity to examine a body of work that’s stood up pretty well, and perform some songs we’ve never done live.”

Most fans are now well aware of the controversial and acrimonious aspects of Buckingham’s departure from his former band, but he was in a generous and contemplative mood, saying the situation should be viewed with compassion.

For the man who wrote, arguably, the angriest break-up song ever, “Go Your Own Way,” I found Buckingham’s philosophical attitude revealing, and something to aspire to. Addressing the break-up early on may also have been Buckingham’s way of getting the “unpleasantness,” out of the way so we could concentrate on the music.

After years of performing, Buckingham is an expert at pacing a concert. The first third of the 22-song set was generally fast-paced, up-tempo material culminating with the mega-hit, “Trouble,” from his 1981 debut solo album Law and Order.

The concert’s middle section began with a few solo acoustic numbers before seguing back to lesser known, quirkier pop tunes, including the evening’s first Fleetwood Mac songs.

The slower music demonstrated the breadth and width of Buckingham’s songwriting abilities. Contrasting light melody “Slow Dancing,” with the stunning, deep and dark “Street of Dreams,” the artist’s songwriting mastery was obvious.

“Tusk,” signaled the final third of the performance, its heavy percussion urging the audience to its feet. The Fleetwood Mac slow-burner “I’m So Afraid,” climaxed in a jaw-dropping Buckingham guitar solo. He has a truly unique guitar playing style that uses a combination of finger picking and strumming to perform his solos, a technique that affords incredible range, versatility and intensity.

The finale, “Go Your Own Way,” with its incredible guitar solo, was the one song many of us, including me, was there to hear, and it was awesome.

The three-song encore began with “Turn it On,” followed by a stunning “Down on Rodeo.” The surprise, spontaneous final encore, a sublime “Rockaway Blind,” was performed solo acoustic for a “few friends” in the crowd. After profusely thanking the audience, as he’d done repeatedly throughout the night, Buckingham was finished, and the adoring audience went home, deliriously happy. Photos/write-up: Mark Caicedo - OnTapOnline